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National Rappel Operations Guide
National Rappel Operations Guide 2019 NATIONAL RAPPEL OPERATIONS GUIDE USDA FOREST SERVICE National Rappel Operations Guide i Page Intentionally Left Blank National Rappel Operations Guide ii Table of Contents Table of Contents ..........................................................................................................................ii USDA Forest Service - National Rappel Operations Guide Approval .............................................. iv USDA Forest Service - National Rappel Operations Guide Overview ............................................... vi USDA Forest Service Helicopter Rappel Mission Statement ........................................................ viii NROG Revision Summary ............................................................................................................... x Introduction ...................................................................................................... 1—1 Administration .................................................................................................. 2—1 Rappel Position Standards ................................................................................. 2—6 Rappel and Cargo Letdown Equipment .............................................................. 4—1 Rappel and Cargo Letdown Operations .............................................................. 5—1 Rappel and Cargo Operations Emergency Procedures ........................................ 6—1 Documentation ................................................................................................ -
National Diploma in Calligraphy Helpful Hints for FOUNDATION Diploma Module A
National Diploma in Calligraphy Helpful hints for FOUNDATION Diploma Module A THE LETTERFORM ANALYSIS “In A4 format make an analysis of the letter-forms of an historical manuscript which reflects your chosen basic hand. Your analysis should include x-height, letter formation and construction, heights of ascenders and descenders, etc. This can be in the form of notes added to enlarged photocopies of a relevant historical manuscript, together with your own lettering studies” At this first level, you will be working with one basic hand only and its associated capitals. This will be either Foundational (Roundhand) in which case study the Ramsey Psalter, or Formal Italic, where you can study a hand by Arrighi or Francisco Lucas, or other fine Italian scribe. Find enlarged detailed illustrations from ‘Historical Scripts by Stan Knight, or A Book of Scripts, by A Fairbank, or search the internet. Stan Knight’s book is the ‘bible’ because the enlargements are clear and at least 5mm or larger body height – this is the ideal. Show by pencil lines & measurements on the enlargement how you have worked out the pen angle, nib-widths, ascender & descender heights and shape of O, arch formations etc, use a separate sheet to write down this information, perhaps as numbered or bullet points, such as: 1. Pen angle 2. 'x'height 3. 'o'form 4, 5,6 Number of strokes to each letter, their order, direction: - make a general observation, and then refer the reader to the alphabet (s) you will have written (see below), on which you will have added the stroke order and directions to each letter by numbered pencil arrows. -
Typographic Terms Alphabet the Characters of a Given Language, Arranged in a Traditional Order; 26 Characters in English
Typographic Terms alphabet The characters of a given language, arranged in a traditional order; 26 characters in English. ascender The part of a lowercase letter that rises above the main body of the letter (as in b, d, h). The part that extends above the x-height of a font. bad break Refers to widows or orphans in text copy, or a break that does not make sense of the phrasing of a line of copy, causing awkward reading. baseline The imaginary line upon which text rests. Descenders extend below the baseline. Also known as the "reading line." The line along which the bases of all capital letters (and most lowercase letters) are positioned. bleed An area of text or graphics that extends beyond the edge of the page. Commercial printers usually trim the paper after printing to create bleeds. body type The specific typeface that is used in the main text break The place where type is divided; may be the end of a line or paragraph, or as it reads best in display type. bullet A typeset character (a large dot or symbol) used to itemize lists or direct attention to the beginning of a line. (See dingbat.) cap height The height of the uppercase letters within a font. (See also cap line.) caps and small caps The typesetting option in which the lowercase letters are set as small capital letters; usually 75% the height of the size of the innercase. Typographic Terms character A symbol in writing. A letter, punctuation mark or figure. character count An estimation of the number of characters in a selection of type. -
Documaker Server System Reference, Version 11.3
Start Documaker Documaker Server System Reference version 11.3 Skywire Software, L.L.C. Phone: (U. S.) 972.377.1110 3000 Internet Boulevard (EMEA) +44 (0) 1372 366 200 Suite 200 FAX: (U. S.) 972.377.1109 Notice Frisco, Texas 75034 (EMEA) +44 (0) 1372 366 201 www.skywiresoftware.com Support: (U. S.) 866.4SKYWIRE (EMEA) +44 (0) 1372 366 222 [email protected] PUBLICATION COPYRIGHT NOTICE Copyright © 2008 Skywire Software, L.L.C. All rights reserved. Printed in the United States of America. This publication contains proprietary information which is the property of Skywire Software or its subsidiaries. This publication may also be protected under the copyright and trade secret laws of other countries. TRADEMARKS Skywire® is a registered trademark of Skywire Software, L.L.C. Docucorp®, its products (Docucreate™, Documaker™, Docupresentment™, Docusave®, Documanage™, Poweroffice®, Docutoolbox™, and Transall™) , and its logo are trademarks or registered trademarks of Skywire Software or its subsidiaries. The Docucorp product modules (Commcommander™, Docuflex®, Documerge®, Docugraph™, Docusolve®, Docuword™, Dynacomp®, DWSD™, DBL™, Freeform®, Grafxcommander™, Imagecreate™, I.R.I.S. ™, MARS/NT™, Powermapping™, Printcommander®, Rulecommander™, Shuttle™, VLAM®, Virtual Library Access Method™, Template Technology™, and X/HP™ are trademarks of Skywire Software or its subsidiaries. Skywire Software (or its subsidiaries) and Mynd Corporation are joint owners of the DAP™ and Document Automation Platform™ product trademarks. Docuflex is based in part on the work of Jean-loup Gailly and Mark Adler. Docuflex is based in part on the work of Sam Leffler and Silicon Graphic, Inc. Copyright © 1988-1997 Sam Leffler. Copyright © 1991-1997 Silicon Graphics, Inc. Docuflex is based in part on the work of the Independent JPEG Group. -
Special Characters in Aletheia
Special Characters in Aletheia Last Change: 28 May 2014 The following table comprises all special characters which are currently available through the virtual keyboard integrated in Aletheia. The virtual keyboard aids re-keying of historical documents containing characters that are mostly unsupported in other text editing tools (see Figure 1). Figure 1: Text input dialogue with virtual keyboard in Aletheia 1.2 Due to technical reasons, like font definition, Aletheia uses only precomposed characters. If required for other applications the mapping between a precomposed character and the corresponding decomposed character sequence is given in the table as well. When writing to files Aletheia encodes all characters in UTF-8 (variable-length multi-byte representation). Key: Glyph – the icon displayed in the virtual keyboard. Unicode – the actual Unicode character; can be copied and pasted into other applications. Please note that special characters might not be displayed properly if there is no corresponding font installed for the target application. Hex – the hexadecimal code point for the Unicode character Decimal – the decimal code point for the Unicode character Description – a short description of the special character Origin – where this character has been defined Base – the base character of the special character (if applicable), used for sorting Combining Character – combining character(s) to modify the base character (if applicable) Pre-composed Character Decomposed Character (used in Aletheia) (only for reference) Combining Glyph -
Typography Height
THIS MONTH POInts OF VIEW a Serif Sans serif b Ascender Serif Typography Height Typography is the art and technique of arranging type. Like a Serif Descender person’s speaking style and skill, the quality of our treatment of Figure 1 | Typefaces. (a) The anatomy of letterform for serif (Garamond) letters on a page can influence how people respond to our mes- and sans serif (Univers) type both set at 58 point. (b) Four of the most sage. It is an essential act of encoding and interpretation, linking readily available fonts. what we say to what people see. Typography has been known to affect perception of credibility. line and paragraph settings (Fig. 2b). The relative scale of white In one study, identical job resumes printed using different type- space in Figure 2b makes the hierarchy of the content apparent. faces were sent out for review. Resumes with typefaces deemed Differentially aligning the paragraph text and bulleted list, when appropriate for a given industry resulted in applicants being con- allowed, differentiates the content. sidered more knowledgeable, mature, experienced, professional, To achieve meaningfully spaced text, use the ‘space before’ and believable and trustworthy than when less appropriate typefaces ‘space after’ settings instead of extra carriage returns. Find the were used1. In this case, picking the right typeface can help some- settings under Font menu > Paragraphs (PowerPoint) or Format one’s chances of landing a job. menu > Paragraphs (Word). The paragraph text in Figure 2b is set The term typeface is frequently conflated with font; Arial is a with 5 point space after it; the bulleted list has 3 point space after ‘typeface’ that may include roman, bold and italic ‘fonts’. -
User's Manual ZA-200 / ZA-250
USERS MANUAL ZA-200 MULTI-FONT ZA-250 MULTI-FONT ZR 80825018 ZA-200 ZA-250 USERSMANUAL NOTINTENDEDFORSALE VDE Statement This device carries the VDE RFI protection mark to certify that it meets the radio interference requirements of the Postal Ordinance No. 243/1991. The additional marking “Vfg. 243/P” expresses in short form that this is a peripheral device (not operable alone) which only individually meets the Class B RFI requirements in accordance with the DIN VDE 0878 part 3/11.89and the PostaI Ordinance 243/ 1991, If this device is operated in conjunction with other devices within a set-up, in order to take advantage of a “General (Operating) Authorization” in accordance with the Postal Ordinance 243/1991, the complete set-up must comply with the Class B limits in accordance with the DIN VDE 0878 part 3/11.89, as well as satisfy the preconditions in accordance with $2 and the prerequisites in accordance with $3 of the Postal Ordinance 243/1991. As a rule, this is only fulfilled when the device is operated in a set-up which has been type-tested and provided with a VDE RFI protection mark with the additional marking “Vfg 243”. Machine Noise Information Ordinance 3. GSGV, January 18, 1991: The sound pressure level at the operator position is equal or less than 70 dB(A) according to 1S0 7779. The above statement applies only to printers marketed in Germany. Trademark Acknowledgements ZA-200/250, FR-10/15, LC-200 Color, LC-10 Color, LZ9~X9CL, IS-8XL, IP-128XL, SF-1ODMIU 15DMII, SF-1ORMIV15RMII,PT-10XM/15XM: StarMlcronics Co., Ltd. -
Operating Manual for Descender and Rescue Lifting Devicesafescape
Operating manual for descender and rescue lifting deviceSafEscape SD 72 As on 28.05.09 Sperian Fall Protection Deutschland GmbH& Co. KG, Seligenweg 10, D-95028 Hof,Tel. +49 92818302-0, Fax+49 9281 3626, [email protected], www.fall-protection.com Contents 1. General information............................................................................................................ 3 2. Technical description.......................................................................................................... 3 2.1. Technical data........................................................................................................... 3 2.2. Assembly................................................................................................................... 5 2.3. Intended use ............................................................................................................. 5 3. Preparation........................................................................................................................... 6 4. Use......................................................................................................................................... 7 4.1. Rescuing accident victims...................................................................................... 7 Lifting function......................................................................................................................... 7 Descent function..................................................................................................................... -
Fonts for Latin Paleography
FONTS FOR LATIN PALEOGRAPHY Capitalis elegans, capitalis rustica, uncialis, semiuncialis, antiqua cursiva romana, merovingia, insularis majuscula, insularis minuscula, visigothica, beneventana, carolina minuscula, gothica rotunda, gothica textura prescissa, gothica textura quadrata, gothica cursiva, gothica bastarda, humanistica. User's manual 5th edition 2 January 2017 Juan-José Marcos [email protected] Professor of Classics. Plasencia. (Cáceres). Spain. Designer of fonts for ancient scripts and linguistics ALPHABETUM Unicode font http://guindo.pntic.mec.es/jmag0042/alphabet.html PALEOGRAPHIC fonts http://guindo.pntic.mec.es/jmag0042/palefont.html TABLE OF CONTENTS CHAPTER Page Table of contents 2 Introduction 3 Epigraphy and Paleography 3 The Roman majuscule book-hand 4 Square Capitals ( capitalis elegans ) 5 Rustic Capitals ( capitalis rustica ) 8 Uncial script ( uncialis ) 10 Old Roman cursive ( antiqua cursiva romana ) 13 New Roman cursive ( nova cursiva romana ) 16 Half-uncial or Semi-uncial (semiuncialis ) 19 Post-Roman scripts or national hands 22 Germanic script ( scriptura germanica ) 23 Merovingian minuscule ( merovingia , luxoviensis minuscula ) 24 Visigothic minuscule ( visigothica ) 27 Lombardic and Beneventan scripts ( beneventana ) 30 Insular scripts 33 Insular Half-uncial or Insular majuscule ( insularis majuscula ) 33 Insular minuscule or pointed hand ( insularis minuscula ) 38 Caroline minuscule ( carolingia minuscula ) 45 Gothic script ( gothica prescissa , quadrata , rotunda , cursiva , bastarda ) 51 Humanist writing ( humanistica antiqua ) 77 Epilogue 80 Bibliography and resources in the internet 81 Price of the paleographic set of fonts 82 Paleographic fonts for Latin script 2 Juan-José Marcos: [email protected] INTRODUCTION The following pages will give you short descriptions and visual examples of Latin lettering which can be imitated through my package of "Paleographic fonts", closely based on historical models, and specifically designed to reproduce digitally the main Latin handwritings used from the 3 rd to the 15 th century. -
User Guide: Zebradesigner Essentials Version 3
ZebraDesigner Essentials Version 3 User Guide Product level: Essentials. Rev-2019-1 P1108968-EN ZEBRA and the stylized Zebra head are trademarks of Zebra Technologies Corporation, registered in many jurisdictions worldwide. All other trademarks are the property of their respective owners. ©2019 Zebra Technologies Corporation and/or its affiliates. All rights reserved. Information in this document is subject to change without notice. The software described in this document is furnished under a license agreement or nondisclosure agreement. The software may be used or copied only in accordance with the terms of those agreements. For further information regarding legal and proprietary statements, please go to: SOFTWARE: www.zebra.com/linkoslegal COPYRIGHTS: www.zebra.com/copyright WARRANTY: www.zebra.com/warranty END USER LICENSE AGREEMENT: www.zebra.com/eula Terms of Use Proprietary Statement This manual contains proprietary information of Zebra Technologies Corporation and its subsidiaries (“Zebra Technologies”). It is intended solely for the information and use of parties operating and maintaining the equipment described herein. Such proprietary information may not be used, reproduced, or disclosed to any other parties for any other purpose without the express, written permission of Zebra Technologies. Product Improvements Continuous improvement of products is a policy of Zebra Technologies. All specifications and designs are subject to change without notice. Liability Disclaimer Zebra Technologies takes steps to ensure that its published -
A Critical Guide for Designers, Writers, Editors, and Students
Type Anatomy anatomy caP height x-height baseline stem bowl serif descender ligature ascender finial terminal ascender sPine uPPercase small caPital cross bar counter lowercase 36 | thinking with tyPe cap height x-height baseline stem bowl serif descender ligature ascender finial visually sPeaking, baselines and x-heights determine the real edges of text ascender height caP height descender height Some elements may The distance from the The length of a letter’s extend slightly above baseline to the top of the descenders contributes the cap height. capital letter determines to its overall style and the letter’s point size. attitude. skin, Body x-height is the height of the the baseline is where all the overhang The curves at the main body of the lowercase letter letters sit. This is the most stable bottom of letters hang slightly (or the height of a lowercase x), axis along a line of text, and it below the baseline. Commas excluding its ascenders and is a crucial edge for aligning text and semicolons also cross the descenders. with images or with other text. baseline. If a typeface were not positioned this way, it would appear to teeter precariously. Without overhang, rounded letters would look smaller than Bone their flat-footed compatriots. Although kids learn to write using ruled paper that divides letters exactly in half, most typefaces are not designed that way. The x-height usually occupies more than half of the cap height. The Two blocks of text larger the x-height is in relation Hey, look! are often aligned along to the cap height, the bigger the They supersized a shared baseline. -
The Effect of Fonts Design Features on OCR for Latin and Arabic
Avestia Publishing Journal of Multimedia Theory and Application Volume 1, Year 2014 Journal ISSN: 2368-5956 DOI: 10.11159/jmta.2014.006 The Effect of Fonts Design Features on OCR for Latin and Arabic Jehan Janbi1,2, Mrouj Almuhajri2, Ching Y. Suen2 1Department of Computer Science, Taif University Airport Rd, Al Huwaya, Taif, Saudi Arabia [email protected] 2CENPARMI Concordia University, 1515 St. Catherine W. Montréal, QC, Canada [email protected]; [email protected] Abstract - Huge digitized book projects have been launched and handwritten characters. The improvement of recently like Google Book Search Library project and MLibrary. recognition can be effected by modification of OCR They basically depend on optical character recognition systems stages, such as pre-processing, segmentation, features (OCR) to convert scanned books or documents into editable and extraction or recognition stage. Several studies text searchable e-books. Although research on OCR area addressed different features to be extracted in purpose pursued over decades, very few of them focus on the effect of typeface design on the recognition rate. We took a further step of increasing OCR accuracy for Latin and Arabic scripts. by conducting systematically two observational experiments on In [1], a survey has been done on many studies that Latin and Arabic typefaces using OCR tools. A collection of 18 used different features extraction techniques for Latin, Latin and 13 Arabic typefaces have been tested in two sizes such as zoning, calculating moments and number of using six OCR packages in total. In addition, confusion tables holes and points of the character. For Arabic, in [2] have been constructed to show similarities among some more than one feature extraction method has been characters of the alphabet.