ARCHIVED PRESS RELEASE from the FRICK COLLECTION
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Jiuw Ery T News Release Fourth Street at Constitution Avenue Nw Washington Dc 20565
JIUW ERY T NEWS RELEASE FOURTH STREET AT CONSTITUTION AVENUE NW WASHINGTON DC 20565 . 737-4215/842-6353 CONTACT: Deborah Ziska (202) 842-6353 FOR IMMEDIATE RELEASE ART FROM BRITAIN'S FITZWILLIAM MUSEUM AT NATIONAL GALLERY OF ART IN 1989 WASHINGTON, DC, November 18, 1988 - A selection from the finest works in Britain's Fitzwilliam Museum in Cambridge will be shown at the National Gallery of Art in the exhibition, Treasures from the Fitzwilliam Museum: The Increase of Learning and Other Great Objects. More than 160 objects will be on view, including paintings by Titian, Guercino, Rubens, Hals, Van Dyck, Hogarth, Delacroix, Renoir, and Degas, and drawings by Rembrandt, Annibale Carracci, Tiepolo, William Blake, and Puvis de Chavannes. A selection of illuminated manuscripts, ceramics, coins and medals, bronzes, and decorative arts will also be shown. The exhibition, organized by the Fitzwilliam and the National Gallery, will be displayed in the National Gallery's East Building, March 19 through June 18, 1989. The exhibition and its national tour are made possible by Philip Morris Companies Inc. "The Fitzwilliam Museum is perhaps Britain's pre-eminent small museum," said J. Carter Brown, director of the National Gallery of Art. "Like the British Museum, the Fitzwilliam addresses the history of culture in terms of the visual forms it has assumed, but it does so from the highly selective point of view of the collector-connoisseur. Works of art have been added to the museum's collection not only for the art historical information they reveal but for their beauty, excellent quality and rarity." (more) page two .. -
A Nursery in Residence at the Fitzwilliam
A NURSERY IN RESIDENCE The Fitzwilliam Museum is the art and antiquities museum of the University of Cambridge. Cambridge University Botanic Garden (CUBG) holds a collection of over 8,000 plant species for teaching and research. Since its foundation, the Garden has also provided a beautiful place for everybody to enjoy and benefit from. Ace Nursery School is in central Cambridge caring for children from 2 1/2 years onwards. It was founded in 1966, and is run as a parent co-operative. The children invited to participate in the study were between their 3rd and 4th birthdays, and were attending the nursery either four or five days per week. Early Years toolkit Years Early SUMMARY In October 2017, nine children from Ace Nursery School spent five consecutive mornings in residence at The Fitzwilliam Museum and Cambridge University Botanic Garden. The residency formed the basis of a multi-disciplinary, practitioner-led research project by a team of museum, garden and nursery practitioners. Groups from this nursery had visited the museum previously for one off sessions, but we hoped that the residency would give us the opportunity to take time to observe and reflect on the encounters between young children, spaces and objects in the collections and to develop a better understanding of what the museum and garden can offer to young learners. Working in close collaboration was a key aspect of our research methodology and pedagogical practice. We are now planning to share and develop good practice within each of our settings and beyond. A typical day during the residency began in the education spaces of the museum or garden, with time to greet each other and an introduction using objects or children’s artworks from the previous day to connect back to previous activities, and to set the scene for the day ahead. -
Download Our Exhibition Catalogue
CONTENTS Published to accompany the exhibition at Foreword 04 Two Temple Place, London Dodo, by Gillian Clarke 06 31st january – 27th april 2014 Exhibition curated by Nicholas Thomas Discoveries: Art, Science & Exploration, by Nicholas Thomas 08 and Martin Caiger-Smith, with Lydia Hamlett Published in 2014 by Two Temple Place Kettle’s Yard: 2 Temple Place, Art and Life 18 London wc2r 3bd Museum of Archaeology and Anthropology: Copyright © Two Temple Place Encountering Objects, Encountering People 24 A catalogue record for this publication Museum of Classical Archaeology: is available from the British Library Physical Copies, Metaphysical Discoveries 30 isbn 978-0-9570628-3-2 Museum of Zoology: Designed and produced by NA Creative Discovering Diversity 36 www.na-creative.co.uk The Sedgwick Museum of Earth Sciences: Cover Image: Detail of System According to the Holy Scriptures, Muggletonian print, Discovering the Earth 52 plate 7. Drawn by Isaac Frost. Printed in oil colours by George Baxter Engraved by Clubb & Son. Whipple Museum of the History of Science, The Fitzwilliam Museum: University of Cambridge. A Remarkable Repository 58 Inside Front/Back Cover: Detail of Kitagawa Utamaro (1753-1806), Komei bijin mitate The Polar Museum: Choshingura junimai tsuzuki (The Choshingura drama Exploration into Science 64 parodied by famous beauties: A set of twelve prints). The Fitzwilliam Museum, University of Cambridge. Whipple Museum of the History of Science: Thinking about Discoveries 70 Object List 78 Two Temple Place 84 Acknowledgements 86 Cambridge Museums Map 87 FOREWORD Over eight centuries, the University of Cambridge has been a which were vital to the formation of modern understandings powerhouse of learning, invention, exploration and discovery of nature and natural history. -
Eighteen Major New York Area Museums Participate in Instagram Swap
EIGHTEEN MAJOR NEW YORK AREA MUSEUMS PARTICIPATE IN INSTAGRAM SWAP THE FRICK COLLECTION PAIRS WITH NEW-YORK HISTORICAL SOCIETY In a first-of-its-kind collaboration, eighteen major New York City area institutions have joined forces to celebrate their unique collections and spaces on Instagram. All day today, February 2, the museums will post photos from this exciting project. Each participating museum paired with a sister institution, then set out to take photographs at that institution, capturing objects and moments that resonated with their own collections, exhibitions, and themes. As anticipated, each organization’s unique focus offers a new perspective on their partner museum. Throughout the day, the Frick will showcase its recent visit to the New-York Historical Society on its Instagram feed using the hashtag #MuseumInstaSwap. Posts will emphasize the connections between the two museums and libraries, both cultural landmarks in New York and both beloved for highlighting the city’s rich history. The public is encouraged to follow and interact to discover what each museum’s Instagram staffer discovered in the other’s space. A complete list of participating museums follows: American Museum of Natural History @AMNH The Museum of Modern Art @themuseumofmodernart Intrepid Sea, Air & Space Museum @intrepidmuseum Cooper Hewitt, Smithsonian Design Museum @cooperhewitt Museum of the City of New York @MuseumofCityNY New Museum @newmuseum 1 The Museum of Arts and Design @madmuseum Whitney Museum of American Art @whitneymuseum The Frick Collection -
The Frick Collection
THE FRICK COLLECTION Building Upgrade and Expansion Fact Sheet Project Description: Honoring the architectural legacy and unique character of the Frick, the design for the upgrade and expansion by Selldorf Architects provides unprecedented access to the original 1914 home of Henry Clay Frick, preserves the intimate visitor experience and beloved galleries for which the Frick is known, and revitalizes the 70th Street Garden. Conceived to address pressing institutional and programmatic needs, the new plan creates new resources for permanent collection display and special exhibitions, conservation, and education and public programs, while upgrading visitor amenities and overall accessibility. The project marks the first comprehensive upgrade to the Frick’s buildings since the institution opened to the public eighty-two years ago in 1935. Groundbreaking: 2020 Location: 1 East 70th Street, New York, NY 10021 Square Footage: Current: 179,000 square feet Future: 197,000 square feet (10% increase) * *Note that this figure takes into consideration new construction as well as the loss of existing space resulting from the elimination of mezzanine levels in the library. Project Breakdown: Repurposed Space: 60,000 square feet New Construction: 27,000 square feet* **Given that 9,000 square feet of library stack space is removed through repurposing, the construction nets a total additional space of 18,000 square feet. Building Features & New Amenities: • 30% more gallery space for the collection and special exhibitions: o a series of approximately twelve -
Issam Kourbaj 'Imploded, Burnt, Turned to Ash' Performance
Press Release Issam Kourbaj Imploded, burnt, turned to ash, 2021 Howard Theatre, Downing College, Cambridge Live-streamed drawing and sound performance in collaboration with composer Richard Causton and soprano Jessica Summers Issam Kourbaj, Burning, 2020 15 March 2021, 5pm This performance by the Syrian-born and Cambridge- I will then burn the final drawing and place the based artist Issam Kourbaj marks the tenth anniversary remaining ash in a glass box. This will be exhibited in of the Syrian uprising – a crisis that resulted in violent a sacred space to memorialise every victim of the last armed conflict and ongoing civil war. Kourbaj’s decade, while also being dedicated to all Syrians lost, performance will take place on the 15 March, the first displaced and still suffering from this ongoing crisis. day of the unrest a decade ago. The artist describes his project in his own words below: Towards the end of the performance, the viewer will hear words written by myself, set to music by renowned To mark the tenth anniversary of the Syrian uprising, composer Richard Causton (Faculty of Music, University which was sparked by teenage graffiti in March 2011, of Cambridge) and sung by soprano Jessica Summers. this drawing performance will pay homage to those young people who dared to speak their mind, the masses Issam Kourbaj who protested publicly, as well as the many Syrian eyes that were, in the last ten years, burnt and brutally closed This project is a collaboration between the artist, forever. Kettle’s Yard, The Heong Gallery and The Fitzwilliam Museum (all part of the University of Cambridge). -
Frick to Present First Exhibition in Thirty-Five Years Devoted to Highlights of Its Sèvres Porcelain Holdings
FRICK TO PRESENT FIRST EXHIBITION IN THIRTY-FIVE YEARS DEVOTED TO HIGHLIGHTS OF ITS SÈVRES PORCELAIN HOLDINGS FROM SÈVRES TO FIFTH AVENUE: FRENCH PORCELAIN AT THE FRICK COLLECTION April 28, 2015, through April 24, 2016 When Henry Clay Frick set out to furnish his new residence at 1 East 70th Street, his intention was to replicate the grand houses of the greatest European collectors, who surrounded their Old Master paintings with exquisite furniture and decorative objects. With the assistance of the art dealer Sir Joseph Duveen, Frick quickly assembled an impressive collection of decorative arts, including vases, potpourris, jugs, and basins made at Sèvres, the preeminent eighteenth-century Three Potpourri Vases, Sèvres Porcelain Manufactory, c. 1762, soft-paste porcelain, The Frick Collection; photo: Michael Bodycomb French porcelain manufactory. Many of these objects are featured in the upcoming exhibition From Sèvres to Fifth Avenue, which presents a new perspective on the collection by exploring the role Sèvres porcelain played in eighteenth-century France, as well as during the American Gilded Age. While some of these striking objects are regularly displayed in the grand context of the Fragonard and Boucher Rooms, others have come out of a long period of storage for this presentation. These finely painted examples will be seen together in a new light in the Portico Gallery. From Sèvres to Fifth Avenue is organized by Charlotte Vignon, Curator of Decorative Arts, The Frick Collection, and is made possible by Sidney R. Potpourri Vase “à Vaisseau,” Sèvres Porcelain Manufactory, Knafel and Londa Weisman. Through the year-long show, a number of c. -
Bachstitz, Inc. Records, 1923-1937
Bachstitz, Inc. records, 1923-1937 Finding aid prepared by Adrianna Slaughter, Karol Pick, and Aleksandr Gelfand This finding aid was generated using Archivists' Toolkit on September 18, 2013 The Metropolitan Museum of Art Archives 1000 Fifth Avenue New York, NY, 10028-0198 212-570-3937 [email protected] Bachstitz, Inc. records, 1923-1937 Table of Contents Summary Information .......................................................................................................3 Biographical Note................................................................................................................4 Scope and Contents note.....................................................................................................5 Arrangement note................................................................................................................ 6 Administrative Information .............................................................................................. 6 Controlled Access Headings............................................................................................... 7 Collection Inventory............................................................................................................8 Series I. Correspondence...............................................................................................8 Series II. General Administrative Records................................................................. 21 Series III. Inventory................................................................................................... -
The Eagle 2013 the EAGLE
VOLUME 95 FOR MEMBERS OF ST JOHN’S COLLEGE The Eagle 2013 THE EAGLE Published in the United Kingdom in 2013 by St John’s College, Cambridge St John’s College Cambridge CB2 1TP johnian.joh.cam.ac.uk Telephone: 01223 338700 Fax: 01223 338727 Email: [email protected] Registered charity number 1137428 First published in the United Kingdom in 1858 by St John’s College, Cambridge Designed by Cameron Design (01284 725292, www.designcam.co.uk) Printed by Fisherprint (01733 341444, www.fisherprint.co.uk) Front cover: Divinity School by Ben Lister (www.benlister.com) The Eagle is published annually by St John’s College, Cambridge, and is sent free of charge to members of St John’s College and other interested parties. Page 2 www.joh.cam.ac.uk CONTENTS & MESSAGES CONTENTS & MESSAGES THE EAGLE Contents CONTENTS & MESSAGES Photography: John Kingsnorth Page 4 johnian.joh.cam.ac.uk Contents & messages THE EAGLE CONTENTS CONTENTS & MESSAGES Editorial..................................................................................................... 9 Message from the Master .......................................................................... 10 Articles Maggie Hartley: The best nursing job in the world ................................ 17 Esther-Miriam Wagner: Research at St John’s: A shared passion for learning......................................................................................... 20 Peter Leng: Living history .................................................................... 26 Frank Salmon: The conversion of Divinity -
December 2018
December 2018 Dear Neighbor, As we enter a season of giving and reflection, I want to share how wonderful it has been to serve you all over the past 12 months. We are coming into a time of year when we put aside differences in opinion to help those in need, give thanks, and celebrate all the good over the year. This year, I have introduced 27 bills focusing on housing, equal rights, criminal justice, and good government. My office has also served thousands of constituents on issues including housing, construction, quality of life, and more. I have a lot to celebrate as your Council Member, and I want to thank all of you for that. With the holiday season comes the arrival of many visitors to New York City, especially on Manhattan’s East Side and Midtown. While it is typical to complain about the overcrowding from tourists during the holiday, they have an undeniable impact on our city. Last month, I introduced legislation that would require the City to better track the economic benefits of tourism and allow New York to sustain and grow its multi-billion dollar industry. You can read more on the proposal in my op-ed in Crain’s. There is another constant of the season: snow. There are sure to be more storms like the one we experienced in November as winter approaches. While an anomaly for the fall, I heard from many of you regarding preparedness and issues stemming from downed trees. The City must be better prepared in response for future storms. -
Annual Report 2005–2006 Cambridge University Library Annual Report 2005–2006 Highlights
cambridge university library annual report 2005–2006 cambridge university library annual report 2005–2006 highlights 2 The year was a highly successful one, with a number of major initiatives that allowed the Library to improve the range of service it is able to offer its users in all disciplines. For scientists, the development of the journals co- ordination scheme started to bear fruit. Following an extensive survey of users’ needs, the scheme’s Steering Committee took out subscriptions to a number of new, urgently needed journals, funded title page from savings made by the cancellation of titles for Reuben Ramble’s which there was no demand. Participants in the map of Cambridgeshire, scheme now include the Schools of Biological produced for Sciences and Clinical Medicine, as well as a majority children in 1845. of departments in the School of Physical Sciences. From the Map Department’s Discussion took place during the year with all the collections. Schools, with a view to extending the scheme to become a University-wide one. right Grammar in rhyme The Library bought the digitised back-sets in the (London 1854). One Elsevier ScienceDirect database and this, together of the books being with the Library’s subscription to current Science re-catalogued online as part of the Direct titles, means that the scientist now has online Tower Project. access at his or her desktop to the full content, from the first issue to the most recent, of more than 2,000 journals – some seven million articles – in a range of The DSpace@Cambridge Project, which has subjects. -
Frick to Show Contemporary Digital Work in Conjunction with Old Masters from the Mauritshuis Rob and Nick Carter's Transformin
FRICK TO SHOW CONTEMPORARY DIGITAL WORK IN CONJUNCTION WITH OLD MASTERS FROM THE MAURITSHUIS ROB AND NICK CARTER’S TRANSFORMING STILL LIFE PAINTING October 22, 2013, through January 19, 2014 In a fairly unprecedented move for The Frick Collection―a museum known for its Old Masters―a contemporary digital work by British husband and wife team Rob and Nick Carter will be shown as a complement to Vermeer, Rembrandt, and Hals: Masterpieces of Dutch Painting from the Mauritshuis. By presenting this contemporary work alongside fifteen celebrated seventeenth-century Dutch paintings, the Frick offers an opportunity to consider the way in which Dutch Golden Age works continue to influence artists today. Indeed, the Carters’ work, Transforming Still Life Painting, a digitally rendered film, is their twenty-first-century rejoinder to the vanitas tradition. The work is directly inspired by Ambrosius Bosschaert the Elder’s (1573–1621) Vase of Flowers in a Window of about 1618 (a painting in the Mauritshuis’s collection but not included in the present exhibition). The famous still life features a vase of fastidiously described Still from Rob and Nick Carter, Transforming Still Life Painting, 2012, 3-hour looped film, frame and Apple Mac, Royal Picture Gallery Mauritshuis, The Hague, © Rob and Nick flowers displayed on a windowsill, behind which a bright sky and Carter picturesque seventeenth-century landscape are visible. The Carter s’ mesmerizing film literally transforms the genre by animating the nature morte. In the course of three hours, Bosschaert’s image changes gradually before our eyes: flowers whither, insects devour the tender foliage, and darkness descends on the distant mountains and river.