2018 Supergirl Season 1 Trading Cards Checklist
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WHAT’S HAPPENING The Music of Muscle! What’s the best music to listen to while working out? If involved converting brain waves into mathematical models, you ask most physical education teachers, agreed. Here is what he had to say about they will probably say none. But the fact is OFFMAN the subject in his book Facts and Fallacies H kids love music and believe it makes them of Fitness: “Besides also producing ESIRAE train harder. So, if kids are going to listen D impaired hearing among regular exercis- to music while they train, what would be ers, music that is loud or discordant is the best? associated with diminished motor skill When interviewed by BFS Editor Kim and more injuries.” Goss, Bulgarian weightlifting coach Angel And what type of music did Coach Spassov said pop, rock and disco music are Spassov think was best for elite weight- too distracting to listen to when performing lifters? Why, country music, of course, the Olympic lifts. The late Dr. Mel Siff, whose master’s thesis especially Kenny Rogers. Now you know! It’s a Bird! It’s a Plane! No, it’s a Role Model! Character education is a major theme in BFS magazine, which is why we like to feature positive role models (and why you probably won’t be seeing Britney Spears on our cover in the near future). And because movies and television are major influences on young people, we often point out shows and performances that provide good role models and a positive message. The CW television series Smallville, which chronicles the Michael Courtney/The CW © 2007 The CW Network, LLC. -
Graphic No Vels & Comics
GRAPHIC NOVELS & COMICS SPRING 2020 TITLE Description FRONT COVER X-Men, Vol. 1 The X-Men find themselves in a whole new world of possibility…and things have never been better! Mastermind Jonathan Hickman and superstar artist Leinil Francis Yu reveal the saga of Cyclops and his hand-picked squad of mutant powerhouses. Collects #1-6. 9781302919818 | $17.99 PB Marvel Fallen Angels, Vol. 1 Psylocke finds herself in the new world of Mutantkind, unsure of her place in it. But when a face from her past returns only to be killed, she seeks vengeance. Collects Fallen Angels (2019) #1-6. 9781302919900 | $17.99 PB Marvel Wolverine: The Daughter of Wolverine Wolverine stars in a story that stretches across the decades beginning in the 1940s. Who is the young woman he’s fated to meet over and over again? Collects material from Marvel Comics Presents (2019) #1-9. 9781302918361 | $15.99 PB Marvel 4 Graphic Novels & Comics X-Force, Vol. 1 X-Force is the CIA of the mutant world—half intelligence branch, half special ops. In a perfect world, there would be no need for an X-Force. We’re not there…yet. Collects #1-6. 9781302919887 | $17.99 PB Marvel New Mutants, Vol. 1 The classic New Mutants (Sunspot, Wolfsbane, Mirage, Karma, Magik, and Cypher) join a few new friends (Chamber, Mondo) to seek out their missing member and go on a mission alongside the Starjammers! Collects #1-6. 9781302919924 | $17.99 PB Marvel Excalibur, Vol. 1 It’s a new era for mutantkind as a new Captain Britain holds the amulet, fighting for her Kingdom of Avalon with her Excalibur at her side—Rogue, Gambit, Rictor, Jubilee…and Apocalypse. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Green Lantern: Omnibus Vol 1 Free
FREE GREEN LANTERN: OMNIBUS VOL 1 PDF Ivan Reis,Ethan Van Sciver,Geoff Johns | 1232 pages | 10 Feb 2015 | DC Comics | 9781401251345 | English | United States Green Lantern Omnibus Vol. 1 TV Show Coming Soon!!! | eBay Skip to main content. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab. Add to Watchlist. This listing has ended. Ships to:. This amount is subject to change until you make payment. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab This amount includes applicable customs duties, taxes, brokerage and other fees. For additional information, see the Global Shipping Program terms and conditions - opens in a new window or tab. Start of add to list layer. Add to Watchlist Add to wish list. Sign in for more lists. See original listing. Oct 01, PDT. May not ship to Germany - Read item description or contact seller Green Lantern: Omnibus Vol 1 shipping options. See details. Seller's other items. Sell one like this. Related sponsored items Feedback on our suggestions - Related sponsored items. Rob Sikoryic The Walking Dead Compendium Volume 4. Last one. The Sandman Omnibus Vol. Similar sponsored items Feedback on our suggestions - Similar sponsored items. Justice League Green Lantern: Omnibus Vol 1 Omnibus Vol. Seller assumes all responsibility for this listing. Green Lantern Omnibus Vol. Back to home page Return to top. Back to home page. Listed in category:. Email to friends Share on Facebook - opens in a new window or tab Share on Twitter - opens in a new window or tab Share on Pinterest - opens in a new window or tab Add to Watchlist. -
ARRI AMIRA Pocket Guide
Pocket Guide AMIRA Pocket Guide Table of Contents Overview 4 On Set 34 In Postproduction 66 Table of Contents of Table Screens 6 Exposure Index 34 AMIRA’s Ecosystem 66 Contents of Table Finding your way around the camera 8 Exposure and focus check options 36 Lens mounts 68 New features in SUP 1.1 10 Integrated ND filters 40 Lenses for AMIRA 70 Working with AMIRA 12 User Buttons 43 Accessories 80 Software Versions and USB Flash Drive 44 Specifications and Reference 84 Hardware Configuration 12 AMIRA Look Management 46 Resources and Contacts 92 AMIRA – ALEXA, the key differences 14 The different ways to change ARRI Sales 92 ProRes Recording 16 the look of your images 47 ARRI Service 94 Project rate and timecode base 18 AMIRA Look File 54 ARRI Digital Workflow Solutions 96 Color spaces 24 Overview on the available parameters 56 Online Resources 97 Recording media and card reader 30 AMIRA Look File in use 62 AMIRA Camera Simulator 32 AMIRA Color Tool 64 2 3 Overview Overview The AMIRA Camera – An Overview Overview ARRI’s ALEXA Pocket Guide became a very popular AMIRA is a versatile documentary-style camera that tool on set, so we decided to accompany AMIRA combines exceptional image quality and affordable with a Pocket Guide in the same way. This guide CFast 2.0 workflows with an ergonomic design contains preproduction and production information optimized for single-operator use and extended for an AMIRA shoot. shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA Quick information on: is hardy enough to take anywhere and features • What is new with the AMIRA? in-camera grading, pre-loaded 3D LUTs and 200 fps • What is different from an ALEXA setup? slow motion. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Genre En Séries, 10 | 2019 Women at Refrigerators: the Gender Politics of Food and Eating in Supergirl 2
Genre en séries Cinéma, télévision, médias 10 | 2019 Superhéroïnes : un genre à part ? Women at Refrigerators: The Gender Politics of Food and Eating in Supergirl Sara Kate Ellis Electronic version URL: http://journals.openedition.org/ges/686 DOI: 10.4000/ges.686 ISSN: 2431-6563 Publisher Presses universitaires de Bordeaux Electronic reference Sara Kate Ellis, “Women at Refrigerators: The Gender Politics of Food and Eating in Supergirl”, Genre en séries [Online], 10 | 2019, Online since 01 December 2019, connection on 18 February 2021. URL: http://journals.openedition.org/ges/686 ; DOI: https://doi.org/10.4000/ges.686 This text was automatically generated on 18 February 2021. La revue Genre en séries est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. provided by OpenEdition View metadata, citation and similar papers at core.ac.uk CORE brought to you by Women at Refrigerators: The Gender Politics of Food and Eating in Supergirl 1 Women at Refrigerators: The Gender Politics of Food and Eating in Supergirl Sara Kate Ellis 1 “I hope you get fat,” Alex Danvers says to her sister, Kara Zor-El on TV series, Supergirl (CBS, 2015-2016). “Not on this planet,” she retorts[S01xE03]. As a Kryptonian, Kara Danvers/Supergirl can eat whatever and however much she wants, her enhanced metabolism allowing her to consume endless calories minus the fear of weight gain and perceived impropriety. Such scenes in which the sisters talk and eat have been a long- running staple in the series, now entering its fifth season, and are often played for comedy while emphasizing the bond shared by human and nonhuman sister. -
Stiff Lip, Eddie/ Keuka College Debate Team
ThE .Pr A. - -= = -*/1/*z 'A GREATER HOUGHTON IN PRINT" Volume XXX Houghton, New York, Saturday, March 5, 1938 Numbers 18, 19 Clippings Dr. Paine Hollis Stiff Lip,_Eddie/ Keuka College Debate Team from our The college is sorry to learn A Full Schedule that Edward Willett was forced to undergo an operation for mag Exchanges toid Sunday, Feb. 27, in the Hos- Visits Houghton To Discuss pital of the Good Shepherd, Sy Speaking Tour racuse, N. Y. His condition is by MILLIE aHANER reported "as good as could be ex U. S. National Labor Relations Speaks at Wheaton College pected." He complained of ur In The Keukonidn Miss Ina Fix An,1=1 Washington Day trouble for some time. However, gives one word of advice to girls SENIOR RECITALS no one suspected his real condi- accepting blind dates from Penn Banquet in Buialo Keuka Women Decry NLRB; non. Y,n. 'Uf you get a blind from Ocr. 20 7:00 P.M. Houghton Team Defends "Eddie" is being rn'..d in the Penn Yan," she warns, "get one Returns Monday, March 7 Jamn Buffan aariner Amrmative Cax many activia of which he is a early before the supply of tUXeS iS March 17 7:00 PM. part. The Star wishes you a exhausted. You know, nothing is Spends Week in Vicinity of Walter Ferchen Piano speedy recovery, Eddie. Debate Is Non-Decision certain but dead: and tuires, and in New York City and Long April 21 7:00 PM. - HC - Penn Yan you can depend only on Island as Speaker Jeanette Frost Violin the foah u." 1-10 ton Men s May 16 7:00 P. -
Rannual Report 2019
ANNUAL REPORT 2019 3 Dorset Rise, London EC4Y 8EN 020 7822 2810 – [email protected] www.rts.org.uk RtS PATRONS PRINCIPAL PATRONS BBC ITV Channel 4 Sky INTERNATIONAL PATRONS A+E Networks International Netflix Discovery Networks The Walt Disney Company Facebook Viacom International Media Networks Liberty Global WarnerMedia NBCUniversal International YouTube MAJOR PATRONS Accenture IMG Studios All3Media ITN Amazon Video KPMG Audio Network Motion Content Group Avid netgem.tv Boston Consulting Group NTT Data BT OC&C Channel 5 Pinewood TV Studios Deloitte S4C EndemolShine Sargent-Disc Enders Analysis Spencer Stuart Entertainment One STV Group Finecast The Trade Desk Freeview UKTV Fremantle Vice Gravity Media Virgin Media IBM YouView RTS PATRONS Autocue Lumina Search Digital Television Group Mission Bay Grass Valley PriceWaterhouseCoopers Isle of Media Raidió Teilifís Éireann 2 BOARD OF TRUSTEES REPORT TO MEMBERS Forewords by RTS Chair and CEO 4 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 24 4 Awards and recognition 30 5 The nations and regions 36 6 Membership and volunteers 40 7 Financial support 42 8 Our people 44 9 Summary of national events 46 10 Centre reports 48 II Governance and finance 58 1 Structure, governance and management 59 2 Objectives and activities 60 3 Financial review 60 4 Plans for future periods 62 5 Administrative details 62 Independent auditor’s report 64 Financial statements 66 Notes to the financial statements 70 Who’s who at the RTS 84 Royal Television Society AGM 2020 In light of the restrictions in place due to the Covid-19 crisis, the Society is reviewing the timing and logistics involved in holding its 2020 AGM. -
Jimmy Olsen Asks the Tough Questions on Kryptonian
Jimmy Olsen Asks the Tough Questions on Kryptonian Law Gabe Diani, Joshua Gilliland, Jessica Mederson, Jordon Huppert, Roger Quiles, Crystal Swanson, and Cynthia Kitchen Agenda Duty to Rescue Imprisoning Aliens Financial Responsibility for Super Villain Battles? “Phantom Zone” and Cruel & Unusual Punishment? J’onn J’onzz and Identity Theft Does Supergirl Violate U.S. Airspace? Invasion of Privacy And Jeepers More! Jessica Mederson Hero Name: Zippy Sworn Mission: To Help the Underdog Arch Nemesis: Hypocrites Weaknesses: Chocolate, sitcoms, and Celebrity gossip Jordon Huppert Hero Name: Link Skills: Defending the Public, arguing with the man, being a general pain in the Neck Weaknesses: Spiders that aren't Spider- man, usually the facts, being told the odds. Joshua Gilliland Hero Name: Bow Tie Skills: Wielding the Federal Rules of Civil Procedure for native file productions Weakness: New Comics on Wednesdays, Chicken tacos Crystal Swanson Hero Name: Pro Hawk V’che Skills: Gather the facts, seek the truth, cross like a boss Weaknesses: 80's hair bands Roger Quiles Hero Name: GameShark Sworn mission: to serve and protect professional video game players Arch nemeses: final bosses everywhere Weaknesses: controllers and keyboards with sticky buttons, cheat codes, and mojitos Cynthia Kitchen Superhero name: Captain Kitty Skills: Defender of contractors; cat whisperer Weaknesses: Sephora; Susiecakes “Jimmy Olsen” Name: James Bartholomew Olsen Occupation: Cub Reporter (75+ years experience) Aliases: Elastic Lad, Giant Turtle Boy, Superlad, Flamebird, -
SUPERGIRL “End Title”
SUPERGIRL “End Title” Music by Jerry Goldsmith -Supergirl (1984) ** [music ****] http://www.amazon.com/Supergirl-Limited-Helen- Slater/dp/6305842027/ref=sr_1_2?s=dvd&ie=UTF8&qid=1293764295&sr=1-2 [NOTE: This document was cut & pasted here from my very long DVD Collection analyses] Here is my YouTube video on the End Title that I created December 22, 2016: https://youtu.be/4hw9taS_5wE While the movie itself is a bit of super-stretched nonsensical entertainment, the music itself by Jerry Goldsmith deserved super-sized praise! I’ll later delineate some of the End Title cue. I am very happy Goldsmith had a chance to enter the Superman universe in terms of providing a score to compare with Williams’ excellent Superman score. Imagine if there was an alternate score to that movie (Goldsmith composing it) instead of the inferior Supergirl. It would be one of those probable realities that I wish I could enter and experience. Of course we already have a five-star super score by Goldsmith from the esteemed Star Trek universe (Star Trek:TMP) and it is difficult to 1 imagine Goldsmith coming up with an even better score for, say, Superman, but we will never know! The movie itself is pretty laughable, campy, kidsy and silly—but it has a certain degree of oh-what-the-heck fun! You really have to suspend any sense of logic in this film. For instance, when Kara (Supergirl, played by cute Helen Slater) rides the inter- dimensional vehicle Zalthar (Peter O’Toole) created to enter the outer reality of Earth, she was wearing her rather floral, flowing outfit.