The Odyssey (Select Books)
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University of Florida Thesis Or Dissertation Formatting
THE ANATOMY OF ROMAN EPIC: A STUDY OF POETIC VIOLENCE By JAMES MOSS LOHMAR A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 James Moss Lohmar 2 Meis parentibus sororibusque bellis 3 ACKNOWLEDGMENTS I must first thank my mother, for forcing me to take Latin, and my father, for always talking shop. My sisters, Sarah and Elizabeth, have supported me throughout my studies, and their enthusiasm for my progress is always welcome. I have profound respect for Dr. Robert Burgess and Professors Mario Erasmo and James Anderson, without whose enthusiasm and instruction my decision to pursue a Ph.D. would have never come about. My gratitude goes to Professor Victoria Pagán and the students of her Lucan seminar during Fall 2009, whence the nascent stages of this project were born. My thanks go to Seth Boutin, Megan Daly and George Hendren, in particular, for their erudition and collegial support in this process. Lindsay Rogers offered me much support in the way of professional and academic advice throughout my graduate studies. I have appreciated the criticisms of Professor Gene Witmer in UF Philosophy, who has offered help in making this project appeal to a non-specialist audience. His suggestions of horror bibliography and modern film comparanda have been indispensible. Professor Kostas Kapparis has been a steady mentor in my teaching and writing since I began Ph.D. work, and his objectivity has kept my argument grounded in the text. -
The World's Desire
The World's Desire H. Rider Haggard and Andrew Lang The World's Desire Table of Contents The World's Desire...................................................................................................................................................1 H. Rider Haggard and Andrew Lang.............................................................................................................1 i The World's Desire H. Rider Haggard and Andrew Lang To W. B. RICHMOND, A.R.A. PREFACE The period in which the story of The World's Desire is cast, was a period when, as Miss Braddon remarks of the age of the Plantagenets, "anything might happen." Recent discoveries, mainly by Dr. Schliemann and Mr. Flinders Petrie, have shown that there really was much intercourse between Heroic Greece, the Greece of the Achaeans, and the Egypt of the Ramessids. This connection, rumoured of in Greek legends, is attested by Egyptian relics found in the graves of Mycenae, and by very ancient Levantine pottery, found in contemporary sites in Egypt. Homer himself shows us Odysseus telling a feigned, but obviously not improbable, tale of an Achaean raid on Egypt. Meanwhile the sojourn of the Israelites, with their Exodus from the land of bondage, though not yet found to be recorded on the Egyptian monuments, was probably part of the great contemporary stir among the peoples. These events, which are only known through Hebrew texts, must have worn a very different aspect in the eyes of Egyptians, and of pre−historic Achaean observers, hostile in faith to the Children of Israel. The topic has since been treated in fiction by Dr. Ebers, in his Joshua. In such a twilight age, fancy has free play, but it is a curious fact that, in this romance, modern fancy has accidentally coincided with that of ancient Greece. -
RNCM-Brochure-Summer-19-Web.Pdf
FS original What makes something original? Does originality actually exist or do we ԥ O UܼGݤܼQޖܥԥ O UܼGݤܼQޖԥ all simply build from what we have seen adjective and heard? adjective: original 1. What enables us to dare to be different not dependent on other people's ideas; inventive or novel. from others or independent of the context "a subtle and original thinker" in which we are working? What does the future of music look like? www.rncm.ac.uk/soundsoriginal 2 3 Wed 24 Apr // 7.30pm // RNCM Concert Hall TRINITY CHURCH OF ENGLAND HIGH SCHOOL ANNIVERSARY CONCERT 2019 TWO FOR TUBULAR BELLS Tickets £5 Promoted by Trinity Church of England High School Sun 28 Apr // 7pm // RNCM Concert Hall OLDHAM CHORAL SOCIETY VERDI REQUIEM East Lancs Sinfonia Linda Richardson soprano Kathleen Wilkinson mezzo-soprano David Butt Philip tenor Thomas D Hopkinson bass Thu 02 – Sat 04 May // 7.30pm Nigel P Wilkinson conductor Sat 04 May // 2pm // RNCM Theatre Tickets £15 Promoted by Oldham Choral Society RNCM YOUNG COMPANY SWEET CHARITY Photo credit: Warren Kirby Mon 29 Apr // 7.30pm Book by Neil Simon // Carole Nash Recital Room Music by Cy Coleman Mon 29 Apr // 7.30pm // RNCM Concert Hall Lyrics by Dorothy Fields ROSAMOND PRIZE Based on an original screenplay by Federico Fellini, Tullio Pinelli and Ennio Flaino TUBULAR BELLS FOR Produced for the Broadway stage by Fryer, Carr and Harris Conceived, Staged and Choreographed by Bob Fosse RNCM student composers collaborate with TWO Joseph Houston director Creative Writing students from Manchester Madeleine Healey associate director Metropolitan University to create new George Strickland musical director works in this annual prize. -
The Untold Death of Laertes. Revaluating Odysseus's Meeting
The untold death of Laertes. Revaluating Odysseus’s meeting with his father Abstract This article discusses the narrative function and symbolism of the Laertes scene in the twenty- fourth book of the Odyssey. By pointing out the scene’s connections to other passages (the story of Penelope’s web, the first and second nekuia , the farewellto the Phaeaceans, the Argus scene, but also the twenty-fourth book of the Iliad) and by tackling some of the textualproblems that it poses (the apparent cruelty of Odysseus’s lies to his father, the double layers of meaning in his fictions, the significance of the sèma of the trees), this article aims to point out how the Laertes scene is tightly woven into the larger thematic and symbolicaltissue of the Odyssey. Odysseus’s reunion with his father is conclusive to the treatment of some important themes such as death and burial, reciprocalsense of love and duty and the succession of generations. It willbe argued that the untold death of Laertes becomes paradigmatic for the fate Odysseus himself chooses, and for the way in which the epic as a whole deals with the problem of mortality. Keywords Odyssey, Laertes, symbolism, mortality, burial, reciprocity Laertes, the old father of Odysseus, is a somewhat forgotten character. He is mostly considered to be of minor importance to the plot of the Odyssey, and his reunion with his son in the twenty-fourth book is often seen as a more or less dispensable addendum to the realclimax, the recognition scene with Penelope. In this article, I aim to readjust this view by exploring the context and significance of this final meeting. -
Arbiter, November 16 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 11-16-2006 Arbiter, November 16 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. THE INDEPENDENT STUDENT VOICE OF BOISE STATE SINCE 1933 THURSDAY, NOVEMBER 16, 2006 ISSUE 27, VOLUME 19. FIRST ISSUE FREE. BIZTECH I ~~~i Learn why you should be thinking about retirement savings now, and read our 101 guide to dorm stereo systems. OPINION PAGE 6 Check out a guest opinion response to Mike Esposito's recent article about staff Involvement In student activities. Also, students debate BY BARRY FRANKLIN speakers-were similar. However, "Take your campus back," the fallout of an attack on the AND CEAN SIEGEL Senior Resident ..Advis\?t Sean Laliberte said. Connolly felt the .Individuals who Liillb~rte said the BSU staff is .' Greenbelt last week. Arbiter Staff , .... needed the message most were not also wotking on a panel (ijs(;ussion in attendance.j.t-« ' " .;.-' , where University Presidenf:,Bob ",J' Students, faculty and commu- CULTURE nity members flocked to the Quad "It's the peopJewho aren't here to- Kustra Will be invQlved~;;Thf.Panel 'fuesday for the "No Oppression day who are the ones who are.caus- is s~t to lake place the)veek of NoV; Tolerated" rally, and listened to ing this violence, who are. -
The World of Odysseus M
THE WORLD OF ODYSSEUS M. I. FINLEY INTRODUCTION BY BERNARD KNOX NEW YORK REVIEW BOOKS CLASSICS THE WORLD OF ODYSSEUS M. I. FINLEY (1912–1986), the son of Nathan Finkelstein and Anna Katzellenbogen, was born in New York City. He graduated from Syracuse University at the age of fifteen and received an MA in public law from Columbia, before turning to the study of ancient history. During the Thirties Finley taught at Columbia and City College and developed an interest in the sociology of the ancient world that was shaped in part by his association with members of the Frankfurt School who were working in exile in America. In 1952, when he was teaching at Rutgers, Finley was summoned before the Senate Internal Security Subcommittee and asked whether he had ever been a member of the Communist Party. He refused to answer, invoking the Fifth Amendment; by the end of the year he had been fired from the university by a unanimous vote of its trustees. Unable to find work in the US, Finley moved to England, where he taught for many years at Cambridge, helping to redirect the focus of classical education from a narrow emphasis on philology to a wider concern with culture, economics, and society. He became a British subject in 1962 and was knighted in 1979. Among Finley’s best-known works are The Ancient Economy, Ancient Slavery and Modern Ideology, and The World of Odysseus. BERNARD KNOX is director emeritus of Harvard’s Center for Hellenic Studies in Washington, DC. Among his many books are The Heroic Temper, The Oldest Dead White European Males, and Backing into the Future: The Classical Tradition and Its Renewal. -
THE WORLD's DESIRE by H
THE WORLD'S DESIRE by H. Rider Haggard and Andrew Lang To W. B. RICHMOND, A.R.A. PREFACE The period in which the story of The World's Desire is cast, was a period when, as Miss Braddon remarks of the age of the Plantagenets, "anything might happen." Recent discoveries, mainly by Dr. Schliemann and Mr. Flinders Petrie, have shown that there really was much intercourse between Heroic Greece, the Greece of the Achaeans, and the Egypt of the Ramessids. This connection, rumoured of in Greek legends, is attested by Egyptian relics found in the graves of Mycenae, and by very ancient Levantine pottery, found in contemporary sites in Egypt. Homer himself shows us Odysseus telling a feigned, but obviously not improbable, tale of an Achaean raid on Egypt. Meanwhile the sojourn of the Israelites, with their Exodus from the land of bondage, though not yet found to be recorded on the Egyptian monuments, was probably part of the great contemporary stir among the peoples. These events, which are only known through Hebrew texts, must have worn a very different aspect in the eyes of Egyptians, and of pre-historic Achaean observers, hostile in faith to the Children of Israel. The topic has since been treated in fiction by Dr. Ebers, in his Joshua. In such a twilight age, fancy has free play, but it is a curious fact that, in this romance, modern fancy has accidentally coincided with that of ancient Greece. Most of the novel was written, and the apparently "un-Greek" marvels attributed to Helen had been put on paper, when a part of Furtwängler's recent great lexicon of Mythology appeared, with the article on Helen. -
Greek Mythology / Apollodorus; Translated by Robin Hard
Great Clarendon Street, Oxford 0X2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Robin Hard 1997 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published as a World’s Classics paperback 1997 Reissued as an Oxford World’s Classics paperback 1998 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose this same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Apollodorus. [Bibliotheca. English] The library of Greek mythology / Apollodorus; translated by Robin Hard. -
022 Harvard Classics
THE HARVARD CLASSICS The Five-Foot Shelf of Books a. 33 - •J* w *n ho ? * 1* THE HARVARD CLASSICS EDITED BY CHARLES W. ELIOT, LL.D. The Odyssey of Homer TRANSLATED BY S. H. BUTCHER AND A. LANG W//A Introduction and Notes Volume 22 P. F. Collier & Son Corporation NEW YORK Copyright, 1909 BY P. F. COLLIER & SON MANUFACTURED IN U. S. A. CONTENTS PAGE BOOK I 9 BOOK II . 21 BOOK III 33 BOOK IV 46 BOOK V 68 BOOK VI 81 BOOK VII 9° BOOK VIII 99 BOOK IX "5 BOOK X *$° BOOK XI MS BOOK XII 162 BOOK XIII '74 BOOK XIV 186 BOOK XV 200 BOOK XVI . 2I5 BOOK XVII 228 BOOK XVIII 245 BOOK XIX 257 BOOK XX 273 BOOK XXI .284 BOOK XXII 296 BOOK XXIII 310 BOOK XXIV 320 INTRODUCTORY NOTE BY the ancient Greeks the authorship of their two great epic poems, the "Iliad" and the "Odyssey," was ascribed to Homer. Tradition as to the birthplace of this poet varied greatly, but the place most favored was Smyrna in Asia Minor. It was related also that the poet was blind, that he made his home in the island of Chios, and that he died in Ios. The siege of Troy, which forms the subject of the "Iliad," and is the occasion of the wanderings of Odysseus, is unknown to history. Modern archaeological research has, indeed, unearthed in Asia Minor a site which may plausibly be identified with the Homeric city, and it is entirely possible that here there once occurred a struggle between two peoples inhabiting the shores of the Aegean Sea. -
Santa Anita Park
S ANTA A NITA P ARK 2015 Spring/Summer Media Guide Table of Contents Stakes Schedule ............................................ Inside Front Cover Last Tycoon Stakes .................................................. 30 Meet-At-A-Glance ........................................................ 2 Lazaro Barbara Stakes ............................................... 31 Information Resources..................................................... 3 Los Angeles Handicap ................................................ 32 Santa Anita Track Records and Statistics ....................................... 4 Melair Stakes ...................................................... 33 Santa Anita Spring Meeting Attendance and Handle............................... 5 Mizdirection Stakes.................................................. 34 Santa Anita Spring Meeting Stakes Winners .................................... 6 Precisionist Stakes .................................................. 34 Santa Anita Spring Meeting Media Poll ........................................ 7 Royal Heroine Stakes ................................................ 35 Santa Anita Spring Meeting Leaders .......................................... 8 San Juan Capistrano Stakes ........................................ 36-39 Roster of Santa Anita Jockeys ............................................... 9 Santa Anita Juvenile .............................................. 40-41 Roster of Santa Anita Trainers .............................................. 10 Senorita Stakes.................................................... -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
Greek Mythology Link (Complete Collection)
Document belonging to the Greek Mythology Link, a web site created by Carlos Parada, author of Genealogical Guide to Greek Mythology Characters • Places • Topics • Images • Bibliography • Español • PDF Editions About • Copyright © 1997 Carlos Parada and Maicar Förlag. This PDF contains portions of the Greek Mythology Link COMPLETE COLLECTION, version 0906. In this sample most links will not work. THE COMPLETE GREEK MYTHOLOGY LINK COLLECTION (digital edition) includes: 1. Two fully linked, bookmarked, and easy to print PDF files (1809 A4 pages), including: a. The full version of the Genealogical Guide (not on line) and every page-numbered docu- ment detailed in the Contents. b. 119 Charts (genealogical and contextual) and 5 Maps. 2. Thousands of images organized in albums are included in this package. The contents of this sample is copyright © 1997 Carlos Parada and Maicar Förlag. To buy this collection, visit Editions. Greek Mythology Link Contents The Greek Mythology Link is a collection of myths retold by Carlos Parada, author of Genealogical Guide to Greek Mythology, published in 1993 (available at Amazon). The mythical accounts are based exclusively on ancient sources. Address: www.maicar.com About, Email. Copyright © 1997 Carlos Parada and Maicar Förlag. ISBN 978-91-976473-9-7 Contents VIII Divinities 1476 Major Divinities 1477 Page Immortals 1480 I Abbreviations 2 Other deities 1486 II Dictionaries 4 IX Miscellanea Genealogical Guide (6520 entries) 5 Three Main Ancestors 1489 Geographical Reference (1184) 500 Robe & Necklace of