Marius Neset
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Innvilget 25. Oktober 2017
1 FOND FOR UTØVENDE KUNSTNERE Innvilget på styremøtet 25.10.2017 Det ble på styremøtet 25. oktober 2017 innvilget 175 søknader, til sammen kr 4 898 347,- Det ble totalt behandlet 660 søknader. Samlet søknadssum var 32 405 846,- REISE Aarflot, Randi Clausen FREDRIKSTAD 6 000 Bygdnes, Ingvild Holthe OSLO 6 000 Dombeck, Stine OSLO 6 000 Eick, Trude BEKKESTUA 6 000 Foosnæs, Eva Holm TRONDHEIM 6 000 Hagerupsen, Siv Oda VEAR 6 000 Hansen, Marita Helen OSLO 6 000 Henriksen, Håkan TRONDHEIM 6 000 Husebø, Trond - Reise OSLO 6 000 Kipperberg, Gry OSLO 6 000 Konkova, Olga SYLLING 6 000 LILJA LAJLA ÅMOT 9 000 Løvås, Kirsti BORGEN 6 000 Mentzoni, Hilde Follaug LØRENSKOG 6 000 Miss Tati BERGEN 6 000 Oftung, Ingrid OSLO 6 000 Olsson, Laima HUNDVÅG 6 000 Prag, Victor OSLO 5 800 Røsbak, Morten STAVANGER 6 000 Salberg/Fagerstrand OSLO 12 000 Samovarteateret KIRKENES 12 000 Seiersten, Bjørn TRONDHEIM 6 000 Senkpiel, Kira KOLSÅS 6 000 Svela/ Edge/ Sandbakken OSLO 9 000 Thorén, Anders OSLO 6 000 Thorsen, Martin Wright BERGEN 6 000 Tinderholt, Lars DRAMMEN 6 000 Unsgård, Vigdis OSLO 6 000 Valkeapää, Ida Løken TROMSØ 6 000 KURS/SEMINAR Frontlosjefestivalen BERGEN 35 000 LidalNorth International TRONDHEIM 40 000 Stepperiet OSLO 15 000 Teater Joker KOLSÅS 35 000 MUSIKK 1349 OSLO 40 000 Bellman LARVIK 40 000 Bjørgum, Hallvard T. VALLSET 5 000 2 Broen TRONDHEIM 50 000 Bryggerigangen Bluesband OSLO 20 000 Brænne, Bendik OSLO 20 000 Bø jazzklubb BØ 20 000 Cantilena VIGGJA 7 500 Cezinando OSLO 40 000 Corioliskvartetten HAUKELAND 15 000 Cortex SKIEN 25 000 Dagsland, -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
How to Play in a Band with 2 Chordal Instruments
FEBRUARY 2020 VOLUME 87 / NUMBER 2 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Polish Musicians Merge Art, Business the INAUGURAL EDITION of JAZZ FORUM SHOWCASE POWERED by Szczecin Jazz—Which Ran from Oct
DECEMBER 2019 VOLUME 86 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Curriculum Vitae
curriculum vitae Kjetil Traavik Møster musiker Skanselien 15 5031 Bergen mob. (+47) 90525892 e-post: [email protected] web: www.moester.no medlem av Gramart, Norsk Jazzforum f. 17/06/76 Bergen, Norge. UTDANNELSE: 2006-2012: Master i utøving jazz/improvisasjon, Norges Musikkhøgskole 1998-2002: Cand. mag. fra NTNU, Musikkonservatoriet i Trondheim, jazzlinja 3-års utøvende musikerutdanning (fordelt på 4 år) 1-års praktisk-pedagogisk utdanning (fordelt på to år) 1996-1997: Musikk grunnfag med etnomusikologi fordypning, NTNU, Universitetet i Trondheim 1995-1996: Sund Folkehøgskole, jazzlinga Annen utdannelse Examen artium, musikklinja, Langhaugen Skole 1995 ARBEID SOM MUSIKER: Har arbeidet som utøvende musiker siden år 2000, og er involvert i diverse prosjekter, bl.a. følgende: - Møster! (startet sommeren 2010) med Ståle Storløkken – orgel/keyboards, Nikolai Eilertsen – el.bass, Kenneth Kapstad – trommer. CD-utgivelse 2013, 2014, 2015 - Møster/Edwards/Knedal Andersen Friimprovisasjonstrio med John Edwards og Dag Erik Knedal Andersen, jevnlig turnéring fra høsten 2013 - Kjetil Møster med BIT20 Ensemble Skrev og fremførte et 30 minutters stykke for 16 stemmer pluss seg selv som solist for BIT20 Ensemble våren 2013 - Kjetil Møster Solo (Kongsberg Jazzfestival 2005, Soddjazz 2006, konserter i Norge 2004, 2005, 2006, 2010, 2011, Moldejazz 2011, turné i Skandinavia 2011, CD-utgivelse 2011) - The Heat Death Friimprovisasjonstrio med Martin Kuchen, Mats Äleklint, Ola Høyer og Dag Erik Knedal Andersen. Turnéring fra 2012, planlagt CD-utgivelse på portugisiske Clean Feed november 2015. - Kjetil Møster Sextet (startet sommeren 2006 i forbindelse med tildelingen av IJFO Jazz Talent Award. Inkluderer Anders Hana, gitar, Per Zanussi og Ingebrigt Håker Flaten, el. og kontrabass, Kjell Nordeson og Morten J. -
The Jazz Rag
THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days. -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
Press Statement
“To know what you have, and to give all of it up – even if you Throughout, he’s consistently found ways to create new para- know that it’s going to keep haunting you for the rest of your digms largely via a distinct and innovative approach to the me- life. Phantom pain. Diagnosing what is the best of two evils – diums of six strings, pickups, effects and amplification. is what this album is about.” “From when all ends came loose. Pieces, like mounted in my Amputation, the new album by Stian Westerhus, may be musicianship with rusty bolts, continuously oxidizing their centred on dislocation, loss and melancholia, yet from such way through my skin.” turbulent origins a work of life-affirming catharsis has arrived. His first release for House of Mythology – following a plethora Amputation, however marks new frontiers for this always of acclaimed collaborative and solo work – is a triumph of bold and intrepid pathfinder, encompassing a mission in experimentation and abstraction, marrying a fearless innova- which Westerhus’ ever-evolving exploration of his instrument tive drive with stark emotional resonance. Otherworldly and combines with a series of soundworlds that seamlessly veer exhilarating, it’s the sound of a virtuoso musician throwing from tender melody to bracing electronic edifices of sound to away both caution and co-ordinates and taking a dive into the convey a startlingly articulate speech of the heart. Though unknown, with spellbinding results. existing strictly in its own distinct headspace, the emotive cry of “How Long” – burnished by celestial guitar filigree and “It´s music I’ve dropped to the floor repeatedly, maybe even plaintive falsetto harmonies yet with a refrain that snags in on purpose. -
Program Januar Til Juni 2016
Jazzselskabet i Aarhus Program januar til juni 2016 Svend Asmussen Tillykke med 100 års fødselsdagen d. 28. februar 2016 Lørdag d. 16. januar kl. 13.02 Gastro & Vino, Klostergade 68, baggården Entré: 290 Nytårskur Jazzselskabet i Århus stiftet den 20. september 1970 Sjællandsgade 130, 1 8000 Århus C Jes Halding (fmd.) tlf.: 31688968 Billetbestilling Herbie Meinke tlf.: 30825626 CVR: 97016 968 Giro: 327-4179 e-mail: [email protected] www.jazzselskabetaarhus.dk Igen i år inviterer jazzselskabet medlemmerne til nytårskur. Der vil i hyggelige og rustikke om- Jazzselskabet opfordrer alle gamle givelser blive serveret eksorbitante og nye medlemmer at meddele delikatesser fra værten Michaels e-mail adressen og/eller mobil hånd, som vil blive fulgt op med tlf. nummeret, fordi vi med tiden en til lejligheden indkald taktfuld gerne vil lægge så mange meddel- trio, nemlig Jens Klüver medbrin- elser som muligt på disse medier. gende sax, vores lokale guitarist Det er desuden meget væsentligt, Uffe Steen samt bassisten Torben at adresseændringer omgående Bjørnskov. Smagfuld jazz passen- oplyses. de til smagfulde godbidder. Jazzselskabet i Århus Tilmelding ved betaling til Danske kasserer Frode Holm Bank reg.: 9570 konto: 3274179 e-mail: jazzselskabet@ gmail.com senest 9. januar Medlemsskab: kr. 180.- /år Forsyn betalingen med dit navn og Studerende: kr. 100.-/år, kan kun nytårskur. Du kan kun deltage, hvis erhverves i døren ved koncert. du er medlem. Du er ikke tilmeldt, Bankkonto: Danske Bank før betalingen er modtaget. reg. 9570 konto 3274179 Der er 40 pladser til denne begi- giro: 327-4179 venhed, så man skal nok ikke tøve Uanset betalingsformen skal du alt for længe. -
16 Athens Technopolis Jazz Festival 25-29 May2016 Technopoliscity Of
16th Athens Technopolis Jazz Festival 25-29 May2016 TechnopolisCity of Athens-Onassis Cultural Center The Technopolis City of Athens and the Onassis Cultural Center rejoin forces, following last year’s successful celebratory edition of the Athens Technopolis Jazz Festival, visited by more than 30,000 people within five days. The two organizations continue their collaboration this year for the 16thAthensTechnopolisJazzFestival, taking place between 25 and 29 of May 2016, with jazz sounds by 18 music groups and ensembles, as well as a full list of parallel events for younger and older audiences. The 16th Athens Technopolis Jazz Festival opens on Wednesday 25 May 2016, with Athens Big Band and Momo Trio, an extraordinary ensemble of exquisite musicians that has been selected to represent Greece this year, followed by the Mário Laginha Trio from Portugal. On Thursday 26 May 2016 the Festival welcomes on stage the Gilad Hekselman Duo from Israel, Veronika Harcsa & Bálint Gyémánt from Hungary, Marius Neset Quartet from Norway and the Kratochvil / Ackerman/ Zangi Jazz Trio from the Czech Republic. On Friday 27 May 2016, Technopolis will be filled with the sounds of the Ineke / Dimitriadis / Stanik / Guilfoyle Group from the Netherlands, Pol Belardi's Force from Luxembourg, the Beat Kaestli & Marc Perrenoud Trio from Switzerland and the Hidden Orchestra, a solo project of multi-instrumentalist / composer and producer Joe Acheson from Brighton (UK). On Saturday 28 May 2016, the audience will have the chance to enjoy a show comprising the Military Big Band of Athens, the Pierre de Surgères Trio from Belgium, Nono García & Pablo Novoa from Spain and the Naoko Sakata Trio from Sweden. -
Wilensky's Ongoing DIY Journey
INDIE LIFE DAN WILENSKY RUVIM KARAMALAK Dan Wilensky plays tenor and soprano saxophones on his new self-released album, Good Music. Wilensky’s Ongoing DIY Journey o say that Dan Wilensky has had a diverse Rochester, New York, and later playing tenor for ing tours with Joan Baez, David Bowie and Steve Tcareer is an understatement. The multi- “Brother” Jack McDuff. Having left his Berkeley, Winwood, as well as session work for Madonna, instrumentalist has a resume that would California, childhood behind, Wilensky spent Melissa Manchester and Santana. Wilensky has stir up deep feelings of envy within even the most the better part of the next three decades in New contributed to more than 250 recordings and storied player. York City, grabbing whatever work came his way was featured on the PBS children’s TV show In 1979, by the tender age of 18, Wilensky and slowly building his reputation as a versatile Between The Lions. had landed a gig touring as the lead alto saxo- and reliable player. Wilensky also is an author. His sense of phonist in Ray Charles’ big band, before brief- As word spread of his talents, Wilensky humor is reflected in the subtitle of his 2013 ly attending The Eastman School of Music in amassed an impressive array of credits, includ- book Musician!, which is sold on his website and 48 DOWNBEAT SEPTEMBER 2018 is tagged A Practical Guide for Students, Music ing saxophones and flute. His new album is album’s success are realistic. He knows he has Lovers, Amateurs, Professionals, Superstars, titled Good Music, a reference to a famous quote enough fans around the world that he can expect Wannabees and Has-Beens.