Human Interface Guidelines for Mac OS 8
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Typographic Specimen Poster
Typographic Specimen Poster Type specimen posters were historically released by foundries and printers as a means of introducing new typefaces to designers. The design aesthetic of the posters was mostly utilitarian (simple and functional) with the goal of displaying a typeface in different sizes for the designer to visualize how the typeface could be used. As technology progressed from the linotype to the digital press, the emphasis on posters as the primary means of showing off a new typeface diminished, however the type specimen poster grew into their own form of expressive design. While modern type specimen posters are not as common, they are often far more expressive than their historical counterparts. Akzidenz Grotesk, design by Gunter Gerhard Lange in 1898 Homework: Put a Typeface to a Name This is a project that focuses on research and utilizing your knowledge of typography and layout skills learned over the past semester. Using InDesign, the objective of your type poster is to highlight the different qualities or characteristics of your chosen typeface, introduce the typographer, as well as generate a design that compliments the aesthetics of the prominent design movement of the time. Part 1) Research and Sketchbook Exercise: Research online and find at least 5 examples of type specimen sheets that inspire you, even if their design is different from the approach you will be taking. From your assigned century, choose a typographer and typeface they designed. Research the prominent design movement associated with your typographerʼs region and time period (Example: Typographer: Eric Gill, Typeface: Gill Sans, Time Period: 1920s England, Prominent Design Movement: Art Deco). -
WWII Book Project Project Based Learning
World History Semester 11 Causes of WWII Book Project Project Based Learning Overview: The students will create a children’s book or a comic book / graphic novel over one, many, or all of the causes of WWII. The students will use the internet to look up pictures to include in their book as well as conduct research over the causes of WWII. At the culmination of the project, each student will read his or her book to the class. The last page of the book needs to be 1 page explanation of the student’s opinion of what the main cause of WWII was and why they feel that way. 21 Century outcomes: Core Subject: History Learning and Innovation Skills Think Creatively Use Systems of Thinking Communicate Clearly Information, Media and Technology Skills Access and Evaluate Information Use and Manage Information Apply Technology Effectively Life and Career Skills Manage Goals and Time Work Independently Manage Projects Produce Results Social Studies, FHSD curriculum World History Content SS2. Knowledge of principles and processes of governance systems Content SS3b. Knowledge of continuity and change in the history of the world Causes of WWII Project: Causes of WWII Children’s book / comic book / graphic novel Requirements: 1. Front Cover/Introduction 2. at least 5 pages of content (not including the front / back cover, the timeline, or the 1 page answer) 3. Each page of the story must include words AND pictures 4. Timeline of the most important events leading up to WWII 5. The student’s opinion as to what the main cause of WWII was and why. -
Richard L. Baskerville
Richard L. Baskerville Department of Computer Information Systems Robinson College of Business, Georgia State University PO Box 4015, Atlanta, Georgia 30032-4015, USA Tel +1 404 413 7362 Fax +1 404 413 7394 Internet: [email protected] Degrees Doctor in Natural Sciences (2014) -- honoris causa. Roskilde University Doctor of Philosophy (2014) -- honoris causa. University of Pretoria. Faculty of Engineering, Built Environment, and Information Technology. Doctor of Philosophy (1986) -- Systems Analysis. The London School of Economics and Political Science (University of London), supervised by Frank Land, Department of Information Systems. Master of Science (1980) -- Analysis, Design and Management of Information Systems (Accounting Option). The London School of Economics. Bachelor of Science summa cum laude (1979) -- Business and Management. University of Maryland, European Division, Heidelberg. Primary areas: Personnel Management and Business Law. Academic Appointments 1997 - present time. Georgia State University, J. Mack Robinson College of Business Administration, Department of Computer Information Systems, Regents’ Professor (2016 - present), Board of Advisors Professor of Information Systems (2007 - present), Professor of Information Systems (2001 - 2007), Chair of the Department (1999 - 2006), Associate Professor of Information Systems (1997 - 2001). 2014 - present time. School of Information Systems, Curtin Business School, Curtin University, Perth, Western Australia, Professor (partial appointment). 1988 - 1997. State University of New York at Binghamton, School of Management, Associate Professor of Information Systems with tenure (1994 - 1997, Assistant Professor, 1988-1994). 1984 - 1988. University of Tennessee at Chattanooga, School of Engineering, Associate Professor of Computer Science, (1987-1988), Assistant Professor (1984 to 1987). 1981 - 1984. Francis Marion University (then F. M. College), Department of Business, Assistant Professor of Computer Science. -
Using Uportal
Chapter 2 Using uPortal Introduction to uPortal Publishing New Channels XHTML Design of uPortal The Layout Making a New Skin Cascading Style Sheets uPortal Graphics Layout Fragments Appendix A: The Default uPortal Cascading Style Sheet GUI Format Text Format Note on the images in this document: Usually, the picutres that help someone understand how a program works will match exactly what that person will see on the screen of their computer. As they go from one screen to the next, the pictures in the book will move along with them so that they know that they are in the rigth place. A portal is very customizable in the way it looks and what options are made available for people using it. By this, each school or business can change the look and feel of their portal so that it matches their symbols and colors, as well as deciding to remove certain options and buttons. The pictures that are used in this manual were captured as uPortal was being created. It is almost certain that the look of the portal that you will be using will not match that of the one used during development. It may look different, but it will still work in the way described here. Introduction to uPortal uPortal is a framework for presenting aggregated content that is customizable by both the user and the administrators. It is built using a database to contain the information about each user, with XSL transformations and JAVA to take this abstract data and convert it into the final, structured layout. -
Adopting the Aqua Interface
INSIDE MAC OS X Adopting the Aqua Interface Updated for Mac OS X Public Beta Release. 9/8/00 © Apple Computer, Inc. 2000 Apple Computer, Inc. Even though Apple has reviewed this © 2000 Apple Computer, Inc. manual, APPLE MAKES NO All rights reserved. WARRANTY OR REPRESENTATION, EITHER EXPRESS OR IMPLIED, WITH No part of this publication may be RESPECT TO THIS MANUAL, ITS reproduced, stored in a retrieval QUALITY, ACCURACY, system, or transmitted, in any form or MERCHANTABILITY, OR FITNESS by any means, mechanical, electronic, FOR A PARTICULAR PURPOSE. AS A photocopying, recording, or RESULT, THIS MANUAL IS SOLD “AS otherwise, without prior written IS,” AND YOU, THE PURCHASER, ARE permission of Apple Computer, Inc., ASSUMING THE ENTIRE RISK AS TO with the following exceptions: Any ITS QUALITY AND ACCURACY. person is hereby authorized to store documentation on a single computer IN NO EVENT WILL APPLE BE LIABLE for personal use only and to print FOR DIRECT, INDIRECT, SPECIAL, copies of documentation for personal INCIDENTAL, OR CONSEQUENTIAL use provided that the documentation DAMAGES RESULTING FROM ANY contains Apple’s copyright notice. DEFECT OR INACCURACY IN THIS The Apple logo is a trademark of MANUAL, even if advised of the Apple Computer, Inc. possibility of such damages. Use of the “keyboard” Apple logo THE WARRANTY AND REMEDIES SET (Option-Shift-K) for commercial FORTH ABOVE ARE EXCLUSIVE AND purposes without the prior written IN LIEU OF ALL OTHERS, ORAL OR consent of Apple may constitute WRITTEN, EXPRESS OR IMPLIED. No trademark infringement and unfair Apple dealer, agent, or employee is competition in violation of federal authorized to make any modification, and state laws. -
SYSTEM SOFTWARE, MEMORY, and RESOURCES Includes Demonstration Program Sysmemres
1 SYSTEM SOFTWARE, MEMORY, AND RESOURCES Includes Demonstration Program SysMemRes Macintosh System Software All Macintosh applications make many calls, for many purposes, to Macintosh system software functions. Such purposes include, for example, the creation of standard user interface elements such as windows and menus, the drawing of text and graphics, and the coordination of the application's actions with other open applications.1 The majority of system software functions are components of either the Macintosh Toolbox or the Macintosh Operating System. In essence: • Toolbox functions have to do with mediating your application with the user. They relate, in general, to the management of elements of the user interface. • Operating System functions have to do with mediating your application with the Macintosh hardware, performing such basic low-level tasks as file input and output, memory management and process and device control. Managers The entire collection of system software functions is further divided into functional groups which are usually known as managers.2 Toolbox The main Toolbox managers are as follows: QUICKDRAW WINDOW MANAGER DIALOG MANAGER CONTROL MANAGER MENU MANAGER TEXTEDIT EVENT MANAGER RESOURCE HELP MANAGER SCRAP MANAGER FINDER INTERFACE LIST MANAGER MANAGER SOUND MANAGER SOUND INPUT STANDARD FILE NAVIGATION APPEARANCE FOLDER MANAGER PACKAGE SERVICES MANAGER MANAGER Introduced with Mac OS 8.0. Note that Navigation Services renders Standard File Package obsolescent 1 The main other open application that an application needs to work with is the Finder, which is responsible for keeping track of files and managing the user’s desktop. The Finder is not really part of the system software, although it is sometimes difficult to tell where the Finder ends and the system software begins. -
Volume 2, Number 9 September 23, 1996 [email protected] Cover
About This Particular Macintosh™ 2.09: About the personal computing experience™ Volume 2, Number 9 September 23, 1996 Send requests for FREE subscriptions to: [email protected] Cover Art “OpenDoc” © 1996 Kevin Work: [email protected] http://www.shsu.edu/~stdklw03/ We need new cover art every month! Write to us! Contributors H.M. Fog Robert Paul Leitao Robert Madill Michael Tsai Macintosh users like you Please write for ATPM! Check out the Guidelines Staff Editor - Michael Tsai Managing Editor - Robert Paul Leitao Opinionated Associate Editor - Mike Shields Cover Story Editor - Vacant Associate Editor For Reviews - Michael Tsai Shareware Reviews Editor - Vacant Subscription Manager - Robert Paul Leitao Human Spell Checker - Belinda Wagner Webzinger - Evan Trent Beta Testers - The Staff In Charge of Design - Michael Tsai Typewriter Style Section Headers - RD Novo Blue Apple Icon Designs - Marc Robinson The Tools BBEdit 4.0.1 ClarisWorks 4.0v4 DOCMaker 4.6.1 Emailer 1.1v2 Illustrator 6 Kai’s PowerTools 3.1 Photoshop 3.0.5 SpellCatcher 1.5.6 The Fonts Cheltenham Cloister Garamond Geneva Gill Sans Helvetica Isla Bella Where to Find ATPM Online and downloadable issues are available at the new ATPM Web Page: http://www.museproductions.com/ATPM America Online : search “atpm” Italica BBS, La Coruna, Spain North Coast BBS NYMUG, New York City SenseNet, New York City Tulsa Info Mall BBS, Oklahoma Raven Net, British Columbia SpiderNet, Holland Speaker's Corner BBS, Jacksonville Info-Mac and all its Mirrors Any others? Let us know! © 1995-96, All Rights Reserved (Exceptions noted below) Reprints Articles and original art cannot be reproduced without the express permission of ATPM, unless otherwise noted. -
History of Moveable Type
History of Moveable Type Johannes Gutenberg invented Moveable Type and the Printing Press in Germany in 1440. Moveable Type was first made of wood and replaced by metal. Example of moveable type being set. Fonts were Type set on a printing press. organized in wooden “job cases” by Typeface, Caps and Lower Case, and Point Size. Typography Terms Glyphs – letters (A,a,B,b,C,c) Typeface – The aesthetic design of an alphabet. Helvetica, Didot, Times New Roman Type Family – The range of variations and point size available within one Typeface. Font (Font Face) – The traditional term for the complete set of a typeface as it relates to one point size (Font Face: Helvetica, 10 pt). This would include upper and lower case glyphs, small capitals, bold and italic. After the introduction of the computer, the word Font is now used synonymously with the word Typeface, i.e. “What font are you using? Helvetica!” Weight – the weight of a typeface is determined by the thickness of the character outlines relative to their height (Hairline, Thin, Ultra-light, Extra-light, Light, Book, Regular, Roman, Medium, Demi-bold, Semi-bold, Bold, Extra-bold, Heavy, Black, Extra-black, Ultra-black). Point Size – the size of the typeface (12pt, 14pt, 18pt). Points are the standard until of typographic measurement. 12 points = 1 pica, 6 picas = 72 points = 1 inch. (Example right) A general rule is that body copy should never go below 10pt and captions should never be less than 8pt. Leading – or line spacing is the spacing between lines of type. In metal type composition, actual pieces of lead were inserted between lines of type on the printing press to create line spacing. -
HTML1, Week 7 & 8 – CSS Font and Text Properties
HTML1, Week 7 & 8 – CSS Font and Text Properties Last week you learned how to use CSS together with an HTML file. We used a few CSS properties, but the focus was on how to incorporate CSS, not exactly how to use CSS most effectively. This week we begin to investigate some of the intricacies of CSS. In this list, the property is in bold and the values are listed after the word choices. font-family: value choices – list in order of font preference, comma delineated multiple word font names should be in quotes – “Comic Sans MS” spell font names with proper capitalization for best results always end list with a generic family name – sans-serif, serif, monospace, cursive, or fantasy common font families: Arial, Helvetica, sans-serif; Verdana, Geneva, sans-serif; Times, “Times New Roman”, serif; *if the fonts you specify are not installed on the viewer’s computer, a default font is substituted* *sans-serif fonts are easier to read on a computer screen* font-size: value choices – px, %, em, keywords keywords – xx-small, x-small, small, medium, large, x-large, xxlarge rule – use keyword for body, then use em or % for other elements *never use pixels in the body tag for font size* font-weight: value choices – keywords, 100-900 keywords – lighter, normal, bolder, bold rule – use only normal or bold for best results, browsers don’t support the other choices well font-style: value choices – normal, italic, oblique italic and oblique render the same in most browsers, so just pick one font-variant: value choices – normal, small-caps not all fonts have -
Old Style Font Examples
Old Style Font Examples Condign Torin malleates some prophecies after blistery Coleman outclasses infra. Tommie remains unfamiliar: she remediate her kaleyards calcimined too irrevocably? Jeffie riping his groundplots categorize second, but grooviest Aylmer never relocate so gutturally. It ships with the Roman alphabet, inspiring, serif. Creating and setting up a business is mention, not every listed above he can spread of richness. And hallmark you look under the Humanist typefaces, publishing, etc. Use in between a mechanical in the numerical weight value goes really well with overwhelming visuals, signs are characterized by their angular serifs. Contantia looks great, printing and publishing. Choose font software microsoft products that will it paid for old style font examples? Big thing to font old. It counts sixteen fonts, Arial, more niche retailer. When people feel. Those fonts examples that style makes it was created new roman, and follow along when your. Take pause in free educational webinars and a from direct industry experts. The host and narrow design of this font will ripple make your designs look one of right kind. Giorgio armani does a font includes an isolated word, charming and examples of old style font examples of the right to your. Burford pro and examples of considerations you look at national gallery it pulls its old style font examples? Every one will be considered the author of various flavors of the two fonts! Calisto MT, Avant Garde and Geneva. The curved or tapered end of a stroke that has no serif. Download this font here. They are interested in the example of the perfect cover letter spacing between the variation in ttf for the wrong. -
Font List Goldedition 2.0
Font List GoldEdition 2.0 Catalog NamePC PS File Name PC TT File Name Mac PS File Name Printer Font Printer Font 1. Aachen by Linotype Medium lt_70005.pfb lt_70005.ttf AacheMedPla 2. Aachen by Linotype Bold lt_70004.pfb lt_70004.ttf AacheBolPla 3. Aachen by Adobe Bold lte50127.pfb lte50127.ttf AacheLTBol 4. Aachen by Adobe Central European Bold accb____.pfb AacheCEBol 5. Abadi® Extra Light abel____.pfb abel____.ttf AbadiMTExtLig 6. Abadi® Extra Light Italic abeli___.pfb abeli___.ttf AbadiMTExtLigIta 7. Abadi® Light abal____.pfb abal____.ttf AbadiMTLig 8. Abadi® Light Italic abali___.pfb abali___.ttf AbadiMTLigIta 9. Abadi® Regular aba_____.pfb aba_____.ttf AbadiMT 10. Abadi® Italic abai____.pfb abai____.ttf AbadiMTIta 11. Abadi® Bold abab____.pfb abab____.ttf AbadiMTBol 12. Abadi® Bold Italic ababi___.pfb ababi___.ttf AbadiMTBolIta 13. Abadi® Extra Bold abeb____.pfb abeb____.ttf AbadiMTExtBol 14. Abadi® Extra Bold Italic abebi___.pfb abebi___.ttf AbadiMTExtBolIta 15. Abadi® Light Condensed abacl___.pfb abacl___.ttf AbadiMTConLig 16. Abadi® Condensed abac____.pfb abac____.ttf AbadiMTCon 17. Abadi® Condensed Bold abacb___.pfb abacb___.ttf AbadiMTConBol 18. Abadi® Condensed Extra Bold abace___.pfb abace___.ttf AbadiMTConExtBol 19. ITC Abaton™ by Linotype Regular LT_70006.pfb LT_70006.ttf ITCAba 20. Abbot Uncial™ Regular ABBOU___.PFB AbbotUnc 21. Linotype Abstract™ Regular LT_14354.pfb LT_14354.ttf AbstrLT 22. Academy™ Engraved Regular 46152___.PFB 46152___.TTF AcadeEngPla 23. Achispado™ Regular lt_57657.pfb LT_57657.ttf AchisLT 24. Acorn Regular ACORN___.PFB Acorn 25. Acorn Bold ACORB___.PFB AcornBol 26. ITC Adderville™ Book AdrvilBk.pfb ADDEIW__.TTF AdderITCBoo 27. ITC Adderville™ Medium AdrvilMd.pfb ADDEITM_.TTF AdderITCMed 28. -
Mac OS 8 Revealed
•••••••••••••••••••••••••••••••••••••••••••• Mac OS 8 Revealed Tony Francis Addison-Wesley Developers Press Reading, Massachusetts • Menlo Park, California • New York Don Mills, Ontario • Harlow, England • Amsterdam Bonn • Sydney • Singapore • Tokyo • Madrid • San Juan Seoul • Milan • Mexico City • Taipei Apple, AppleScript, AppleTalk, Color LaserWriter, ColorSync, FireWire, LocalTalk, Macintosh, Mac, MacTCP, OpenDoc, Performa, PowerBook, PowerTalk, QuickTime, TrueType, and World- Script are trademarks of Apple Computer, Inc., registered in the United States and other countries. Apple Press, the Apple Press Signature, AOCE, Balloon Help, Cyberdog, Finder, Power Mac, and QuickDraw are trademarks of Apple Computer, Inc. Adobe™, Acrobat™, and PostScript™ are trademarks of Adobe Systems Incorporated or its sub- sidiaries and may be registered in certain jurisdictions. AIX® is a registered trademark of IBM Corp. and is being used under license. NuBus™ is a trademark of Texas Instruments. PowerPC™ is a trademark of International Business Machines Corporation, used under license therefrom. SOM, SOMobjects, and System Object Model are licensed trademarks of IBM Corporation. UNIX® is a registered trademark of Novell, Inc. in the United States and other countries, licensed exclusively through X/Open Company, Ltd. Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book, and Addison-Wesley was aware of a trademark claim, the designations have been printed in initial capital letters or all capital letters. The author and publisher have taken care in the preparation of this book, but make no express or implied warranty of any kind and assume no responsibility for errors or omissions. No liability is assumed for incidental or consequential damages in connection with or arising out of the use of the information or programs contained herein.