DOCSLIB.ORG

Savannah TALK: (No Intermission) Program

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Savannah TALK: (No Intermission) Program Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Savannah Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, Bay President Joseph V. Melillo, Executive Producer By Marguerite Duras Théâtre de l’Atelier, Paris Directed by Didier Bezace DATES: NOV 11—14 at 7:30pm LOCATION: BAM Fisher (Fishman Space) RUN TIME: Approx 1hr 10min (no intermission) Season Sponsor: TALK: On Truth (and Lies) in Suicide With Kay Redfield Jamison and Andrew Solomon Major support for Savannah Bay Hosted by Simon Critchley provided by Co-presented by BAM and the The Florence Gould Foundation Onassis Cultural Center NY with additional support provided by Part of the Hellenic Humanities Laura Pels Program Sat, Nov 14 at 5pm Major support for theater at BAM BAM Fishman Space provided by The Francena T. Harrison Foundation Trust Donald R. Mullen Jr. The Morris and Alma Schapiro Fund #SAVANNAHBAY The SHS Foundation #BAMNextWave The Shubert Foundation, Inc. BAM Fisher Savannah Bay ABOUT Savannah Bay NY Premiere DIRECTOR’S NOTE Two women in a pristine white room: The overarching subject of Savannah In French with English titles one young, one old. “Who was she?” Bay is the union of two women and one asks the other, referring to a third the role play in which they engage— DIRECTOR who had long ago met a boy, fallen in perhaps daily—to recognize one Didier Bezace love, and bore his child before drown- another. Stemming from a hidden and ing herself. buried traumatic event, which they ARTISTIC MANAGEMENT bring to the surface from a shred of Dyssia Loubatière Unfolding in the melancholic half- memory, they attempt to win each light of memory, Savannah Bay is a other over, to recognize and to love PERFORMERS mesmerizing two-character drama one another. The ritual they invent Geneviève Mnich by the revered French feminist writer and constantly reinvent allows them to Marie Vialle Marguerite Duras (1914–1997)— affirm the identity and strength of their author of The Lover and screenwriter relationship and mutual love, which for ASSISTANT DIRECTOR of Hiroshima Mon Amour—whose the duration of their fleeting interaction, Sandra Choquet stage works are rarely produced in the demands that they restart every day. US. In this New York premiere, Paris’ In a mental space in the absence of SET DESIGN Théâtre de l’Atelier brings the play’s memory, time stops and she is left Jean Haas lyrical dialogue to life, creating an with infinite solitude. Little by little, impressionistic tapestry of loneliness through the rhythm of writing, the void TITLES and connection in which two people fills as love and recognition are built Fanette Barraya form a special bond in the space left by between one unknown woman and her forgetting. grandmother on the edge of an abyss. STAGE MANAGER Guillaume Lepert Laura Pels, former director of Théâtre —Didier Bezace de l’Atelier, wishes to thank the new COSTUME DESIGN artistic team for their cooperation Cidalia da Costa in presenting the play at BAM. MAKEUP French Tour Operator Cécile Kretschmar Scène Indépendante Contemporaine Frédéric Franck, Director LIGHTING DESIGN Dominique Fortin The actors are appearing with the permission of Actors’ Equity Associa- LIGHTING ENGINEER tion. The American stage manager is a Léo Thévenon member of Actors’ Equity Association. SOUND ENGINEER AMERICAN STAGE MANAGER Pierre Bodeux R. Michael Blanco Who’s Who His work has been recognized between them, yet always holds a with a number of awards: in 1995 preference for the theater. he was awarded a Molière for his In cinema she has worked with direction of La Femme Changée Bertrand Tavernier (Un Dimanche en Renard by David Garrett. In à la Campagne), Alain Resnais, 1997 he received the Grand Prix Bertrand Blier, Raoul Ruiz, de la critique for directing La Claude Lelouch, Robert Enrico, Noce Chez les Petits Bourgeois Michel Spinosa, Martin Provost and Grand-peur et Misère du (Séraphine), and Stéphane Brizé. IIIe Reich by Bertolt Brecht. In In theater she has worked with Photo: Didier Bezache 2004 he received the Prix de la Photo: Geneviève Mnich Jean-Pierre Vincent and has since by Brigitte Enguérand critique for scenography for Avis by Carole Bellaiche played roles written exclusively aux Intéressés by Daniel Keene. by contemporary authors: Jon Didier Bezace In 2005 l’Académie des Molières Geneviève Mnich Fosse with Jacques Lassalle and Director awarded him two prizes: one Actress Frédéric Belier Garcia, Jean- for best direction and one for Claude Grumberg and Daniel Didier Bezace co-founded best adaptation of La Version de With a degree in literature Keene; Brassaï with Maurice the Théâtre de l’Aquarium Browning by Terence Rattigan. and two years of study under Benichou; Fabrice Melquiot with (Cartoucherie de Vincennes) in In 2011 the SACD (Society of Henri Rollan at l’École de la Emmanuel Demarcy Mota; and 1970, where he attended every Dramatic Authors and Composers) rue Blanche, Geneviève Mnich other contemporary authors with performance and managed the awarded him the distinguished has acted in a number of plays Gilberte Tsaï and Zabou Breitman. company until July 1997, at Prix du Théâtre for his lifetime from the repertoire of Molière, which point he took the reins of achievements. Marivaux, and Gorki. She worked She worked with Peter Brook in the Théâtre de la Commune à with Jean Dasté and Hubert La Berceuse by Beckett (French Aubervilliers, where he directed Didier Bezace has also acted in Gignoux at the time of “theatrical version) at Les Bouffes du pieces by both contemporary and films by Claude Miller, Bertrand decentralization” in France, an Nord Theater. From there, she classic authors. Tavernier, Jeanne Labrune, Claude innovative program which was met Didier Bezace and acted Zidi, and Rémi Bezançon, and has initiated by André Malraux to in Kureishi’s script adaptation worked alongside Marion Cotillard. produce theater for a broader of May and Daniel Keene’s Un audience throughout France. Soir Une Ville, in which she She has appeared in cinema and played a woman confronted with television alike and alternates Alzheimer’s disease. Photo: Marie Vialle by Richard Schroeder FANETTE BARRAYA SANDRA CHOQUET Titles Assistant Director After living in the US for five Sandra Choquet attended the years while studying sculpture, Théâtre National de Strasbourg Fanette Barraya returned to Paris (TNS) and has since worked with at age 23 and began working in directors Stéphane Braunschweig, the theater by assisting artistic Antoine Caubet, Michel Cerda, director Bob Meyer on several Yann-Joël Collin, Ludovic Lagarde, productions with his theater Eric Louis, Etienne Pommeret, group, the Gare St. Lazare François Wastiaux, and Nadia Players. In 2005 she worked Xerri. In film and television, with Bob Meyer again on his first she has worked with Nathalie Other credits include Une Petite feature film Drunkboat with John Boutefeu, Bruno Chiche, and Marie Vialle Douleur by Harold Pinter at Malkovich and John Goodman. Frédéric Tellier. Choquet is also Actress Théâtre Vidy (Lausanne), Théâtre Barraya has worked with directors a singer and has sung for Arte de la Ville (Paris), and Théâtre Bernard Murat, Christophe Lidon, since 2000. She has also worked Marie Vialle is delighted to be des Célestins (Lyon), directed and Eric-Emmanuel Schmitt. as assistant to Nathalie Baye on making her US debut at BAM. by Marie-Louise Bischofberger She was trained as an actor at Hiver by Jon Fosse and assistant Favorite theater credits include (2012—13); and Oncle Vania by Angel Magnétic Theatre under the to Dominique Blanc on La Douleur Ivanov by Anton Chekhov at the Chekhov at Théâtre des Amandiers direction of Antoine Campo. by Marguerite Duras, directed Théâtre de l’Odéon, directed by (Nanterre), directed by Alain by Patrice Chéreau and Thierry Luc Bondy (2014—15) and La Françon (2011), which toured Thieû Niang, both at le Théâtre de Double Mort de l’Horloger by in theaters around France. She PIERRE BODEUX l’Atelier. Odön von Horvath at the Théâtre directed and acted in Triomphe du Sound Engineer National de Chaillot, directed by Temps by Pascal Quignard (2006) CIDALIA DA COSTA André Engel (2013). She is also a which also toured in France. Since 2012 Pierre Bodeux has Costume Design director, having directed Les lois Cinema credits include Baby been a sound operator at the de l’hospitalité by Olivia Rosenthal Blues, (directed by Diane Bertrand Musical Theatre of Paris Châtelet, After studying fine arts Cidalia (2008, 2011). 2007), Les Inséparables, (directed working on musical comedies (My da Costa started working in by Christine Dory 2007), and Fair Lady, Into the Woods, Singin’ film but was quickly pulled into Avant l’Oubli (directed by Augustin in the Rain). He has also worked theater. While working in theater, Burger, 2003). She studied at the as sound manager for opera (Il she has created costumes for Conservatoire National Supérieur Re Pastore, La Belle Hélène), Pierre Ascaride, Didier Bezace, d’Art Dramatique (1997) and and concerts (Joe Lovano, Stacey Vincent Colin, Gabriel Garran, École de la Rue Blanche—ENSATT Kent, Jean Louis Aubert, Camille, Daniel Mesguich, Jacques Nichet, (1994). Henri Texier, Les Parapluies de Philippe Adrien, Yves Beaunesne, Cherbourg, Le Petit Prince). Since Hubert Colas, Charles Tordjman, 2014 Bodeux has worked as Chantal Morel, Michel Didym, sound manager for the Compagnie David Géry, and Gilberte Tsaï. She Théâtre des Nuages de Neige has also worked in contemporary and has been on various tours dance, having collaborated with throughout France. Jean Gaudin, Catherine Diverrès, and Bernardo Montet. In opera, she has worked with Hubert Colas, Emmanuelle Bastet, and Belgium). He has collaborated Philippe Adrien, Claude Yersin, Kureishi and Conversations avec Christophe Gayral. She has also with many theater directors Luc Bondy, Omar Porras, Charles ma Mère after the screenplay collaborated on productions including Bruno Bayen, Louis- Tordjman, Alain Milianti, Alain of the same name by Santiago by James Thierrée and Jérôme Charles Sirsacq, Hans Peter Cloos, Ollivier, and Marc Paquien.
Load more

Recommended publications
  • Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
    Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami.
    [Show full text]
  • Noémie Merlant, Dans Le Rôle D'eléonore L'orpheline
    ALBANY FILMS & ARAMIS FILMS Présentent une production LES FILMS ELEMENTAIRES L’Orpheline Avec en Plus un Bras en Moins Un film de Jacques Richard D’après un scénario original de Roland Topor et Jacques Richard Avec Jean-Claude Dreyfus, Dominique Pinon, Melvil Poupaud, Caroline Loeb, Pasquale D’Inca, Marie France, KENTARO, Marie Marczac, Fabrice Carlier, Eléodie Hachet… … et pour la première fois à l’écran Noémie Merlant Musique originale de Béatrice Thiriet. SORTIE LE 19 OCTOBRE 2011 DISTRIBUTION PRESSE ARAMIS FILMS Florence Narozny 10 rue Mesnil 75116 Paris 01 40 13 98 09 tél : 01 83 62 51 47 fax : 01 76 50 46 11 [email protected] [email protected] ALBANY FILMS 3 rue Saint-Philippe du Roule 75008 Paris Nathalie Chambon tél : 01 47 36 66 60 fax : 09 72 19 82 85 06 11 94 79 67-09 53 60 26 01 Marc-André GRYNBAUM 06 99 54 85 24 [email protected] [email protected] Marlène VEYRIRAS 06 58 25 61 64 [email protected] Sophie VIGUIER 07 60 94 14 09 [email protected] Durée : 97mn / 35mm et DCP / Dolby Digital / Visa 91877 / 2010 Stock et transport FILMINGER [email protected] DOSSIER DE PRESSE ET PHOTOS TELECHARGEABLES SUR www.aramisfilms.fr SYNOPSIS ELEONORE est une superbe jeune fille d’une vingtaine d’années, qui a perdu ses parents et un bras dans un accident. Elle vit dans un orphelinat en Bourgogne. Le JUGE LONDON, magistrat en province, et d’un âge respectable, veut faire le bonheur de la jeune fille.
    [Show full text]
  • A FILM by NICOLAS MAURY CG CINÉMA Presents
    A FILM BY NICOLAS MAURY CG CINÉMA presents NICOLAS MAURY NATHALIE BAYE PRESS RENDEZ-VOUS VIVIANA ANDRIANI / AURÉLIE DARD [email protected] / [email protected] Tel.: +33 1 42 66 36 35 A FILM BY NICOLAS MAURY Mob : +33 6 80 16 81 39 INTERNATIONAL SALES LES FILMS DU LOSANGE 22 Avenue Pierre 1er de Serbie - 75116 Paris Tél.: +33 1 44 43 87 24 www.filmsdulosange.com FRANCE • 2020 • 1H50 • IMAGE 2,35 • SOUND 5.1 Photos and press pack can be downloaded at https://filmsdulosange.com/en/film/my-best-part/ 4 5 pcoming actor Jérémie is going through an existential crisis. Pathologically jealous and plagued by romantic, professional and familial misadventures, he flees Paris to reset in the country with his mother – who turns out to be more than a little invasive… 6 7 The main theme of My Best Part is jealousy. passionate characters. I think that jealousy is a Jérémie, the lead character says that it burns powerful decipherer of the world, in the sense his blood. Did you do research? that it encourages the urge to overcome what The most basic item of research was my you imagine. The tragedy, if I can call it that, is own life. When I arrived in Paris as a teenager that the jealous person is not always wrong. raised in the country, in the Limousin region, They picture things in their mind, and crazily almost immediately I fell head over heels in enough it turns out the picture is often right. love and, like all devouring passions, it involved Jealousy is like tinnitus, background noise only overpowering jealousy.
    [Show full text]
  • Tard Exe:Plus Tard
    IMAGE ET COMPAGNIE / AGAV FILMS / FRANCE 2 PRESENT ONE DAY YOU’LL UNDERSTAND DIRECTED BY AMOS GITAÏ BASED ON JÉRÔME CLÉMENT’S BOOK “PLUS TARD TU COMPRENDRAS” ome 20 years ago in an apartment overcrowded with antique objects, SRivka is trying to prepare dinner. But the Klaus Barbie trial on television breaks her concentration. Rivka is overcome with emotion listening to JÉRÔME CLÉMENT the testimony of a camp survivor. érôme Clément wrote Plus tard, tu comprendras (Grasset et Fasquelle, 2005) as an homage to his Jmother, whose parents were murdered at Auschwitz. Clément is also the author of several In Rivka's son Victor's office, the sounds of the trial are also heard. other books: Un homme en quête de vertu (Grasset, 1992), Lettres à Pierre Bérégovoy (Calmann Levy, Victor can't manage to fully concentrate on the piles of case documents on 1993), La culture expliquée à ma fille (Seuil, 1995) and Les femmes et l’amour (Stock, 2002). his desk nor his secretary's questions. Clément is currently elected President of the European television station Arte France. He’s also a board member of several cultural organizations (notably the Orchestre de Paris and Despite the intimacy of their mother-son dinner later that evening, the Théâtre du Châtelet). Clément has been decorated with the French Legion of Honor, the neither Rivka nor Victor speak of the Barbie trial. Rivka changes the subject National Order of Merit, the Society of Arts and Letters and Germany’s Grand Cross of the each time her son brings up the trial in conversation.
    [Show full text]
  • JEANNE MOREAU: NOUVELLE VAGUE and BEYOND February 25 - March 18, 1994
    The Museum of Modern Art For Immediate Release February 1994 JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND February 25 - March 18, 1994 A film retrospective of the legendary French actress Jeanne Moreau, spanning her remarkable forty-five year career, opens at The Museum of Modern Art on February 25, 1994. JEANNE MOREAU: NOUVELLE VAGUE AND BEYOND traces the actress's steady rise from the French cinema of the 1950s and international renown as muse and icon of the New Wave movement to the present. On view through March 18, the exhibition shows Moreau to be one of the few performing artists who both epitomize and transcend their eras by the originality of their work. The retrospective comprises thirty films, including three that Moreau directed. Two films in the series are United States premieres: The Old Woman Mho Wades in the Sea (1991, Laurent Heynemann), and her most recent film, A Foreign Field (1993, Charles Sturridge), in which Moreau stars with Lauren Bacall and Alec Guinness. Other highlights include The Queen Margot (1953, Jean Dreville), which has not been shown in the United States since its original release; the uncut version of Eva (1962, Joseph Losey); the rarely seen Mata Hari, Agent H 21 (1964, Jean-Louis Richard), and Joanna Francesa (1973, Carlos Diegues). Alternately playful, seductive, or somber, Moreau brought something truly modern to the screen -- a compelling but ultimately elusive persona. After perfecting her craft as a principal member of the Comedie Frangaise and the Theatre National Populaire, she appeared in such films as Louis Malle's Elevator to the Gallows (1957) and The Lovers (1958), the latter of which she created a scandal with her portrayal of an adultress.
    [Show full text]
  • ALEJANDRO URDAPILLETA INDEX TAXONOMY ARGENTINA Tradition
    1954 ALEJANDRO URDAPILLETA INDEX TAXONOMY ARGENTINA tradition BIO MAIN WORKS He was born in 1954, in Montevideo, Uruguay. He is one of the most He has published Vagones transportan important representatives of the new Argentinean theatre. From humo (2000), Legión Re-ligión. Las 1984 he began to participate, individually or in groups, together with 13 Oraciones (2007), a small booklet Batato Barea, Humberto Tortonese and other artists, in the so-called with monologues, poems, stories and “underground” circuit, until the beginning of the nineties. Among his drawings edited in facsimile form. most important shows are Alfonsina y el mal, El método de Juana, La Among his latest acting works, we carancha, Mamita querida, Poemas decorados, Carne de chancha, can highlight Mein Kampf (a farce) by La moribunda. In the official theatre he was part of the cast of George Tabori and King Lear by William Hamlet o la guerra de los teatros (Teatro San Martín, dir. Ricardo Shakespeare (respectively in 2000 and Bartís), El relampago by Strindberg (dir. Augusto Fernandes), Martha 2006, both directed by Jorge Lavelli, at Stutz by Javier Daulte (dir. de Diego Kogan, 1997), Lunch at Ludwig the Teatro San Martín), and Atendiendo W.’s house by Thomas Bernhard (dir. de Roberto Villanueva)and al Sr. Sloane (2007, directed by Claudio Mein Kampf (a farce) by George Tabori (Teatro San Martín, dir. Jorge Tolcachir, Ciudad Konex). He filmed Lavelli). As an actor he has been awarded many times. numerous films, The Sleepwalker and Farewell Dear Moon (1998 and 2003, both directed by Fernando Spiner) and The Holy Girl (2004, directed by Lucrecia Martel) LINKS Actores.
    [Show full text]
  • The Cutting Edge of French Cinema
    BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O.
    [Show full text]
  • L'impresario De Smyrne
    Documentation du spectacle « L’Impresario de Smyrne » Merci de reproduire les mentions obligatoires indiquées dans le cadre ci-dessous L’Impresario de Smyrne de Carlo Goldoni adaptation Michael Stampe mise en scène Christophe Lidon avec Bernard Alane, Denis Berner, Adèle Bernier, Marianne Epin, Catherine Jacob, Bernard Malaka, Nicolas Vaude décors Catherine Bluwal costumes Chouchane Abello-Tcherpachian lumières Marie-Hélène Pinon son Christophe Sechet vidéo Léonard assistante mise en scène Natacha Garange tournée Acte 2 création du CADO Orléans Acte 2 – tél. 01 42 25 51 11 - fax 01 42 25 51 22 e-mail : [email protected] - www.acte2.fr L’Impresario de Smyrne Présentation Dans la plus flamboyante Venise du dix huitième siècle, si proche d'un univers théâtral idéal, Goldoni nous raconte comment un nabab Turc décide de s'improviser "producteur" pour créer à Smyrne, sa ville natale, le plus illustre Opéra que l'époque ait vu monter. Tout le cercle du spectacle en effervescence, de la Diva jusqu'au librettiste, va essayer de se faire engager, afin d'entrevoir les quelques mois de tranquillité indispensables à ces artistes aux abois. Une magnifique occasion d'illustrer les pétillantes ressources des artistes de l'époque mais aussi leurs travers très humains, et leurs préoccupations très quotidiennes... peut-être pas si éloignées de celles des intermittents d'aujourd'hui ! Là où l'on peut espérer que le talent fait la différence, on s'aperçoit que les us et coutumes de la scène doivent être respectés à la lettre, sous peine de cruelle exclusion de ce petit monde. Un monde où la séduction, l'envie, l'engagement, la jalousie, frappent ceux qui se révèlent affaiblis par une situation fragilisante d'insécurité de l'emploi, et qui sont dévorés dans le même temps par l'irrépressible besoin d'être artiste.
    [Show full text]
  • 6-Jeudis-De- Lodeon.Pdf
    L’ODÉON VOUS PROPOSE DES SOIRÉES CLÉ EN MAIN Accueil personnalisé pour vos invités dans le hall du théâtre Places réservées et groupées en première catégorie Espace de réception partiellement ou entièrement privatisé Remise des programmes de spectacle à l’arrivée de vos invités Service de vestiaire Orientation et filtrage des invités au moment de la réception par l’équipe d’accueil Prise en charge de l’organisation et de la logistique de votre réception Terrasse du Théâtre de l’Odéon 6e © Benjamin Chelly NOS FORMULES Formule champagne Une coupe de champagne, avant, à l’entracte ou après la représentation 90 euros TTC / personne dans un espace partiellement privatisé 120 euros TTC / personne dans un espace entièrement privatisé Formule cocktail Cocktail 12 pièces et coupe de champagne avant ou après la représentation 190 euros TTC / personne dans un espace partiellement privatisé 250 euros TTC / personne dans un espace entièrement privatisé Richard III de William Shakespeare, mis en scène par Thomas Ostermeier © Arno Declair L’ODÉON-THÉÂTRE DE L’EUROPE DEUX SALLES POUR RECEVOIR VOS INVITÉS Le Théâtre de l’Odéon / 6e Inauguré en 1782 par Marie-Antoinette, le Théâtre de l’Odéon est le plus ancien théâtre-monument de Paris. LE GRAND FOYER Situé au cœur du théâtre, ce lieu est idéal pour partager une coupe de champagne avec vos invités dans un espace partiellement privatisé. De 10 à 20 personnes LES STUDIOS GÉMIER, SERREAU ET LA TERRASSE Espaces de répétition pour les artistes, les deux studios sont situés au troisième niveau du théâtre. Séparés l’un de l’autre par une vue plongeante sur le grand foyer, ils donnent accès à la terrasse du théâtre, offrant une vue imprenable sur la place de l’Odéon.
    [Show full text]
  • L'avare La Recette Tombe Rapidement
    25 juin 2009 dossier de presse La troupe de la Comédie-Française présente Salle Richelieu en alternance du 19 septembre 2009 au 21 février 2010 L’Avare de Molière mise en scène de Catherine Hiegel Avec Frosine Dominique Constanza, Maître Simon et le Commissaire Christian Blanc, Harpagon Denis Podalydès, Maître Jacques Jérôme Pouly, La Flèche Pierre Louis-Calixte, Ansel me Serge Bagdassarian, Mariane Marie-Sophie Ferdane, Cléante Benjamin Jungers, Valère Stéphane Varupenne, Élise Suliane Brahim, Et Dame Claude Camille Blouet, Brindavoine Christophe Dumas, La Merluche Florent Gouëlou, le Clerc Renaud Triffault, Assistant à la mise en scène, Serge Bagdassarian Scénographie, Goury Costumes, Christian Gasc Lumières, Dominique Borrini Musique originale, Jean-Marie Sénia Chorégraphie, Cécile Bon Maquillages et coiffures, Véronique Nguyen Nouvelle mise en scène Avec le soutien d’Air France Représentations Salle Richelieu, matinée à 14h, soirées à 20h30. Prix des places de 5 à 37 € € Renseignements et location : tous les jours de 11h à 18h aux guichets du théâtre et par téléphone au 0825 10 16 80 (0,15 , sur le site internet www.comedie-francaise.fr € la minute) Spectacle accessible aux personnes handicapées sensorielles, en partenariat avec Accès Culture (représentations indiquées sur les calendriers de l’alternance). Contact presse et partenariats médias Vanessa Fresney : Tél 01 44 58 15 44 - Email [email protected] 1 L’Avare secrétaire général de la Comédie-Française Par Pierre Notte, Harpagon. Ô, fils impertinent ! as-tu envie de me ruiner ? Acte III, scène 9 Pour Catherine Hiegel, « Harpagon court, rit, danse. Il fête son argent ! L’avare est le personnage heureux d’une farce horrible ! ».
    [Show full text]
  • DP Mille Francs.Qxp
    de Victor Hugo 11 mai - 5 juin 2011 mise en scène Laurent Pelly Théâtre de l'Odéon 6e Location 01 44 85 40 40 / www.theatre-odeon.eu Tarifs 32 € - 24€ - 14€ - 10€ (séries 1, 2, 3, 4) Horaires du mardi au samedi à 20h, le dimanche à 15h relâche le lundi Odéon-Théâtre de l'Europe Théâtre de l'Odéon Place de l'Odéon Paris 6e Métro Odéon - RER B Luxembnourg Service de presse Lydie Debièvre, Camille Hurault 01 44 85 40 73 / [email protected] Dossier et photographies également disponibles sur www.theatre-odeon.eu Mille francs de récompense] / 11 mai > 5 juin 2011 1 de Victor Hugo 11 mai - 5 juin 2011 mise en scène Laurent Pelly Théâtre de l'Odéon 6e dramaturgie Agathe Mélinand scénographie Chantal Thomas costumes Laurent Pelly maquillages & coiffures Suzanne Pisteur masques Jean-Pierre Belin lumière Joël Adam son Aline Loustalot avec Vincent Bramoullé Scabeau, huissier de saisie, un masque Christine Brücher Etiennette, un masque Emmanuel Daumas Monsieur de Pontresme, un recors Rémi Gibier Le Baron de Puencaral, un inspecteur de police, un masque, un recors Benjamin Hubert Edgar Marc Jérôme Huguet Glapieu Pascal Lambert Un huissier du tribunal, un masque, un recors Eddy Letexier Le major Gédouard, un afficheur, un huissier du tribunal / gendrame Laurent Meininger Rousseline Jean-Benoît Terral Monsieur Barutin, un recors, un huissier du tribunal/ gendarme, un huissier d'appartement Émilie Vaudou Cyprienne avec la participation de François Bombaglia dans le rôle du fripier production TNT – Théâtre national de Toulouse Midi-Pyrénées créé le 14 janvier 2010 au TNT – Théâtre national de Toulouse Midi-Pyrénées Mille francs de récompense] / 11 mai > 5 juin 2011 2 Extrait GLAPIEU Je suis très pensif, savez-vous ? Aucun moyen de gagner le toit par là-haut ; Tout est fermé.
    [Show full text]
  • Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
    New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students.
    [Show full text]