Jonathan Fenderson Abbreviated Curriculum Vitae
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African American History Month Resources & Support Guide
African American History Month Resources & Support Guide A Selected List of Resources Library Hours Contact Us Monday—Friday 7:30 am-10:00pm Website http://www.ntc.edu/library Saturday—Sunday 9:00am-3:00pm Email [email protected] Phone 715.803.1115 SUGGESTED TERMS 14th Amendment Black Influence on Pop Culture Shirley Chisholm Abolition/Abolitionists Black Lives Matter Jazz Slavery and Europe Abraham Lincoln Black Panther Party Jim Crow Slavery and United States African American Brown v. Board of Education Loving v. Virginia, 1967 Slaves and War African American migration Civil Rights Movement Malcolm X Suffrage 1940 and 1960 Civil War National Association for the State of Florida v. George Zim- African Americans and sports Advancement of Colored Peo- merman Dr. Martin Luther King Jr. ple (NAACP) African Americans and war Underground Railroad Emancipation Proclamation Nelson Mandela Antebellum Urban housing Equal Protection Clause Poverty Apartheid Vel Phillips (Milwaukee) Frederick Douglass Sedition Barack and Michelle Obama Harlem CURRENT EVENTS As Barack Obama comes to Philadelphia, a look at his legacy Inside the Museum of African American History and Culture July 26, 2016 September 22, 2016 Source: Philadelphia Inquirer Source: Washington Informer Restoring Rights The new movie Loving chronicles the lengthy fight for interracial couples to get married in the U.S. Mildred and Richard Loving October 11, 2016 are the couple behind the landmark Supreme Court case Source: Wausau Daily Herald November 22, 2016 Source: CBS This Morning STREAMING -
Kwame Nkrumah, His Afro-American Network and the Pursuit of an African Personality
Illinois State University ISU ReD: Research and eData Theses and Dissertations 3-22-2019 Kwame Nkrumah, His Afro-American Network and the Pursuit of an African Personality Emmanuella Amoh Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the African American Studies Commons, and the African History Commons Recommended Citation Amoh, Emmanuella, "Kwame Nkrumah, His Afro-American Network and the Pursuit of an African Personality" (2019). Theses and Dissertations. 1067. https://ir.library.illinoisstate.edu/etd/1067 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. KWAME NKRUMAH, HIS AFRO-AMERICAN NETWORK AND THE PURSUIT OF AN AFRICAN PERSONALITY EMMANUELLA AMOH 105 Pages This thesis explores the pursuit of a new African personality in post-colonial Ghana by President Nkrumah and his African American network. I argue that Nkrumah’s engagement with African Americans in the pursuit of an African Personality transformed diaspora relations with Africa. It also seeks to explore Black women in this transnational history. Women are not perceived to be as mobile as men in transnationalism thereby underscoring their inputs in the construction of certain historical events. But through examining the lived experiences of Shirley Graham Du Bois and to an extent Maya Angelou and Pauli Murray in Ghana, the African American woman’s role in the building of Nkrumah’s Ghana will be explored in this thesis. -
The Beautiful Struggle of Black Feminism: Changes in Representations of Black Womanhood Examined Through the Artwork of Elizabet
Wayne State University Wayne State University Theses 1-1-2017 The Beautiful Struggle Of Black Feminism: Changes In Representations Of Black Womanhood Examined Through The Artwork Of Elizabeth Catlett And Mickalene Thomas Juana Williams Wayne State University, Follow this and additional works at: https://digitalcommons.wayne.edu/oa_theses Part of the African American Studies Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Williams, Juana, "The Beautiful Struggle Of Black Feminism: Changes In Representations Of Black Womanhood Examined Through The Artwork Of Elizabeth Catlett And Mickalene Thomas" (2017). Wayne State University Theses. 594. https://digitalcommons.wayne.edu/oa_theses/594 This Open Access Thesis is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Theses by an authorized administrator of DigitalCommons@WayneState. THE BEAUTIFUL STRUGGLE OF BLACK FEMINISM: CHANGES IN REPRESENTATIONS OF BLACK WOMANHOOD EXAMINED THROUGH THE ARTWORK OF ELIZABETH CATLETT AND MICKALENE THOMAS by JUANA WILLIAMS THESIS Submitted to the Graduate School Of Wayne State University, Detroit, Michigan In partial fulfillment of the requirements For the degree of MASTER OF ARTS 2017 MAJOR: ART HISTORY Approved By: __________________________________________ Advisor Date © COPYRIGHT BY JUANA WILLIAMS 2017 All Rights Reserved DEDICATION To Antwuan, Joy, Emee, and Ari. ii ACKNOWLEDGEMENTS I wish to thank my advisor Dr. Dora Apel for her guidance, encouragement, and support throughout my graduate career, especially during the period of writing my thesis. Her support has been invaluable and I am eternally grateful. I also wish to thank my second reader Dr. Samantha Noel for always offering insightful commentary on my writings. -
The Ground of Empowerment
THE GROUND OF EMPOWERMENT W. E. B. Du Bois and the Vision of Africa’s Past by Tracey Lynn Thompson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by Tracey Lynn Thompson 2011 The Ground of Empowerment W. E. B. Du Bois and the Vision of Africa’s Past Tracey Lynn Thompson Doctor of Philosophy Department of History University of Toronto 2011 Abstract Scholars have examined many aspects of W. E. B. Du Bois’s project of empowering oppressed peoples in the United States and around the world. However they have treated in only a fragmentary way one of the principal strategies that he used to counter hegemonic ideologies of African and African American inferiority. That strategy was to turn to the evidence of history. Here I argue that Du Bois, alerted by Franz Boas to Africans’ historical attainments, confronted claims made by European Americans that Africans and a fortiori African Americans lacked any achievement independent of European or other foreign influence. Du Bois linked African Americans to Africa and laid out repeatedly and in detail a narrative of autonomous African historical accomplishment. I demonstrate that his approach to the history of Africa constituted a radical departure from the treatment of Africa presented by scholars located in the mainstream of contemporary anglophone academic thought. I argue that while his vision of Africa’s history did not effect any significant shift in scholarly orthodoxy, it played a crucial role, at a grave juncture in race relations in the United States, in helping to equip young African Americans with the psychological resources necessary to challenge white supremacist systems. -
Malcolm X Bibliography 1985-2011
Malcolm X Bibliography 1985-2011 Editor’s Note ................................................................................................................................... 1 Books .............................................................................................................................................. 3 Books in 17 other languages ......................................................................................................... 13 Theses (BA, Masters, PhD) .......................................................................................................... 18 Journal articles .............................................................................................................................. 24 Newspaper articles ........................................................................................................................ 32 Editor’s Note The progress of scholarship is based on the inter-textuality of the research literature. This is about how people connect their work with the work that precedes them. The value of a work is how it interacts with the existing scholarship, including the need to affirm and negate, as well as to fill in where the existing literature is silent. This is the importance of bibliography, a research guide to the existing literature. A scholar is known by their mastery of the bibliography of their field of study. This is why in every PhD dissertation there is always a chapter for the "review of the literature." One of the dangers in Black Studies is that -
Fenderson Brief CV
Jonathan Fenderson Brief Curriculum Vitae Washington University in St. Louis Campus Box 1109 One Brookings Drive St. Louis, MO 63130-4899 Email: [email protected] ACADEMIC APPOINTMENTS Assistant Professor, Program in African and African-American Studies, Washington University in St. Louis, 2013-present EDUCATION Ph.D., Afro American Studies, University of Massachusetts, May 2011 Dissertation Title: “Journey Toward A Black Aesthetic’: Hoyt Fuller, the Black Arts Movement and the Black Intellectual Community” Dissertation Committee: James Smethurst (Chair), John Bracey, William Strickland and Dayo Gore M.A., Africana Studies & Research, Cornell University, May 2005 B.A., Africana Studies, California State University, Dominguez Hills, May 2003 RESEARCH INTERESTS Africana Studies (African/African American/African Diaspora Studies); Twentieth Century African American History; Black Intellectual History and Black Radical Traditions; African American Social Movements; Theories, Approaches & Methodologies in Africana Studies; Hip-Hop Studies. ________________________________________________________________________ PUBLICATIONS Book Manuscripts: The Passionate Advocate: Hoyt Fuller & the Black Arts Movement [in progress] The Revolution in Print: Black Print Culture in the Era of Black Power [a co-edited volume in progress] Jonathan Fenderson 2 [email protected] Journal Articles, Book Chapters & Review Essays: “Toward the Gentrification of Black Power (?)” Race & Class 55:1 (2013): 1-22. “When the Revolution Comes: New Scholarship on Black Student Activism & the Black Studies Movement, A Review Essay” Journal of African American History (accepted for publication) “Expanding the History of the Black Studies Movement: Some Prefatory Notes” (Co- authored with James B. Stewart and Kabria Baumgartner), Journal of African American Studies 16:1 (2012): 1-20. “Committed to Institution Building’: James Turner and the History of Africana Studies at Cornell, An Interview” (Co-authored with Candace Katungi) Journal of African American Studies 16:1 (2012): 121-167. -
The Complex Relationship Between Jews and African Americans in the Context of the Civil Rights Movement
The Gettysburg Historical Journal Volume 20 Article 8 May 2021 The Complex Relationship between Jews and African Americans in the Context of the Civil Rights Movement Hannah Labovitz Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/ghj Part of the History Commons Share feedback about the accessibility of this item. Recommended Citation Labovitz, Hannah (2021) "The Complex Relationship between Jews and African Americans in the Context of the Civil Rights Movement," The Gettysburg Historical Journal: Vol. 20 , Article 8. Available at: https://cupola.gettysburg.edu/ghj/vol20/iss1/8 This open access article is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. The Complex Relationship between Jews and African Americans in the Context of the Civil Rights Movement Abstract The Civil Rights Movement occurred throughout a substantial portion of the twentieth century, dedicated to fighting for equal rights for African Americans through various forms of activism. The movement had a profound impact on a number of different communities in the United States and around the world as demonstrated by the continued international attention marked by recent iterations of the Black Lives Matter and ‘Never Again’ movements. One community that had a complex reaction to the movement, played a major role within it, and was impacted by it was the American Jewish community. The African American community and the Jewish community were bonded by a similar exclusion from mainstream American society and a historic empathetic connection that would carry on into the mid-20th century; however, beginning in the late 1960s, the partnership between the groups eventually faced challenges and began to dissolve, only to resurface again in the twenty-first century. -
Professor Strickland's Du Bois Statement
1 W.E.B. DU BOIS EDUCATING STILL “As the decades pass, the appreciation of Du Bois will grow.” Herbert Aptheker, 1989 How does one relate to a legend? Because Du Bois’s accomplishments, and his life‐long commitment to racial, social, and human progress are legendary, i.e., journalist and editor; educator and researcher; historian and sociologist; lecturer and dramatist; political and social activist and, above all, writer (of singular grade and depth; writer of precision and prophecy in that his famous declaration, “the problem of the twentieth century is the color line,” accurately foretold the racial essence of the era that was only then unfolding. (Many people associate that analysis with DuBois’s 1903 classic, The Souls of Black Folk. But, in reality, the prediction came even earlier: at the Pan African Conference in London in 1900 when Du Bois authored the conference’s appeal “To the Nations of the World.”) But it was not only Du Bois’s prediction that came true, Aptheker’s did as well. In the twilight of his life, Du Bois was invited to Ghana by Kwame Nkrumah to continue working on the Encyclopedia Africana project that he had originally embarked upon a half‐century before. And after his death, in the late Sixties and early Seventies, recognition came in the form of youthful leftist groups who called themselves the Du Bois clubs. Meanwhile, outside the city of Berlin, commemorating its 600 year anniversary in 1989 by publishing a monograph entitled, Welcome to Berline: Das Image Berlins in der englischsprachigen Welt von 1700 bis Heute. -
Art for Whose Sake?: Defining African American Literature
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies Summer 7-17-2012 Art for whose Sake?: Defining African American Literature Ebony Z. Gibson Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Gibson, Ebony Z., "Art for whose Sake?: Defining African American Literature." Thesis, Georgia State University, 2012. https://scholarworks.gsu.edu/aas_theses/17 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ART FOR WHOSE SAKE?: DEFINING AFRICAN AMERICAN LITERATURE by EBONY Z. GIBSON Under the Direction of Jonathan Gayles ABSTRACT This exploratory qualitative study describes the criteria that African American Literature professors use in defining what is African American Literature. Maulana Karenga’s black arts framework shaped the debates in the literature review and the interview protocol; furthermore, the presence or absence of the framework’s characteristics were discussed in the data analysis. The population sampled was African American Literature professors in the United States who have no less than five years experience. The primary source of data collection was in-depth interviewing. Data analysis involved open coding and axial coding. General conclusions include: (1) The core of the African American Literature definition is the black writer representing the black experience but the canon is expanding and becoming more inclusive. (2) While African American Literature is often a tool for empowerment, a wide scope is used in defining methods of empowerment. -
African-Americans and Cuba in the Time(S) of Race Lisa Brock Art Institute of Chicago
Contributions in Black Studies A Journal of African and Afro-American Studies Volume 12 Ethnicity, Gender, Culture, & Cuba Article 3 (Special Section) 1994 Back to the Future: African-Americans and Cuba in the Time(s) of Race Lisa Brock Art Institute of Chicago Follow this and additional works at: https://scholarworks.umass.edu/cibs Recommended Citation Brock, Lisa (1994) "Back to the Future: African-Americans and Cuba in the Time(s) of Race," Contributions in Black Studies: Vol. 12 , Article 3. Available at: https://scholarworks.umass.edu/cibs/vol12/iss1/3 This Article is brought to you for free and open access by the Afro-American Studies at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Contributions in Black Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Brock: Back to the Future Lisa Brock BACK TO THE FUTURE: AFRICAN AMERICANS AND CUBA IN THE TIME(S) OF RACE* UBA HAS, AT LEAST SINCE the American revolution, occupied the imagination of North Americans. For nineteenth-century capital, Cuba's close proximity, its C Black slaves, and its warm but diverse climate invited economic penetration. By 1900, capital desired in Cuba "a docile working class, a passive peasantry, a compliant bourgeoisie, and a subservient political elite.'" Not surprisingly, Cuba's African heritage stirred an opposite imagination amongBlacksto the North. The island's rebellious captives, its anti-colonial struggle, and its resistance to U.S. hegemony beckoned solidarity. Like Haiti, Ethiopia, and South Africa, Cuba occupied a special place in the hearts and minds of African-Americans. -
Pdf (Last Accessed February 13, 2015)
Notes Introduction 1. Perry A. Hall, In the Vineyard: Working in African American Studies (Knoxville: University of Tennessee Press, 1999), 17. 2. Naomi Schaefer Riley, “The Most Persuasive Case for Eliminating Black Studies? Just Read the Dissertations,” The Chronicle of Higher Education (April 30, 2012). http://chronicle.com/blogs/brainstorm/the-most-persuasive-case -for-eliminating-black-studies-just-read-the-dissertations/46346 (last accessed December 7, 2014). 3. William R. Jones, “The Legitimacy and Necessity of Black Philosophy: Some Preliminary Considerations,” The Philosophical Forum 9(2–3) (Winter–Spring 1977–1978), 149. 4. Ibid., 149. 5. Joseph Neff and Dan Kane, “UNC Scandal Ranks Among the Worst, Experts Say,” Raleigh News and Observer (Raleigh, NC) (October 25, 2014). http:// www.newsobserver.com/2014/10/25/4263755/unc-scandal-ranks-among -the-worst.html?sp=/99/102/110/112/973/. This is just one of many recent instances of “academic fraud” and sports that include Florida State University, University of Minnesota, University of Georgia and Purdue University. 6. Robert L. Allen, “Politics of the Attack on Black Studies,” in African American Studies Reader, ed. Nathaniel Norment (Durham, NC: Carolina Academic Press, 2007), 594. 7. See Shawn Carrie, Isabelle Nastasia and StudentNation, “CUNY Dismantles Community Center, Students Fight Back,” The Nation (October 25, 2013). http://www.thenation.com/blog/176832/cuny-dismantles-community - center-students-fight-back# (last accessed February 17, 2014). Both Morales and Shakur were former CCNY students who became political exiles. Morales was involved with the Puerto Rican independence movement. He was one of the many students who organized the historic 1969 strike by 250 Black and Puerto Rican students at CCNY that forced CUNY to implement Open Admissions and establish Ethnic Studies departments and programs in all CUNY colleges. -
Robert Allen: from Segregated Atlanta to UC Berkeley, a Life of Activism and African American Scholarship
Oral History Center University of California The Bancroft Library Berkeley, California Robert L. Allen Robert Allen: From Segregated Atlanta to UC Berkeley, A Life of Activism and African American Scholarship Interviews conducted by Todd Holmes in 2019 Special acknowledgment to the National Park Service for funding for this oral history, as well as preservation and digitization of Dr. Allen's Port Chicago oral history interviews, and Allen's Port Chicago and Civil Rights collections in partnership with The Bancroft Library. Copyright © 2020 by The Regents of the University of California Oral History Center, The Bancroft Library, University of California, Berkeley ii Since 1954 the Oral History Center of The Bancroft Library, formerly the Regional Oral History Office, has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the nation. Oral History is a method of collecting historical information through recorded interviews between a narrator with firsthand knowledge of historically significant events and a well-informed interviewer, with the goal of preserving substantive additions to the historical record. The recording is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The corrected manuscript is bound with photographs and illustrative materials and placed in The Bancroft Library at the University of California, Berkeley, and in other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable.