With the Sonnets Now Solved... 1601
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Booklet Shakespeare 3
SONNET 1 From fairest creatures we desire increase, That thereby beauty’s rose might never die, But as the riper should by time decease, His tender heir might bear his memory: But thou, contracted to thine own bright eyes, Feed’st thy light’st flame with self-substantial fuel, Making a famine where abundance lies, Thyself thy foe, to thy sweet self too cruel. Thou that art now the world’s fresh ornament And only herald to the gaudy spring, Within thine own bud buriest thy content And, tender churl, makest waste in niggarding. Pity the world, or else this glutton be, To eat the world’s due, by the grave and thee. SONNET 18 Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines, And often is his gold complexion dimm’d; And every fair from fair sometime declines, By chance or nature’s changing course untrimm’d; But thy eternal summer shall not fade Nor lose possession of that fair thou owest; Nor shall Death brag thou wander’st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this, and this gives life to thee. SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state, And trouble deaf heaven with my bootless cries, And look upon myself, and curse my fate, Wishing me like to one more rich in hope, Featur'd like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. -
Clarky List 50 31/07/2012 13:06 Page 1
Clarky List 51_Clarky List 50 31/07/2012 13:06 Page 1 JULY 2012 PHONE RESERVATIONS ESSENTIAL : 8am – 9pm OVERSEAS ORDERS PLEASE WRITE FIRST. Postage & Packing Rates (all recorded delivery): LP’s/12"s: £6.00 for the first, £1.00 each thereafter 45’s: £2.50 for the first, 50p each thereafter Special Delivery on 45s – £7.50 to be paid on all orders over £30 ALL BIDS MUST BE IN WRITING All Mint/VG+ unless indicated otherwise. Discs held for 7 days. Any returns within 7 days. No responsibility for Post Office mis han dling The Coach House, Cromer Road, North Walsham, Norfolk, NR28 0HA, England Tel: 01692 403158 / ianclarkmusic.com 24 HOUR AUTO FAX! Fax in your requests - just let the phone ring! (same number as above) NORTHERN SOUL US ORIGINALS 1) Jackie Ross I Got the Skill Chess £8 2) Jackie Wilson Sweetest Feeling/Nothing But Heartaches Brunswick (DJ) £30 3) Jackie Wilson I Don’t Want to Lose/Just Be Sincere Brunswick (DJ £35 4) Jackie Wilson Who Who Song Brunswick (DJ) £30 Three rare promos of these soul classics 5) Young Holt Unlimited California Montage Brunswick (DJ) £25 6) Linda Lloyd Breakaway (swol) Columbia (WDJ) £175 7) James Carr A Losing Game Goldwax £25 8) Icemen How Can I Get Over? (brilliant) ABC £40 9) Volumes You Got it Baby/A Way to Love Inferno (WDJ) £40 10) Chessmen Why Can’t I Be Your Man? Chess (WDJ) £50 11) Jimmy Norman Love Sick Raystar £20 12) Nancy Wilcox Coming On Strong RCA (WDJ) (SWOL) £70 13) Herb Ward Honest to Goodness RCA (DJ) £200 14) Johnny Bartel If This Isn’t Love (WDJ) Solid State VG++ £100 15) Twilights -
'Taste of the Towns' Fundraiser Benefits Marching Band
Sam’son says “Call my Dad” Mortgage rates have fallen, don’t wait! Have high PMI payments? Maybe an FHA loan? Call Ron for help 508-892-8988! Face-To-Face Mortgage Co. MA Mortgage Ronald F. A local man (DPHS 1982) and company owner since 2000 broker number LaPrade Call 508-892-8988 • Email [email protected] NMLS #1241 DP INVADERS No Cost to tryout! BASEBALL/SOFTBALL TRAVEL TEAMS Tryouts being held at DOUBLE PLAY SPORTS! TRYOUTS SUNDAY NOVEMBER 9 • 11-1 Softball ASA Baseball AAU 10U -16U U10-U13 If you have any questions please feel free to email address below. 190 MAIN STREET • CHERRY VALLEY MA 01611 • 508-892-8900 www.doubleplaysportsfitness.com • email: [email protected] Mailed free to requesting homes in East Brookfield, West Brookfield, North Brookfield, Brookfield, Leicester and Spencer Vol. XXXV, No. 43 PROUD MEDIA SPONSOR OF RELAY FOR LIFE OF THE GREATER SOUTHBRIDGE AREA! COMPLIMENTARY HOME DELIVERY ONLINE: WWW.SPENCERNEWLEADER.COM Friday, October 31, 2014 THIS WEEK’S QUOTE ‘Taste of the Towns’ fundraiser “Real success is finding your lifework in the benefits marching band work that you love.” David COMMUNITY EVENT CONTINUES TRADITION OF SUPPORT McCullough BY KEVIN FLANDERS in fundraising, offering a variety NEWS STAFF WRITER of delicious foods. All proceeds SPENCER — Guests got a support the DPHS Marching INSIDE true “Taste of the Towns” last Panther Band, which recently Saturday, Oct. 25, at David took home three stars from an Obituaries ...........B Sect Prouty High School, as the annu- impressive showing at a state al event drew a strong lineup of competition. -
Shakespeare Sonnets Program
Shakespeare Sonnets Caltech Playreaders, March 16, 2021 Directed by Ann K Lindsey Index: Introductions with Joanne Doyle and Ann Lindsey Part 1 Page 2….. Sonnet 20 sung by John Davidson to Music by Rufus Wainwright Sonnet 128 recited by Greta Davidson Page 3….. Sonnet 8 recited by Diana St James Sonnet 100 recited by Barbie Insua Part 2 Page 4….. Sonnet 105 recited by Cara King Sonnet 143 recited by Diana St James Page 5….. Sonnet 116 recited by Todd Brun Sonnet 25 recited by Carol Elaine Cyr Page 6….. Sonnet 126 recited by Kathryn Bikle Page 7….. Part 3 Hamlet's Soliloquy recited by Tiffany Kim 9 minute pre-taped discussion moderated by Kathryn Bikle Part 4 Page 8…... Sonnet 23 recited by Kathryn Bikle Sonnet 53 recited by Barbie Insua Page 9…... Sonnet 43 recited by Douglas Smith Sonnet 30 recited by Greta Davidson Page 10…. Sonnet 66 recited by Carol Elaine Cyr Part 5 Page 10….. Sonnet 56 recited by Douglas Smith Page 11….. Sonnet 33 recited by Cara King Sonnet 40 sung by Phoebe Kellogg to her original music Page 12….. Sonnet 87 recited by Todd Brun 19 minute pre-taped discussion moderated by Kathryn Bikle Upcoming Caltech Playreaders productions End credits Out-takes Page 2 of 12 Part 1 Sonnet 20 sung by John Davidson A woman's face with nature's own hand painted, Hast thou, the master mistress of my passion; A woman's gentle heart, but not acquainted With shifting change, as is false women's fashion: An eye more bright than theirs, less false in rolling, Gilding the object whereupon it gazeth; A man in hue all hues in his controlling, Which steals men's eyes and women's souls amazeth. -
Performing Prayer in Shakespeare's Sonnets
Access Provided by Harvard University at 01/28/13 5:08PM GMT Love’s Rites: Performing Prayer in Shakespeare’s Sonnets R H - Iaddressed to the beloved in Shakespeare’s Sonnets, the poet defends what seems like a penchant for rewriting the same poem over and over. Against the implicit accusations of his beloved, the poet compares his apologia in Sonnet 108 to a kind of spoken prayer, a highly ritualized and publicly performed devo- tional gesture: like prayers diuine, I must each day say ore the very same, Counting no old thing old, thou mine, I thine Euen as when first I hallowed thy faire name. (108.5–8)1 Echoing the beloved’s doubts, he asks whether repeated words have the capacity to express the depth of his love: “What’s new to speake, what now to register, / 6at may expresse my loue, or thy deare merit?” (ll. 3–4). 6ese questions have bothered more than just the poet’s friend. Generations of critics of the Sonnets have shared the beloved’s concern over the repetitive nature of the sequence’s devotional tropes, finding that the blandness of senti- ment betrays a desire that expresses itself “monotheistically, monogamously, monosyllabically, and monotonously.”2 Moreover, the Sonnets’ references to litur- I thank my colleagues at the Renaissance Colloquium at Harvard University for their responses to an earlier version of this essay. In particular, Misha Teramura offered valuable insight about my historical treatment of the antitheatrical tradition. Stephen Greenblatt read a later version of the manuscript in its entirety and clarified and strengthened my argument. -
W. Shakespeare – B. Pasternak – D. Shostakovich. Sonnet 66 (The Question of Artistic Translation)
The Turkish Online Journal of Design, Art and Communication TOJDAC April 2017 Special Edition W. SHAKESPEARE – B. PASTERNAK – D. SHOSTAKOVICH. SONNET 66 (THE QUESTION OF ARTISTIC TRANSLATION) Natalya Borisovna Zubareva Doctor of Arts, Assistant Professor of Theory and History of Music Department, Perm State Institute of Culture. 18 Gazety “Zvezda”st., Perm, Permskiy Krai, 614000 E-mail: [email protected] Tel.: +7-909-109-08-58 ABSTRACT The article is devoted to the 66th Shakespeare sonnet. It deals with the relationships between original text and its translations into another verbal language and language of another arts. The article focuses on intensive dramatic processes in the work caused by changes in the density of sound events and directly linked to the establishment of composition. The results of study allow to say with certainty that it is advisable to apply quantitative methods to evaluation the adequacy of literary translation. KEYWORDS: 66th Shakespeare sonnet, translated by B. Pasternak, D. Shostakovich’s romance, literary translation, quantitative methods of study, fuzzy sets theory. INTRODUCTION Out of all the 154 sonnets by Shakespeare Sonnet 66 stands apart. This sonnet, while having tremendous value in the art of the great poet, vastly impacted the creations of other masters, who translated Shakespeare to other verbal languages and the languages of other arts. At this intersection is the object of our study – Shostakovich romance with lyrics from Sonnet 66 translated by Pasternak. Here we deal with two types of translation: linguistic and musical. The Russian version of the sonnet poses the question of “how much Shakespeare is there in Pasternak’s translation” (Finkel 1968: 172), whereas the key question about Shostakovich romance is “to what extent can musical interpretation be regarded as a translation?” Literature Review Synopsis William Shakespeare was baptized on April 26, 1564, in Stratford-upon-Avon, England. -
Elizabethan Sonnet Sequences and the Social Order Author(S): Arthur F
"Love is Not Love": Elizabethan Sonnet Sequences and the Social Order Author(s): Arthur F. Marotti Source: ELH , Summer, 1982, Vol. 49, No. 2 (Summer, 1982), pp. 396-428 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.com/stable/2872989 JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms The Johns Hopkins University Press is collaborating with JSTOR to digitize, preserve and extend access to ELH This content downloaded from 200.130.19.155 on Mon, 27 Jul 2020 13:15:50 UTC All use subject to https://about.jstor.org/terms "LOVE IS NOT LOVE": ELIZABETHAN SONNET SEQUENCES AND THE SOCIAL ORDER* BY ARTHUR F. MAROTTI "Every time there is signification there is the possibility of using it in order to lie." -Umberto Ecol It is a well-known fact of literary history that the posthumous publication of Sir Philip Sidney's Astrophil and Stella inaugurated a fashion for sonnet sequences in the last part of Queen Elizabeth's reign, an outpouring of both manuscript-circulated and printed collections that virtually flooded the literary market of the 1590's. But this extraordinary phenomenon was short-lived. With some notable exceptions-such as the delayed publication of Shake- speare's sought-after poems in 1609 and Michael Drayton's con- tinued expansion and beneficial revision of his collection-the composition of sonnet sequences ended with the passing of the Elizabethan era. -
Poetry As Correspondence in Early Modern England
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 Unfolding Verse: Poetry As Correspondence In Early Modern England Dianne Marie Mitchell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Mitchell, Dianne Marie, "Unfolding Verse: Poetry As Correspondence In Early Modern England" (2017). Publicly Accessible Penn Dissertations. 2477. https://repository.upenn.edu/edissertations/2477 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2477 For more information, please contact [email protected]. Unfolding Verse: Poetry As Correspondence In Early Modern England Abstract This project recovers a forgotten history of Renaissance poetry as mail. At a time when trends in English print publication and manuscript dissemination were making lyric verse more accessible to a reading public than ever before, writers and correspondents created poetic objects designed to reach individual postal recipients. Drawing on extensive archival research, “Unfolding Verse” examines versions of popular poems by John Donne, Ben Jonson, Mary Wroth, and others which look little like “literature.” Rather, these verses bear salutations, addresses, folds, wax seals, and other signs of transmission through the informal postal networks of early modern England. Neither verse letters nor “epistles,” the textual artifacts I call “letter-poems” proclaim their participation in a widespread social -
Trade Moving to Same Col Tops Hot 100 Chart
OCTOBER 25, 1969 $1.00 SEVENTY-FIFTH YEAR The International Music -Record Tape Newsweekly COIN MACHINE Bi oa PAGES 41 TO 48 Trade Moving to Same Col Tops Hot 100 Chart 8 -Track, Cassette Price By BRUCE WEBUR Report; Keeps LP Lead LOS ANGELES - Industry The tape duplicator joins By FRED KIRBY trends point to a $6.98 stand- Columbia, RCA and Capitol, NEW YORK - Columbia Columbia also led for the Seven Arts complex, which also ard for both 8 -track and cas- among the major record manu- maintained its leading position third quarter on the Top LP's includes that label, which was by 1 sette, and Jan. an indus- facturers to establish a cassette in percentage of spots on Bill- Chart, but the top quarter Hot ninth with 23 titles for 3.6 per- try -wide price is ex- posture standard equal to that of its board's Top LP's Chart for the 100 scorer was RCA with 16 cent. Columbia's leading posi- pected. 8 -track cartridge product. first nine months of the year titles and 8.4 percent of the tion for last year's first three today's markups Many of in If traditional record labels, and gained the top position on chart, compared to Columbia's quarters was only supported by price tags as an come after- (Continued on page 14) Hot 100 percentage. 16 titles for 6.9 percent. 65 titles. math to rising costs at the man- ufacturing and distribution The nine -month Top's LP's RCA rose from its sixth spot leaders were points. -
Layout 1 (Page 1)
Mailed free to requesting homes in East Brookfield, West Brookfield, North Brookfield, Brookfield, Leicester and Spencer Vol. 32, No. 41 COMPLIMENTARY HOME DELIVERY, 75 CENTS ON NEWSSTANDS ONLINE: WWW.SPENCERNEWLEADER.COM ‘Experience is the name so many people give to their mistakes.’ Friday, October 10, 2008 ‘From a Tiger to a Cougar’ THROWING A HELPING HAND KUSTIGIAN READIES FOR NEW POST BY DAVID DORE NEW LEADER STAFF WRITER From where he sat last week at Douglas High School, Brett Kustigian was a little over an hour away from the towns of Warren and West Brookfield. In his mind, though, he was on the shores of Lake Wickaboag, remem- bering the summers his family spent there — and looking forward to the fish he might catch with his young sons. Kustigian’s twin loves of “playing with my kids and fishing” were appar- ent the moment someone walks into the principal’s office. Behind his desk, along with some of the degrees he has David Dore photo earned in his 34 years, were numer- ous photographs of him and his two New Quaboag Regional School District Superintendent Brett Kustigian sits in his office at Douglas High School last week. Turn To KUSTIGIAN, page 17 Spencer Town Meeting Thursday Alana Melanson photo SPENDING, BYLAW CHANGES ON WARRANT WEST BROOKFIELD — Rebecca Webber instructs tour Tyler Boutiette, 21, of BY DAVID DORE will still face a vote. der truck for the Fire Department Millbury, on how to “raise the walls” of the clay piece he is throwing for the NEW LEADER STAFF WRITER The 22-article session will begin at 7 (pending a vote at the Nov. -
Exploring Shakespeare's Sonnets with SPARSAR
Linguistics and Literature Studies 4(1): 61-95, 2016 http://www.hrpub.org DOI: 10.13189/lls.2016.040110 Exploring Shakespeare’s Sonnets with SPARSAR Rodolfo Delmonte Department of Language Studies & Department of Computer Science, Ca’ Foscari University, Italy Copyright © 2016 by authors, all rights reserved. Authors agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License Abstract Shakespeare’s Sonnets have been studied by rhetorical devices. Most if not all of these facets of a poem literary critics for centuries after their publication. However, are derived from the analysis of SPARSAR, the system for only recently studies made on the basis of computational poetry analysis which has been presented to a number of analyses and quantitative evaluations have started to appear international conferences [1,2,3] - and to Demo sessions in and they are not many. In our exploration of the Sonnets we its TTS “expressive reading” version [4,5,6]1. have used the output of SPARSAR which allows a Most of a poem's content can be captured considering full-fledged linguistic analysis which is structured at three three basic levels or views on the poem itself: one that covers macro levels, a Phonetic Relational Level where phonetic what can be called the overall sound pattern of the poem - and phonological features are highlighted; a Poetic and this is related to the phonetics and the phonology of the Relational Level that accounts for a poetic devices, i.e. words contained in the poem - Phonetic Relational View. -
New Sonnets.Indd
Contents ____________________________________________ About This Volume . vii THE AUTHOR & HIS WORK Biography of William Shakespeare . 3 Shakespeare the Poet . 7 Introduction to Shakespeare's Sonnets . 14 The Lasting Allure of Shakespeare's Sonnets . 18 HISTORICAL & LITERARY CONTEXTS English Poetry in the Sixteenth Century . 29 Does Shakespeare's Life Matter? . 41 The Sins of the Sonnets . 51 Shakespeare (Not?) Our Contemporary: His Sonnets and More Recent Examples . 65 CLOSE READINGS OF 25 SONNETS Sonnet 1 . 75 Sonnet 18 . 77 Sonnet 19 . 79 Sonnet 20 . 81 Sonnet 29 . 83 Sonnet 30 . 85 Sonnet 31 . 87 Sonnet 53 . 89 Sonnet 54 . 91 Sonnet 57 . 93 Sonnet 73 . 95 Sonnet 90 . 97 Sonnet 94 . 99 Sonnet 97 . 101 Sonnet 98 . 103 Sonnet 102 . 105 Sonnet 104 . 107 Sonnet 106 . 109 Sonnet 109 . 111 Sonnet 116 . 113 Sonnet 129 . 115 Sonnet 130 . 117 Sonnet 141 . 119 v Sonnet 146 . 121 Sonnet 151 . 123 CRITICAL READINGS 1: FORM & TECHNIQUE The Form of Shakespeare's Sonnets . 127 Vocabulary and Chronology: The Case of Shakespeare's Sonnets . 137 Sound and Meaning in Shakespeare's Sonnets . 149 Ambiguous Speaker and Storytelling in Shakespeare's Sonnets . 170 Secrets of the Dedication to Shakespeare's Sonnets . 183 CRITICAL READINGS 2: MAIN THEMES Four Pivotal Sonnets: Sonnets 20, 62, 104, 129 . 195 Shakespeare's Sonnets and the History of Sexuality . 207 Shylock in Love: Economic Metaphors in Shakespeare's Sonnets . 223 Hoarding the Treasure and Squandering the Truth: Giving and Posessing in Shakespeare's Sonnets to the Young Man. .235 Without Remainder: Ruins and Tombs in Shakespeare's Sonnets . 245 Ecosystemic Shakespeare: Vegetable Memorabilia in the Sonnets .