Wilensky's Ongoing DIY Journey
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An Interview with John Thompson: Community Activist and Community Conversation Participant
An Interview with John Thompson: Community Activist and Community Conversation Participant Interview conducted by Sharon Press1 SHARON: Thanks for letting me interview you. Let’s start with a little bit of background on John Thompson. Tell me about where you grew up. JOHN: I grew up on the south side of Chicago in a predominantly black neighborhood. I at- tended Henry O Tanner Elementary School in Chicago. I know throughout my time in Chicago, I always wanted to be a basketball player, so it went from wanting to be Dr. J to Michael Jordan, from Michael Jordan to Dennis Rodman, and from Dennis Rodman to Charles Barkley. I actu- ally thought that was the path I was gonna go, ‘cause I started getting so tall so fast at a young age. But Chicago was pretty rough and the public-school system in Chicago was pretty rough, so I come here to Minnesota, it’s like a culture shock. Different things, just different, like I don’t think there was one white person in my school in Chicago. SHARON: …and then you moved to Minnesota JOHN: I moved to Duluth Minnesota. I have five other siblings — two sisters, three brothers and I’m the baby of the family. Just recently I took on a program called Safe, and it’s a mentor- ship program for children, and I was asked, “Why would you wanna be a mentor to some of these mentees?” I said, “’Cause I was the little brother all the time.” So when I see some of the youth it was a no brainer, I’d be hypocritical not to help, ‘cause that’s how I was raised… from the butcher on the corner or my next-door neighbor, “You want me to call your mother on you?” If we got out of school early, or we had an early release, my mom would always give us instructions “You go to the neighbor’s house”, which was Miss Hollandsworth, “You go to Miss Hollandsworth’s house, and you better not give her no problems. -
Interview with Anne Cox Chambers
Library of Congress Interview with Anne Cox Chambers The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project Women Ambassadors Series AMBASSADOR ANNE COX CHAMBERS Interviewed by: Ann Miller Morin Initial interview date: October 23, 1985 Copyright Ann Miller Morin (used with permission) Q: Would you tell me a little about your father, Ambassador Chambers? He was the Governor of Ohio, you said. CHAMBERS: Yes, he was Governor of Ohio, three times. Before that he served in Congress, and before our next meeting, I'll bring his autobiography because that has dates. He was born on a farm in Jacksonsburg, Ohio. He was a child of his parents' middle age. He was the youngest of seven and his brothers and sisters were all quite a few years older than he. He really had no formal education at all. He went to the one- room schoolhouse in Jacksonsburg, and his first job, at the age of fourteen, was the janitor of the school. And my aunt, after whom I'm named, Anne Cox Baker, was married to John Baker who owned the newspaper in Middletown, Ohio, which was very near Jacksonsburg, and that is how my father got into the newspaper business. Q: He also ran for president in 1920? CHAMBERS: Yes. Q: With FDR as his vice president? Interview with Anne Cox Chambers http://www.loc.gov/item/mfdipbib000193 Library of Congress CHAMBERS: He ran on President Wilson's hope of the US joining the League of Nations. That was the platform because my father believed that if the US was not a member the League could not survive, which, of course, is what happened. -
Oral History Interview with Bert Dutil December 12Th 2010 Kathleen
Oral History interview with Bert Dutil December 12th 2010 Kathleen Mundell, Cindy Larock, interviewers. Cindy: Do you have any memories of celebrating Christmas in the Franco American Community year and years ago but also other things? You are also one of the movers and shakers with the Franco American Veterans – he’s very active in all sorts of things – and also this Drum and bugle Corps that performed in Quebec. You can talk about what you want whatever you want. Patty is going to do a little balance check to the sound of your voice. Bert: Sure. Kathleen: So can you just introduce yourself for me, please. Bert: My name is Bert Dutil. Cindy: Okay, can you spell your last name? Bert: D-U-T-I-L Cindy: Perfect: Kathleen: You grew up in Lewiston? Bert: Yes I did. K: And how long ago was that? B: 1932. K: And what was Lewiston Like then? B: It was simple; we had nice – and where we lived, of course, there were mostly Franco People. Cindy: Where did you live? B: On the corner of Maple and Lisbon St. and we had that Dumont store , Denette and Gauvreau, and the other one across the street… I’m trying to think of the name, Diette market right across the street . But if you go further up two streets further up Knox street, that’s when you start having the Irish and the English people. We normally did get along very well , you know. We learned English that way because we never spoke English at home when I was born and so on, everything was strictly French. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
The Jazz Rag
THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days. -
Jerry Rawicki Oral History Interview by Carolyn Ellis, July 1, 2009 Jerry Rawicki (Interviewee)
University of South Florida Scholar Commons Digital Collection - Holocaust & Genocide Studies Digital Collection - Holocaust & Genocide Studies Center Oral Histories Center July 2009 Jerry Rawicki oral history interview by Carolyn Ellis, July 1, 2009 Jerry Rawicki (Interviewee) Carolyn Ellis (Interviewer) Follow this and additional works at: http://scholarcommons.usf.edu/hgstud_oh Part of the African Languages and Societies Commons, History Commons, Other Languages, Societies, and Cultures Commons, Race, Ethnicity and post-Colonial Studies Commons, and the Social and Behavioral Sciences Commons Scholar Commons Citation Rawicki, Jerry (Interviewee) and Ellis, Carolyn (Interviewer), "Jerry Rawicki oral history interview by Carolyn Ellis, July 1, 2009" (2009). Digital Collection - Holocaust & Genocide Studies Center Oral Histories. Paper 155. http://scholarcommons.usf.edu/hgstud_oh/155 This Oral History is brought to you for free and open access by the Digital Collection - Holocaust & Genocide Studies Center at Scholar Commons. It has been accepted for inclusion in Digital Collection - Holocaust & Genocide Studies Center Oral Histories by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. COPYRIGHT NOTICE This Oral History is copyrighted by the University of South Florida Libraries Oral History Program on behalf of the Board of Trustees of the University of South Florida. Copyright, 2011, University of South Florida. All rights, reserved. This oral history may be used for research, instruction, and private study under the provisions of the Fair Use. Fair Use is a provision of the United States Copyright Law (United States Code, Title 17, section 107), which allows limited use of copyrighted materials under certain conditions. Fair Use limits the amount of material that may be used. -
Compleat Angler, The
Compleat Angler, The Walton, Izaak Compleat Angler, The Table Of Content About Phoenix−Edition Copyright 1 Compleat Angler, The IZAAK WALTON THE COMPLEAT ANGLER To the Right worshipful John Offley of Madeley Manor, in the County of Stafford Esquire, My most honoured Friend Sir, – I have made so ill use of your former favours, as by them to be encouraged to entreat, that they may be enlarged to the patronage and protection of this Book: and I have put on a modest confidence, that I shall not be denied, because it is a discourse of Fish and Fishing, which you know so well, and both love and practice so much. You are assured, though there be ignorant men of another belief, that Angling is an Art: and you know that Art better than others; and that this is truth is demonstrated by the fruits of that pleasant labour which you enjoy, when you purpose to give rest to your mind, and divest yourself of your more serious business, and, which is often, dedicate a day or two to this recreation. At which time, if common Anglers should attend you, and be eyewitnesses of the success, not of your fortune, but your skill, it would doubtless beget in them an emulation to be like you, and that emulation might beget an industrious diligence to be so; but I know it is not attain bye by common capacities: and there be now many men of great wisdom, learning, and experience, which love and practice this Art, that know I speak the truth. -
Marius Neset
Marius Neset Circle of Chim es ACT 9038-2 German release date: 29.09.2017 The 32-year-old Bergen-born saxophonist-com poser Neset says, “it´s about eight musicians that have an equal role Marius Neset has been at the height of his creative in the music. It was great to work with Lionel. I thought about powers, especially on the evidence of a trio of consecutive his sound and voice when I was composing, how he could add albums released since 2014 on ACT, one of Europe’s leading his very unique and distinctive playing to fit this music. Andreas jazz recording labels. He’s been keeping good company too. Brantelid on cello is a very unique musician too. His way of Aligning with other internationally-renowned, kindred spirits phrasing and shaping the lines I had written for him is so working at the borderline between jazz, improv and classical musical.” music, Neset released Lion in 2014, originally a ‘live’ commission in collaboration with the celebrated young At key m om ents, Circle of Chim es features the ring of Trondheim Jazz Orchestra, and collected a Norwegian tubular bells that’s referred to in the album title, giving the Grammy award (Spellemannprisen). Last year he released recording a haunting almost cinematic Ennio Morricone-like air. Snowmelt, a project with the 19-piece London Sinfonietta, Neset explains its significance. “What became the ‘main idea’ another highly esteemed European orchestra at the cutting- for the whole album, which is clear yet sometimes quite edge of 21st century genre-bending new music. -
Program Januar Til Juni 2016
Jazzselskabet i Aarhus Program januar til juni 2016 Svend Asmussen Tillykke med 100 års fødselsdagen d. 28. februar 2016 Lørdag d. 16. januar kl. 13.02 Gastro & Vino, Klostergade 68, baggården Entré: 290 Nytårskur Jazzselskabet i Århus stiftet den 20. september 1970 Sjællandsgade 130, 1 8000 Århus C Jes Halding (fmd.) tlf.: 31688968 Billetbestilling Herbie Meinke tlf.: 30825626 CVR: 97016 968 Giro: 327-4179 e-mail: [email protected] www.jazzselskabetaarhus.dk Igen i år inviterer jazzselskabet medlemmerne til nytårskur. Der vil i hyggelige og rustikke om- Jazzselskabet opfordrer alle gamle givelser blive serveret eksorbitante og nye medlemmer at meddele delikatesser fra værten Michaels e-mail adressen og/eller mobil hånd, som vil blive fulgt op med tlf. nummeret, fordi vi med tiden en til lejligheden indkald taktfuld gerne vil lægge så mange meddel- trio, nemlig Jens Klüver medbrin- elser som muligt på disse medier. gende sax, vores lokale guitarist Det er desuden meget væsentligt, Uffe Steen samt bassisten Torben at adresseændringer omgående Bjørnskov. Smagfuld jazz passen- oplyses. de til smagfulde godbidder. Jazzselskabet i Århus Tilmelding ved betaling til Danske kasserer Frode Holm Bank reg.: 9570 konto: 3274179 e-mail: jazzselskabet@ gmail.com senest 9. januar Medlemsskab: kr. 180.- /år Forsyn betalingen med dit navn og Studerende: kr. 100.-/år, kan kun nytårskur. Du kan kun deltage, hvis erhverves i døren ved koncert. du er medlem. Du er ikke tilmeldt, Bankkonto: Danske Bank før betalingen er modtaget. reg. 9570 konto 3274179 Der er 40 pladser til denne begi- giro: 327-4179 venhed, så man skal nok ikke tøve Uanset betalingsformen skal du alt for længe. -
16 Athens Technopolis Jazz Festival 25-29 May2016 Technopoliscity Of
16th Athens Technopolis Jazz Festival 25-29 May2016 TechnopolisCity of Athens-Onassis Cultural Center The Technopolis City of Athens and the Onassis Cultural Center rejoin forces, following last year’s successful celebratory edition of the Athens Technopolis Jazz Festival, visited by more than 30,000 people within five days. The two organizations continue their collaboration this year for the 16thAthensTechnopolisJazzFestival, taking place between 25 and 29 of May 2016, with jazz sounds by 18 music groups and ensembles, as well as a full list of parallel events for younger and older audiences. The 16th Athens Technopolis Jazz Festival opens on Wednesday 25 May 2016, with Athens Big Band and Momo Trio, an extraordinary ensemble of exquisite musicians that has been selected to represent Greece this year, followed by the Mário Laginha Trio from Portugal. On Thursday 26 May 2016 the Festival welcomes on stage the Gilad Hekselman Duo from Israel, Veronika Harcsa & Bálint Gyémánt from Hungary, Marius Neset Quartet from Norway and the Kratochvil / Ackerman/ Zangi Jazz Trio from the Czech Republic. On Friday 27 May 2016, Technopolis will be filled with the sounds of the Ineke / Dimitriadis / Stanik / Guilfoyle Group from the Netherlands, Pol Belardi's Force from Luxembourg, the Beat Kaestli & Marc Perrenoud Trio from Switzerland and the Hidden Orchestra, a solo project of multi-instrumentalist / composer and producer Joe Acheson from Brighton (UK). On Saturday 28 May 2016, the audience will have the chance to enjoy a show comprising the Military Big Band of Athens, the Pierre de Surgères Trio from Belgium, Nono García & Pablo Novoa from Spain and the Naoko Sakata Trio from Sweden.