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Graphic No Vels & Comics
GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
DC Comics Jumpchain CYOA
DC Comics Jumpchain CYOA CYOA written by [text removed] [text removed] [text removed] cause I didn’t lol The lists of superpowers and weaknesses are taken from the DC Wiki, and have been reproduced here for ease of access. Some entries have been removed, added, or modified to better fit this format. The DC universe is long and storied one, in more ways than one. It’s a universe filled with adventure around every corner, not least among them on Earth, an unassuming but cosmically significant planet out of the way of most space territories. Heroes and villains, from the bottom of the Dark Multiverse to the top of the Monitor Sphere, endlessly struggle for justice, for power, and for control over the fate of the very multiverse itself. You start with 1000 Cape Points (CP). Discounted options are 50% off. Discounts only apply once per purchase. Free options are not mandatory. Continuity === === === === === Continuity doesn't change during your time here, since each continuity has a past and a future unconnected to the Crises. If you're in Post-Crisis you'll blow right through 2011 instead of seeing Flashpoint. This changes if you take the relevant scenarios. You can choose your starting date. Early Golden Age (eGA) Default Start Date: 1939 The original timeline, the one where it all began. Superman can leap tall buildings in a single bound, while other characters like Batman, Dr. Occult, and Sandman have just debuted in their respective cities. This continuity occurred in the late 1930s, and takes place in a single universe. -
Latin Derivatives Dictionary
Dedication: 3/15/05 I dedicate this collection to my friends Orville and Evelyn Brynelson and my parents George and Marion Greenwald. I especially thank James Steckel, Barbara Zbikowski, Gustavo Betancourt, and Joshua Ellis, colleagues and computer experts extraordinaire, for their invaluable assistance. Kathy Hart, MUHS librarian, was most helpful in suggesting sources. I further thank Gaylan DuBose, Ed Long, Hugh Himwich, Susan Schearer, Gardy Warren, and Kaye Warren for their encouragement and advice. My former students and now Classics professors Daniel Curley and Anthony Hollingsworth also deserve mention for their advice, assistance, and friendship. My student Michael Kocorowski encouraged and provoked me into beginning this dictionary. Certamen players Michael Fleisch, James Ruel, Jeff Tudor, and Ryan Thom were inspirations. Sue Smith provided advice. James Radtke, James Beaudoin, Richard Hallberg, Sylvester Kreilein, and James Wilkinson assisted with words from modern foreign languages. Without the advice of these and many others this dictionary could not have been compiled. Lastly I thank all my colleagues and students at Marquette University High School who have made my teaching career a joy. Basic sources: American College Dictionary (ACD) American Heritage Dictionary of the English Language (AHD) Oxford Dictionary of English Etymology (ODEE) Oxford English Dictionary (OCD) Webster’s International Dictionary (eds. 2, 3) (W2, W3) Liddell and Scott (LS) Lewis and Short (LS) Oxford Latin Dictionary (OLD) Schaffer: Greek Derivative Dictionary, Latin Derivative Dictionary In addition many other sources were consulted; numerous etymology texts and readers were helpful. Zeno’s Word Frequency guide assisted in determining the relative importance of words. However, all judgments (and errors) are finally mine. -
344 | MAY17 World.Com PREVIEWS
#344 | MAY17 PREVIEWS world.com ORDERS DUE MAY 18 THE COMIC SHOP’S CATALOG PREVIEWSPREVIEWS CUSTOMER ORDER FORM CUSTOMER 601 7 May17 Cover ROF and COF.indd 1 4/6/2017 2:29:18 PM C4 Dark Horse.indd 1 4/4/2017 10:33:14 AM MOONSTRUCK #1 B.P.R.D.: THE DEVIL IMAGE COMICS YOU KNOW #1 DARK HORSE COMICS AMERICAN WAY: THOSE ABOVE AND THOSE BELOW #1 DC ENTERTAINMENT/ VERTIGO MOEBIUS LIBRARY: THE ART OF SACRED CREATURES EDENA HC #1 DARK HORSE COMICS IMAGE COMICS TMNT/USAGI YOJIMBO IDW ENTERTAINMENT DARK DAYS: SPIDER-MEN II #1 THE CASTING #1 MARVEL COMICS DC ENTERTAINMENT May17 Gem Page ROF COF.indd 1 4/6/2017 3:49:08 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Miraculous Adventures #1 l ACTION LAB ENTERTAINMENT Dreadful Beauty: The Art of Providence TP l AVATAR PRESS INC The Mystery Knight GN l BANTAM / SPECTRA 1 Lady Mechanika: The Clockwork Assassin #1 l BENITEZ PRODUCTIONS 1 Go Go Power Rangers #1 l BOOM! STUDIOS Sisters of Sorrow #1 l BOOM! STUDIOS Belladonna Annual 2017 l BOUNDLESS COMICS Bettie Page #1 l D. E./DYNAMITE ENTERTAINMENT Centipede #1 l D. E./DYNAMITE ENTERTAINMENT The Phantom: President Kennedy’s Mission #1 l HERMES PRESS Rick & Morty: Pocket Like You Stole It #1 l ONI PRESS INC. Robotech #1 l TITAN COMICS The Death of Stalin HC l TITAN COMICS Disney Manga: Tangled GN l TOKYOPOP Faith and the Future Force #1 l VALIANT ENTERTAINMENT LLC Mobile Suit Gundam Wing Volume 1 GN l VERTICAL COMICS BOOKS 2 Bernie Wrightson: Art & Designs for the Gang of 7 Animation Studio HC l ART BOOKS Kirby: King of Comics Anniversary Edition SC l COMICS -
Super Heroes V Scorsese: a Marxist Reading of Alienation and the Political Unconscious in Blockbuster Superhero Film
Kutztown University Research Commons at Kutztown University Kutztown University Masters Theses Spring 5-10-2020 SUPER HEROES V SCORSESE: A MARXIST READING OF ALIENATION AND THE POLITICAL UNCONSCIOUS IN BLOCKBUSTER SUPERHERO FILM David Eltz [email protected] Follow this and additional works at: https://research.library.kutztown.edu/masterstheses Part of the Film Production Commons, Literature in English, North America Commons, and the Screenwriting Commons Recommended Citation Eltz, David, "SUPER HEROES V SCORSESE: A MARXIST READING OF ALIENATION AND THE POLITICAL UNCONSCIOUS IN BLOCKBUSTER SUPERHERO FILM" (2020). Kutztown University Masters Theses. 1. https://research.library.kutztown.edu/masterstheses/1 This Thesis is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Kutztown University Masters Theses by an authorized administrator of Research Commons at Kutztown University. For more information, please contact [email protected]. SUPER HEROES V SCORSESE: A MARXIST READING OF ALIENATION AND THE POLITICAL UNCONSCIOUS IN BLOCKBUSTER SUPERHERO FILM A Thesis Presented to the Faculty of the Department of English Kutztown University of Pennsylvania Kutztown, Pennsylvania In Partial Fulfillment of the Requirements for the Degree Master of Arts in English by David J. Eltz October, 2020 Approval Page Approved: (Date) (Adviser) (Date) (Chair, Department of English) (Date) (Dean, Graduate Studies) Abstract As superhero blockbusters continue to dominate the theatrical landscape, critical detractors of the genre have grown in number and authority. The most influential among them, Martin Scorsese, has been quoted as referring to Marvel films as “theme parks” rather than “cinema” (his own term for auteur film). -
Graphic Novels & Trade Paperbacks
AUGUST 2008 GRAPHIC NOVELS & TRADE PAPERBACKS ITEM CODE TITLE PRICE AUG053316 1 WORLD MANGA VOL 1 TP £2.99 AUG053317 1 WORLD MANGA VOL 2 TP £2.99 SEP068078 100 BULLETS TP VOL 01 FIRST SHOT LAST CALL £6.50 FEB078229 100 BULLETS TP VOL 02 SPLIT SECOND CHANCE £9.99 MAR058150 100 BULLETS TP VOL 03 HANG UP ON THE HANG LOW £6.50 MAY058170 100 BULLETS TP VOL 04 FOREGONE TOMORROW £11.99 APR058054 100 BULLETS TP VOL 05 THE COUNTERFIFTH DETECTIVE (MR) £8.50 APR068251 100 BULLETS TP VOL 06 SIX FEET UNDER THE GUN £9.99 DEC048354 100 BULLETS TP VOL 07 SAMURAI £8.50 MAY050289 100 BULLETS TP VOL 08 THE HARD WAY (MR) £9.99 JAN060374 100 BULLETS TP VOL 09 STRYCHNINE LIVES (MR) £9.99 SEP060306 100 BULLETS TP VOL 10 DECAYED (MR) £9.99 MAY070233 100 BULLETS TP VOL 11 ONCE UPON A CRIME (MR) £8.50 STAR10512 100 BULLETS VOL 1 FIRST SHOT LAST CALL TP £6.50 JAN040032 100 PAINTINGS HC £9.99 JAN050367 100 PERCENT TP (MR) £16.99 DEC040302 1000 FACES TP VOL 01 (MR) £9.99 MAR063447 110 PER CENT GN £8.50 AUG052969 11TH CAT GN VOL 01 £7.50 NOV052978 11TH CAT GN VOL 02 £7.50 MAY063195 11TH CAT GN VOL 03 (RES) £7.50 AUG063347 11TH CAT GN VOL 04 £7.50 DEC060018 13TH SON WORSE THING WAITING TP £8.50 STAR19938 21 DOWN TP £12.99 JUN073692 24 NIGHTFALL TP £12.99 MAY061717 24 SEVEN GN VOL 01 £16.99 JUN071889 24 SEVEN GN VOL 02 £12.99 JAN073629 28 DAYS LATER THE AFTERMATH GN £11.99 JUN053035 30 DAYS OF NIGHT BLOODSUCKERS TALES HC VOL 01 (MR) £32.99 DEC042684 30 DAYS OF NIGHT HC (MR) £23.50 SEP042761 30 DAYS OF NIGHT RETURN TO BARROW HC (MR) £26.99 FEB073552 30 DAYS OF NIGHT -
ABSTRACT Title of Dissertation: SONIC MOVIE MEMORIES: SOUND, CHILDHOOD, and AMERICAN CINEMA Paul James Cote, Doctor of Philosoph
ABSTRACT Title of Dissertation: SONIC MOVIE MEMORIES: SOUND, CHILDHOOD, AND AMERICAN CINEMA Paul James Cote, Doctor of Philosophy, 2016 Dissertation directed by: Professor Jonathan Auerbach, Department of English Literature Though the trend rarely receives attention, since the 1970s many American filmmakers have been taking sound and music tropes from children’s films, television shows, and other forms of media and incorporating those sounds into films intended for adult audiences. Initially, these references might seem like regressive attempts at targeting some nostalgic desire to relive childhood. However, this dissertation asserts that these children’s sounds are instead designed to reconnect audience members with the multi-faceted fantasies and coping mechanisms that once, through children’s media, helped these audience members manage life’s anxieties. Because sound is the sense that Western audiences most associate with emotion and memory, it offers audiences immediate connection with these barely conscious longings. The first chapter turns to children’s media itself and analyzes Disney’s 1950s forays into television. The chapter argues that by selectively repurposing the gentlest sonic devices from the studio’s films, television shows like Disneyland created the studio’s signature sentimental “Disney sound.” As a result, a generation of baby boomers like Steven Spielberg comes of age and longs to recreate that comforting sound world. The second chapter thus focuses on Spielberg, who incorporates Disney music in films like Close Encounters of the Third Kind (1977). Rather than recreate Disney’s sound world, Spielberg uses this music as a springboard into a new realm I refer to as “sublime refuge” - an acoustic haven that combines overpowering sublimity and soothing comfort into one fantastical experience. -
ANIMALS and ANIMAL-HUMAN DYNAMICS in VALERIUS FLACCUS' ARGONAUTICA
1 ANIMALS and ANIMAL-HUMAN DYNAMICS in VALERIUS FLACCUS’ ARGONAUTICA. Anne Tuttle Mackay University College London Ph.D., Greek & Latin 2 3 Declaration. I, Anne Tuttle Mackay, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 4 5 Abstract: Animals and Animal-Human Dynamics in Valerius Flaccus’ Argonautica. Animals have come into their own as subjects for research across the Humanities, and recent work focuses on animals in classical culture, animal imagery in different literary genres, and even animal empathy in Greek literature. My thesis, however, is among the first sustained studies on animals—their representation, poetic function, and interactions with humans—in a single work. The study is backgrounded by research on the Argonautica itself; animal similes; the cultural significance of animals in Rome; and representations and development of animal subjectivity in Latin literature. I analyze a significant proportion of VF’s animals in diverse contexts, and divide the thesis based on those contexts. I first look at similes, for example, like those which highlight the individual experience and development of birds, and those which explore the relationship between epic tradition and portrayals of animals like lions. Animals interacting with humans in the narrative feature in the second half, as victims of human violence—e.g. a sacrificial bull—or as companions and partners, like war-dogs and -horses. My methodology blends several approaches, examining animals and their relationships with humans, via intertextual and narratological analysis and aspects of empathy, reception, and (occasionally) a wary, self-conscious anthropocentrism. -
Northumbria Research Link
Northumbria Research Link Citation: Stanton, Rebecca Rose (2019) Representations of animal harm and objectification in the works of Walt Disney Animation Studios’ films: 1937- 2016. Doctoral thesis, Northumbria University. This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/44089/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/pol i cies.html Representations of animal harm and objectification in the works of Walt Disney Animation Studios’ films: 1937- 2016 R. R. Stanton PhD 2019 Representations of animal harm and objectification in the works of Walt Disney Animation Studios’ films: 1937- 2016 Ms Rebecca Rose Stanton, MA, BA A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the Faculty of Arts, Design & Social Sciences October 2019 Representations of animal harm and objectification in the works of Walt Disney Animation Studios’ films: 1937-2016 This PhD thesis critically examines how Walt Disney Animation Studios (WDAS) has depicted – and sometimes failed to depict – different forms of harming and objectifying animals (1937–2016). -
Truth, Justice, and American Myth: the Manifestation of American Mythology in the Superhero Narrative
TRUTH, JUSTICE, AND AMERICAN MYTH: THE MANIFESTATION OF AMERICAN MYTHOLOGY IN THE SUPERHERO NARRATIVE by Richard Thomas Cruz A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in English Middle Tennessee State University December 2014 Thesis Committee: Dr. David Lavery, Chair Dr. Jimmie Cain This thesis is dedicated to my father and my mother, the first superheroes I ever met. ii ACKNOWLEDGMENTS I thank my fiancé and best friend Laura Wilbanks for her continual encouragement and moral support. I also thank Caty Chapman, Jenny Rowan, Patricia Baines, and the entire Writing Center community for their academic and professional support. Were it not for the Writing Center and the professional opportunities it afforded me, I would never have completed this thesis. I thank Dr. Allison Smith and Dr. Julie Barger for their dedication to the MTSU teaching assistant community. I have grown more in the past two years thanks to my time working with them than perhaps at any other time in my professional life. Next, I thank Dr. Jimmie Cain for encouraging me to pursue English as my field of study. Your English 3000 class helped frighten and reassure a scared sophomore several years ago to continue writing, studying, and applying himself. Your constant support will forever stick with me as I continue my academic life. Finally, I thank Dr. David Lavery for his open-mindedness and support during the writing of this thesis. Thank you for tolerating my panicked moments, for remaining patient with me when I made mistakes and errors, and especially for never making me feel embarrassed for writing nearly 100 pages about costumed superheroes. -
Open Thesis-Deposit Draft.Pdf
The Pennsylvania State University The Graduate School College of Communications THE BRAND AND THE BOLD: CARTOON NETWORK’S BATMAN: THE BRAVE AND THE BOLD AS COMICS-LICENSED CHILDREN’S TELEVISION A Thesis in Media Studies by Zachary Roman © 2011 Zachary Roman Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts May 2011 The thesis of Zachary Roman was reviewed and approved* by the following: Matthew P. McAllister Professor of Communications Thesis Advisor Barbara Bird Associate Professor of Communications Jeanne Lynn Hall Associate Professor of Communications Marie Hardin Associate Dean for Graduate Studies and Research *Signatures are on file in the Graduate School ii ABSTRACT This thesis critiques the animated children's television program, Batman: The Brave and the Bold, debuting in 2008 on Cartoon Network, as a synergistic corporate commodity. In the program, Batman teams up with a guest hero who helps him vanquish the villain. The commodity and commercial functions of this premise is to introduce and promote secondary licensed brands -- the “guest heroes” and “guest villains” -- for synergistic profit based on the current popularity with the program’s anchor brand, Batman. Given Time Warner's ownership of multiple media outlets including Warner Bros. Animation, DC Comics and Cartoon Network, the program serves as a bridge text to usher young consumers of Time Warner content into becoming long-term consumers of more adult iterations of many of these same characters and licenses. The thesis contextualizes the program in the larger scholarly literature of the nature of media licensing, the history of commercialism on children's television, comic books and children's media licensing.