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Issue No. 57 | October 2011 the Official Journal of the Kamra Tal-Periti
ISSUE NO. 57 | OCTOBER 2011 THE OFFICIAL JOURNAL OF THE KAMRA TAL-PERITI OST P NEWSPAPER NEWSPAPER contents 12 15 PRACTICE 04 4 EDITORIAL 5 KTP NEWS 06 6-9 PEOPLE & PROJECTS 10 EU DESK 11 SACES FEATURE 12 12-13 JAPANESE GARDEN 14-16 MALTA DESIGN WEEK 16-18 HOUSING 19 FE ANALYSIS 20 curreNT 20 20 EASA 21 HERITAGE 22 WEB + COMPETITION 23 INTERNATIONAL EVENTS 19 “Architecture is understood to go beyond the physical development of our built environment and considered a cultural reference to sustainable development.” National Cultural Policy, Malta, 2011 See Editorial for details OCTOBER 2011 THE ARCHItect 3 THE PROFESSIONAL CENTRE Summer is a peculiar season … I welcome the late Policy Actions presented in this document. SLIEMA ROAD sunsets, the cool evenings by the seaside, the open GZIRA GZR 06 - MALTA air events that pepper the Maltese calendar at this The draft National Environment Policy builds further TEL./FAX. (+356) 2131 4265 time … yet I dread the long hot days, the drone of my on the above. It speaks about Government’s commit- EMAIL: [email protected] EDITORIAL desk fan, the constant feeling that it will never be over. ment to continue to protect Malta’s built heritage and WEBSITE: www.ktpmalta.com Despite this, the summer of 2011 brought with it two to improve the environment in historic areas. It further very welcome breaths of fresh air - the publication of identifies the need to “improve the liveability of urban To support members of the profession in achieving excellence in their the National Cultural Policy in July and the -
ICAA Documents Project Working Papers
17.351 ICAA Working Papers 5.rd3.qxp_17.351 ICAA Working Papers 5.rd3 11/8/17 10:00 AM Page 1 ICAA Documents Project Working Papers The Publication Series for Documents of 20th-Century Latin American and Latino Art Number 5 December 2017 17.351 ICAA Working Papers 5.rd3.qxp_17.351 ICAA Working Papers 5.rd3 11/8/17 10:00 AM Page 2 Number 5 December 2017 ICAA Documents Project Working Papers The Publication Series for Documents of 20th-Century Latin American and Latino Art CONTENTS The ICAA Documents Project Working Papers series brings together papers stemming from the Documents of 20th- Century Latin American and Latino Art Project at the Museum of Fine Arts, Houston . It also serves as the official vehicle to assemble and distribute related research by the Center’s team of researchers, staff, and affiliates. 2 INTRODUCTION Beatriz R. Olivetti, Research and Digital Experience Specialist, Series Editor: María C. Gaztambide, Front cover (see also p. 7, fig. 3) : For more information, please contact: International Center for the Arts of the Americas, MFAH ICAA/MFAH Luis Fernando Benedit, Proyecto huevos , The International Center 1976–77, installation view. Number 5 Editor: María C. Gaztambide , for the Arts of the Americas (ICAA) SIGNS , S YSTEMS , C ONTEXTS : T HE CENTRO DE ARTE Y COMUNICACIÓN ICAA/MFAH Back cover (detail) and p. 18 : Marta Minujín, The Museum of Fine Arts, Houston 3 P.O. Box 6826, Houston, TX 77265-6826 AT THE SÃO PAULO BIENAL , 1977 Design : Graciela Araujo, MFAH Movimiento Interior [Internal Movement], 1960, sand, pigments, cardboard, pyroxilin Telephone: 713-639-1528 Julia Detchon, Winner of the Peter C. -
Inventario Dell'archivio (.PDF)
Ministero per i Beni e le Attività Culturali Soprintendenza Archivistica per il Lazio INVENTARIO DELL’ARCHIVIO BRUNO ZEVI a cura di Vincenzo De Meo coordinamento scientifico Elisabetta Reale Fondazione Bruno Zevi - Roma 2006 1 Indice Introduzione p. 2 Profilo biografico di Bruno Zevi p. 5 Inventario Scheda Fondo p. 7 01. Formazione (1936 - 1954) p. 9 02. Onorificenze (1951 - 1997) p. 11 03. Attività didattica e carriera universitaria (1946 -1985) p. 15 04. Attività professionale (1939 - 1999) p. 21 01. Consulenze e incarichi (1939 - 1995) p. 21 02. Progetti (1940 - 1999) p. 26 05. Associazioni, istituti e comitati (1945 - 1999) p. 32 06. Attività editoriale (1945 - 1999) p. 37 01. Riviste e collane (1945 - 1999) p. 37 02. Saggi, articoli, discorsi e interviste (1943 - 1999) p. 40 03. Monografie (1944 - 2001) p. 55 04 . Rapporti con gli editori (1948 - 1998) p. 66 07. Convegni, conferenz e altri eventi (1935 - 1999) p. 71 08. Attività Politica (1933 - 1999) p. 90 09. Rassegna stampa su Zevi (1948 - 2000) p. 97 10. Corrispondenza (1943 - 2000) p. 108 11. Vita privata (1938 - 2000) p. 117 12. Iconografia (s.d.) p. 121 01. Architetti (s.d.) p. 121 02. Città Italiane (s.d.) p. 123 03. Iconografia varia (s.d.) p. 124 13. Rotoli di elaborati grafici e manifesti (1940 - 1990) p. 127 14. Album di documenti e fotografie (1938 - 1964) p. 130 01. Documenti saggi e articoli (1938 - 1964) p. 130 02. Riproduzioni fotografiche dei rilievi degli studenti (1948-1962) p. 137 03. Fotografie a soggetto (s.d) p. 139 04. Storia dell’architettura americana (1935 - 1944) p. -
If You Want to Download the CICA Awards 2020
Comité International des Critiques d'Architecture International Committee of Architectural Critics Comité Internacional de Críticos de Arquitectura PRESS Release 9 August 2020 Dennis Sharp CICA AWARDS 2020: SHORTLIST The International Committee of Architectural Critics (CICA) presents its shortlist of titles for the 2020 Awards in the following four categories: CICA Bruno Zevi Book Award 2020 Barsac, Jacques: Charlotte Perriand: Complete Works, Volume 4, 1968- 1999, Scheidegger & Spiess, Zurich 2019. Berger, Alan; Kotkin, Joel (eds.); Guzman, Celina Balderas (cont.): Infinite Suburbia, Princeton Architectural Press, Princeton 2017. Blau, Eve; Rupnik, Ivan: Baku: Oil and Urbanism, Park Books, Zurich 2019. Carpo, Mario: The Second Digital Turn: Design Beyond Intelligence, MIT Press, Cambridge 2017. Eigen, Edward: On Accident: Episodes in Architecture and Landscape, MIT Press, Cambridge 2018. Vassallo, Jesús: Epics in the Everyday: Photography, Architecture, and the Problem of Realism, Park Books, Zurich 2020. Verde Zein, Ruth: Critical Readings, Romano Guerra and Nhamerica Press, Sao Paulo, Austin 2019. President CICA Julius Posener Exhibition Catalogue Award 2020 Joseph Rykwert Alonso, Pedro Ignacio; Palmarola, Hugo (eds.): Flying Panels: How Chair Concrete Panels Changed the World, ArkDes, Stockholm, 2019. Louise Noelle Gras Gonzales de Canales, Francisco: Rafael Moneo, Una reflexión Secretary General Manuel Cuadra teórica desde la profesión - Materiales de archivo (1961- 2016). Vrachliotis, Georg; Kleinmanns, Joachim; Kunz, Martin; Kurz, Philip (eds.): Directors Frei Otto: Thinking by Modeling, Spector Books, Leipzig, 2017. François Chaslin Manuel Cuadra Louise Noelle Gras Süha Özkan CICA Pierre Vago Journalism Award 2020 Yasmin Shariff Ciarkowski, Blażej: Holidays with Totalitarianisms, Herito #29, Secretariat International Cultural Centre, Kraków 2017. Manuel Cuadra Hanauer Landstrasse 64 Ho, Miriam; Jones, Ruth; O’Carroll, Aisling (eds.): Deviant Devices, SITE 60314 Frankfurt am Main #40, The Site Magazine, Toronto 2019. -
Cambio Y Continuidad. Notas Sobre La Carta De Machu Picchu, El Último Manifiesto De Arquitectura Sharif S
____________________________________________________________________________________________________ Cambio y continuidad. Notas sobre la Carta de Machu Picchu, el último manifiesto de arquitectura Sharif S. Kahatt En diciembre de 1977 se celebró el XII Congreso de la conocido, sin embargo, es que las primeras críticas a la Unión Internacional de Arquitectos (UIA) en las ciuda- visión de ciudad moderna se plantearon desde el inte- des de Lima y el Cusco; y, en un esfuerzo extraordinario, rior del Congreso Internacional de Arquitectura Moder- se redactó y firmó la Carta de Machu Picchu. na (CIAM), con la propuesta de una «Charte d’habitat» El 12 de diciembre del 2017 habrán pasado cuarenta o «Charte du Logis». Luego se sucedieron las reuniones años desde la declaración de la Carta de Machu Picchu, del Team10, en las que se propuso una aproximación realizada simbólicamente en las alturas del mismo mo- escalar y fenomenológica a la ciudad, y el «Dorn Mani- numento, con la presencia de decenas de arquitectos de festo». Más adelante, alrededor de la figura de José Luis distintos países del mundo, para reclamar la atención de Sert se reunió un grupo de trabajo que trató de llevar la disciplina frente a los grandes cambios que se suce- sus ideas al The Charter of Urban Rights.1 dían. Este documento —que se reproduce íntegramente Ninguno de estos esfuerzos llegó a consolidarse en en las siguientes páginas— intenta reaccionar proposi- un documento único —y público— para «guiar» el de- tivamente a la crisis urbana, energética, ecológica y so- sarrollo sostenible de las ciudades modernas. Por ello, cial del momento, y se propone para entender la realidad pasado el tiempo, en 1977, por iniciativa de arquitectos urbana peruana e internacional en la década de 1970. -
Ms Lesley Wigham
Comité International des Critiques d'Architecture International Committee of Architectural Critics Comité Internacional de Críticos de Arquitectura PRESS Release 8 September 2011 CICA AWARDS 2011: SHORTLIST The International Committee of Architectural Critics (CICA) presents its shortlist of titles for the 2011 Book, Exhibition Catalogue and Journalism Awards. The winners will be announced within the UIA World Congress Tokyo 2011 at the CICA Symposium held on September 28th from 12:00 to 15:30 hours, in the Tokyo International Forum, Hall D-1. The awards fall into the following three categories: CICA Bruno Zevi Book Award 2011 Damus, Martin: Architekturform und Gesellschaftsform. Architektur und Städtebau unter dem Einfluss von Industrialisierung, Großvergesellschaftung und Globalisierung 1890-1945, Gebrüder Mann Verlag, Berlin 2010. President Durán Núñez, Victor Manuel; Brea García, Emilio José: Arquitectura Joseph Rykwert Popular Dominicana, Banco Popular Dominicano, Santo Domingo 2009. Chair Louise Noelle Gras Lampugnani, Vittorio Magnago: Die Stadt im 20. Jahrhundert. Visionen, Secretary General Entwürfe, Gebautes, Wagenbach, Berlin 2010. Manuel Cuadra Directors Lejeune, Jean-François; Sabatino, Michelangelo (eds.): Modern François Chaslin architecture and the Mediterranean. Vernacular dialogues and Manuel Cuadra contested identities, Routledge, Abingdon 2010. Jorge Glusberg Louise Noelle Gras Süha Özkan Sabatino, Michelangelo: Pride in Modesty. Modernist architecture and Jennifer Taylor the vernacular tradition in Italy, University of Toronto Press, Toronto Secretariat 2010. CICA c/o Universität Kassel Fachbereich 6: ASL Lehrstuhl Prof. Cuadra Schrijver, Lara: Radical Games. Popping the Bubble of 1960’s Henschelstrasse 2 Architecture, NAi Publishers, Rotterdam 2009. D-34109 Kassel Germany Standertskjöld, Elina: The Dream of the New World. American Influence [email protected] on Finnish Architecture from the turn of the 20th Century to the www.cicarchitecture.org Second World War, Museum of Finnish Architecture, Helsinki 2010. -
Antikvariat ANTIQUA Kommendörsgatan 22 S-114 48 Stockholm Sweden
Antikvariat ANTIQUA Kommendörsgatan 22 S-114 48 Stockholm Sweden Telefon Telephone 08 – 10 09 96 46 - 8 - 10 09 96 Öppettider Open Hours Måndag – fredag Monday – Friday 13.00 – 18.00 13.00 – 18.00 email: [email protected] www. antiqua.se VAT reg. no. SE 451124051901 Postgiro: 4 65 44 – 3 Bankgiro: 420 – 8500 SWIFT: HANDSESS IBAN: SE06 6000 0000 0002 4550 8112 Medlem i Svenska Antikvariatföreningen Member of ILAB The measures of books are given in cm Prices are net in Swedish Kronor Shipping charges are extra Antiqua 20 Monographs on Architects Summer 2015 Catalogued by Johan Dahlberg I. Monographs on Architects 3 II. Partnerships, Firms and other Joint Monographs 120 4 2 I. Monographs on Architects AALTO (1898-1976) 1 Aalto, Alvar / ed. by Göran Schildt. ALVAR AALTO IN HIS OWN WORDS. Helsinki 1997. 26x21. 288 pp. Ca 100 drawings, sketches and plans including 50 full-page. Publisher's boards, dust jacket. Lectures, speeches, articles and other writings by Aalto with annotations by his close friend and biographer. 350 2 Aalto, Alvar / ed. by Göran Schildt. SKISSER. Helsingfors 1973. 21x21. 104 pp. + 40 leaves with 82 reproductions. Publisher's printed cloth. 32 essays, articles and lectures from 1922‐1968 with drawings and sketches mainly from the 1950s. 200 3 Aalto, Alvar / ed. by Göran Schildt. SKETCHES. Cambridge, Mass. & London 1985. 21x21. X+174 pp. 80 full-page reproductions. Pictorial wrappers. SKISSER (previous item) translated by Stuart Wrede. 200 4 AALTO. ARCHITECTURE AND FURNITURE. New York, The Museum of Modern Art, 1938. 26x19. II+50 pp. 25 photos and plans of buildings and interiors and 10 photos (6 full page) of furniture. -
Contemporary Argentine Art and Ecological Crises
CONTEMPORARY ARGENTINE ART AND ECOLOGICAL CRISES AN ABSTRACT SUBMITTED ON THE 18 DAY OF APRIL 2013 TO THE DEPARTMENTS OF THE HISTORY OF ART AND LATIN AMERICAN STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS OF THE SCHOOL OF LIBERAL ARTS OF TULANE UNIVERSITY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY BY ––––––––––––––––––––––––––––––––– LISA CROSSMAN APPROVED: ______________________ THOMAS F. REESE, Ph.D. DIRECTOR ______________________ MICHAEL PLANTE, Ph.D. ______________________ ANTONIO GOMEZ, Ph.D. ______________________ FLORENCIA BAZZANO- NELSON, Ph.D. ABSTRACT This dissertation explores contemporary Argentine art that has responded to local environmental issues and global ecological crises. This text focuses on diverse works produced between the 1960s and the present by artists based in La Plata and Buenos Aires. The projects analyzed in this study reveal the complexity of the concepts of nature, earth, land, environment and ecological crisis in contemporary society. They expose a series of interrelated issues and layers through which these concepts are defined. In order to designate the major approaches to ecological crises adopted by these artists, this study is divided into three sections, which denote distinct artistic methods and values: raising awareness: fighting against urban degradation; recuperation; and exploration. An analysis of individual works in relation to their central methods and contexts reveals a series of convergences and divergences. I argue that my selection of artists’ works contended with the conflict caused by industrial development and neoliberal economic policies and/or reconsidered the concept of nature and individuals’ relationship to it, shifting the dialogue about the environment to questions of place, engagement and adaptability. Collectively these artists’ works present a multifaceted image of the environment and its relationship to people, which is shaped by both the nuances of a particular location and each site’s or artist’s connection to a broader international context. -
Edgardo Antonio Vigo's Diagonal Cero and Hexágono
City University of New York (CUNY) CUNY Academic Works School of Arts & Sciences Theses Hunter College Spring 5-19-2016 Magazine Politics: Edgardo Antonio Vigo’s Diagonal Cero and Hexágono ‘71 Francisco Javier Rivero Ramos CUNY Hunter College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/hc_sas_etds/66 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Magazine Politics Edgardo Antonio Vigo’s Diagonal Cero and Hexágono ‘71 by Francisco Javier Rivero Ramos Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Art History Hunter College The City University of New York 2016 Thesis Sponsor: May 18, 2016 Harper Montgomery Date First reader May 18, 2016 Lynda C. Klich Date Second Reader Para Zarina Ramos Amezcua y Celina Ramos Amezcua TABLE OF CONTENTS Acknowledgements………………………………………………………………………………. ii List of Illustrations………………………………………………………………………………. iii Introduction………………………………………………………………………………………. 1 Chapter I: Diagonal Cero and the Argentine Little Magazine…………………………………. 13 Chapter II: Hexágono ’71 and Mail Art’s Rhizomatic Network……………………………….. 41 Chapter III: Hexágono ’71 and Novísima Poesía as Semiotic Deterritorialization…………….. 56 Conclusions……………………………………………………………………………………... 66 Bibliography……………………………………………………………………………………. 71 Illustrations……………………………………………………………………………………... 81 i ACKNOWLEDGEMENTS First and foremost I would like to thank Dr. Harper Montgomery for her constant and patient encouragement all throughout my time at Hunter College and for her guidance in the process of writing the present paper. I would also like to acknowledge Dr. Lynda C. Klich for her insightful revisions. Likewise my gratitude goes out to the faculty and staff of the Art Department, particularly Dr. -
ICAA Μ˙ at the Museum of Fine Arts, Houston ICAA Documents Project Working Papers the Publication Series for Documents of 20Th-Century Latin American and Latino Art
International Center for the Arts of the Americas ICAA µ˙ at the Museum of Fine Arts, Houston ICAA Documents Project Working Papers The Publication Series for Documents of 20th-Century Latin American and Latino Art Number 1 September 2007 ICAA µ˙ Number 1 September 2007 ICAA Documents Project Working Papers The Publication Series for Documents of 20th-Century Latin American and Latino Art CONTENTS The ICAA Documents Project Working Papers series brings together essays stemming from the Documents of 2 Introduction 20th-Century Latin American and Latino Art: A Digital Archive and Publications Project at The Museum of Fine María C. Gaztambide, International Center for the Arts of the Americas, Houston Arts, Houston. It also serves as the official vehicle to assemble and distribute related research by the Center’s team of researchers, staff, and affiliates. The series is available in both print and electronic formats. 4 Entre la acción directa y la vanguardia: el estridentismo Francisco Reyes Palma, CURARE, Espacio crítico para las artes, México Series Editor: María C. Gaztambide, © 2007 The International Center for the For more information, please contact: 11 Vanguardia concreta rioplatense: ICAA/MFAH Arts of the Americas, The Museum of The International Center acerca del arte concreto y la música Fine Arts, Houston. All rights reserved. Translations and Publications Editor: for the Arts of the Americas Cristina Rossi, Fundación Espigas, Buenos Aires Héctor Olea, Ph.D., ICAA Cover: Jerry Dreva, Untitled [Dreva 1977] The Museum of Fine Arts, Houston P.O. Box 6826, Houston, TX 77265-6826 Design: Emily Hoops, MFAH mail art, 1977. 5601 Main Street, Houston, Texas 77005 Back Cover: Alberto Heredia, submission 17 Un chico correcto for catalogue of the exhibition Art 713-639-7814; [email protected] Luis Felipe Noé: crítico de arte en los años cincuenta Systems in Latin America, 1974. -
The Avant-Garde
Studies in the Fine Arts: The Avant-Garde The Library of Professor Stephen C. Foster Professor Emeritus at the University of Iowa, former Director of the Fine Arts Dada Archive and Research Center, University of Iowa; General Editor of Crisis and the Arts: The History of Dada including The Library of Estera Milman Curator, University of Iowa Museum of Art, Founding Director of Alternative Traditions in the Contemporary Arts (ATCA) Project, Special Collections- University of Iowa Libraries 2,401 titles in circa 2,500 volumes Stephen Foster received his Ph.D. in Art History from The University of Pennsylvania and has been the recipient of honors and awards from The National Endowment for the Humanities, The National Endowment for the Arts, The Getty Grant Program, The Mellon Foundation, and The Smithsonian. Foster has served the field widely in reviewing the scholarship of his peers for The National Endowment of the Humanities, The National Endowment of the Arts and the Getty Post-Doctoral Grant Program. Additionally, he has administered and directed numerous fine arts and interdisciplinary programs of international scope; most notably, the University of Iowa’s Program for Modern Studies (with Estera Milman), widely respected as one of the best and most successful programs of its kind, the Corroborate (Intermedia Program), and The Dada Archive and Research Center, the largest American research center devoted to study in this field. As faculty involved in teaching and research at major art history programs from 1972 through 2001, Foster taught a full spectrum of twentieth century graduate courses and advanced seminars, and supervised numerous M.A. -
Download Pdf CICA Award History
Comité International des Critiques d'Architecture International Committee of Architectural Critics Comité Internacional de Críticos de Arquitectura CICA’S Book Awards: A brief and selective history The international Book Awards of CICA (International Committee of Architectural Critics) for architectural criticism were established in 1980 at the 2nd International CICA meeting in Buenos Aires. Three awards were announced stressing the need for high quality and objective criticism, namely:- 1. A book on architectural criticism and/or theory which made a significant contribution to these subjects. 2. To the author of a significant article on architectural criticism and/or theory published in a journal or newspaper. 3. An introduction or an article in a catalogue connected to ‘an architectural exhibition staged in museums, cultural centres or galleries’. The initial CICA Awards Committee included: Bruno Zevi, Founding President (Italy), George R Collins (USA), Dennis Sharp (UK), Jorge Glusberg (Argentina) and Michele Champenois (France). The first awards were announced in 1981 at the UIA Congress in Warsaw. The CICA Book Award went to Manfredi Nicoletti, L’architettura della caverne, Bari 1980. The CICA Award for architectural criticism (ex aequo): article in L’Architecture d’Aujourd’hui by Kenneth Frampton, and James Marston Fitch (AIA Journal). The CICA Award for an introduction to an architectural catalogue went to Arthur Drexler, Transformations, New York: MOMA, 1979. A special mention was made to Contemporary Architects, London: St James’ Press 1980 At the UIA XV Congress in Cairo, 1985, the CICA Book Award was given to the book by Alan Colquhoun, Modern Architecture and Historical Change, Cambridge:MIT Press 1981.