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Lawyers and the Law in Three Novels
The Catholic Lawyer Volume 37 Number 1 Volume 37, Number 1 Article 4 Children Into Men: Lawyers and the Law in Three Novels Gregory J. Sullivan Follow this and additional works at: https://scholarship.law.stjohns.edu/tcl Part of the Law and Society Commons This Article is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in The Catholic Lawyer by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. CHILDREN INTO MEN: LAWYERS AND THE LAW IN THREE NOVELS GREGORY J. SULLIVAN* It is a contradiction in terms to attempt a sinless Literatureof sinful man.' The interdisciplinary law-and-literature movement has bur- geoned in recent years. Numerous books and articles have ap- peared within the past decade or so and many law schools now regularly offer courses on the subject. This essay, however, will not address the movement itself; indeed, I believe it is replete with sundry limitations.2 Nevertheless, one facet of the growing area of law-and-literature-and the connections between the two fields-that is salutary is the renewed interest in, and explica- tion of, works of literature that have legal themes or involve characters who are lawyers. This area is one in which lawyers can provide insights into the novels that a reader untrained in the law would perhaps overlook or misunderstand. Associate, Hartsough & Kenny, New Jersey. B.A., cum laude, Trenton State College, 1985; M.A., Villanova University, 1987; J.D., Seton Hall University School of Law, 1992. -
Kiss Me Deadly: Communism, Motherhood, and Cold War Movies Author(S): Michael Rogin Source: Representations, No
Kiss Me Deadly: Communism, Motherhood, and Cold War Movies Author(s): Michael Rogin Source: Representations, No. 6 (Spring, 1984), pp. 1-36 Published by: University of California Press Stable URL: http://www.jstor.org/stable/2928536 Accessed: 04-03-2015 22:18 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Representations. http://www.jstor.org This content downloaded from 169.234.53.127 on Wed, 04 Mar 2015 22:18:06 UTC All use subject to JSTOR Terms and Conditions MICHAEL ROGIN Kiss Me Deadly: Communism,Motherhood, and Cold War Movies* I THE HISTORY of demonologyin Americanpolitics comprises three major moments.The firstis racial. "Historybegins for us withmurder and enslavement,not with discovery," wrote William Carlos Williams.' He wascalling attentionto thehistorical origins of theUnited States in violenceagainst peoples of color.The expropriationof Indianland and exploitationof blacklabor lie at theroot not only of America's economic development, but of its political conflicts and culturalidentity as well.A distinctiveAmerican political tradition, fearful of primitivism,disorder, and conspiracy,developed in responseto peoplesof color. That traditiondraws its energy from alien threatsto the Americanway of life, and sanctionsviolent and exclusionaryresponses to them.2 Classand ethnicconflict define the second demonological moment. -
Dissertation Rough Draft Final
UNIVERSITY OF CALIFORNIA RIVERSIDE Melville on the Beach: Transnational Visions of America A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ikuno Saiki December 2018 Dissertation Committee: Dr. Jennifer Doyle, Chairperson Dr. Steven Gould Axelrod Dr. Traise Yamamoto Copyright by Ikuno Saiki 2018 The Dissertation of Ikuno Saiki is approved: Committee Chairperson University of California, Riverside Acknowledgments This project would not have been finalized without the invaluable assistance of many people. First of all, I would like to express my sincere gratitude to my exam advisor and former dissertation chairperson, Professor Emory Elliott. Throughout the irregular and tedious process of completing my degree, he constantly encouraged me and supported me by frequent e- mail messages, writing from his office in early morning, or from a hotel in China at midnight, until a month before his sudden demise. I learned, and am still learning, from his enthusiastic and humanitarian approach to literature and from his pure devotion to help his students. Professor Jennifer Doyle was on my exam committee, and kindly succeeded Professor Elliott as chair. She made it possible for me to finish the dissertation within a limited amount of time, and her advice gave me a framework within which to integrate all my ideas. Professor Steven Gould Axelrod and Professor Traise Yamamoto supported me in the first difficult quarter at UC Riverside in 2001. I learned scholarship and the art of research from Professor Axelrod’s meticulous and warm suggestions on my seminar papers. Professor Yamamoto, who provides energetic guidance and affectionate care for her students, is one of my unattainable role models. -
The Intensity and Concentrated Fury of the Second World War Prompted Many of Those Who Had Participated in War Is Not Just the L
ABSTRACT THEMES AND MEANINGS IN THE AMERICAN AND FILIPINO NOVELS OF THE SECOND WORLD WAR IN THE PACIFIC BY Elena P. Polo The intensity and concentrated fury of the Second World War prompted many of those who had participated in it to re-create the war experience. To the novelists the war is not just the landscape for their narrative, but a vehicle for social comments as well as a means of depict- ing the human condition. The novelists are concerned with human values, with the problems of existence, and with man's capacity to endure. As critics have noted, the war is a ready-made microcosm which has permitted the novelists to set man against his chaotic world. American novelists who wrote on the Pacific war and the Filipino novelists who tried to portray the pain and anguish of the Japanese Occupation show a common preoccupa- tion. This study, which defines the themes of these novel- ists, shows that they are preoccupied with the subject of survival both physical and moral. The American novels on the war in the Pacific depict the individual's struggle against a crushing bureaucracy personified by the military organization and hostile forces 1 Elena P. Polo identified as Chance or Fate, nature, social inequalities, human nature itself and institutions. The novels portray man's quest for absolute freedom, for justice and equality. The American novelists show two definite responses to this human dilemma. One is a strong voice affirming man's basic humanity. Heggen's Mister Roberts, Wouk's Caine Mutiny, Statham's Welcome Darkness, Gwaltney's The Day the Century Ended and Mydan's Open City, analyzed in this study, clearly affirm the endurance of the human spirit and man's ability to triumph over forces that would "dehuman- ize and destroy." These novels suggest that man survives because of his humanness. -
University Microfilms, a XEROX Company, Ann Arbor, Michigan the UNIVERSITY of TULSA
71-13,531 LESTER, James D., 1935- MELVILLE'S THE PIAZZA TALES: THE QUEST FOR COMMUNICATIONS. The University of Oklahoma, Ph.D., 1970 Language and Literature, general University Microfilms, A XEROX Company, Ann Arbor, Michigan THE UNIVERSITY OF TULSA THE GRADUATE SCHOOL MELVILLE'S ^ PIAZZA TALES; THE QUEST FOR COMMUNICATIONS James D. Lester A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English The Graduate School The University of Tulsa 1970 T H E UNIVERSITY OF TULSA THE GRADUATE SCHOOL MELVILLE'S g PIAZZA TALES; THE QUEST FOR COMMUNICATIONS A DISSERTATION APPROVED FOR THE DEPARTMENT OF ENGLISH By Dissertation Committee % ■ P. Chairman y 7 f il ABSTRACT Lester, James D. (Ph.D.) Melville's Piazza Tales : The Quest for Communications Directed by Professor E, Paul Alworth This study explores an incompletely examined area in Melville scholarship: focusing on The Piazza Tales it examines Melville's quest for a more perfect communication. The six stories convey a Melvillian view of communication breakdowns among men, especially as misuse of language isolates the non- communicative soul. Although his tales are more than communi cations tragedies, an awareness of articulation breakdowns intensifies each story. In summary, his theory demonstrates these concepts: every man desires communication to overcome both his own imperfections and the external barriers preventing communication; some men successfully communicate, others merely articulate with hollow substance, and a few tragic ones reject communications entirely. The personalities seek communicative contact to find identity of self, to fill aesthetic needs, or to achieve therapeutic or psychological release, Melville evidences concern with three barriers: social norms that dis tort the receiver's attention to truth, the closed mind of the self-centered man, and the misreading of signs and symbols. -
To View the Full
GALLERY GATEWAY American Voyager: Herman Melville at 200 DONATE NOW! Please support The Rosenbach! Major support for American Voyager is provided by The Gladys Krieble Delmas Foundation The McCausland Foundation Susan Tane Clarence Wolf The Rosenbach extends special thanks to American Voyager lenders: acknowledgements Delaware Historical Society (Wilmington, Delaware) Independence Seaport Museum (Philadelphia) New York Society Library (New York City) Anonymous Private Collectors (2) Title graphic rights courtesy of Plattsburgh State Art Museum, State University of New York, USA, Rockwell Kent Collection, Bequest of Sally Kent Gorton. All rights reserved. Selected design elements presented throughout the Gallery Gateway are adapted from lithographic prints in Benton Spruance and Lawrance Thompson, Moby Dick, the Passion of Ahab (Barre, Massachusetts: Barre Publishers, 1968), courtesy of the Benton Spruance Estate. Exhibit and graphic design by Olivetree Design (olivetreedesign.com) Graphics printed by Color Reflections / 2 Acknowledgements ............................................................................................................................................................ 2 Table of Contents ................................................................................................................................................................ 3 Welcome to the Gallery Gateway ..................................................................................................................................4 Key -
Herman Melville René Galand Wellesley College
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Wellesley College Wellesley College Wellesley College Digital Scholarship and Archive French Faculty Scholarship French 2000 An American Forerunner of the Absurd: Herman Melville René Galand Wellesley College Follow this and additional works at: http://repository.wellesley.edu/frenchfaculty Translation of Reun ar C’halan [René Galand], “Un diaraoger amerikan d’an Diveiz: Herman Melville (1819-1891)”, Al Liamm, niv. 350 (Mezeven 2000), pp. 37-53 Recommended Citation Galand, René, "An American Forerunner of the Absurd: Herman Melville" (2000). French Faculty Scholarship. Paper 11. http://repository.wellesley.edu/frenchfaculty/11 This Article is brought to you for free and open access by the French at Wellesley College Digital Scholarship and Archive. It has been accepted for inclusion in French Faculty Scholarship by an authorized administrator of Wellesley College Digital Scholarship and Archive. For more information, please contact [email protected]. René Galand, An American forerunner of the Absurd: , Herman Melville Herman Melville is without a doubt one of the most important American writers. His work, no less remarkable for its depth than for its volume, is characterized by his tragic vision of man’s fate, by the power of its symbolism, and by the virtuosity of its style. Melville was only twelve when his father, a New York merchant, died a bankrupt. To make a living, Melville tried his hand at different jobs: bank clerk, farm hand, crew member aboard a trading ship which sailed from New York to Liverpool, elementary school teacher, before he eventually, in 1841, signed on as a seaman aboard the whaling ship Acushnet . -
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René Galand, An American forerunner of the Absurd: , Herman Melville Herman Melville is without a doubt one of the most important American writers. His work, no less remarkable for its depth than for its volume, is characterized by his tragic vision of man’s fate, by the power of its symbolism, and by the virtuosity of its style. Melville was only twelve when his father, a New York merchant, died a bankrupt. To make a living, Melville tried his hand at different jobs: bank clerk, farm hand, crew member aboard a trading ship which sailed from New York to Liverpool, elementary school teacher, before he eventually, in 1841, signed on as a seaman aboard the whaling ship Acushnet . In 1842, he deserted his ship in the Marquesa Islands, found passage for Tahiti and Hawaï, where, the following year, he enlisted in the navy and returned to America aboard the frigate United Sates . In October 1844, he was discharged from the navy in Boston. His first two books, Typee (1846) and Omoo (1847), based on his adventures in the South Pacific, made him immediately famous. A more ambitious work, the allegorical novel Mardi (1849), was a failure. In order to regain his popularity, Melville published two other novels based on his sea adventures, Redburn (1849), inspired by his 1839 crossing to Liverpool, and White-Jacket (1850), by his service aboard a U.S. Navy frigate. Melville had married in 1847. After a trip to Europe (1849-1850), he returned to New York where he began to work on a major novel, Moby-Dick , in which he made use of his experience aboard the whaling vessel Acushnet . -
Melville and the Question of Camã´Es
Studies in English, New Series Volume 8 Article 3 1-1-1990 Melville and the Question of Camôes George Monteiro Brown University Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Monteiro, George (1990) "Melville and the Question of Camôes," Studies in English, New Series: Vol. 8 , Article 3. Available at: https://egrove.olemiss.edu/studies_eng_new/vol8/iss1/3 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Monteiro: Melville and the Question of Camôes MELVILLE AND THE QUESTION OF CAMÕES George Monteiro Brown University Of Herman Melville’s interest in the life and works of Luis de Camões there exists ample evidence. First, there continues to sing out from the pages of his novel White-Jacket (1850) the cries of the “matchless and unmatchable Jack Chase,” who appears to have been the young sailor Melville’s beau ideal: “For the last time, hear Camoens, boys!”1 Secondly, from the pages of Melville’s encyclopaedic novel Moby-Dick (1851) come unmistakable references to Camões’ poem of empire The Lusiads (1572), a work that Erich Auerbach calls “the great epic of the ocean.”2 Third, among the books in Melville’s library (the term library being defined to cover both the books owned by Melville and/or known to have been read by him) we can with confidence number The Lusiad: or The Discovery of India, translated by William Julius Mickle (1776), Poems, From the Portuguese of Luis de Camoens, translated by Lord Viscount Strangford (1803), and Poems of Elizabeth Barrett Browning (1854), the last of which includes the unmarried Miss Barrett’s “Catarina to Camoens,” a poem well known to Melville and, it has been suggested, useful to him in the writing of his long poem Clarel Fourth, several of Melville’s poems allude to or draw upon Camões’ work. -
2 October 2015
October 2 - October 18 Volume 32 - Issue 20 COBHAM HALL, WISEMAN FERRY Why not take a trip to Cobham Hall at Wisemans Ferry. This is the original home of Solomon Wiseman. Cobham Hall is within the Wisemans Inn Hotel. The current owner has restored much of the upstairs rooms and they are all open to the public with great information boards as to the history. “Can you keep my dog from Gentle Dental Care For Your Whole Family. getting out?” Two for the price of One MARK VINT Check-up and Cleans 9651 2182 Ph 9680 2400 When you mention this ad. Come & meet 270 New Line Road 432 Old Northern Rd vid Dural NSW 2158 Call for a Booking Now! Dr Da Glenhaven Ager [email protected] Opposite Flower Power It’s time for your Spring Clean ! ABN: 84 451 806 754 WWW.DURALAUTO.COM BRISTOL PAINT AND Hills Family Free Sandstone battery DECORATOR CENTRE Run Business backup when you mention Sales “We Certainly Can!” this ad Unit 7 No 6 Victoria Ave Castle Hill, NSW 2158 Buy Direct From the Quarry P 02 9680 2738 F 02 9894 1290 9652 1783 M 0413 109 051 Handsplit 1800 22 33 64 E [email protected] Joe 0416 104 660 Random Flagging $55m2 www.hiddenfence.com.au A BETTER FINISH BEGINS AT BRISTOL 113 Smallwood Rd Glenorie FEATURE ARTICLES “Safelink FM/DM digital Through conditioning offering a free Rechargeable signal” that’s transmitted and clear instructions, your Battery Backup for all through a tough wire installed dog becomes well aware installations. -
Filozofické Aspekty Technologií V Komediálním Sci-Fi Seriálu Červený Trpaslík
Masarykova univerzita Filozofická fakulta Ústav hudební vědy Teorie interaktivních médií Dominik Zaplatílek Bakalářská diplomová práce Filozofické aspekty technologií v komediálním sci-fi seriálu Červený trpaslík Vedoucí práce: PhDr. Martin Flašar, Ph.D. 2020 Prohlašuji, že jsem tuto práci vypracoval samostatně a použil jsem literárních a dalších pramenů a informací, které cituji a uvádím v seznamu použité literatury a zdrojů informací. V Brně dne ....................................... Dominik Zaplatílek Poděkování Tímto bych chtěl poděkovat panu PhDr. Martinu Flašarovi, Ph.D za odborné vedení této bakalářské práce a podnětné a cenné připomínky, které pomohly usměrnit tuto práci. Obsah Úvod ................................................................................................................................................. 5 1. Seriál Červený trpaslík ................................................................................................................... 6 2. Vyobrazené technologie ............................................................................................................... 7 2.1. Android Kryton ....................................................................................................................... 14 2.1.1. Teologická námitka ........................................................................................................ 15 2.1.2. Argument z vědomí ....................................................................................................... 18 2.1.3. Argument z -
Senate Resolution No. 238 Senator BRESLIN BY: the Bicentennial
Senate Resolution No. 238 BY: Senator BRESLIN CELEBRATING the Bicentennial of the birth of Herman Melville, American novelist, short story writer, and poet of the American Renaissance period who was a long-time resident of New York State, including Lansingburgh, Albany and New York City to be celebrated on August 3, 2019 WHEREAS, It is the custom of this Legislative Body to recognize those artistic individuals whose creative talents and commitment to writing contribute to the enrichment of their community and the world, and to pay homage to a man whose life of writing stands out as an inspiration to others; and WHEREAS, This Legislative Body is justly proud to celebrate the Bicentennial of the birth of Herman Melville, American novelist, short story writer, and poet of the American Renaissance period; this momentous occasion will be celebrated with a Birthday Party hosted by the Lansingburgh Historical Society on Saturday, August 3, 2019, where they will feature a one man play, Sailing Toward My Father, featuring Stephen Collins chronicling Herman Melville's life from youth to old age at the Gardner Earl Chapel in Oakwood Cemetery in Troy, New York; and WHEREAS, Herman Melville was born to Allan and Maria (Gansevoort) Melville on August 1, 1819, in Manhattan, New York; in 1830, the family moved to Albany, New York, where they lived first at Market Street (now Broadway) and Steuben Street and later at 3 Clinton Square; after the death of Allan in 1832, Maria and her children struggled financially; when his mother could afford the tuition,