Discovering the 'Language' and the 'Literature' of West Java
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The Revival of Tradition in Indonesian Politics
The Revival of Tradition in Indonesian Politics The Indonesian term adat means ‘custom’ or ‘tradition’, and carries connotations of sedate order and harmony. Yet in recent years it has suddenly become associated with activism, protest and violence. Since the resignation of President Suharto in 1998, diverse indigenous communities and ethnic groups across Indonesia have publicly, vocally, and sometimes violently, demanded the right to implement elements of adat in their home territories. This book investigates the revival of adat in Indonesian politics, identifying its origins, the historical factors that have conditioned it and the reasons for its recent blossoming. The book considers whether the adat revival is a constructive contribution to Indonesia’s new political pluralism or a divisive, dangerous and reactionary force, and examines the implications for the development of democracy, human rights, civility and political stability. It is argued that the current interest in adat is not simply a national offshoot of international discourses on indigenous rights, but also reflects a specifically Indonesian ideological tradition in which land, community and custom provide the normative reference points for political struggles. Whilst campaigns in the name of adat may succeed in redressing injustices with regard to land tenure and helping to preserve local order in troubled times, attempts to create enduring forms of political order based on adat are fraught with dangers. These dangers include the exacerbation of ethnic conflict, the legitimation of social inequality, the denial of individual rights and the diversion of attention away from issues of citizenship, democracy and the rule of law at national level. Overall, this book is a full appraisal of the growing significance of adat in Indonesian politics, and is an important resource for anyone seeking to understand the contemporary Indonesian political landscape. -
A Shift in the Meaning of Deer Head Sculpture in Javanese House Interior
6th Bandung Creative Movement International Conference in Creative Industries 2019 (6th BCM 2019) A Shift in The Meaning of Deer Head Sculpture in Javanese House Interior Rahmanu Widayat1 1Department of Interior Design, Fakulty of Art and Design, Universitas Sebelas Maret, Surakarta, Indonesia [email protected] Abstract Kejawen community of Java, syncretism from Java, Hinduism, Buddhism, and Islam possess many kinds decoration in their houses (Javanese houses). One of them is deer head sculpture. Even though it is an imported culture, the deer head sculpture can be easily accepted by the Javanese people because references regarding deer story have been found since the old time. Even though related to deer are quite common, there has not been any research on the shift in the meaning of deer in the context of Javanese culture. The method used in this study is qualitative re- search with the paradigm interpretation. The results of the analysis found that the deer head sculpture, which was originally a preserved and displayed ravin at home as a symbol of prestige, has a connection with Hindu culture, Majapahit culture, Mataram dynasty royal regalia, and Javanese (commonner) Javanese culture. In the context of to- day's modern culture, deer head sculptures are displayed in today's interiors to present a traditional atmosphere and for the sake of nostalgia Keywords meaning, deer head sculture, Javanese house atmosphere of the past. This shows a shift in meaning related 1. Introduction to the deer head sculpture art works. In ancient time, male deer head sculptures were very popular and adorned interior design in many houses of dis- 2. -
Kontenkeuangan Bprs Hi
Mendorong pertumbuhan berkelanjutan melalui peningkatan sumber daya insani Perkembangan Bank Pembiayaan Rakyat Syariah di tengah kondisi ekonomi yang kurang kondusif. Menjadikan Bank Pembiayaan Rakyat Syariah Harta Insan Karimah Parahyangan untuk terus melakukan perbaikan di segala bidang. Pengembangan telah dilakukan antara lain di bidang Teknologi informasi, inovasi produk dan layanan, peningkatan jaringan kantor dan peningkatan kualitas Sumber Daya Insani yang profesional, andal dan integritas tinggi, sehingga diharapkan memberikan kontribusi pada perbaikan hasil kinerja dalam aspek operasional maupun finansial. BPRS Harta Insan Karimah Parahyangan berkomitmen mendorong pertumbuhan berkelanjutan melalui peningkatan sumber daya insani untuk menciptakan budaya pengendalian internal yang efektif dan patuh terhadap peraturan yang berlaku, mengoptimalkan berbagai peluang bisnis tanpa mengenyampingkan mitigasi resiko yang akan timbul di kemudian hari. Kesinambungan Tema 2015 Meningkatkan kemampuan dan melayani BPRS HIK Parahyangan mampu menghasilkan posisi keuangan yang kuat sehingga dapat menghadapi lingkungan bisnis bank yang dinamis. BPRS HIK Parahyangan sesuai dengan visi dan misinya, terus meningkatkan kualitas layanan melalui peningkatan kualitas sumber daya insani dan peranan teknologi informasi guna mempertahankan loyalitas para nasabah. 2016 Mewujudkan Harmoni untuk kesejahteraan bersama Komitmen untuk memberikan layanan yang handal dan terpercaya serta maju bersama dalam ketentuan syariah telah menempatkan BPRS HIK Parahyangan -
Mythology and the Belief System of Sunda Wiwitan: a Theological Review in Cisolok of Sukabumi Regency of West Java, Indonesia
International Journal of Research and Review Vol.7; Issue: 4; April 2020 Website: www.ijrrjournal.com Research Paper E-ISSN: 2349-9788; P-ISSN: 2454-2237 Mythology and the Belief System of Sunda Wiwitan: A Theological Review in Cisolok of Sukabumi Regency of West Java, Indonesia Tita Rostitawati Department of Philosophy, State Islamic University of Sultan Amai Gorontalo, Indonesia ABSTRACT beliefs that are based on ideas in the teachings of ancestors or spirits. There are This study examined the mythology and belief several villages in West Java, which are systems adopted by the Sunda Wiwitan manifestations of the existence of community that were factually related to the indigenous peoples in Indonesia. credo system that was considered sacred in a The existence of traditional villages belief. Researcher in collecting data using interviews, observation, and literature review is a special attraction for the community methods. The process of data analysis was done because there is a unique culture and is with qualitative data analysis techniques. In the different from the others, such as the process of analyzing research data, the Sundanese people in the Cisolok village of researcher organized data, grouped data, and Sukabumi Regency. Human life requires a analyzed narratively. The results showed that belief in which the belief is in the form of the Sunda Wiwitan belief system worshiped religious teachings or views that, according ancestral spirits as an elevated entity. Aside to the community, are considered good and from worshiping ancestors, Sunda Wiwitan also true. In Cisolok of Sukabumi Regency, there had a God who was often called Sang Hyang are cultural and traditional elements that are Kersa. -
Arxiv:2011.02128V1 [Cs.CL] 4 Nov 2020
Cross-Lingual Machine Speech Chain for Javanese, Sundanese, Balinese, and Bataks Speech Recognition and Synthesis Sashi Novitasari1, Andros Tjandra1, Sakriani Sakti1;2, Satoshi Nakamura1;2 1Nara Institute of Science and Technology, Japan 2RIKEN Center for Advanced Intelligence Project AIP, Japan fsashi.novitasari.si3, tjandra.ai6, ssakti,[email protected] Abstract Even though over seven hundred ethnic languages are spoken in Indonesia, the available technology remains limited that could support communication within indigenous communities as well as with people outside the villages. As a result, indigenous communities still face isolation due to cultural barriers; languages continue to disappear. To accelerate communication, speech-to-speech translation (S2ST) technology is one approach that can overcome language barriers. However, S2ST systems require machine translation (MT), speech recognition (ASR), and synthesis (TTS) that rely heavily on supervised training and a broad set of language resources that can be difficult to collect from ethnic communities. Recently, a machine speech chain mechanism was proposed to enable ASR and TTS to assist each other in semi-supervised learning. The framework was initially implemented only for monolingual languages. In this study, we focus on developing speech recognition and synthesis for these Indonesian ethnic languages: Javanese, Sundanese, Balinese, and Bataks. We first separately train ASR and TTS of standard Indonesian in supervised training. We then develop ASR and TTS of ethnic languages by utilizing Indonesian ASR and TTS in a cross-lingual machine speech chain framework with only text or only speech data removing the need for paired speech-text data of those ethnic languages. Keywords: Indonesian ethnic languages, cross-lingual approach, machine speech chain, speech recognition and synthesis. -
Penataan Wilayah Pada Masa Kerajaan Sunda
Penataan Wilayah pada Masa Kerajaan Sunda Agus Aris Munandar Keywords: history, archaeology, Hindu-Buddhist, Kingdom of Sunda, West Java How to Cite: Munandar, A.A. Penataan Wilayah pada Masa Kerajaan Sunda. Berkala Arkeologi, 14(2), 95–105. https://doi.org/10.30883/jba.v14i2.706 Berkala Arkeologi https://berkalaarkeologi.kemdikbud.go.id/ Volume 14 No. 2, 1994, 95-105 DOI: 10.30883/jba.v14i2.706 This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. PENATAAN WILAYAH PADA MASA KERAJAAN SUNDA Agus Aris Munandar (Jurusan Arkeolog, FSUI) terlihat dalam periode Singhasan dan Ma1apah1t 1. KeraJ aan Sunda adalah salah satu kera yang jelas disebutkan dalam prasast, dan k1tab Jaan dalam masa Hindu-Buddha yang terletak di Nagarakrtagama bahwa kedua keraJaan terse Jawa Barat. Tidak seperti sejarah kerajaan-kera but mempunyai berbagai negara daerah Namun Jaan lamnya yang pernah tumbuh dan berkem bagaimana halnya dengan Kerajaan Sunda bang dt Pulau Jawa (Mataram, Kadiri, Singhasa apakah juga memiliki negara-negara daerah n, MaJapahit), seJarah Kerajaan Sunda masth be masih belum diketahui secara past1. Hal lam lum banyak diungk.apkan oleh para ahl1. Hal ini yang patut diperhat,kan penataan wilayah yang disebabkan karena sumber sejarah yang berken pastinya telah dikenal dalam masa 1tu, penataan aan dengan perkembangan kerajaan tersebut wilayah Kerajaan Sunda hingga saat ini masih sangat terbatas, peninggalan-peninggala ��ya belum juga diperhattkan oleh para ahli; untuk ,tu pun tidak terlalu banyak, kalaupun ada JeJak kajian ini berusaha mengungkapkan penataan se1arah itu sudah sangat rusak. Walaupun w1layah kerajaan tersebut se1auh data yang dem1kian para ahli sejarah dan arkeologi tentu tersedia hingga kini nya masih berharap bahwa di kemudian hari akan ditemukan lag, sumber sejarah baru yang dapat membantu mengungkapkan seJarah Kera 2. -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE JAVANESE WAYANG KULIT PERFORMED IN THE CLASSIC PALACE STYLE: AN ANALYSIS OF RAMA’S CROWN AS TOLD BY KI PURBO ASMORO A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF MUSIC By GUAN YU, LAM Norman, Oklahoma 2016 JAVANESE WAYANG KULIT PERFORMED IN THE CLASSIC PALACE STYLE: AN ANALYSIS OF RAMA’S CROWN AS TOLD BY KI PURBO ASMORO A THESIS APPROVED FOR THE SCHOOL OF MUSIC BY ______________________________ Dr. Paula Conlon, Chair ______________________________ Dr. Eugene Enrico ______________________________ Dr. Marvin Lamb © Copyright by GUAN YU, LAM 2016 All Rights Reserved. Acknowledgements I would like to take this opportunity to thank the members of my committee: Dr. Paula Conlon, Dr. Eugene Enrico, and Dr. Marvin Lamb for their guidance and suggestions in the preparation of this thesis. I would especially like to thank Dr. Paula Conlon, who served as chair of the committee, for the many hours of reading, editing, and encouragement. I would also like to thank Wong Fei Yang, Thow Xin Wei, and Agustinus Handi for selflessly sharing their knowledge and helping to guide me as I prepared this thesis. Finally, I would like to thank my family and friends for their continued support throughout this process. iv Table of Contents Acknowledgements ......................................................................................................... iv List of Figures ............................................................................................................... -
Tri Tangtu on Sunda Wiwitan Doctrine in the XIV-XVII Century
TAWARIKH: Journal of Historical Studies, Volume 10(1), October 2018 Journal of Historical Studies ETTY SARINGENDYANTI, NINA HERLINA & MUMUH MUHSIN ZAKARIA Tri Tangtu on Sunda Wiwitan Doctrine in the XIV-XVII Century ABSTRACT: This article aims to reconstruct the concept of “Tri Tangtu” in the “Sunda Wiwitan” doctrine in the XIV-XVII century, when the Sunda kingdom in West Java, Indonesia was under the reign of Niskala Wastu (-kancana) at Surawisesa Palace in Kawali, Ciamis, until its collapse in 1579 AD (Anno Domini). “Tri Tangtu” absorbs the three to unite, one for three, essentially three things in fact one, the things and paradoxical attributes fused into and expanded outward. The outside looks calm, firm, one, but inside is continuously active in its entirety in various activities. This concept is still also continues on indigenous of Kanekes (Baduy) in Banten, Western Java. In achieving that goal, historical methods are used, consisting of heuristics, criticism, interpretation, and historiography. In the context of explanation used social sciences theory, namely socio-anthropology through the theory of religion proposed by Clifford Geertz (1973), namely religion as a cultural system that coherently explains the involvement between religion and culture. The results of this study show that the concept of “Tri Tangtu” consists of “Tri Tangtu dina Raga (Salira)”; “Tri Tangtu dina Nagara”; and “Tri Tangtu dina Buana”. About “Tri Tangtu dina Raga” is a system of human reciprocal relationship to the transcendent with “lampah, tekad, ucap (bayu-sabda- hedap)” or deed, strong will, and word. “Tri Tangtu dina Nagara” is a unity of “Rsi-Ratu-Rama” or Cleric, Ruler, and a Wise Oldmen. -
Forbidden Wealth (Pesugihan) by Tjitro Waloejo in Surakarta
The Aesthetics and Meaning of Traditional Paintings: Forbidden Wealth (Pesugihan) by Tjitro Waloejo in Surakarta Rahmanu Widayat1, Mohammad Khizal Mohamed Saat2*, Sigit Purnomo Adi1 and Sayid Mataram1 1Faculty of Arts and Design, Sebelas Maret University, Surakarta, INDONESIA 2School of the Arts, Universiti Sains Malaysia, Pulau Pinang, MALAYSIA *Corresponding author: [email protected] Published online: 31 December 2020 To cite this article: Rahmanu Widayat, Mohammad Khizal Mohamed Saat, Sigit Purnomo Adi and Sayid Mataram. 2020. The aesthetics and meaning of traditional paintings: Forbidden wealth (pesugihan) by Tjitro Waloejo in Surakarta. Wacana Seni Journal of Arts Discourse 19: 29–45. https://doi.org/10.21315/ws2020.19.3 To link to this article: https://doi.org/10.21315/ws2020.19.3 ABSTRACT At present, Javanese culture is increasingly less powerful in facing the changing times, where art that was once familiar in people’s daily lives has slowly begun to disappear. But Surakarta was fortunate to have Tjitro Waloejo, a traditional painter who died in 1990. He perpetuated the event of collecting illicit wealth (pesugihan) in the form of paintings as a life lesson portraying how some Javanese gathered their wealth under an agreement with Satan. The problem is what the paintings of Tjitro Waloejo are like, and what they really mean. The approach in this study is the concept of “wangun” (beautiful) which the writers explore from Javanese culture to study the art objects (barang kagunan). “Wangun” or beauty of the Javanese becomes (1) the form of “wangun” (beautiful) based on the perspective of the Javanese, (2) the appearance of “ora wangun” (not beautiful) or “aèng” (strange), (3) the form of “wangun” based on the king’s legitimacy or trend, and (4) the forbidden “wangun.” The important findings in the study of “pesugihan” painting reveal that there are perpetuated events of collecting illicit wealth (pesugihan) in the form of paintings as life lessons on how some Javanese gather their wealth under an agreement with demons. -
Cultural Reproduction of Javanese Gamelan Creation
Advances in Social Sciences Research Journal – Vol.5, No.8 Publication Date: Aug. 25, 2018 DoI:10.14738/assrj.58.5018. Wijaya, M., & Pujihartati, S. H. (2018). Cultural Reproduction of Javanese Gamelan Creation. Advances in Social Sciences Research Journal, 5(8) 448-455. Cultural Reproduction of Javanese Gamelan Creation Mahendra Wijaya Sociology Department of Social and Political Science Faculty Universitas Sebelas Maret Sri Hilmi Pujihartati Sociology Department of Social and Political Science Faculty Universitas Sebelas Maret ABSTRACT This research aimed to find out the cultural reproduction of Javanese gamelan creation. Gamelan is an Indonesian orchestra composed mainly of tuned percussion instruments such as bamboo xylophones, wooden or metal chimes, and gongs. This reserach consisting of life attitude, work ethos, and skill of craftspeople in creation of Javanese gamelan. Cultural reproduction practice occurs in family, school/art institute/home industry environment and gamelan industry center community. This study employed naturalistic inquiry, describing the cultural reproduction of Javanese gamelan Creation naturally; the informants of research consisted of Empu (master craftsman) who produces gamelan, gamelan craftspeople, Javanese gamelan art figure, and Javanese gamelan users. The result of research revealed that life attitudes the Empu and the gamelan craftspeople had were: awareness of giving service to God, faith in God, being loyal to their job, submitting to the fate with gratitude, never being desperate, and having noble character. The work ethos of Empu and craftspeople included: hard work, high togetherness, carefulness, tolerance, high sense of belonging to the job, and mutual help. Meanwhile, gamelan creation skill included: membesot, menyingi, menempa, membabar, and melaras. Life attitude, work ethos, and skill of gamelan creation occurred through parents’ socialization from one generation to the next or from Empu to craftspeople in home industry. -
From Custom to Pancasila and Back to Adat Naples
1 Secularization of religion in Indonesia: From Custom to Pancasila and back to adat Stephen C. Headley (CNRS) [Version 3 Nov., 2008] Introduction: Why would anyone want to promote or accept a move to normalization of religion? Why are village rituals considered superstition while Islam is not? What is dangerous about such cultic diversity? These are the basic questions which we are asking in this paper. After independence in 1949, the standardization of religion in the Republic of Indonesia was animated by a preoccupation with “unity in diversity”. All citizens were to be monotheists, for monotheism reflected more perfectly the unity of the new republic than did the great variety of cosmologies deployed in the animistic cults. Initially the legal term secularization in European countries (i.e., England and France circa 1600-1800) meant confiscations of church property. Only later in sociology of religion did the word secularization come to designate lesser attendance to church services. It also involved a deep shift in the epistemological framework. It redefined what it meant to be a person (Milbank, 1990). Anthropology in societies where religion and the state are separate is very different than an anthropology where the rulers and the religion agree about man’s destiny. This means that in each distinct cultural secularization will take a different form depending on the anthropology conveyed by its historically dominant religion expression. For example, the French republic has no cosmology referring to heaven and earth; its genealogical amnesia concerning the Christian origins of the Merovingian and Carolingian kingdoms is deliberate for, the universality of the values of the republic were to liberate its citizens from public obedience to Catholicism. -
Maybe English First and Then Balinese and Bahasa Indonesia“: a Case of Language Shift, Attrition, and Preference
Indonesian Journal of English Language Teaching, 11(1), May 2016, pp. 81-99 —0aybe English first and then Balinese and Bahasa Indonesia“: A case of language shift, attrition, and preference Siana Linda Bonafix* LembagaPengembanganProfesi, UniversitasTaruma Negara, Jakarta Christine Manara Program PascaSarjana, LinguistikTerapanBahasaInggris, UniversitasKatolik Indonesia Atma Jaya, Jakarta Abstract This small-scale Tualitative study aims to explore the participants‘ view of languages acquired, learned, and used in their family in an Indonesian context. The two participants were Indonesians who came from multilingual and mixed-cultural family background. The study explores three research questions: 1) What are the languages acquired (by the participants‘ family members), co- existed, and/or shift in the family of the two speakers? 2) What factors affect the dynamicity of these languages? 3) How do the participants perceive their self-identity? The qualitative data were collected using semi-structured and in-depth interviews. The interviews were audio-taped and transcribed to be analyzed using thematic analysis. The study detects local language shift to Indonesian from one generation to the next in the participants‘ family. The data also shows several factors for valorizing particular languages than the others. These factors include socioeconomic factor, education, frequency of contact, areas of upbringing (rural or urban) and attitude towards the language. The study also reveals that both participants identify their self-identity based on the place where they were born and grew up instead of their linguistic identity. Keywords: bilingualism, bilinguality, language dynamics, valorization, mix-cultural families Introduction Indonesia is a big multicultural and multilingual country. It is reported in 2016 that the population of the country is 257 million (BadanPusatStatistik, National StatisticsBureau).