Impressionen Des Alltags
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Nachlässe Von Germanistinnen Und Germanisten Aus Derddr
Erschienen in: Mitteilungen des Deutschen Germanistenverbandes Jg. 64 (2017) H. 2, S. 171-180. Nachlässe von Germanistinnen und Germanisten aus der DDR: eine Beständeübersicht Simone Waidmann / Frederike Teweleit / Ruth Doersing Die nachfolgende Beständeübersicht ist als heuristisches Arbeitsinstrument zu verstehen, das keinerlei Anspruch auf Vollständigkeit erhebt. Sie beruht auf Re cherchen in öffentlich zugänglichen Nachweisinstrumenten und Selbstauskünften bestandshaltender Institutionen. Neben Literaturwissenschaftlerinnen und Literaturwissenschaftlern wurden in Auswahl auch germanistische Linguistinnen und Linguisten berücksichtigt. Auf nahme in die Übersicht fanden nur Bestände (Nachlässe und Vorlässe), die von den genannten Personen bzw. deren Erben gebildet wurden. Instituts- und Gremien unterlagen, Promotions- und Habilitationsakten, Personalakten von Arbeitgebern und andere durch Dritte gebildete Bestände, u. a. Stasiakten, bleiben unberück sichtigt. Die Heterogenität der Angaben ist auf die sehr unterschiedlichen Er schließungsstände in den jeweiligen Archiven zurückzuführen. Becker, Henrik (1902-1984) Universitäts rchiv Jena Nachlass(5,25 lfm, erschlossen, Findbuch) Inhalt:Lehrtätigkeit, hier Unterlagen über die Tätigkeit an der Volkshochschule und der ABF in Leipzig sowie am Germanistischen Institut und dem Institut für Sprachpflege und Wortforschung der FSU Jena. Mitarbeit in Arbeitsgemein schaften und Kommissionen, hauptsächlich Sprachlehrbücher des Sprachlehr- buchausschusses der Gewerkschaft der Lehrer und Erzieher -
German Memory Cultures/Erinnerungskulturen Fall 2009 MW5 (2:50-4:10) Scott Hall 206
German 01:470:392:01 • CompLit 01:195:398:02 German Memory Cultures/Erinnerungskulturen Fall 2009 MW5 (2:50-4:10) Scott Hall 206 Professor Christopher Clark 172 College Ave., Room 302 732-932-7201, ext. 24 [email protected] Office hours: Thurs. 2-4, and by appointment Wir sind geboren, um uns zu erinnern. Nicht We are born to remember. Not vergessen, sondern Erinnerung ist unsere forgetting, but remembering is our Aufgabe... duty… (Heinrich Böll, Das Vermächtnis) Course description: This course provides an overview of German literature, film, and culture since 1945, with a focus on the topic of memory. German culture after 1945 has been preoccupied by the memory of war, National Socialism, and the Holocaust; debates among historians are front-page news, particularly the Historians’ Debate of the 1980s and the Goldhagen debate of the 90s. Literature and film have been important vehicles for the process of Vergangenheitsbewältigung, or coming to terms with the past, and we will discuss texts that both portray and perform acts of memory. We will examine various strategies of remembering and memorializing the past, always asking what the significance of memory is for the present and future. Furthermore, we will examine a range of memory cultures, considering memories of the 1950s “economic miracle,” the 60s student movement and 70s radicalism, and the GDR and its demise, all of which coexist (and compete) with memories of the war and the Holocaust in the same cultural space. No expertise in spoken or written German is required for participation in the course. However, students majoring in German will be expected to read texts in the original German. -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
By Emine Sevgi Özdamar Translated by Leslie A. Adelson
“On the Train” by Emine Sevgi Özdamar Translated by Leslie A. Adelson Translator’s Introduction Emine Sevgi Özdamar, born in 1946 and raised as what the author herself calls a ‘child of Istanbul’, first attracted widespread attention from German literary critics in 1991 when she was awarded the prestigious Ingeborg Bachmann Prize for Literature for her first German novel, which appeared nearly ten years later in English translation as Life is a Caravanserai: Has Two Doors I Came in One I Went Out the Other (this novel has been translated into ten additional languages, including Turkish). Even prior to this dramatic entry on the German literary scene, however, Özdamar was already emerging as a transnational player in postwar German culture in several different ways that would significantly influence the trajectory of her literary career too. One of the so-called guest workers recruited from Turkey in the 1960s to mitigate the labor shortage in divided Germany, Özdamar lived in Berlin as a factory worker from 1965 to 1967. Pursuing a professional acting career upon her return to Istanbul in the late 1960s, she performed key roles in Turkish stagings of German plays by the likes of Bertolt Brecht and Peter Weiss, including the pivotal role of Charlotte Corday in the revolutionary Marat-Sade play that made Weiss internationally famous. After her return to Europe in the 1970s—when Turkish persecution of leftists was especially brutal—Özdamar assisted with theatrical productions by some of the most sought after directors in both the Federal Republic of Germany and the German Democratic Republic, including Benno Besson, Matthias Langhoff, Claus Peymann, Franz Xaver Kroetz, and Einar Schleef. -
College of Arts and Letters
College of Arts and Letters 76-88, 90-211 Section 5 (A&L) 76 9/6/02, 11:44 AM 76-88, 90-211 Section 5 (A&L) 77 9/6/02, 11:44 AM 78 Curricula and Degrees. The College of Arts and Admission Policies. Admission to the College of College of Arts Letters offers curricula leading to the degree of bach- Arts and Letters takes place at the end of the first elor of fine arts in Art (Studio and Design) and of year. The student body of the College of Arts and and Letters bachelor of arts in: Letters thus comprises sophomores, juniors and American Studies seniors. Anthropology The prerequisite for admission of sophomores The College of Arts and Letters is the oldest, and Art: into the College of Arts and Letters is good standing traditionally the largest, of the four undergraduate Studio at the end of the student’s first year. colleges of the University of Notre Dame. It houses Design The student must have completed at least 24 17 departments and several programs through Art History credit hours and must have satisfied all of the speci- which students at both undergraduate and graduate Classics: fied course requirements of the First Year of Studies levels pursue the study of the fine arts, the humani- Classical Civilization Program: University Seminar; Composition; two se- ties and the social sciences. Latin mester courses in mathematics; two semester courses Greek in natural science; one semester course chosen from Liberal Education. The College of Arts and Let- East Asian Languages and Literatures: history, social science, philosophy, theology, litera- ters provides a contemporary version of a tradi- Chinese ture or fine arts; and two semester courses in physical tional liberal arts educational program. -
The Continuation of War Trauma in the Novels of Harms-Josef Ortheil
The Continuation of War Trauma in the Novels of Harms-Josef Ortheil Helmut Schmitz University of Warwick Introduction 'The past is not dead. It is not even past'. It is probably not accidental that two of t h e seminal texts of t h e early seventies, one West and one East German, bore this sentence of W i l l i a m Faulkner as their motto. Both Alfred Andersch's novel Winterspelt ( 1974) and Christa Wolf's autobiographical text Kindheitsmuster ( 1977) are concerned with the extent to which the present is still haunted and therefore determined by the past. While the focus of Andersch's narrative is the examination of the possibility of a n alternative ending to the war which would have changed the preconditions of p o s t - w a r German history and thus identifies the war and not j u s t National Socialism as determining Germany's political present. Wolf's autobiographical enquiry into her childhood under National Socialism falls under the category of Vergangenheitsbewältigung (coming to terms with the past) that takes its cue from t h e realisation t h a t National Socialism had never been fully confronted at a personal and institutional level. Alexanderand Margarete Mitscherlich's claim that the Germans had missed out on mourning and, both individually and collectively, suppressed the confrontation with National Socialist atrocities in and through the Economic Wonder had several implications.1 The suppression of g u i l t in the immediate post-war period displaced the act of c o n f r o n t i n g National Socialist crimes onto the next generation(s) which in turn came to see their historical past in predominantly Nazi terms. -
Peter Weiss. Andrei Platonov. Ragnvald Blix. Georg Henrik Von Wright. Adam Michnik
A quarterly scholarly journal and news magazine. March 2011. Vol IV:1 From the Centre for Baltic and East European Studies (CBEES) Södertörn University, Stockholm FEATURE. Steklov – Russian BALTIC temple of pure thought W O Rbalticworlds.com L D S COPING WITH TRANSITIONS PETER WEISS. ANDREI PLATONOV. RAGNVALD BLIX. GEORG HENRIK VON WRIGHT. ADAM MICHNIK. SLAVENKA DRAKULIĆ. Sixty pages BETRAYED GDR REVOLUTION? / EVERYDAY BELARUS / WAVE OF RELIGION IN ALBANIA / RUSSIAN FINANCIAL MARKETS 2short takes Memory and manipulation. Transliteration. Is anyone’s suffering more important than anyone else’s? Art and science – and then some “IF YOU WANT TO START a war, call me. Transliteration is both art and science CH I know all about how it's done”, says – and, in many cases, politics. Whether MÄ author Slavenka Drakulić with a touch царь should be written as tsar, tzar, ANNA of gallows humor during “Memory and czar, or csar may not be a particu- : H Manipulation: Religion as Politics in the larly sensitive political matter today, HOTO Balkans”, a symposium held in Lund, but the question of the transliteration P Sweden, on December 2, 2010. of the name of the current president This issue of the journal includes a of Belarus is exceedingly delicate. contribution from Drakulić (pp. 55–57) First, and perhaps most important: in which she claims that top-down gov- which name? Both the Belarusian ernance, which started the war, is also Аляксандр Лукашэнка, and the Rus- the path to reconciliation in the region. sian Александр Лукашенко are in use. Balkan experts attending the sympo- (And, while we’re at it, should that be sium agree that the war was directed Belarusian, or Belarussian, or Belaru- from the top, and that “top-down” is san, or Byelorussian, or Belorussian?) the key to understanding how the war BW does not want to take a stand on began in the region. -
Freud Raul Hilberg
Freud Raul Hilberg La première édition complète Quarante-cinq ans après la parution de la correspondance avec Wilhelm Fliess : de « La Destruction des juifs d’Europe », aux origines de la découverte l’historien américain publie une nouvelle psychanalytique. Essais. Page 8. édition de cette somme unique. Rencontre. Page 12. 0123 DesLivresVendredi 20 octobre 2006 Christoph Hein Par un subtil jeu de miroirs, l’écrivain allemand éclaire un pan MÉMOIRES oublié de l’histoire de son pays : le drame des réfugiés de Silésie. DE L’ISLAM Littératures. Page 3. Traversées des différents âges Littératures « La Vitesse de la lumière », d’une civilisation riche et diverse. Dossier. Pages 6-7. de Javier Cercas ; et aussi Ian McEwan, John von Düffel, Frédéric Berthet, Pierre Charras, Philippe Vilain... Dessin de Rachid Koraichi illustrant Pages 4 et 5. « Le Livre de la frontière » de Jaume Pont (éd. Al Manar, « Méditerranées ») André Gide « Corydon citoyen » : Monique Nemer analyse la stratégie sociale de l’écrivain dans la révélation de son homosexualité. Essais. Page 9. ph. J. Sassier © Gallimard Claudio Magris A l’aveugle roman Traduit de l’italien par Jean et Marie-Noëlle Pastureau D'île en île, d'un bagne à l'autre, de faillite des idéologies en dérive des individus, Claudio Magris nous plonge dans un fascinant roman total, dans une réflexion lyrique et généreuse sur notre temps. Gallimard 0123 2 Vendredi 20 octobre 2006 FORUM LETTRE DE PÉKIN L’historien Mohammed Harbi a lu « Nos mères, paroles blessées », de Fatima Besnaci Lancou Portraits d’une génération chinoise Aux citoyennes de l’exil RARES sont les observateurs de la dant d’un magazine de sport chinois qui cesse. -
Annotated Books Received
Annotated Books Received A SUPPLEMENT TO Translation Review Volume 13, No. 1 – 2007 THE UNIVERSITY OF TEXAS AT DALLAS CONTRIBUTORS Rainer Schulte Christopher Speck DESIGNER Michelle Long All correspondence and inquiries should be directed to: Translation Review The University of Texas at Dallas Box 830688 (JO 51) Richardson TX 75083-0688 Telephone: 972-883-2092 or 2093 Fax: 972-883-6303 E-mail: [email protected] Annotated Books Received, published twice a year, is a supplement of Translation Review, a joint publication of the American Literary Translators Association and The Center for Translation Studies at The University of Texas at Dallas. ISSN 0737-4836 Copyright © 2007 by American Literary Translators Association and The University of Texas at Dallas The University of Texas at Dallas is an equal opportunity/affirmative action employer. ANNOTATED BOOKS RECEIVED 13.1 TABLE OF CONTENTS Arabic .................................................................................................................... 1 Bulgarian................................................................................................................ 5 Chinese .................................................................................................................. 5 Czech ..................................................................................................................... 8 Danish.................................................................................................................... 9 Dutch .................................................................................................................... -
J.B.METZLER Metzler Lexikon Weltliteratur
1682 J.B.METZLER Metzler Lexikon Weltliteratur 1000 Autoren von der Antike bis zur Gegenwart Band 1 A-F Herausgegeben von Axel Ruckaberle Verlag J. B. Metzler Stuttgart . Weimar Der Herausgeber Bibliografische Information Der Deutschen National Axel Ruckaberle ist Redakteur bei der Zeitschrift für bibliothek Literatur »TEXT+ KRITIK«, beim >>Kritischen Lexikon Die Deutsche Nationalbibliothek verzeichnet diese zur deutschsprachigen Gegenwartsliteratur<< (KLG) und Publikation in der Deutschen Nationalbibliografie; beim >>Kritischen Lexikon zur fremdsprachigen detaillierte bibliografische Daten sind im Internet über Gegenwartsliteratur<< (KLfG). <http://dnb.d-nb.de> abrufbar. Rund die Hälfte der in diesen Bänden versammelten Autorenporträts stammen aus den folgenden Lexika: >>Metzler Lexikon englischsprachiger Autorinnen und Autoren<<, herausgegeben von Eberhard Kreutzer und ISBN-13: 978-3-476-02093-2 Ansgar Nünning, 2002/2006. >>Metzler Autoren Lexikon<<, herausgegeben von Bernd Lutz und Benedikt Jeßing, 3. Auflage 2004. ISBN 978-3-476-02094-9 ISBN 978-3-476-00127-6 (eBook) »Metzler Lexikon amerikanischer Autoren<<, heraus DOI 10.1007/978-3-476-00127-6 gegeben von Bernd Engler und Kurt Müller, 2000. »Metzler Autorinnen Lexikon«, herausgegeben von Dieses Werk einschließlich aller seiner Teile ist urheber rechtlich geschützt. Jede Verwertung außerhalb der Ute Hechtfischer, Renate Hof, Inge Stephan und engen Grenzen des Urheberrechtsgesetzes ist ohne Flora Veit-Wild, 1998. Zustimmung des Verlages unzulässig und strafbar. Das >>Metzler Lexikon -
Front Matter, Vol. 37, Issue 2
Studies in 20th & 21st Century Literature Volume 37 Issue 2 Centroamericanidades Article 1 6-1-2013 Front matter, vol. 37, issue 2 Follow this and additional works at: https://newprairiepress.org/sttcl This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation (2013) "Front matter, vol. 37, issue 2," Studies in 20th & 21st Century Literature: Vol. 37: Iss. 2, Article 1. https://doi.org/10.4148/2334-4415.1801 This Introductory Material is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Front matter, vol. 37, issue 2 Abstract Editorial board and Advisory Council, masthead, contents, and an index to published articles of vols. 1 - 37, issue 1 This introductory material is available in Studies in 20th & 21st Century Literature: https://newprairiepress.org/sttcl/ vol37/iss2/1 et al.: Front matter, vol. 37, issue 2 Special Issue Centroamericanidades Guest Editor: Arturo Arias Articles Abstracts 4 Arturo Arias: Centroamericanidades: Imaginative Reformulation 11 and New Configurations of Central Americanness Ana Patricia Rodríguez: Diasporic Reparations: Repairing the 27 Social Imaginaries of Central America in the Twenty-First Century Regan Boxwell: The Disembodied Subject: Resistance to Norms 44 of Hegemonic Identity Construction in Carmen Naranjo’s Diario de una multitud Junyoung -
A Twentieth Century View of the United States in German Literature, Especially Represented by Uwe Johnson
Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1976 The America-theme: A Twentieth Century View of the United States in German Literature, Especially Represented by Uwe Johnson Walter Pasulka Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the German Language and Literature Commons Recommended Citation Pasulka, Walter, "The America-theme: A Twentieth Century View of the United States in German Literature, Especially Represented by Uwe Johnson" (1976). Master's Theses. 2853. https://ecommons.luc.edu/luc_theses/2853 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1976 Walter Pasulka THE AMERICA-THEME1 A TWENTIETH CENTURY VIEW OF THE UNITED S~ATES IN GERMAN LITERATURE, ESPECIALLY REPRESENTED BY UWE JOHNSON by WALTER R· PASULKA A Thesis Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Master of Arts February 1976 ACKNOWLEDGEMENTS The author wishes to express his gratitude to the follow ing people. without whom he might still be writing this Master of Arts thesiss Dr. Nanda Fischer. whose time and effort in gui ding the author are difficult to calculate and will never be forgotten; Dr. s. Sue Nebel, whose critical evaluation made the final printing of this paper possible; Dr.