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NAINITA DESAI BAFTA BREAKTHROUGH BRIT E: [email protected] Direct: +44 (0) 7930 541 928
NAINITA DESAI BAFTA BREAKTHROUGH BRIT E: [email protected] Direct: +44 (0) 7930 541 928 BACKGROUND Working at the forefront of a new wave of emerging artists, Nainita is a BAFTA BREAKTHROUGH BRIT and has scored countless bespoke TV series and film scores for all the major broadcasters from the BBC to HBO to ITV and C4. She is a recent winner of the Music+Sound Award for Best Feature Film Score, a Women in Sync Awards 2016 Nominee, RTS Craft Award 2014 Nominee for Best Original Music and RTS Scotland Awards 2014. Nainita’s recent releases include Untamed Romania, the most successful non-fiction film this year in Romania that World Premiered at Transylvania Film Festival 2018, The Life After (BBC / Screen Ireland) World Premiere at Galway Intl Film Festival 2018, Anemone (BBC Film / Film London) Premiere at Encounters Festival. Her current projects include feature films The Reason I Jump (BFI) made by award winning Dir Jerry Rothwell | Al Morrow, 5 Years in Love And War (C4) dir by Emmy award winner Ed Watts, Exit Eve, exec prod: Camille Gatin (The Girl With All the Gifts) BFI psychological horror Darkness Visible (Dir: Neil Biswas, co-creator of Sky 1 Lucky Man), WW2 thriller Ni’ihau, .and Interactive movie / video game Telling Lies for Annapurna Interactive (Phantom Thread) directed by multi-Bafta winning Sam Barlow Also known for her work on dramas including Emmy winner Maxwell (BBC) and the factual drama To Kidnap A Princess (ITV), recent projects include The Confessions of Thomas Quick (BFI/Film4), Bafta, Grierson and RTS 2018 Nominees - Raped: My Story and Catching A Killer (C4), landmark series Extraordinary Rituals the BBC NHU follow up to the multi Bafta winning series Human Planet, and the title theme for the prestigious BBC Royal Wedding broadcast Meghan and Harry. -
Directors' Statements
2 Directors’ Statements If the UK holds a distinctive place in the history Welcome to the 2019 edition of Open City of non-fiction film, this is in part because of Documentary Festival. As a festival, we are the support from public subsidy throughout committed to creating a platform for non-fiction the twentieth century. For better or worse, that as an artform and seek to build a community Sponsors & Cultural Partners time is passing. A decade ago, when I began for those makers who weave their stories in the to formulate the idea that became Open City realm of the real. This year’s programme brings Documentary Festival, I was aware that should together a collection of documentary works that we wish to preserve the uniquely rich form of will provoke, move and inspire you. We continue storytelling that is non-fiction, we would need to interrogate the boundaries between fact and to begin exploring new forms of funding and fiction as well as the delineation between modes collaboration between different parts of society. - placing films, audio and cross-media projects in For us this meant working from within a great dialogue with each other. 2019 sees us looking university like UCL. forward, creating space for authored, urgent narratives, while contextualising these new voices Our festival is part of a new kind of ecosystem with historical work. in which education, production and exhibition THE BOTANIST ISLAY DRY G IN come together to support each other, and where This year’s film programme offers radical ways the work we promote and that of our students of representing reality and distinct perspectives is inspired by the research ambition of all those on the political and the personal. -
Lay Flyer A6 08.04.19.Indd
Diplomacy for Sustainability European Sustainable Development Week Berlin, May 29th to June 6th 2019 „ Together with the many participating embassies we would like to emphasize the importance of the topic sustainability to a wider audience. We all want to contribute to a change of awareness.“ Tania von Uslar-Gleichen Department coordinator for sustainable development in the Federal Foreign Office #ESDW19 Diplomacy for The European Sustainable Development Week (ESDW) is a Sustainability European-wide initiative to stimulate and make visible acti- vities, projects and events that promote sustainable develop- As part of the European Sustainable Development Week 2019 ment and the Sustainable Development Goals (SDGs). It takes (ESDW19), the Federal Foreign Offi ce and 24 Berlin-based #ESDW19place every year from 30 May until 5 June. embassies join their diplomatic forces to make our societies and countries more sustainable. The event series “Diplomacy The EuropeanESDW contributes Sustainable to the Development ambitious, Weekuniversal (ESDW) and trans-is a for Sustainability” aims at bringing together governments, European-wideformative 2030 Agendainitiative for to Sustainable stimulate and Development make visible and acti- its states and people for the common aim of a good life and a vities,17 SDGs projects by promoting and events the that organization promote sustainableof bottom-up develop- acti- clean environment for everyone. mentvities andthat thehave Sustainable a thematic Development link to and support Goals (SDGs).the SDGs. It takes As placesuch, theevery ESDW year aimsfrom to29 raise May awarenessuntil 6 June. for the 2030 Agenda The events will be held at the participating embassies in Europe and calls upon local stakeholders to actively enga- revolving around the topics of the 2030 Agenda’s SDGs. -
Love in the Age of Communism
STOCKHOLMS UNIVERSITET MKI / Vt. 2006 Filmvetenskapliga institutionen Handledare: Anu Koivunen LOVE IN THE AGE OF COMMUNISM Soviet romantic comedy in the 1970s MK-uppsats framlagd av Julia Skott Titel: Love in the age of communism; Soviet romantic comedy in the 1970s Författare: Julia Skott Institution: Filmvetenskapliga institutionen, Stockholms universitet Handledare: Anu Koivunen Nivå: Magisterkurs 1 Framlagd: Vt. 2006 Abstract: The author discusses three Soviet comedies from the 1970s: Moskva slezam ne verit (Moscow Does Not Believe in Tears, Vladimir Menshov, 1979), Osenniy marafon (Autumn Marathon, Georgi Daneliya, 1979), and Ironiya Sudby, ili S lyogkim parom (Irony of Fate, Eldar Ryazanov, 1975), and how they relate to both conventions of romance and conventions of the mainstream traditions of the romantic comedy genre. The text explores the evolution of the genre and accompanying theoretic writings, and relates them to the Soviet films, focusing largely on the conventions that can be grouped under an idea of the romantic chronotope. The discussion includes the conventions of chance and fate, of the wrong partner, the happy ending, the temporary and carnevalesque nature of romance, multiple levels of discourse, and some aspects of gender, class and power. In addition, some attention is paid to the ways in which the films connect to specific genre cycles, such as screwball comedy and comedy of remarriage, and to the implications that a communist system may have on the possibilities of love and romance. The author argues that Soviet and Hollywood films share many conventions of romance, but for differing reasons. TABLE OF CONTENTS Introduction -------------------------------------------------------------- p. 1 Concepts; method; previous scholarship – p. -
On Screen 18 - 30 April 2019
ON SCREEN 18 - 30 APRIL 2019 JAKARTA BEKASI TANGERANG BANDUNG 18–30 APRIL 19–28 APRIL 20–25, 27–29 APRIL 26–29 APRIL MEDAN DENPASAR YOGYAKARTA SURABAYA 22–28 APRIL 26–27 APRIL 22–27 APRIL 19–29 APRIL @europeonscreen ALL SCREENINGS & EVENTS ARE FREE www.europeonscreen.org QUICK STATS OF ON SCREEN 18 - 30 APRIL 2019 FILMS101 (FEATURE & SHORTS) 277SCREENINGS 8CITIES 19VENUES 13FESTIVAL DAYS CONTENT FILM CLASSIFICATION Film Classification 3 G General Audience Segala Umur Foreword: EU Ambassador 4 Suitable for general Foreword: Festival Co-directors 5 audience of all ages. Our Partners 6 Untuk segala umur. Opening Film 8 12+ Teenager Closing Film 9 Remaja Suitable For Teenagers: Film Section: Festivities 10 12 years old and over. Film Section: Realities 64 Untuk para remaja, Film Section: Realities - #OurLand 82 12 tahun ke atas. Film Section: Retrospective - #Bauhaus100 91 17+ Young Adult Film Section: Retrospective - Bertolucci 94 Pra-dewasa No one younger than 17 Film Section: Specialties - Open Air 99 may see the film. Film Section: Specialties - Shorts 108 Orang berusia kurang dari 17 tahun dilarang Film Section: Specialties - On Location 114 menonton film ini. Film Section: Specialties - Preview 117 Film Section: Specialties - SFPP 120 21+ Adult Dewasa Film Talks 123 Suitable only for adults. Festival Guests 125 No one younger than 21 may see the film. Festival Venues 127 Hanya untuk dewasa. Festival Credits 129 Orang berusia kurang dari Film Index 131 21 tahun dilarang menonton film ini. Festival Rules 132 Film Schedule 133 This program book is correct at the time of printing. For any changes and updates please refer to our official social media accounts. -
19 July – 5 August 2018
AUCKLAND 19 JULY – 5 AUGUST 2018 PLUS ANIMATION NOW! 10 – 12 AUGUST BOOK AT NZIFF.CO.NZ BOOK AT NZIFF.CO.NZ FOOD / SOCIETY / ARTS / POLITICS / SATIRE / BOOKS / URBAN DESIGN Top DINNERS Restaurant Best Schools favourites that won’t break in Auckland the bank CHOOSE THE RIGHT SCHOOL Unique rankings plus expert advice — TE REO LESSONS Desperately seeking teachers — WELCOME TO HIS DRUG NIGHTMARE When Bob Harvey took ayahuasca — DON’T MISS... Our picks of the fi lm festival NEW ISSUE ON SALE NOW MT2018_NZIFF ad.indd 1 12/06/2018 5:13:12 p.m. 50th Auckland International Film Festival Presented by New Zealand Film Festival Trust under the distinguished patronage of Her Excellency The Right Honourable Dame Patsy Reddy, Governor-General of New Zealand 19 JULY – 5 AUGUST 2018 CIVIC THEATRE ANIMATION NOW! ASB WATERFRONT THEATRE ACADEMY CINEMA 10 – 12 AUGUST 2018 RIALTO CINEMAS NEWMARKET EVENT CINEMAS QUEEN ST EVENT CINEMAS WESTGATE HOLLYWOOD AVONDALE PROUDLY SUPPORTED BY Director: Bill Gosden General Manager: Sharon Byrne Communications Manager: Rebecca McMillan Assistant to the General Manager: Lisa Bomash Auckland Festival Manager: Megan Andrews Auckland Admin/Ticketing Manager: Karen Cartwright Publicist: Sally Woodfield Auckland Communications Assistant: Camila Araos Elevancini Programmer: Sandra Reid Programme Manager: Michael McDonnell Animation NOW! Programmer: Malcolm Turner All Ages Programmer: Nic Marshall Incredibly Strange Programmer: Anthony Timpson Programme Consultant: Chris Matthews Online Content Manager: Kailey Carruthers Content -
2018 Environmental Film Festival Guide
FOUNDER Flo Stone WELCOME TO THE STAFF TH Executive Director 26 ENVIRONMENTAL FILM FESTIVAL! Maryanne Culpepper Managing Director This has been a year of incredible activism. From Amsterdam to Antarctica, Kansas to Kenya, Christopher Head people are marching, making their voices heard, and putting themselves in harm’s way to protect Director of Programming our planet and all that lives upon it. And talented lmmakers are telling their stories, inspiring our Brad Forder timely theme, ‘Stories from the Frontlines.’ Welcome to the 26th Environmental Film Festival in the Director of Development Nation’s Capital! Our lineup of lms and speakers is stronger than ever. Jessie Brinkley Special Events Lori Dynan We kick o with a big opening night lm, The Last Animals, which gets us up close with rangers as Development Manager they wage a dangerous war on poachers who are driving some of the planet’s most iconic animals – rhinos and Heidi Hermisson elephants – to the brink of extinction. The closing night takes us on an investigative journey with elite Special Forces Programming Manager trainer James Wilks as he busts the myth of meat as a staple protein in the human diet in The Game Changers. Be Samantha Plakun sure to stay for receptions after both events and meet the lmmakers. Festival Coordinator Monica Schorn In between are 120 more lms sure to re your interest and inspire you to get involved. Anote’s Ark documents the Digital Media journey of Kiribati President Anote Tong to help his countrymen as their homeland is literally snatched away by rising Saaret Yoseph; Jacob Crawford seas. -
1 Moscow Does Not Believe in Tears Is a 1979 Melodrama and Comedy
Moscow Does Not Believe In Tears is a 1979 melodrama and comedy Soviet film directed by Vladimir Menshov. The stars include Vera Alentova (who played Katerina Tikhomirova) and Aleksey Batalov (who played Gosha). Valentin Chernykh wrote the film and the cinematographer was Igor Slabnevich. In 1980, the film won the Academy Award for Best Foreign Language Film. It was Menshov’s second and most critically acclaimed, feature film, his first being 1976’s Practical Joke. The film is all about human relations and how the atmosphere of a country in regards to economics and all other facets of a society in which people find themselves living in at any given time affect them. In the case of the film, this time is set in, initially 1958 Moscow and then a more subdued, complex and difficult 1979 Russia. Here we see the aging and development of a specific group of people in relation to the aging and development of their city of Moscow. How the two interact as well as the insular reactions between the specific group of men and women, provide a unique look at universal interaction between any people. Specifically, the role of women is extremely fascinating and dynamic in the film. The three leading women are Katerina Tikhomirova (played by Vera Alentova), Lyudmila (played by Irina Muravyova) and Antonina (played by Raisa Ryazanova). All three move to Moscow from smaller towns to achieve their dreams. The most important relationship is between Katerina Tikhomirova and Gosha (played by Aleksey Batalov). Gosha represents the man Katerina has been looking for her whole life, and apparently the key that is needed to fulfill her, the missing link in her life that can not be replaced by anything else: success at work, valuable friendships, a healthy daughter, economic stability, etc. -
Spring Lineup 2019
Spring Lineup 2019 | Nature & Wildlife | History | Science | People & Culture | Lifestyle | Travel & Adventure | Crime | Feature Docs Wildlife Nature & Amazing Pigs 1 x 60’, 2018, 4K We may not have noticed it yet, but pigs are slowly taking over the planet! There are an estimated two billion of them, living on every continent except Antarctica. Humans are partly to blame – pigs have been a part of our lives for thousands of years. In this film, we follow the many lives of pigs and ask, what is the key to their remarkable success? Terra Mater Factual Studios/Smithsonian Networks/ Humble Bee Films Age Of The Big Cats 3 x 60’, 2018, 4K We think we know big cats pretty well, don’t we? Well actually, we don’t. In this series, recent scientific discoveries shed new light on the extraordinary prehistory of big cats and their ascent to world domination. How did these giant carnivores Beasts In The City survive the ice age extinctions that wiped out the sabretooths, and persist into 1 x 60’, 2018, HD the present day? When we learn that the jaguar was once found in the UK, the tiger ranged from Siberia to Turkey, and the lion, far from being African was a They glide through our urban jungles, breed on the river’s edge and feel quite at true worldwide phenomenon, it’s clear that our view of cats has been blinkered. home in our backyards. You thought they were far away, in the wild. You’re wrong. What happened? Brand-new night vision systems, super slow-motion cameras, They’re here. -
2019-Remi-Winners-Final-Wide.Pdf
Title of Entry REMI AWARD Main Category No. First Name Middle Name Last Name Company City State Country Director Wanli Crab GOLD REMI 309. Documentary (under 60 minutes) Allan Jian Agriculture Department, New Taipei City GovernmentNew Taipei CityN/A Taiwan Chang Wei-Chih The Record: a 60 second drama SILVER REMI 602. College Level Student Productions Gorman Woodfin Anderson University Anderson South Carolina United States River of Change: Missouri National Recreational River SPECIAL JURY REMI 212. Documentary Per Argentine Argentine Productions pittsburgh PA United States Find Your Adventure on the Missouri National Recreational River GOLD REMI 104. Children's Audience Per Argentine Argentine Productions pittsburgh PA United States Cathedrals of Steam - Europe's most famous Train Stations SPECIAL JURY REMI 108. Documentary Jeremy JP Fekete ARTE G.E.I.E. Berlin Berlin Germany Jeremy JP Fekete Nanoelectronics: Highly Efficient Structures for Tomorrow's Information TechnologyPLATINUM REMI 256. Science & Research Kathleen Barth AVANGA Filmproduktion GmbH & Co.Dresden KG Saxony Germany Jürgen Magister My name is Josy SILVER REMI 316. Suspense / Thriller Mayk Azzato AZZATO STUDIO Frankfurt Hessen Germany Banjo Earth India GOLD REMI 309. Documentary (under 60 minutes) Andy Eversole Banjo Earth Greensboro NC United States Andy Eversole Hollywood Dreams GOLD REMI 203. Arts / Cultural Pedro Celedon Barefoot Productions Los Angeles California United States Matias Rivera - Pedro Pablo Celedon The Twelve GOLD REMI 108. Documentary Lucy Martens Cause and Effect Film London London United Kingdom JUDGEMENT GOLD REMI 311. Dramatic - Original Raymund Ribay Gutierrez Center Stage Productions bacoor cavite Philippines Raymund Ribay Gutierrez Magic of Flight GOLD REMI 201. -
Filmmakers in the Digital Era by Dana Duma Reviewed by Titus Vîjeu 79
www.unatc.ro Academic Journal of National University of Theatre and Film “I. L. Caragiale” – Vol. 4, No. 2, 2020 UNATC PRESS UNATC The academic journal of the National University of Theatre and Film “I.L. Caragiale” publishes original papers aimed to analysing in-depth different aspects of cinema, film, television and new media, written in English. You can find information about the way to submit papers on the third cover and at the Internet address: www.unatc.ro Editors: Dana Duma Anca Ioniţă [email protected] [email protected] Co-editor: Andrei Gorzo Copy Editors: Anca Ioniță, Marian Sorin Rădulescu [email protected] Editorial Board: Laurenţiu Damian, Dana Duma, Andrei Gorzo, Lucian Georgescu, Doru Niţescu, Alex Sterian, Marius Nedelcu Advisory Board: Dominique Nasta (Université Libre de Bruxelles) György Baron (National University of Theatre and Film, Budapest) Tereza Barta (York University, Toronto, Canada) Wang Yao (Beijing Film Academy) UNATC PRESS ISSN: 2286 – 4466 ISSN-L: 2286 – 4466 Art Director: Alexandru Oriean Photo cover: Still from Infinite Football by Corneliu Porumboiu Printing House: Net Print This issue is published with the support of The Romanian Filmmakers’ Union (UCIN) National University of Theatre and Film “I.L. Caragiale” Close Up: Film and Media Studies Vol. 4, No. 2, 2020 UNATC PRESS BUCUREȘTI CONTENTS Close Up: Film and Media Studies • Vol. 4, No. 2, 2020 Lucian Țion Sports, Politics, and the Treatment of the Past in Porumboiu’s Documentaries The Second Game and Infinite Football 7 Dana Duma The Animated Documentary as Narrative on Traumas 21 Călin Boto On people and waters and canons 29 Mihaela Grancea, Mihai Fulger Four Romanian Nonfiction Contributions to the Filmography of the Holocaust 33 Marian Ţuţui Romanian Jews and their International Recognition in the Cinema World 43 Andrei-Iulian Iancu How long does a film “live”? 57 BOOK REVIEWS The Mass Ornament: Weimar Essays by Siegfried Kracauer; Translated, Edited, and with an Introduction by Thomas Y. -
Opinions of Film Critics and Viewers
Alexander Fedorov 100 most popular Soviet television movies and TV series: opinions of film critics and viewers Moscow, 2021 Fedorov A.V. 100 most popular Soviet television movies and TV series: opinions of film critics and viewers. Moscow: "Information for all", 2021. 144 p. What does the list of the hundred most popular Soviet television films and TV series look like? How did the press and viewers evaluate and rate these films? In this monograph, for the first time, an attempt is made to give a panorama of the hundred most popular Soviet television films and serials in the mirror of the opinions of film critics, film critics and viewers. The monograph is intended for high school teachers, students, graduate students, researchers, film critics, film experts, journalists, as well as for a circle of readers who are interested in the problems of cinema, film criticism and film sociology. Reviewer: Professor M.P. Thselyh. © Alexander Fedorov, 2021. 2 TABLE OF CONTENTS Introduction ………………………………….................................................................................... 4 100 most popular Soviet television movies and TV series: opinions of film critics and viewers ……………………………........................................................................................... 5 Interview on the release of the book "One Thousand and One Highest Grossing Soviet Movie: Opinions of Film Critics and Viewers"…………………………………………………………….. 119 List of "100 most popular Soviet television films and TV series.......................................... 125 About