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The History of Cartography, Volume 3
THE HISTORY OF CARTOGRAPHY VOLUME THREE Volume Three Editorial Advisors Denis E. Cosgrove Richard Helgerson Catherine Delano-Smith Christian Jacob Felipe Fernández-Armesto Richard L. Kagan Paula Findlen Martin Kemp Patrick Gautier Dalché Chandra Mukerji Anthony Grafton Günter Schilder Stephen Greenblatt Sarah Tyacke Glyndwr Williams The History of Cartography J. B. Harley and David Woodward, Founding Editors 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2.1 Cartography in the Traditional Islamic and South Asian Societies 2.2 Cartography in the Traditional East and Southeast Asian Societies 2.3 Cartography in the Traditional African, American, Arctic, Australian, and Pacific Societies 3 Cartography in the European Renaissance 4 Cartography in the European Enlightenment 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME THREE Cartography in the European Renaissance PART 1 Edited by DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON David Woodward was the Arthur H. Robinson Professor Emeritus of Geography at the University of Wisconsin–Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2007 by the University of Chicago All rights reserved. Published 2007 Printed in the United States of America 1615141312111009080712345 Set ISBN-10: 0-226-90732-5 (cloth) ISBN-13: 978-0-226-90732-1 (cloth) Part 1 ISBN-10: 0-226-90733-3 (cloth) ISBN-13: 978-0-226-90733-8 (cloth) Part 2 ISBN-10: 0-226-90734-1 (cloth) ISBN-13: 978-0-226-90734-5 (cloth) Editorial work on The History of Cartography is supported in part by grants from the Division of Preservation and Access of the National Endowment for the Humanities and the Geography and Regional Science Program and Science and Society Program of the National Science Foundation, independent federal agencies. -
Earliest Known Maps #100 TITLE
Earliest Known Maps #100 TITLE: The Earliest Known Map DATE: 6,200 B.C. AUTHOR: unknown DESCRIPTION: The human activity of graphically translating one’s perception of his world is now generally recognized as a universally acquired skill and one that pre-dates virtually all other forms of written communication. Set in this pre-literate context and subjected to the ravages of time, the identification of any artifact as “the oldest map”, in any definitive sense, becomes an elusive task. Nevertheless, searching for the earliest forms of cartography is a continuing effort of considerable interest and fascination. These discoveries provide not only chronological benchmarks and information about geographical features and perceptions thereof, but they also verify the ubiquitous nature of mapping, help to elucidate cultural differences and influences, provide valuable data for tracing conceptual evolution in graphic presentations, and enable examination of relationships to more “contemporary primitive” mapping. As such, there are a number of well- known early examples that appear in most standard accounts of the history of cartography. The most familiar artifacts put forth as “the oldest extant cartographic efforts” are the Babylonian maps engraved on clay tablets. These maps vary in scale, ranging from small-scale world conceptions to regional, local and large-scale depictions, down to building and grounds plans. In detailed accounts of these cartographic artifacts there are conflicting estimates concerning their antiquity, content and significance. Dates quoted by “authorities” may vary by as much as 1,500 years and the interpretation of specific symbols, colors, geographic locations and names on these artifacts often differ in interpretation from scholar to scholar. -
TITLE: Mesopotamian City Plan for Nippur DATE: 1,500 B.C
City Plan for Nippur #101 TITLE: Mesopotamian City Plan for Nippur DATE: 1,500 B.C. AUTHOR: unknown DESCRIPTION: This Babylonian clay tablet, drawn around 1,500 B.C. and measuring 18 x 21 cm, is incised with a plan of Nippur, the religious center of the Sumerians in Babylonia during this period. The tablet marks the principal temple of Enlil in its enclosure on the right edge, along with storehouses, a park and another enclosure, the river Euphrates, a canal to one side of the city, and another canal running through the center. A wall surrounds the city, pierced by seven gates which, like all the other features, have their names written beside them. As on some of the house plans, measurements are given for several of the structures, apparently in units of twelve cubits [about six meters]. Scrutiny of the map beside modern surveys of Nippur has led to the claim that it was drawn to scale. How much of the terrain around Nippur has been included cannot be known because of damage to the tablet, nor is there any statement of the plan’s purpose, although repair of the city’s defenses is suggested. As such, this tablet represents possibly the earliest known town plan drawn to scale. Nippur city map drawn to scale Examples of city maps, some quite fragmentary, are preserved for Gasur (later called Nuzi), Nippur, Babylon, Sippar, and Uruk. The ancient Mesopotamian city stands as the quintessential vehicle of self-identification in that fundamentally urban civilization. Our knowledge of a Meso- 1 City Plan for Nippur #101 potamian conception of “citizenship” is unfortunately quite poor, but a member of the community was identified as ”one of the city,” and so the equivalent expression of the term “citizen,” or something perhaps similar to it, is tied to the concept and word for the city. -
Methodology for Producing a Hand-Drawn Thematic City Map
Master Thesis Methodology for Producing a Hand-Drawn Thematic City Map submitted by: Alika C. Jensen born on: 27.08.1992 in Dayton, Ohio, USA submitted for the academic degree of Master of Science (M.Sc.) Date of Submission 16.10.2017 Supervisors Prof. Dipl.-Phys. Dr.-Ing. habil. Dirk Burghardt Technische Universität Dresden Univ.Prof. Mag.rer.nat. Dr.rer.nat. Georg Gartner Technische Universität Wien Statement of Authorship Herewith I declare that I am the sole author of the thesis named „Methodology for Producing a Hand-Drawn Thematic City Map“ which has been submitted to the study commission of geosciences today. I have fully referenced the ideas and work of others, whether published or unpublished. Literal or analogous citations are clearly marked as such. Dresden, 16.10.2017 Signature Alika C. Jensen 2 Contents Title............................................................................................................................................1 Statement of Authorship...........................................................................................................2 Contents....................................................................................................................................3 Figures.......................................................................................................................................5 Terminology..............................................................................................................................7 1 Introduction...........................................................................................................................8 -
3D Printing and 3D Scanning of Our Ancient History: Preservation and Protection of Our Cultural Heritage and Identity
INTERNATIONAL JOURNAL OF ENERGY AND ENVIRONMENT Volume 8, Issue 5, 2017 pp.441-456 Journal homepage: www.IJEE.IEEFoundation.org TECHNICAL PAPER 3D printing and 3D scanning of our ancient history: Preservation and protection of our cultural heritage and identity Maher A.R. Sadiq Al-Baghdadi Center of Preserving of the Cities Heritage and Identity, International Energy and Environment Foundation, Najaf, P.O.Box 39, Iraq. Received 12 June 2017; Received in revised form 12 Aug. 2017; Accepted 17 Aug. 2017; Available online 1 Sep. 2017 Abstract 3D printing and 3D scanning are increasingly used in archeology and in cultural heritage preservation. These 3D technologies provide museum curators, researchers and archeologists with new tools to capture in 3D ancient objects, artifacts or art pieces. They can then study, replicate, restore or simply archive them with much more details than traditional 2D pictures. It is even possible to 3D scan entire archeological sites to get a full 3D mapping. Iraq is too rich in ancient cultural heritage but unfortunately much of the hundreds of thousands of artifacts remain in archives of the museums worldwide. Having the exact copies of these ancient artifacts will allow the audience here to learn more about our heritage. The Center of Preserving of the Cities Heritage and Identity (CPCHI) at International Energy and Environment Foundation (IEEF) started a roadmap in preserving our ancient history with 3D scanning, 3D virtual reality, and 3D printing technologies. As part of the project create high-quality 3D replicas of our cultural heritage, which are located in our museums and sites, and most of them are spread around the world, and then exhibit it in several venues throughout our country Iraq. -
The History of Cartography, Volume 1
THE HISTORY OF CARTOGRAPHY VOLUME ONE EDITORIAL ADVISORS Luis de Albuquerque Joseph Needham J. H. Andrews David B. Quinn J6zef Babicz Maria Luisa Righini Bonellit Marcel Destombest Walter W. Ristow o. A. W. Dilke Arthur H. Robinson L. A. Goldenberg Avelino Teixeira da Motat George Kish Helen M. Wallis Cornelis Koeman Lothar Z6gner tDeceased THE HISTORY OF CARTOGRAPHY 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2 Cartography in the Traditional Asian Societies 3 Cartography in the Age of Renaissance and Discovery 4 Cartography in the Age of Science, Enlightenment, and Expansion 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME ONE Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean Edited by J. B. HARLEY and DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON J. B. Harley is professor of geography at the University of Wisconsin-Milwaukee, formerly Montefiore Reader in Geography at the University of Exeter. David Woodward is professor of geography at the University of Wisconsin-Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1987 by The University ofChicago Allrights reserved. Published 1987 Printed in the United States ofAmerica 11 10 09 08 07 06 05 04 03 02 8 7 654 This work is supported in part by grants from the Division of Research Programs of the National Endowment for the Humanities, an independent federal agency Additional funds were contributed by The Andrew W. Mellon Foundation The National Geographic Society The Hermon Dunlap Smith Center for the History of Cartography, The Newberry Library The Johnson Foundation The Luther I. -
6 · Cartography in the Ancient Near East
6 · Cartography in the Ancient Near East A. R. MILLARD Under the term "ancient Near East" fall the modern amples of these lists have been unearthed in Babylonia, states of Iraq, Syria, Lebanon, Jordan, and Israel. Tur at Abu Salabikh near Nippur, and at the northern Syrian key, Saudi Arabia, the Gulf States, Yemen, and Iran may settlement of Ebla, the scene of important discoveries also be included. The eras embraced begin with the first by Italian archaeologists, lying fifty-five kilometers south urban settlements (ca. 5000 B.C.) and continue until the of Aleppo. The scribes who wrote these tablets were defeat of Darius III by Alexander the Great, who offi working between 2500 and 2200 B.C., but their lists cially introduced Hellenism to the area (330 B.C.). There were drawn from earlier sources that reached back as are few examples of maps as they have been defined in far as the beginning of the third millennium. Besides the the literature of the history of cartography, but those names of places in Babylonia, names of Syrian towns that remain are important in helping to build a picture appear in the lists from Ebla, including Ugarit (Ra's of the geographical knowledge available, and of related Shamrah) on the Mediterranean coast.1 This is one in achievements. dication of the level Babylonian geographical knowledge had reached at an early date. In support of that may be BABYLONIAN GEOGRAPHICAL KNOWLEDGE cited historical sources, contemporary and traditional, for military campaigns by King Sargon of Akkad and Babylonia was open to travelers from all directions. -
Vermeer's Maps
e-Perimetron, Vol.1, No. 2, Spring 2006 [138-154] www.e-perimetron.org | ISSN 1790-3769 Evangelos Livieratos ∗, Alexandra Koussoulakou** 1 Vermeer’s maps: a new digital look in an old master’s mirror Keywords: Cartography and Art; Johannes Vermeer; image processing; map comparison; cartographic deformations; carto- graphic animation; cartographic heritage. Summary The links of Cartography to Art and culture are as old as the field itself. The art of painting has al- ways been present within maps, which, in turn have always been regarded as a combination of scientific and artistic skills. One of the most prominent examples of the harmonic duality of maps as scientific tools and objects of culture is witnessed in the Netherlands during the 17th century, when the Dutch were world leaders in the field of cartographic production. This period is also known as the golden century of the country: state power and world dominion were combined with progress in science and in arts. Dutch mapmakers of the time were usually combining more skills: they were surveyors, cartographers, painters of landscapes and even more. On the other hand, many seventeenth-century Dutch painters such as Hals, Vermeer, Ter Borch, De Hooch, Steen, Ochtervelt, Maes and others, introduced depictions of real maps into their works and decorated their interiors with maps for symbolic or allegorical reasons. A typical example is Johannes Vermeer; in his painting ‘Officer and laughing girl’ (~1660) an officer and a young girl are placed in an interior, sitting at a table in front of a window. On the wall behind the girl a large map is hanging, occupying a large part of the painting and being equally important as the rest of the scene. -
Syllabus Rev 100708Ja&Dd&Wg
Mapping and Art in the Americas NEH Summer Institute The Newberry Library, July 12 – August 13, 2010 James Akerman and Diane Dillon, Co-directors Syllabus (revised, July 2010) Except where noted, all sessions are in the Towner Fellows’ Lounge, on the east end of the second floor. U nless otherwise indicated , all afternoons Tuesday through Friday are free for research and reading. The reading rooms are open Tuesday – Friday, 9 AM – 5 PM, Saturday, 9 AM – 1 PM. Please note that books cannot be paged 12 – 1 PM. The building is closed on Sundays. Part 1: Maps in Art, Art in Maps Monday, July 12, 2010 8:30 – 9:00 AM Refreshments 9:00 AM – 12:00 PM Morning Session 1 (including tour of Library): The Problem of Art and Cartography: Perspectives from Cartographic and Art History James Akerman and Diane Dillon Readings: Cosgrove 2005; Karrow 2007; Robinson 1966, pp. 3-24; Woodward 1987, pp. 1-9 1:30 – 4:30 PM Afternoon session (Special Collections Reading Room): Workshop and introduction to collections 5:45 PM Evening: Welcome dinner at Café Iberico, 739 N. LaSalle Dr. Tuesday, July 13 9:00 AM – 12:00 PM Morning Session 2: Mapping in Art, part I Nina Katchadourian (independent artist, New York), Laurie Palmer (Associate Professor of Sculpture, Art Institute of Chicago), Dianna Frid (Assistant Professor, Studio Arts, University of Illinois-Chicago), Gregory Knight (independent curator, Chicago and Berlin) Readings: Harmon and Clemans 2009 (all) 1:30 – 2:30 PM Library services orientation JoEllen Dickie and Lisa Schoblasky 2:30 – 6:30 PM Individual conferences (Smith Center) Wednesday, July 14 9:00 – 10:00 AM Group breakfast (Towner Fellows Lounge) 10:00 AM – 1:00 PM Morning Session 3: Crossing Boundaries: Between Maps and Art Edward S. -
Race–Russkoye
2. Race as geographical populations. Individuals are part of a race that occupies or originated in spe- cifi c territories. An individual is in a race. 3. Modern genetics, with a focus on genetic distinc- R tiveness (however tiny) of groups of people. Maps that derive from race-based data sources such as Race, Maps and the Social Construction of. The the census have had to confront changing offi cial defi ni- cartographic construction of race refers to the concept tions, inclusions, and exclusions. Since the U.S. Census that maps and mapping actively create and reproduce was fi rst collected in 1790 the number and defi nition of race and racial knowledges. Although maps create many races has changed frequently (table 44). different knowledges, those that sustain or create race Racial identity had become more fractured in the are particularly important as they undergird projects as United States over time with just four categories in the diverse as colonialism, redlining, territorialization, and fi rst census and fi fteen by the end of the twentieth cen- indigeneity. tury. Conversely some categories have been dropped A racialized territory is a space that a particular race (Aleut, Eskimo, Hindu, Mulatto) in tune with chang- is thought to occupy. The idea that humans can be as- ing understandings of race and ethnicity. These changes signed to a small number of distinct populations was were often politically motivated. The superintendent of popularized by Carl von Linné (Linnæus), whose mid- the 1870 and 1880 U.S. Census, economist and statisti- eighteenth century Systema Naturæ (10th ed.) was cian Francis Amasa Walker, explicitly remodeled its data highly infl uential. -
Visual Palimpsests: City Atmosphere in Cartography, City Planning and Painting
Studies in Visual Arts and Communication: an international journal Vol 4, No 1 (2017) on-line ISSN 2393 - 1221 Visual palimpsests: city atmosphere in cartography, city planning and painting Efrossyni Tsakiri* Abstract Atmosphere is a mysterious property of urban space that can be sensed only by personal experience. People describe it as a particularly intense and imposing emotion. The concept was born in the ‘50s, together with the distinction between space and place. Place, a meaningful space, is discussed in the context of human psyche, perception, feeling, attachment, in psychology and philosophy. By extension, atmosphere in psychogeography is an important factor of urban place that reflects people’s feelings about it. But although atmosphere for Situationists is an experiential property that can be attributed only to the lived and not to the represented space, geographer E. Relph argues that an individual can also connect to places and develop feelings about them through fantasy and artistic representations in a state that he defines as ‘vicarious insideness’. In Urban Visual Culture, all images that represent the city and its multifarious content are mediums for the experience, perception, understanding of the urban, the development of feelings and attachment to it, in other words, they can create an atmosphere. This study will follow with the examination of atmosphere in European city representations. In the paper, I will use semiotics to illustrate the mechanism of an individual experiences, the atmosphere of a European city representation with artworks from city planning, cartography, and painting. I will analyze: a) View of Florence with the Chain by Francesco Rosselli (1480), b) Römische Ruinenlandschaft by Paul Bril (1600), c) City of Truth by Bartolomeo Del Bene (1609), d) Via Appia by Giovanni Battista Piranesi (1756), e) Evening on Karl Johan Street by Edvard Munch (1892), f) New York City by Piet Mondrian (1942) and g) London functional analysis map by Patrick Abercrombie (1944). -
Cartographic Activities in the Republic of Genoa, Corsica, and Sardinia in the Renaissance Massimo Quaini
34 • Cartographic Activities in the Republic of Genoa, Corsica, and Sardinia in the Renaissance Massimo Quaini A summary account of the cartographic activities in the In explaining this extended privileging of word over territories of the Republic of Genoa immediately faces the image in Liguria, scholars cite the very low level of local problem of distinguishing between telling the story of interest in visually depicting the landscape or the city.4 how Liguria and Genoa and its island territories were Others cite the difficulties in modernizing the military and mapped (by whatever agents) and explaining the Renais- bureaucratic structures of the state to focus a sustained sance cartographic culture that sprang from those regions effort on the government of its surrounding territory. (fig. 34.1). The more traditional approach of providing a Whichever examples they choose, however, their discus- sequential cartographic history of these areas through sions seem always to be colored by a traditional com- many historical periods has been well done in general monplace, nurtured first by travelers and then by histori- books such as Roberto Almagià’s Monumenta Italiae car- ans, of depicting Genoa as a purely mercantile city that tografica (1929) or, for Sardinia, Piloni’s magnum opus of showed no interest in promoting the arts or sciences.5 1974.1 Catalogs of exhibitions, replete with detailed in- Although this general picture has been substantially formation and illustrations of local manuscript maps of- modified in recent years, Genoa remains a place in which ten gleaned from archives in the regions, have tended to neither the figurative arts nor a “state-focused” political focus on the second approach, trying to reconstruct the culture can be said to have played a predominant role, par- local cartographic culture.