BYU Studies Quarterly Volume 46 Issue 2 Article 6 4-1-2007 The Fourth Wave: The Mass Media Era (1974-2000) Randy Astle Gideon O. Burton Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation Astle, Randy and Burton, Gideon O. (2007) "The Fourth Wave: The Mass Media Era (1974-2000)," BYU Studies Quarterly: Vol. 46 : Iss. 2 , Article 6. Available at: https://scholarsarchive.byu.edu/byusq/vol46/iss2/6 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact
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[email protected]. Astle and Burton: The Fourth Wave: The Mass Media Era (1974-2000) An iconic still from the Church’s 1993 epic Legacy, arguably the most prestigious Mormon film of the 1990s. Legacy is also emblematic of the Fourth Wave, as films, particularly within the Church, became larger in terms of production scale and narrative scope. The film’s star, Kathleen Beller, is seen carry- ing a child at the front of the procession. LDS Church Archives, © Intellectual Reserve, Inc. Published by BYU ScholarsArchive, 2007 1 BYU Studies Quarterly, Vol. 46, Iss. 2 [2007], Art. 6 A History of Mormon Cinema: Fourth Wave V 97 The Fourth Wave: The Mass Media Era (1974–2000) The Fourth Wave deserves to be known as the Mass Media Era for at least three reasons. First, it was the first period dominated by video tech- nology and various media besides traditional film; though I shall continue to use the term filmmaking, the majority of productions were now distrib- uted electronically, even if they did not originate that way.