Isl 102 Course Title:-Mosque in Islam
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Rituals of Islamic Spirituality: a Study of Majlis Dhikr Groups
Rituals of Islamic Spirituality A STUDY OF MAJLIS DHIKR GROUPS IN EAST JAVA Rituals of Islamic Spirituality A STUDY OF MAJLIS DHIKR GROUPS IN EAST JAVA Arif Zamhari THE AUSTRALIAN NATIONAL UNIVERSITY E P R E S S E P R E S S Published by ANU E Press The Australian National University Canberra ACT 0200, Australia Email: [email protected] This title is also available online at: http://epress.anu.edu.au/islamic_citation.html National Library of Australia Cataloguing-in-Publication entry Author: Zamhari, Arif. Title: Rituals of Islamic spirituality: a study of Majlis Dhikr groups in East Java / Arif Zamhari. ISBN: 9781921666247 (pbk) 9781921666254 (pdf) Series: Islam in Southeast Asia. Notes: Includes bibliographical references. Subjects: Islam--Rituals. Islam Doctrines. Islamic sects--Indonesia--Jawa Timur. Sufism--Indonesia--Jawa Timur. Dewey Number: 297.359598 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU E Press Printed by Griffin Press This edition © 2010 ANU E Press Islam in Southeast Asia Series Theses at The Australian National University are assessed by external examiners and students are expected to take into account the advice of their examiners before they submit to the University Library the final versions of their theses. For this series, this final version of the thesis has been used as the basis for publication, taking into account other changesthat the author may have decided to undertake. -
A New "Abraha Inscription Fiom the Great Dam of Märib*
proceedings of the Seminar for Arabian Sfudies 34 (2004): 221-230 A new "Abrahainscription fiom the Great Dam of Märib* Forty-three inscnptions and hgments of inscriptions legal texts.' The implication is that these hgments are are now visible on the walls of the No& Sluice at the much older than the constmction date of the North Great Dam at Märib.' Some of thern have been known Sluice. But this is not the topic of this Paper. since the first European travellers visited Märib in the By far the most important find was no longer in the nineteenth century: but a significant number are new to walls of the North Sluice when it was discovered, but us. With a few exceptions, these inscnptions do not re- lay in the sand, close to the outside of the wall of the fer to the building of the Great Dam, the stones on Great Basin (Fig. 1, and see Vogt 2004). It is a lirne- which they were carved having simply been re-used as stone column, C. 1.30 m high, which is inscribed on all buildiig materials. Among them, we have found dedica- four sides. The author was 'Abraha, the Ethiopian king tions from the sanctuaries Imown as ~ar'än' and of Yemen, from whorn we have the long inscription fiarünum, the latter being situated within the city walls recording the breaking of the Great Dam (C 541), which of Märib? We have also found various fragments of was also erected close to the North Sluice. Our new find GROSSER DAMM IN MARI8 - NOROBAU SCYEMATISCUIO ERUNOOIIS STAND: 2/04 TOSBECKEN --______--ZC G2 = The "new cotuhlelion" B + C =R.=paid Pm of (qab~) tüc 'A& C 541 / 103-110 DAI GDN Zm?-zO / L5.24 45 mbim in leogtb 45 mbim in im@ 14 cubim m Mdtü 14 cubia in widtü ii35 mbia in hnght 35 mbim b hcigbt FIGURE1. -
Pre-Islamic Arabia
Pre-Islamic Arabia The Nomadic Tribes of Arabia The nomadic pastoralist Bedouin tribes inhabited the Arabian Peninsula before the rise of Islam around 700 CE. LEARNING OBJECTIVES Describe the societal structure of tribes in Arabia KEY TAKEAWAYS Key Points Nomadic Bedouin tribes dominated the Arabian Peninsula before the rise of Islam. Family groups called clans formed larger tribal units, which reinforced family cooperation in the difficult living conditions on the Arabian peninsula and protected its members against other tribes. The Bedouin tribes were nomadic pastoralists who relied on their herds of goats, sheep, and camels for meat, milk, cheese, blood, fur/wool, and other sustenance. The pre-Islamic Bedouins also hunted, served as bodyguards, escorted caravans, worked as mercenaries, and traded or raided to gain animals, women, gold, fabric, and other luxury items. Arab tribes begin to appear in the south Syrian deserts and southern Jordan around 200 CE, but spread from the central Arabian Peninsula after the rise of Islam in the 630s CE. Key Terms Nabatean: an ancient Semitic people who inhabited northern Arabia and Southern Levant, ca. 37–100 CE. Bedouin: a predominantly desert-dwelling Arabian ethnic group traditionally divided into tribes or clans. Pre-Islamic Arabia Pre-Islamic Arabia refers to the Arabian Peninsula prior to the rise of Islam in the 630s. Some of the settled communities in the Arabian Peninsula developed into distinctive civilizations. Sources for these civilizations are not extensive, and are limited to archaeological evidence, accounts written outside of Arabia, and Arab oral traditions later recorded by Islamic scholars. Among the most prominent civilizations were Thamud, which arose around 3000 BCE and lasted to about 300 CE, and Dilmun, which arose around the end of the fourth millennium and lasted to about 600 CE. -
Nur Al-Din, the Qastal Al-Shu{Aybiyya, and the “Classical Revival” 289
nur al-din, the qastal al-shu{aybiyya, and the “classical revival” 289 JULIAN RABY NUR AL-DIN, THE QASTAL AL-SHU{AYBIYYA, AND THE “CLASSICAL REVIVAL” Enter the medieval walled city of Aleppo by its principal we might dub the Revivalists and the Survivalists. gate on the west, the Bab Antakiyya, and you are almost Until a publication by Yasser Tabbaa in 1993, “clas- immediately confronted by the Qastal al-Shu{aybiyya. sical” in this context was often indiscriminately used to The present structure, which is of modest size, consists refer to two distinct architectural expressions in Syrian of little more than a facade comprising a sabºl-type foun- architecture: what we may briefly refer to as the Greco- tain and the vaulted entrance to a destroyed madrasa (figs. 1, 2).1 This facade is crowned by a disproportion- ately tall entablature that has made the Qastal a key monument in the debate over the “classical revival” in twelfth-century Syria. Michael Rogers featured the Qastal prominently in a major article published in 1971 in which he discussed numerous occurrences of the redeployment of classical buildings—and the less frequent copying of classical decoration—in Syria and Anatolia in the eleventh and twelfth centuries. I offer the following thoughts on the Qastal in admiration of just one aspect of Michael’s unparalleled erudition. Michael Rogers entitled his article “A Renaissance of Classical Antiquity in North Syria,” and argued that the “localisation of the classicising decoration…and its restriction to a period of little more than fifty years suggests very strongly that it was indeed a revival.”2 The suggestion I would like to propose here is that we need to distinguish more exactly between adoption and adaptation; that there are only very few structures with ex professo evocations of the classical past, and that the intention behind these evocations differed widely—in short, that we are not dealing with a single phenome- non, but with a variety of responses that call for more nuanced readings. -
Caravan Kingdoms: Y Emen and the Ancient Incense Trade
Caravan Kingdoms: Y emen and the Ancient Incense Trade A Study of Visitors Offi ce of Policy and Analysis Smithsonian Institution Washington, DC February 2006 ii Caravan Kingdoms Table of Contents Foreword . v Conclusions and Observations: “Atlantis of the Sands Rediscovered” . 1 Appendix A: Study Findings . 9 Appendix B: Background to the Study . 21 Appendix C: Frequencies of Survey Responses and the Questionnaire . 27 Image Credits . 33 Caravan Kingdoms iii iv Caravan Kingdoms Foreword An important part of the Offi ce of Policy and Analysis’s (OP&A) broad mandate is to study visitors and their experiences at Smithsonian museums. Julian Raby, the director of the Freer Gallery of Art and the Arthur M. Sackler Gallery (FSG), has given OP&A the opportunity to study an array of exhibitions to learn more about the interests, needs, and perceptions of the public. Although the methods of conducting these studies vary, understanding visitors’ reactions to exhibitions, attempting to determine what exhibi- tions mean to them, and ultimately changing a museum’s relationships with its audiences are always challenging. Caravan Kingdoms: Yemen and the Ancient Incense Trade sought to make connections with and build bridges between visitors and impressive objects from a lost civilization. Th e OP&A study has resulted in deeper understanding of fi rst-time visitors as well as repeat visitors, and illustrated what a single exhibition can do: provide aesthetic plea- sure, increase knowledge, place objects in their cultural context, lead to discoveries, and stimulate interest. Plumbing these results could not have occurred without the assistance of FSG staff members Th eresa Esterlund, manager of in-gallery interpretation, as well as Ann Gunter, curator of the exhibition, and Massumeh Farhad, chief curator at FSG. -
Light in Her Eyes FINAL
POV Community Engagement & Education DISCUSSION GUIDE The Light in Her Eyes A Film by Julia Meltzer and Laura Nix www.pbs.org/pov LETTER FROM THE FILMMAKERS LOS ANGELES, 2012 Filmmaker Julia Meltzer Filmmaker Laura Nix Photo courtesy of Tracey Landworth Photo courtesy of Anne Etheridge In a courtyard off a busy street in Damascus, Syria, boisterous girls run and play before class starts in the women’s side of Al-Zahra mosque. Inside the mosque, preacher Houda al-Habash teaches the Quran, educating women and girls about their religion, and their rights, within their faith. Julia Meltzer lived in Damascus in 2005, and from the moment she first entered Al-Zahra mosque, she recognized what a unique place it was. Houda’s school was well-organized and energized—filled with women and girls supporting each other in their studies. Most people don’t associate Islam with women’s rights, and that’s exactly what we found interesting about the Al-Zahra Mosque Quran School. Inside this community, we uncovered a lively debate about women’s roles as mothers, teachers, wives, workers, sisters and daughters. Houda insists that secular education is an integral part of worship, because it gives her stu- dents the tools to make decisions about their futures. However, the school also emphasizes the importance of modesty and piety. These women and girls are following “the straight path” of Islam, because they want to live according to its structure, rules and ethics. DISCUSSION GUIDE The Light in Her Eyes |2 LETTER FROM THE FILMMAKERS Houda’s version of women’s rights doesn’t look like ours. -
Quran-The Linguistic Miracle
1 QUR’AN - the LINGUISTIC MIRACLE BOOK Contents Section 1: The Arabic Language Chapter 1: Introduction to the Arabic Language (Why it’s Unique): .............................................. 4 Chapter 2: Etymology of Arabic (Base Letters & their meanings) ................................................. 7 Chapter 3: Grammar vs Phonetic Languages, and Arabic (Letter Sounds & Shapes): ................. 15 Chapter 4: Richness of 3 Letter Arabic Vocabulary (Rich Meanings): .......................................... 28 Chapter 5: Words longer than 3 Root Letters (Fusing words) ...................................................... 35 Chapter 6: Synonyms and Antonyms: (Words are known by their ‘Relatives’) ........................... 38 Chapter 7 - Classical Arabic Poetry: .............................................................................................. 41 The Generous man & the Mu’allaqah of ‘Amr bin Kulthum ......................................................... 41 Palindromes (spelling something the same in reverse): .................................................. 44 Chapter 8: Balaaghah & Eloquence (Subtle meanings) ............................................................... 45 Past tense (maaDiy) vs Present-Future tense (muDaari’): ............................................... 45 Noun (constant) vs Verb (temporary):.............................................................................. 46 Female Plural used for non-Female objects = ‘Handful’ (less than 10) ............................ 47 Chapter 9: What -
TITLE of UNIT What Do Muslims Do at the Mosque
Sandwell SACRE RE Support Materials 2018 Unit 1.8 Beginning to learn about Islam. Muslims and Mosques in Sandwell Year 1 or 2 Sandwell SACRE Support for RE Beginning to learn from Islam : Mosques in Sandwell 1 Sandwell SACRE RE Support Materials 2018 Beginning to Learn about Islam: What can we find out? YEAR GROUP 1 or 2 ABOUT THIS UNIT: Islam is a major religion in Sandwell, the UK and globally. It is a requirement of the Sandwell RE syllabus that pupils learn about Islam throughout their primary school years, as well as about Christianity and other religions. This unit might form part of a wider curriculum theme on the local environment, or special places, or ‘where we live together’. It is very valuable for children to experience a school trip to a mosque, or another sacred building. But there is also much value in the virtual and pictorial encounter with a mosque that teachers can provide. This unit looks simply at Mosques and worship in Muslim life and in celebrations and festivals. Local connections are important too. Estimated time for this unit: 6 short sessions and 1 longer session if a visit to a mosque takes place. Where this unit fits in: Through this unit of work many children who are not Muslims will do some of their first learning about the Islamic faith. They should learn that it is a local religion in Sandwell and matters to people they live near to. Other children who are Muslims may find learning from their own religion is affirming of their identity, and opens up channels between home and school that hep them to learn. -
Book of Islamic Arts Overview There Is Much Diversity Within Islamic Culture
Book of Islamic Arts Overview There is much diversity within Islamic culture. During this unit, students will learn about several significant forms of Islamic art (mosque architecture, geometric/arabesque design, and calligraphy) by completing a children’s book that is missing important information or images. The book is divided up into 5 class sessions with an optional 6th session to wrap up missing sections or create a cover. Through the exploration, students will learn that Islamic art around the world can include many different concepts, and they will apply new knowledge through note-taking, graphic organizers, drawing, calligraphy, and optional mosaic portions of the book. When finished, each student will have a completed book that reviews the arts covered in the unit and celebrates the diversity of Muslim culture around the world. Grade 5 Subject Visual Arts Essential Standards • 5.V.2.2 - Use ideas and imagery from the global environment as sources for creating art. • 5.V.3.3 - Create art using the processes of drawing, painting, weaving, printing, stitchery, collage, mixed media, sculpture, ceramics, and current technology. • 5.CX.1 - Understand the global, historical, societal, and cultural contexts of the visual arts. Essential Questions • How do pictures help to tell a story? • How do Muslim artists reflect their local culture through the arts? • What can we learn about Islamic culture from the diversity of Islamic arts? • Why is it important to learn about cultures other than our own? Materials • Copies of the children’s book for each student (attached). The student book is 10 pages long and can be printed on regular copy paper, or on stronger paper like Bristol or cardstock if the teacher intends to use paint. -
The Professorial Chair (Kursi ‘Ilmi Or Kursi Li-L-Wa‘Z Wa-L-Irshad) in Morocco La Cátedra (Kursi ‘Ilmi O Kursi Li-L-Wa‘Z Wa-L-Irsad) En Marruecos
Maqueta Alcantara_Maquetación 1 30/05/13 12:50 Página 89 AL-QANTARA XXXIV 1, enero-junio 2013 pp. 89-122 ISSN 0211-3589 doi: 10.3989/alqantara.2013.004 The Professorial Chair (kursi ‘ilmi or kursi li-l-wa‘z wa-l-irshad) in Morocco La cátedra (kursi ‘ilmi o kursi li-l-wa‘z wa-l-irsad) en Marruecos Nadia Erzini Stephen Vernoit Tangier, Morocco Las mezquitas congregacionales en Marruecos Moroccan congregational mosques are suelen tener un almimbar (púlpito) que se uti- equipped with a minbar (pulpit) which is used liza durante el sermón de los viernes. Muchas for the Friday sermon. Many mosques in Mo- mezquitas de Marruecos cuentan también con rocco are also equipped with one or more una o más sillas, diferenciadas del almimbar smaller chairs, which differ in their form and en su forma y su función ya que son utilizadas function from the minbar. These chairs are por los profesores para enseñar a los estudian- used by professors to give regular lectures to tes de la educación tradicional, y por eruditos students of traditional education, and by schol- que dan conferencias ocasionales al público ars to give occasional lectures to the general en general. Esta tradición de cátedras se intro- public. This tradition of the professorial chair duce probablemente en Marruecos desde Pró- was probably introduced to Morocco from the ximo Oriente en el siglo XIII. La mayoría de Middle East in the thirteenth century. Most of las cátedras existentes parecen datar de los si- the existing chairs in Morocco seem to date glos XIX y XX, manteniéndose hasta nuestros from the nineteenth and twentieth centuries, días la fabricación y utilización de estas sillas. -
87 Review Article the FLORAL and GEOMETRICAL ELEMENTS ON
id10086515 pdfMachine by Broadgun Software - a great PDF writer! - a great PDF creator! - http://www.pdfmachine.com http://www.broadgun.com Egyptian Journal of Archaeological and Restoration Studies "EJARS" An International peer-reviewed journal published bi-annually Volume 4, Issue 2, December - 2014: pp: 87-104 www. ejars.sohag-univ.edu.eg Review article THE FLORAL AND GEOMETRICAL ELEMENTS ON THE OTTOMAN ARCHITECTURE IN RHODES ISLAND Abdel Wadood M.1 & Panayotidi, M.2 1 Lecturer, Islamic Archeology dept., Faculty of Archaeology, Fayoum Univ., Fayoum, Egypt 2Professor, Archaeology and History of Art dept., Faculty of Philosophy, Athens Univ., Greece E-mail: [email protected] Received 27/8/2014 Accepted 13/10/2014 Abstract The Ottomans had inherited the decorative elements preceding them, and did not contend with such extent, but had developed and created at each of the Floral, geometric and writing adornments. The key features distinguishing Ottoman architecture in Rhodes (1523-1912AD) are the ornamental richness and the attention paid to the decorative side had been increasingly growing. Through what had reached us of the Ottoman period constructions, it would be apparent to us the tendency to decoration and that such decorative material had largely varied. Such ornaments had been represented in a number of types: * Floral ornaments * Geometrical ornaments. Keywords: Ottoman architecture, Ornamental elements, Floral ornaments, Geometrical ornaments, Rhodes. 1. Introduction Floral ornaments is meant by tried to bind between religion and plant ornaments every ornament relies in vegetable ornaments, as the some had its drawing or inscription on vegetable mentioned that the Moslem tendency to elements whether natural or altered from vegetable ornaments is a result of the nature in an image remote from its Koranic directives urging on avoiding the original one [1]. -
HAJJ COMPASS Spiritual Journey: Hajj Al-Tamattu
HAJJ COMPASS Spiritual Journey: Hajj Al-Tamattu – Holy pilgrimage to Makkah SA Stage Hijr Calendar Performing rituals Locations Symbolism The Ka’bah is described as the first house of worship in Makkah. Umrah 1 Tawaaf - encircling the Ka’bah Makkah Quran 3: 96 7 times 1 On arrival to Makkah, Al Haram The Ka’bah is a spiritual centre where believers gather to be near their perform Umrah 2 Praying - two rakat nafil namaz at Masjid Allah. before Hajj. Prophet Ibrahim’s Station The encircling of the ka’bah symbolises oneness and unity of the 3 Zam Zam water – drink natural believers in the worship of One God, as they move in harmony spring water from well together around the Ka’bah, while praying to Allah. Mohamed 2008 Bukhari vol 2 The tawaaf symbolises that everyone is equal in the eyes of Allah. 4 Sa’ee – walk to and fro between Individually, the tawaaf symbolises total submission to Allah. Quran 2: 196-197 mount Safa and mount Marwah Revolving anti-clockwise 7 times around the ka’bah reflects Allah’s Prior to performing Umrah, enter creation of the universe: the earth revolves around the sun and the Makkah in Irham state (state of purity). moon orbits around the earth counter clockwise. Quran 21:33 And make Niyyat - expressing intention to start the performance of Umrah. Prophet Ibrahim and his son Ismail built the foundations of the Ka’bah. Later it was rebuilt by Prophet Mohammed in.. Quran 2:127 , Bukhari vol 2, Mubarakpuri 2002 Quran 2:158, Quran 22: 26-30 Sa’ee symbolise patience and perseverance.