John Gorka and Amilia K Spicer

Total Page:16

File Type:pdf, Size:1020Kb

John Gorka and Amilia K Spicer Volume 44 No. 4 April 2018 John Gorka and Amilia K Spicer Mad Folk Concert Tickets at The Brink May 5 When you see this symbol – e The first Madison heard of John Lavin, Shawn Colvin – had become his – you’ll know that you’re read- Gorka was at least 25 years ago, when peers. he opened for Tom Paxton here. These In 1987, the young Minnesota- ing about a Mad Folk sponsored many years later, John appears on May based Red House Records caught event. Advance tickets for Mad 5 at the Brink, celebrating the release wind of John’s talents and released Folk shows are available online of his newest album, his 14th: True in his first album, I Know, to popular and Time. It is first project with the Com- critical acclaim. His rich multifaceted at www.madfolk.org and at these pass Records Group, which acquired songs full of depth, beauty and emo- outlets: Red House Records this past Novem- tion gained increasing attention from ber. critics and audiences across the coun- Folk musician and family man, try, as well as in Europe where his • Orange Tree Imports, 1721 Mon- singer/songwriter John Gorka utilizes a tours led him through Italy, Belgium, roe Street rare knack for storytelling to envelope Scotland, Ireland, Holland, Switzerland listeners, transporting them to new re- and Germany. He also started sharing alities through vivid attention to place tours with many notable friends—Nan- • Spruce Tree Music, 851 East and time. ci Griffith and Mary Chapin Carpenter Johnson Born in New Jersey, John Gorka got among them. All this brought his mu- his start at a neighborhood coffeehouse sic to an ever-widening audience. His in eastern Pennsylvania. Though small, video for the single “When She Kisses Purchase tickets ONLINE for Mad Godfrey Daniels was and is one of the Me” found a long-term rotation on VH- Folk concerts via Brown Paper oldest and most venerable music insti- 1’s “Current Country,” as well as on tutions and has long been a hangout for CMT and the Nashville Network. Tickets (with $1.62 service music lovers and aspiring musicians. His deep and steady voice is like the charge): In the late 1970’s, John was was one Bing Crosby of singer-songwriters, and https://www.brownpapertickets. of these aspiring musicians. Although the feeling of assuredness and com- his academic coursework at Moravian fort in that voice is one that few others com/producer/10879 College lay in Philosophy and History, evoke. John’s musical partnerships You can also purchase advance music began to offer paramount entice- span decades and include friends like ments. Soon he found himself living Eliza Gilkyson, Pete Kennedy (The tickets by mail. Send a stamped self- in the club’s basement and acting as Kennedys) and Lucy Kaplansky. If you addressed envelope with your check resident MC and sound man, encoun- follow the trail of his writing, you’ll find payable to Mad Folk, PO Box 665, tering legendary folk troubadours like deep and meaningful songs from one Canadian singer-songwriter Stan Rog- of the genre’s most quietly thoughtful Madison, WI 53701. If all else fails, call ers, Eric Andersen, Tom Paxton and troubadours. 608-846-9214 for information. Claudia Schmidt. Their brand of folk- Though a long way from Godfrey inspired acoustic music inspired him, Daniels, John Gorka is still honored to and before long he was performing his be a part of the folk tradition — ener- own songs – mostly as an opener for getic acoustic music that is not a trend, visiting acts. not a fad, but an expression of every- By the early 80‘s John started trav- day life. eling to New York City, where Jack MadFolk is happy to be present- Hardy’s legendary Fast Folk circle, ing this concert at The Brink Lounge, a breeding ground for many a major 701 E. Washington at 7pm on May 5. singer-songwriter, became a powerful Buy tickets online at MADFOLK.ORG, source of education and encourage- Orange Tree Imports and Spruce Tree ment. In time, folk meccas like Texas’ Music. $23 advance or $25 day of Kerrville Folk Festival, where he won show. the New Folk Award in 1984, and Bos- ton followed, and his stunningly soulful baritone voice and original songwriting began turning heads. Those who had at one time inspired him – Suzanne Vega, Bill Morrissey, Nanci Griffith, Christine TENKILLER - MARIE/LEPANTO BIG LEGAL MESS - 2018 cals for the other. Each of their voices are again, I still can’t believe that two of my heartbreakingly gorgeous on their own, favorite voices made a record together. but on those few tracks where they both Though I guess it kind of makes sense, sing, pardon the hyperbole, it’s like angels. because they are also two of my favorite Opening track “Patient, Patient Man” is one people. of those, you hear Johnson’s voice first, Marie/Lepanto will play Kiki’s House of while Kinkel-Schuster joins in at the end Righteous Music on April 9 at 8 pm. Tick- of each line. The title could just as well ets are available at undertowshows.com. describe our songwriters; most of the tracks unspool without urgency, Mad Folk News is published monthly by the taking the sonically scenic route. Kin- kel-Schuster for the most part sticks Madison Folk Music Society, a non-profit, to the quiet, soul-baring style of his volunteer-led society dedicated to fostering 2016 solo record Constant Stranger. folk music in the Madison area. Review by Kiki Schueler “Clean Gift,” “Rest Be Mine,” and “Sim- Contact us at [email protected] The name Marie/Lepanto may seem a ple Scenes” consist of little more than about concerts, membership, scholarships, strange name for a duo where neither is vocals, acoustic guitar and a softly and volunteer opportunities at named Marie, nor is either a woman. But brushed snare. The latter is particu- www.madfolk.org. it makes perfect sense to anyone who larly devastating, the lyrics revealing has seen the exit for Marshall/Deerfield www.facebook.com/pages/Madison-Folk- a broken relationship. What starts Music-Society/34497984835 and thought that would be an excellent off promising, “Safe in dreams I walk name for a lawman in a modern western. with you, safe in dreams I am young, Or heard Marques Bovre’s song “Ixonia I still hear those last kind words that Madison Folk Music Society Board Sullivan” and smiled, knowing that’s exit you gave to me,” eventually comes to 275 between Johnson Creek and Ocono- the realization that “there ain’t noth- DarleneBuhler...............President,Concerts, mowoc. The towns of Marie and Lepanto ing left for you and me but compli- Advertising flank I-55 just north of Memphis, and con- cated lines in simple scenes.” On the 225-0710~ [email protected] sequently it’s a road sign Justin Kinkel- other hand, the oasis of “High Desert” Schuster saw often as he drove south PegMichel….…..............................Treasurer recalls the magic of Kinkel-Schuster’s 831-1876 ~ [email protected] from St Louis. Those names stuck with previous band the Water Liars. Tracy Comer ........Membership & Web Site him, and it seemed a logical choice when While Johnson has his share of he and Will Johnson needed a name leisurely songs, in particular the stun- 729-4498 ~ [email protected] for their collaboration. The fact that the ning “Famished Raven” with its intoxi- NorbertWodke….......................…Secretary towns lay roughly between they grew up, cating vocals and a piano so subtle 836-8422 ~ [email protected] in Southeast Missouri and Western Arkan- you think you imagined it, he is also DedeGoldberg..............................Newsletter sas respectively, makes it an even better willing to lay on the effects. “Fea- distribution fit. Pointing out that the record was re- tures/Fights” combines smart lyrics (“I 246-4332 ~ [email protected] corded in Memphis (at Sam Phillips Stu- am setting out at dawn, realizing all Neil Morris....................................Newsletter dio) almost seems superfluous. The pair my gods are gone.”) with an urgent was given a tour of the space by producer editor beat and an increasingly fuzzed out 358-5855 ~ [email protected] Jeff Powell, who, in addition to producing guitar. “The Rail” takes those effects Meg Skinner.………............... Scholarships records for the Afghan Whigs and Big Star, even further, all the way to the seven had worked with each of them individu- minute mark, where it may or may 238-6950 ~ [email protected] ally. Once he suggested the two might not have overstayed its welcome. “In- Ron Dennis …........….....................………. want to record something there, it was verness” will come as a salve to those (608)228-5472 ~ [email protected] only a matter of time. who still mourn the loss of Johnson’s Kaia Fowler …........….....................………. The result is Tenkiller, ten tracks of band Centromatic, but this time all 920-728-3004 ~ [email protected] gorgeous vocals and aching guitar that the parts are played by the duo, from range from sparse to lush, from ballad-y the drumstick count-in to the hearty to buzzy. The pair split lead vocals, but guitars. It’s hard to imagine, but then only occasionally contribute backing vo- If you are on Facebook, please consider (if you have not already) “friending” or is it “liking” this page. Then when you are on this page you can invite others to “like” this page. https://www.facebook.com/pages/Madison-Folk-Music-Society/34497984835 Madison Folk Music Society Nonprofit Org P.O. Box 665, Madison, WI 53701 U.S. Postage Address Service Requested PAID ……………………………… Madison, WI …………….
Recommended publications
  • Contemporary Folk Week, July 24-30, 2016
    36 24-30 Contemporary Folk Week celebrates our 25th Anniversary with a world-class staff of returning artist/instructors including our first Master Music Maker, folk legend Tom Paxton and the timeless artistry of Janis Ian. We’re honored to also welcome back favorites from last year and previous years including Grammy-winners Kathy Mattea, Jon Vezner, and Don Henry, folk stalwarts Ellis Paul, Cliff Eberhardt and Amy Speace, vocal coaches Siobhan Quinn and Danny Ellis, and music theory guru Ray Chesna. We welcome an exciting new addition to this year’s staff in one of the leading lights in today’s contemporary folk scene, the wonderful Mary Gauthier. Drawing on tradition and innovation, our instructors bring a world of practical and imaginative experience to help you create and perform the music that makes your heart sing. Whether you’re trying out material at a local ‘open mike’, a performer with some experience, a working musician looking for some help in reaching your next goal, or someone who would simply like to feel more confident pulling that guitar out in front of others, we’re here to help, and our foundations are support, fun, and community. Our top-notch staff, knowledgeable in the various aspects of both the art and business of contemporary acoustic music, can help you achieve your goals. In addition, our limited enrollment and small campus encourage community-building at its best – frequent and informal interaction between students and staff, all doing our utmost to ensure that you go home energized and empowered to make the most of your music in hands-on and meaningful ways.
    [Show full text]
  • Dog Lane Café @ Storrs Center Og Lane Café Is Scheduled to Open in the Menu at Dog Lane Café Will Be Modeled Storrs, CT Later This Year
    Entertainment & Stuff Pomfret, Connecticut ® “To Bean or not to Bean...?” #63 Volume 16 Number 2 April - June 2012 Free* More News About - Dog Lane Café @ Storrs Center og Lane Café is scheduled to open in The menu at Dog Lane Café will be modeled Storrs, CT later this year. Currently, we are after The Vanilla Bean Café, drawing on influ- D actively engaged in the design and devel- ences from Panera Bread, Starbucks and Au Bon opment of our newest sister restaurant. Our Pain. Dog Lane Café will not be a second VBC kitchen layout and logo graphic design are final- but will have much of the same appeal. The ized. One Dog Lane is a brand new build- breakfast menu will consist of made to ing and our corner location has order omelets and breakfast sand- plenty of windows and a southwest- wiches as well as fresh fruit, ern exposure. Patios on both sides muffins, bagels, croissants, yogurt will offer additional outdoor seating. and other healthy selections to go. Our interior design incorporates Regular menu items served through- wood tones and warm hues for the out the day will include sandwiches, creation of a warm and inviting salads, and soups. Grilled chicken, atmosphere. Artistic style will be the hamburgers, hot dogs and vegetarian highlight of our interior space with options will be served daily along with design and installation by JP Jacquet. His art- chili, chowder and a variety of soups, work is also featured in The Vanilla Bean Café - a desserts and bakery items. Beverage choices will four panel installation in the main dining room - include smoothies, Hosmer Mountain Soda, cof- and in 85 Main throughout the design of the bar fee and tea.
    [Show full text]
  • JACK HARDY ! October 16- Workshop and Concert
    Connecticut Newsletter of the ConnecticutSongsmith Songwriters Association October 2004 Volume XXV Number 10 Issue #299 CSA is an educational, non-profit organization dedicated to Combining Arts, improving the art and craft of original musical and lyrical composition. Education, and Serving music's artisans and craftsmen since 1979. Community Outreach 1979 - 2004 :25 Years of Combining Arts, Education, and Community Outreach FROM NYC : JACK HARDY ! October 16- Workshop and Concert The CSA meeting for October will be held on .To participate in the critique session, bring a song SATURDAY October 16, 1pm at the Mystic on cassette or CD (or do it live), with 40 copies of Chamber of Commerce Conference Room. typed lyric sheets, and receive constructive (directions on page 2) feedback. Critique sessions are a good forum for works in progress or rough demos. For best From New York City, CSA is pleased to bring feedback, note on your lyric sheets the intended you one of today's songwriting legends, Jack genre and audience for your song, and what your Hardy. Jack is known around the world as both goals are (i.e. picked up by a commercial artist, a singer-songwriter, and as a mentor to aspiring self-produce, etc.). The programs at regular CSA songwriters, having taught such greats as monthly meetings are free to members, $5 to Suzanne Vega, Shaun Colvin, David Massengill, non-members, applicable toward membership if and many more. you join within 30 days. Members are encouraged For complete information and bio on Jack, you to bring a friend who might be interested in what can visit his website at www.jackhardy.
    [Show full text]
  • W W W . J a S O N S P O O N E R . C
    Has shared stages with: The ingredients behind northern New England’s Jason Spooner Trio Brandi Carlile read like a bizarre musical science experiment. Start with a prolific, Peter Rowan singer/songwriter (Jason Spooner) with heavy roots, folk & blues Railroad Earth influences. Then mix in a classicly-trained bassist (Adam Frederick) with Colin Hay 2007 Winner foundations in jazz and a knack for serious pocket grooves. Lastly, shake Mountain Stage NewSong Willy Porter things up with a rock-solid drummer (Reed Chambers) with deep- Contest International Finals John Gorka seeded roots in funk, soul & reggae and you’ve begun to scratch the Tom Rush surface of this unique, energetic band. Ron Sexsmith Josh Ritter In recent news, Jason and the band confirmed bookings for main stage Stephen Kellogg performances at the 2008 Kerrville Folk Festival (TX), the 2008 Carbon Leaf Falcon Ridge Folk Festival (NY), 2008 Musikfest (PA), the 2008 2007 National Finalist The Wailin’ Jennys Boston Folk Festvial (MA), and the 2008 Prescott Park Festival (NH). Starbucks Music Makers Competition Chris Smither Jason also opened a New England show for songwriter Brandi Carlile Crooked Still during the summer of 2008. Jason won the 2007 Mountain Stage Janis Ian NewSong contest international finals at the South Street Sea Port in Eliza Gilkyson New York City. He was also a national finalist in the 2007 Starbucks Music Kelly Joe Phelps Makers Competition. He toured the East Coast in the Spring of 2006 as Peter Tork part of the Emerging Artist Showcase at the 2005 Falcon Ridge Folk 2006 Preview Tour Slaid Cleaves Festival in Hillsdale, NY.
    [Show full text]
  • John Gorka Interview
    A Conversation with John Gorka Frank Goodman (Puremusic 3/2001) John Gorka’s career as a singer songwriter appears charmed, filled with good breaks and good luck. It brings to mind what a friend of mine says: “The harder I work, the luckier I get.” Anyone who knows John Gorka will tell you that he’s been after it relentlessly since the mid-80s, and has clearly risen to the top of the field. After cutting his teeth at a great listening room in eastern PA called Godfrey Daniels and becoming a regular in Jack Hardy’s Fast Folk crowd in NYC, he got off to a flying start when Red House Records and Fleming Tamulevitch & Associates booking picked him up simultaneously in 1987. FTA are the agents that veritably control the folk world, and Red House one of the most distinguished and coveted labels. John plays up to 150 shows a year at every venue that books singer songwriters, and has earned a fan base that will probably sustain his career the rest of his natural life, along with the new believers each year brings. After two records with Red House, John made five with Windham Hill’s High Street Records, all to critical acclaim. In search of a more art, less commerce approach to his music, Gorka’s happily back with his original label on the last two records. His latest pearl is called The Company You Keep. The most important company he’s keeping these days are his wife and two kids outside of St. Paul, MN, and I hear them featured in spirit throughout.
    [Show full text]
  • Record Eagle Grandtraverse.Org, Or Call the a Recent Phone Interview and in a Minneapolis John Gorka Plays Inside out Gallery Saturday Senior Center at 922-4911
    O R C H ESTRA T R A V E R S E C I T Y R E C O R D - E A G L E S E C T I O N C Going places ARTS&ENTERTAINMENT Friday, February 6, 2015 [email protected] FROM STAFF REPORTS TRAVERSE CITY — The In- ARTS terlochen Arts Academy Or- chestra is hitting the road. The orchestra, already tapped to appear on an all- Interlochen “From the Top” to be broadcast by National TC hailed ‘art hotbed’ Public Radio in April, will perform May 9 with French Expert: The ranking key-based Crooked Tree Arts Cen- northwest lower Michigan where earn the highest available ranking pianist Alexandre Tharaud ter which recently merged with researchers collected data, a in the “arts dollars” category. at The Berman Center for could be higher ArtsCenter Traverse City. “We do reflection of census data about Both Ahrens and the study the Performing Arts in West accomplish quite a bit up here.” the metropolitan area supplied to pointed to Interlochen Center for Bloomfield. BY NATHAN PAYNE Southern Methodist University’s researchers, Giraud Voss said. the Arts as a major contributor to [email protected] In 2016 the orchestra will National Center for Arts Re- The group produced the report the high ranking. play at the NY Phil Biennial, TRAVERSE CITY — Traverse search slotted the Traverse City in hopes of helping local arts “Interlochen is a $30 million (per the New York Philharmonic’s City is the only place in Michi- area in at 20 on its “arts vibrancy organization directors learn more year) organization,” Ahrens said.
    [Show full text]
  • Awakenings Oils and Small Works by Bainbridge Island Artist Jen Till
    March 29, 2013. For immediate release. PRESS RELEASE The Island Gallery 400 Winslow Way E., #120 For more information, contact Bainbridge Island, WA 98110 Susan Swannack-Nunn, Owner 206-780-9500/www.theislandgallery.net [email protected] Event: Calm Sea. Jen Till. Oil on canvas. 48” x 48”. Awakenings Oils and Small Works by Bainbridge Island Artist Jen Till April 5 - 21, 2013 Opening Reception First Friday, April 5th, 6-8 pm Featuring a Musical Performance by Peter Spencer and Friends (Updates always available on our blog: www.theislandgallery-artblog.blogspot.com) About the Event: Soft mists and hopeful light herald the awakenings all around, as spring steals over the landscape. Bainbridge Island artist Jen Till shares her subtle envisioning of a world waiting to bloom in a showing of large oil paintings and small works, also in oil. About the Artist: Jen Till spent her childhood years in a seaside village, Manchester-by-the- Sea, Massachusetts, along the New England coast. Surrounded by the seasons during her formative years led Jen to look to nature as the basis of all her work as a painter today. Her love of painting began at a young age. Jen's childhood experience in her New England surroundings was filled with the richness of colorful, sweeping fall, quiet, bleak winter, spring's lush bloom, and summer with its green warmth. Inspired by her many creative family members, she was fortunate to be entirely embraced in her budding love of art throughout childhood. Jen went on to the Rhode Island School of Design where she studied Painting and Textiles.
    [Show full text]
  • September 2003
    Folk Forum Newsletter September, 2003 Hello Friends, When I started writing this, it was September 11, 2003. I was afraid to turn on the radio. All week long we have seen extra police and sheriff cars on the cruise looking for “suspicious” activities. There were a dozen or so with flashing lights setting up check points and blockades at Koch refinery in Rosemont two days ago as I drove past with a load of veggies bound for food co-ops in the Twin Cities. I always feel guilty as I drive past holding my breath, rolling the windows up tight to avoid breathing the foul air. I am, on delivery days, part of that endless stream of air conditioned machines racing on massive concrete highways into and out of the city. As a people who claim to love the natural world and desire peace, we should not be living like this. We should not be doing this to our planet. I have driven for miles past parched fields. I know some of our produce will go to feed some of what Thorstein Veblen called the “Leisure class” practicing their art of “conspicuous consumption.” But I take comfort in knowing much of it will go to people working toward change, for a peaceful world, and for sustainable lifestyles. If, instead of guarding the oil supply, our extra homeland security police were riding bikes to jobs researching fuel cell vehicles, renewable energy applications for meeting domestic needs, or teaching in the overcrowded schools helping kids learn skills and values for living in a more ideal world…things would be different.
    [Show full text]
  • No Shows in June & July
    t u c i t c e n n o C , t e r f m o P “To Bean or not to Bean...?” TM #77 Issue 20 Number 2 April - June 2016 Free* une 22nd will be the 11 year anniversary of our sis- town customers. ter restaurant in Putnam. Opening with style eleven The outside patio area, added in front of several years ago, 85 Main featured a Raw Bar and was businesses including 85 Main, has brought attention described as a New American Fusion restaurant. to the restaurant and to the downtown area and In 2009, the bar area was expanded, creating a helped make Putnam a destination! space two times the size of the original bar In late 2014, 85 Main renovated the and large enough to accommodate a grow- downstairs function room. This new room ing number of customers choosing to drink is now a wine cellar function room and dine in the bar. The new area featured with stone walls and exposed wine a sushi bar designed in consultation with storage and can be used for func- Chef Osaki who was our sushi chef for a tions as well as for additional seat- number of years. The 85 Main sushi menu ing. Some of the events that have added a new dimension, flavors and beautiful cre- been held in the new space include, a chocolate ations to our existing menu offerings. and wine pairing evening, Tapas nights, wine din- 85 Main was the producer of the Shuck-Off Oys- ners and chef’s tables.
    [Show full text]
  • Mixx Has Morphed... MIXX MAGAZINE 1
    mixx has morphed... MIXX MAGAZINE 1 by Steve Bornstein, pixx by Dan Hott Mato Nanji is the lead guitarist, lead singer, and songwriter for the So you've been able to support yourself from doing this. band Indigenous, one of the newest, and certainly most successful Yeah, we've been supporting ourselves ever since we started. That's how additions to the InterMixx family. Comprised of himself, a sister, a we make our living. brother, and a cousin close enough to be a brother, these young Nakota That's great that you’re getting that much support. It's not always Indians from the Dakotas (now Minneapolis) have been blazing a trail easy to do that. across the country - award-winning heroes among the Indian There's a lot of fans, through the Midwest. I know a lot of major acts very community, only now getting noticed by the rest of the world. These rarely get to go through there. There’s a lot of fans who are pretty supportive. talented young musicians work together as only people who grew up Do you play Chicago? closely - can, though the spotlight most often falls on Mato. His fearless, Yeah, we’ve played Chicago a few times. flamboyant guitar style has drawn easy comparison to Stevie Ray Pretty big blues scene there. Vaughan and Jimi Hendrix, but he has a distinctive style that is much Yeah, it’s great, it’s fun. more than the sum of its influences. He is one of those rare artists who You’ve got a new live album out.
    [Show full text]
  • September CALENDAR of EVENTS
    September CALENDAR 2012 @7 EVENTS "EEJTPO4USFFUt#FSLFMFZ $BMJGPSOJBt tXXXGSFJHIUBOETBMWBHFPSH SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY S ALL SHOWS ARE GENERAL ADMISSION Freight Roots Revue E DOORS AT 7 PM, Max Newton Eric Bibb P Ramana MUSIC AT 8 PM String Band T Vieira (UNLESS OTHERWISE NOTED) Kress Cole WVRefcZ_X5Zc\A`hV]] E TICKET DISCOUNTS: R_U4VUcZTHRed`_ & Ensemble Clyde Leland M WRSf]`fd7RUZdeR YOUTH-HALF PRICE (AGES 25 & UNDER) FALL I SERIES CLASSES BEGIN d`_XhcZeZ_X^RXZT B W`ceYV#"deTV_efcj SENIOR-$2.00 OFF (AGES 65 & OVER) THE WEEK OF SEPTEMBER 10TH E MEMBERS-$2.00 OFF #%&!RUg #!&!RUg GUITAR tBANJO tUKULELE t MANDOLIN "%&! "'&! 2fXfde$! #'&!U``c 2fXfde$" R ##&!U``c September 1 TIBETAN AID The Freight PROJECT BENEFIT Box Office HoHLax O’Brien Party of 7 World Music John Santos is closed for Trio Tim, Mollie Journey with Wayne Labor Day ^RXZTR]^fdZTR] & their talented families h 5ZR_RDe`c\ Wallace and [`fc_Vje`8cVVTV CVZ_TRc_ReZ`_ 5ZR_RC`hR_ Monday, d`_Xd`WC`XVc>Z]]Vc A`ceZR5ZhR Orestes Vilató Cahalen & Eli open 5R_ZV]3Vc\^R_ eYcVVXZR_ed September 3 EVVUC`T\hV]] `W2Wc`=ReZ_[Rkk @^\Rc3YRgV #!&! ##&! September 5 #'&! #)&! September 6 ##&! #%&! DVaeV^SVc( ##&! #%&! September 8 BERKELEY OLD TIME MUSIC CONVENTION Thomas Maupin, Riley Baugus Erik Bill Monroe Daniel Rothwell w/ Trevor & Travis Lucy Jekabson’s Birthday Tribute & CO., Stuart, Kaplansky Laurie Lewis Rafe & Clelia Pharis & Jason Z^aVTTRS]V String-tet `eYVc3Rj2cVR d`_XhcZeZ_X The Bobs R_VheR\V ]f^Z_RcZVdY`^RXV RTRaaV]]Rg`TR]RTc`SRedd\VhVcZ_X e`eYVWReYVc Stefanini,
    [Show full text]
  • JOHN GORKA - Biography
    JOHN GORKA - Biography Godfrey Daniels is one of the oldest and most venerable music institutions in eastern Pennsylvania. A small neighborhood coffeehouse and listening room, it has long been a hangout for music lovers and aspiring musicians, and, in the late 1970s, one of these was a young Moravian College student named John Gorka. Though his academic course work lay in Philosophy and History, music began to offer paramount enticements. Soon he found himself living in the club’s basement and acting as resident M.C. and soundman, encountering legendary folk troubadours like Canadian singer/songwriter Stan Rogers, Eric Andersen, Tom Paxton and Claudia Schmidt. Their brand of folk-inspired acoustic music inspired him, and before long he was performing his own songs - mostly as an opener for visiting acts. Soon he started traveling to New York City, where Jack Hardy’s legendary Fast Folk circle (a breeding ground for many a major singer/songwriter) became a powerful source of education and encouragement. Folk meccas like Texas’ Kerrville Folk Festival (where he won the New Folk Award in 1984) and Boston followed, and his stunningly soulful baritone voice and emerging songwriting began turning heads. Those who had at one time inspired him - Suzanne Vega, Bill Morrissey, Nanci Griffith, Christine Lavin, Shawn Colvin - had become his peers. In 1987, the young Minnesota-based Red House Records caught wind of John’s talents and released his first album, I Know, to popular and critical acclaim. With unusual drive and focus, John hit the ground running and, when an offer came from Windham Hill’s Will Ackerman in 1989, he signed with that label’s imprint, High Street Records.
    [Show full text]