Old Style Font Examples
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Typographic Specimen Poster
Typographic Specimen Poster Type specimen posters were historically released by foundries and printers as a means of introducing new typefaces to designers. The design aesthetic of the posters was mostly utilitarian (simple and functional) with the goal of displaying a typeface in different sizes for the designer to visualize how the typeface could be used. As technology progressed from the linotype to the digital press, the emphasis on posters as the primary means of showing off a new typeface diminished, however the type specimen poster grew into their own form of expressive design. While modern type specimen posters are not as common, they are often far more expressive than their historical counterparts. Akzidenz Grotesk, design by Gunter Gerhard Lange in 1898 Homework: Put a Typeface to a Name This is a project that focuses on research and utilizing your knowledge of typography and layout skills learned over the past semester. Using InDesign, the objective of your type poster is to highlight the different qualities or characteristics of your chosen typeface, introduce the typographer, as well as generate a design that compliments the aesthetics of the prominent design movement of the time. Part 1) Research and Sketchbook Exercise: Research online and find at least 5 examples of type specimen sheets that inspire you, even if their design is different from the approach you will be taking. From your assigned century, choose a typographer and typeface they designed. Research the prominent design movement associated with your typographerʼs region and time period (Example: Typographer: Eric Gill, Typeface: Gill Sans, Time Period: 1920s England, Prominent Design Movement: Art Deco). -
WWII Book Project Project Based Learning
World History Semester 11 Causes of WWII Book Project Project Based Learning Overview: The students will create a children’s book or a comic book / graphic novel over one, many, or all of the causes of WWII. The students will use the internet to look up pictures to include in their book as well as conduct research over the causes of WWII. At the culmination of the project, each student will read his or her book to the class. The last page of the book needs to be 1 page explanation of the student’s opinion of what the main cause of WWII was and why they feel that way. 21 Century outcomes: Core Subject: History Learning and Innovation Skills Think Creatively Use Systems of Thinking Communicate Clearly Information, Media and Technology Skills Access and Evaluate Information Use and Manage Information Apply Technology Effectively Life and Career Skills Manage Goals and Time Work Independently Manage Projects Produce Results Social Studies, FHSD curriculum World History Content SS2. Knowledge of principles and processes of governance systems Content SS3b. Knowledge of continuity and change in the history of the world Causes of WWII Project: Causes of WWII Children’s book / comic book / graphic novel Requirements: 1. Front Cover/Introduction 2. at least 5 pages of content (not including the front / back cover, the timeline, or the 1 page answer) 3. Each page of the story must include words AND pictures 4. Timeline of the most important events leading up to WWII 5. The student’s opinion as to what the main cause of WWII was and why. -
Richard L. Baskerville
Richard L. Baskerville Department of Computer Information Systems Robinson College of Business, Georgia State University PO Box 4015, Atlanta, Georgia 30032-4015, USA Tel +1 404 413 7362 Fax +1 404 413 7394 Internet: [email protected] Degrees Doctor in Natural Sciences (2014) -- honoris causa. Roskilde University Doctor of Philosophy (2014) -- honoris causa. University of Pretoria. Faculty of Engineering, Built Environment, and Information Technology. Doctor of Philosophy (1986) -- Systems Analysis. The London School of Economics and Political Science (University of London), supervised by Frank Land, Department of Information Systems. Master of Science (1980) -- Analysis, Design and Management of Information Systems (Accounting Option). The London School of Economics. Bachelor of Science summa cum laude (1979) -- Business and Management. University of Maryland, European Division, Heidelberg. Primary areas: Personnel Management and Business Law. Academic Appointments 1997 - present time. Georgia State University, J. Mack Robinson College of Business Administration, Department of Computer Information Systems, Regents’ Professor (2016 - present), Board of Advisors Professor of Information Systems (2007 - present), Professor of Information Systems (2001 - 2007), Chair of the Department (1999 - 2006), Associate Professor of Information Systems (1997 - 2001). 2014 - present time. School of Information Systems, Curtin Business School, Curtin University, Perth, Western Australia, Professor (partial appointment). 1988 - 1997. State University of New York at Binghamton, School of Management, Associate Professor of Information Systems with tenure (1994 - 1997, Assistant Professor, 1988-1994). 1984 - 1988. University of Tennessee at Chattanooga, School of Engineering, Associate Professor of Computer Science, (1987-1988), Assistant Professor (1984 to 1987). 1981 - 1984. Francis Marion University (then F. M. College), Department of Business, Assistant Professor of Computer Science. -
Using Uportal
Chapter 2 Using uPortal Introduction to uPortal Publishing New Channels XHTML Design of uPortal The Layout Making a New Skin Cascading Style Sheets uPortal Graphics Layout Fragments Appendix A: The Default uPortal Cascading Style Sheet GUI Format Text Format Note on the images in this document: Usually, the picutres that help someone understand how a program works will match exactly what that person will see on the screen of their computer. As they go from one screen to the next, the pictures in the book will move along with them so that they know that they are in the rigth place. A portal is very customizable in the way it looks and what options are made available for people using it. By this, each school or business can change the look and feel of their portal so that it matches their symbols and colors, as well as deciding to remove certain options and buttons. The pictures that are used in this manual were captured as uPortal was being created. It is almost certain that the look of the portal that you will be using will not match that of the one used during development. It may look different, but it will still work in the way described here. Introduction to uPortal uPortal is a framework for presenting aggregated content that is customizable by both the user and the administrators. It is built using a database to contain the information about each user, with XSL transformations and JAVA to take this abstract data and convert it into the final, structured layout. -
History of Moveable Type
History of Moveable Type Johannes Gutenberg invented Moveable Type and the Printing Press in Germany in 1440. Moveable Type was first made of wood and replaced by metal. Example of moveable type being set. Fonts were Type set on a printing press. organized in wooden “job cases” by Typeface, Caps and Lower Case, and Point Size. Typography Terms Glyphs – letters (A,a,B,b,C,c) Typeface – The aesthetic design of an alphabet. Helvetica, Didot, Times New Roman Type Family – The range of variations and point size available within one Typeface. Font (Font Face) – The traditional term for the complete set of a typeface as it relates to one point size (Font Face: Helvetica, 10 pt). This would include upper and lower case glyphs, small capitals, bold and italic. After the introduction of the computer, the word Font is now used synonymously with the word Typeface, i.e. “What font are you using? Helvetica!” Weight – the weight of a typeface is determined by the thickness of the character outlines relative to their height (Hairline, Thin, Ultra-light, Extra-light, Light, Book, Regular, Roman, Medium, Demi-bold, Semi-bold, Bold, Extra-bold, Heavy, Black, Extra-black, Ultra-black). Point Size – the size of the typeface (12pt, 14pt, 18pt). Points are the standard until of typographic measurement. 12 points = 1 pica, 6 picas = 72 points = 1 inch. (Example right) A general rule is that body copy should never go below 10pt and captions should never be less than 8pt. Leading – or line spacing is the spacing between lines of type. In metal type composition, actual pieces of lead were inserted between lines of type on the printing press to create line spacing. -
HTML1, Week 7 & 8 – CSS Font and Text Properties
HTML1, Week 7 & 8 – CSS Font and Text Properties Last week you learned how to use CSS together with an HTML file. We used a few CSS properties, but the focus was on how to incorporate CSS, not exactly how to use CSS most effectively. This week we begin to investigate some of the intricacies of CSS. In this list, the property is in bold and the values are listed after the word choices. font-family: value choices – list in order of font preference, comma delineated multiple word font names should be in quotes – “Comic Sans MS” spell font names with proper capitalization for best results always end list with a generic family name – sans-serif, serif, monospace, cursive, or fantasy common font families: Arial, Helvetica, sans-serif; Verdana, Geneva, sans-serif; Times, “Times New Roman”, serif; *if the fonts you specify are not installed on the viewer’s computer, a default font is substituted* *sans-serif fonts are easier to read on a computer screen* font-size: value choices – px, %, em, keywords keywords – xx-small, x-small, small, medium, large, x-large, xxlarge rule – use keyword for body, then use em or % for other elements *never use pixels in the body tag for font size* font-weight: value choices – keywords, 100-900 keywords – lighter, normal, bolder, bold rule – use only normal or bold for best results, browsers don’t support the other choices well font-style: value choices – normal, italic, oblique italic and oblique render the same in most browsers, so just pick one font-variant: value choices – normal, small-caps not all fonts have -
Font List Goldedition 2.0
Font List GoldEdition 2.0 Catalog NamePC PS File Name PC TT File Name Mac PS File Name Printer Font Printer Font 1. Aachen by Linotype Medium lt_70005.pfb lt_70005.ttf AacheMedPla 2. Aachen by Linotype Bold lt_70004.pfb lt_70004.ttf AacheBolPla 3. Aachen by Adobe Bold lte50127.pfb lte50127.ttf AacheLTBol 4. Aachen by Adobe Central European Bold accb____.pfb AacheCEBol 5. Abadi® Extra Light abel____.pfb abel____.ttf AbadiMTExtLig 6. Abadi® Extra Light Italic abeli___.pfb abeli___.ttf AbadiMTExtLigIta 7. Abadi® Light abal____.pfb abal____.ttf AbadiMTLig 8. Abadi® Light Italic abali___.pfb abali___.ttf AbadiMTLigIta 9. Abadi® Regular aba_____.pfb aba_____.ttf AbadiMT 10. Abadi® Italic abai____.pfb abai____.ttf AbadiMTIta 11. Abadi® Bold abab____.pfb abab____.ttf AbadiMTBol 12. Abadi® Bold Italic ababi___.pfb ababi___.ttf AbadiMTBolIta 13. Abadi® Extra Bold abeb____.pfb abeb____.ttf AbadiMTExtBol 14. Abadi® Extra Bold Italic abebi___.pfb abebi___.ttf AbadiMTExtBolIta 15. Abadi® Light Condensed abacl___.pfb abacl___.ttf AbadiMTConLig 16. Abadi® Condensed abac____.pfb abac____.ttf AbadiMTCon 17. Abadi® Condensed Bold abacb___.pfb abacb___.ttf AbadiMTConBol 18. Abadi® Condensed Extra Bold abace___.pfb abace___.ttf AbadiMTConExtBol 19. ITC Abaton™ by Linotype Regular LT_70006.pfb LT_70006.ttf ITCAba 20. Abbot Uncial™ Regular ABBOU___.PFB AbbotUnc 21. Linotype Abstract™ Regular LT_14354.pfb LT_14354.ttf AbstrLT 22. Academy™ Engraved Regular 46152___.PFB 46152___.TTF AcadeEngPla 23. Achispado™ Regular lt_57657.pfb LT_57657.ttf AchisLT 24. Acorn Regular ACORN___.PFB Acorn 25. Acorn Bold ACORB___.PFB AcornBol 26. ITC Adderville™ Book AdrvilBk.pfb ADDEIW__.TTF AdderITCBoo 27. ITC Adderville™ Medium AdrvilMd.pfb ADDEITM_.TTF AdderITCMed 28. -
Download WCRP Formatting and Layout Guidelines
World Climate Research Programme Version 1.2 Guidelines on WCRP publication formatting WCRP Communications 20 February 2017 1. Background The format guidelines presented in this document have been developed to provide a common framework for all WCRP publications. It is a best practice guideline to authors and editors, but it is understood that not all publications follow the exact format described here. Please send any feedback to Narelle van der Wel: [email protected] 2. Cover page template The WCRP cover page background image will be provided to you as part of a dotx Word template. The title and other publication information is in white over the background image and includes: − Title – 22 points and can be 1 or 2 lines − Date and location of associated meeting or event, if applicable − Publication month and year − WCRP publication number It is preferred that an image be placed over the circle in the background image. This image should be 15cm in diameter, have between a 150 and 300 dpi resolution and be a .png (to preserve transparency outside the circle). Note that it is best to place the image inside the header and footer on top of the background image. There is also a back cover that does not require any changes. 1. Publication cover without image 2. Publication cover with image added 1 3. Guide to standard report sectioning Most WCRP publications are produced in Microsoft Word, in order to produce a standard product with a template (.dotx) available to all. Sometimes, for aesthetic purposes, we use Adobe InDesign or other typesetting software. -
Design Principles and Context
MODULE CM 2004 / STAGE 2 / SEMESTER 2 / SESSION 06-07 Module title Design Principles and Context Typography Fonts are classified under the following headings. • Old Face fonts make use of contrasting wide and narrow strokes reminiscent of marks made with a pen. Eg Garamond - http://www.myfonts.com/fonts/itc/garamond Palatino - http://www.myfonts.com/search?search%5Btext%5D=palatino • Script fonts are based upon hand drawn calligraphic shapes Eg Palace Script - http://www.myfonts.com/search?search%5Btext%5D=palace+script • Transitional/Neo Grotesque fonts have highly contrasting wide and narrow strokes and an almost vertical axis. Eg Baskerville - http://www.myfonts.com/search?search%5Btext%5D=baskerville Century - http://www.myfonts.com/search?search%5Btext%5D=century • Modern fonts have contrasting thick and thin strokes. They have a vertical feel and thin serifs. Eg Bodoni - http://www.myfonts.com/search?search%5Btext%5D=bodoni • Slab Serif fonts have heavy and even stroke weights Eg Rockwell - http://www.myfonts.com/search?search%5Btext%5D=rockwell • Humanist fonts originated in the 15th Century and have different stroke thicknesses. Eg Verona - http://www.myfonts.com/search?search%5Btext%5D=verona • Sans Serif fonts have fairly even stroke weights and no serifs (the name “Sans” comes from the French word “Sans” meaning “without” Eg Helvetica - http://www.myfonts.com/search?search%5Btext%5D=helvetica Futura - http://www.myfonts.com/search?search%5Btext%5D=futura Sometimes you may find that a font falls under more than one classification. eg Gill Sans is regarded as a Humanist Sans Serif font Gill Sans - http://www.myfonts.com/search?search%5Btext%5D=gill+sans Style Commonly available type style variations – • Roman • Italic • Condensed • Extended • Thin • Light • Bold • Extrabold Size When discussing the size of font we refer to its Point Size. -
The List PC and MAC Equivalent Fonts
The list PC and MAC Equivalent Fonts FONTS ( in 12pt) Arial, Arial, Helvetica, sans-serif Arial Black, Arial Black, Gadget, sans-serif Comic Sans MS, Comic Sans MS5, cursive Courier New, Courier New, Courier6, monospace Georgia1, Georgia, serif Impact, Impact5, Charcoal6, sans-serif Lucida Console, Monaco5, monospace Lucida Sans Unicode, Lucida Grande, sans-serif Palatino Linotype, Book Antiqua3, Palatino6, serif Tahoma, Geneva, sans-serif Times New Roman, Times, serif Trebuchet MS1, Helvetica, sans-serif Verdana, Verdana, Geneva, sans-serif (Symbol2, Symbol2) (Webdings2, Webdings2) (Wingdings2, Zapf Dingbats2) MS Sans Serif4, Geneva, sans-serif MS Serif4, New York6, serif NOTE: SOME EMAIL PROGRAMS ONLY ALLOW ARIAL OR TIMES (TIMES NEW ROMAN). 1 Georgia and Trebuchet MS are bundled with Windows 2000/XP and they are also included in the IE font pack (and bundled with other MS applications), so they are quite common in Windows 98 systems. 2 Symbolic fonts are only displayed in Internet Explorer, in other browsers a font substitute is used instead (although the Symbol font does work in Opera and the Webdings works in Safari). 3 Book Antiqua is almost exactly the same font that Palatino Linotype, Palatino Linotype is included in Windows 2000/XP while Book Antiqua was bundled with Windows 98. 4 These fonts are not TrueType fonts but bitmap fonts, so they won't look well when using some font sizes (they are designed for 8, 10, 12, 14, 18 and 24 point sizes at 96 DPI). 5 These fonts work in Safari but only when using the normal font style, and not with bold or italic styles. -
Mac System Fonts Download
Mac system fonts download click here to download deleted some of my system fonts by accident. is there a place i can download the system fonts? i can't imagaine them not being available as a. Your Mac comes with many built-in fonts, and you can download and install more from Apple and other sources. If you don't want a font to. You can install fonts from a location on your Mac (or a network you're connected to), or download additional system fonts right in the Font Book window. Fonts. Find whatever fonts you like and simply click download. Just pay attention There's a couple of ways to install fonts system-wide on your mac. This list of fonts contains every font shipped with Mac OS X through macOS , .. Print/export. Create a book · Download as PDF · Printable version. Results 1 - 11 of Instant downloads for free Mac fonts. For you professionals, are % free for commercial-use!. Mac OS X recognizes TrueType and OpenType the font files .ttf www.doorway.ru) you have downloaded. Adding fonts to your Mac is as easy as drag and drop, once you Both OS X and macOS can use fonts in various formats, including Type 1. Safely Replace Apps Icons on OS X Yosemite → ← Which Mac Utility Should You Use? How to Restore Default Fonts on Mac. ∞ Oct 24, The Apple Fonts Group is responsible for how their operating systems handle fonts. Their most important work has been the TrueType system, built into the OS . If you have several fonts to install, why install each one manually? You can batch install a bunch of fonts at once. -
The UVU Web Style Guide
UNIVERSITY WEB STYLE GUIDE Web Logo & Graphic Standards web how to use this guide This guide is to be used in conjunction with, and is a expansion of, the If you have questions about branding style guide. Please refer to the branding style guide for basic guidelines. University logo usage that are not answered in this volume, do not hesitate to contact our office. UNIVERSITY MARKETING & COMMUNICATIONS (801) 863-8206 Licensing Manager (801) 863-7628 Art Director (801) 863-6411 To view this style guide online, download applicable marks, and find additional resources, visit uvu.edu/ marketing/style Published by Utah Valley University This guide is specific to web usage. Marketing & Communications For print material, please refer to the branding style guide. use this guide INSTITUTIONAL MARKS logos Minimum Clear space is half of the height of the “U” within the logo represented by “X”. The recommended space is X*2 where possible or when used with other logos. Minimum height for web ussage is listed next to the respective logos. MIN HEIGHT 32PX MIN HEIGHT 32PX MIN HEIGHT 20PX See the university style guide for logo color recommendations. UNIVERSITY STYLE GUIDE 1 UNIVERSITY SEAL seal Minimum Clear space is half of the height of the seal represented by “X”. The recommended space is X*2 where possible or when used with other logos. MIN HEIGHT 114PX See the university style guide for logo color recommendations. 2 UNIVERSITY STYLE GUIDE seal PRIMARY ATHLETICmascot MARK MIN HEIGHT 32PX Minimum Clear space is half of the height of the Primary Athletic Mark represented by “X”.