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African American History Month Resources & Support Guide
African American History Month Resources & Support Guide A Selected List of Resources Library Hours Contact Us Monday—Friday 7:30 am-10:00pm Website http://www.ntc.edu/library Saturday—Sunday 9:00am-3:00pm Email [email protected] Phone 715.803.1115 SUGGESTED TERMS 14th Amendment Black Influence on Pop Culture Shirley Chisholm Abolition/Abolitionists Black Lives Matter Jazz Slavery and Europe Abraham Lincoln Black Panther Party Jim Crow Slavery and United States African American Brown v. Board of Education Loving v. Virginia, 1967 Slaves and War African American migration Civil Rights Movement Malcolm X Suffrage 1940 and 1960 Civil War National Association for the State of Florida v. George Zim- African Americans and sports Advancement of Colored Peo- merman Dr. Martin Luther King Jr. ple (NAACP) African Americans and war Underground Railroad Emancipation Proclamation Nelson Mandela Antebellum Urban housing Equal Protection Clause Poverty Apartheid Vel Phillips (Milwaukee) Frederick Douglass Sedition Barack and Michelle Obama Harlem CURRENT EVENTS As Barack Obama comes to Philadelphia, a look at his legacy Inside the Museum of African American History and Culture July 26, 2016 September 22, 2016 Source: Philadelphia Inquirer Source: Washington Informer Restoring Rights The new movie Loving chronicles the lengthy fight for interracial couples to get married in the U.S. Mildred and Richard Loving October 11, 2016 are the couple behind the landmark Supreme Court case Source: Wausau Daily Herald November 22, 2016 Source: CBS This Morning STREAMING -
In the Fall of 1969, Zoilo Torres and Paulette Samuels, Two Sophomore
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Black, White and Green: High School Student Civil Rights and Environmental Activism in New York City and on Long Island, 1968-1975 A Dissertation Presented by Neil Philip Buffett to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in History Stony Brook University December 2011 Stony Brook University The Graduate School Neil Philip Buffett We, the dissertation committee for the above candidate for the Doctor of Philosophy Degree, hereby recommend acceptance of this dissertation. Dr. Christopher Sellers – Dissertation Advisor Associate Professor, Department of History Dr. Wilbur Miller – Chairperson of Defense Professor, Department of History Dr. Themis Chronopoulos Assistant Professor, Department of History Dr. Andrew Hurley Professor, Department of History, University of Missouri at Saint Louis This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Black, White and Green: High School Student Civil Rights and Environmental Activism in New York City and on Long Island, 1968-1975 by Neil Philip Buffett Doctor of Philosophy in History Stony Brook University 2011 This dissertation highlights the contributions of high school student activists in both the Civil Rights and Environmental Movements of the late 1960s and early 1970s. Through an in-depth analysis of various New York City and Long Island community case studies, the project sheds light on the importance of place as a theoretical concept in the evolution of student-led social and political activism. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
The Black Arts Enterprise and the Production of African American Poetry
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett. -
Where to Find HEOP
Courtesy of the New York State Senate Minority Conference Eric Adams Suzi Oppenheimer Neil D. Breslin George Onorato Martin Connor Kevin S. Parker Ruben Diaz, Sr. Bill Perkins Martin Malavé Dilan John D. Sabini Thomas K. Duane John L. Sampson Efrain González, Jr. Diane J. Savino Ruth Hassell‐Thompson Eric T. Schneiderman Shirley L. Huntley José M. Serrano Jeffrey D. Klein Malcolm A. Smith Craig M. Johnson William T. Stachowski Liz Krueger Toby Ann Stavisky Carl Kruger Andrea Stewart‐Cousins Velmanette Montgomery Antoine M. Thompson David J. Valesky Special Thanks Chloe Mauro Travis Proulx Robert James Bill Short David Bowers Carol Ann Kissam Cheryl N. Williams Carlos Garcia Sylvia R. Carey Sara Morrison Sahiry Rodriguez 2 TABLE OF CONTENTS Page Introductory Letter 4 Higher Education Opportunity Program • Program Overview 5 • Funding 7 • Applying to HEOP 7 • Requirements 8 Education Opportunity Program • Program Overview 9 • Funding 10 • Applying to EOP 11 • Requirements 11 SEEK & College Discovery • Program Overview 13 • Funding 13 • Applying to SEEK & College Discovery 14 • Requirements 16 Collegiate Science & Technology Education Program • Program Overview 17 • Funding 17 • Applying to C‐STEP 18 • Requirements 19 General Income Guidelines for All Programs 20 Talk with your Guidance Counselor/Other Resources 21 Contact Information for Universities with Programs 22 3 NEW YORK STATE SENATE MINORITY CONFERENCE Fall 2007 Dear Friend, In todayʹs economy, higher education and life‐long learning have become essential for success. However, the costs of higher education have become unbearable for some, and burdensome for all. According to a recently released study by the U.S. Department of Education, paying for college is a greater burden for New Yorkers than residents of any other state. -
The Beautiful Struggle of Black Feminism: Changes in Representations of Black Womanhood Examined Through the Artwork of Elizabet
Wayne State University Wayne State University Theses 1-1-2017 The Beautiful Struggle Of Black Feminism: Changes In Representations Of Black Womanhood Examined Through The Artwork Of Elizabeth Catlett And Mickalene Thomas Juana Williams Wayne State University, Follow this and additional works at: https://digitalcommons.wayne.edu/oa_theses Part of the African American Studies Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Williams, Juana, "The Beautiful Struggle Of Black Feminism: Changes In Representations Of Black Womanhood Examined Through The Artwork Of Elizabeth Catlett And Mickalene Thomas" (2017). Wayne State University Theses. 594. https://digitalcommons.wayne.edu/oa_theses/594 This Open Access Thesis is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Theses by an authorized administrator of DigitalCommons@WayneState. THE BEAUTIFUL STRUGGLE OF BLACK FEMINISM: CHANGES IN REPRESENTATIONS OF BLACK WOMANHOOD EXAMINED THROUGH THE ARTWORK OF ELIZABETH CATLETT AND MICKALENE THOMAS by JUANA WILLIAMS THESIS Submitted to the Graduate School Of Wayne State University, Detroit, Michigan In partial fulfillment of the requirements For the degree of MASTER OF ARTS 2017 MAJOR: ART HISTORY Approved By: __________________________________________ Advisor Date © COPYRIGHT BY JUANA WILLIAMS 2017 All Rights Reserved DEDICATION To Antwuan, Joy, Emee, and Ari. ii ACKNOWLEDGEMENTS I wish to thank my advisor Dr. Dora Apel for her guidance, encouragement, and support throughout my graduate career, especially during the period of writing my thesis. Her support has been invaluable and I am eternally grateful. I also wish to thank my second reader Dr. Samantha Noel for always offering insightful commentary on my writings. -
A TIMELINE of AFRICAN AMERICAN HISTORY in BUFFALO, NY 1790-PRESENT Ince Our Inception, Buffalo Bike Tours Has Sought to Amplify Buffalo’S Lesser Known Histories
CELEBRATE BUFFALO BLACK HISTORY A TIMELINE OF AFRICAN AMERICAN HISTORY IN BUFFALO, NY 1790-PRESENT ince our inception, Buffalo Bike Tours has sought to amplify Buffalo’s lesser known histories. This February (2021), in light Sof Black History Month and our commitment to the Black Lives Matter movement, we present a series of 4 articles on our city’s black history of resistance and resilience. Want to learn more? Buffalo Bike Tours can provide private tours themed around black history. We are also developing tours for younger audiences. For school field trips on Buffalo black history by bike, bus, or foot, see our website or contact us for more information on hosting your class. BUFFALO BIKE TOURS BUFFALOBIKETOURS.COM [email protected] (716) 328-8432 2 1790-1900 EARLY HISTORY OF BUFFALO’S BLACK COMMUNITY rior to the war of 1812, Buffalo was a pioneer town with a population of just under 1,500. PBuffalo’s first black citizens lived alongside early settlers and largely resided in the Fourth Ward. Buffalo’s black population faced many adversities but experienced more freedom than many other parts of the country. New York State was one of the more liberal states and enacted policies, such as abolishing slavery in 1827. Still, life in Buffalo was far from perfect for black families in the 1800s. Due to its proximity to the Canadian border, Professor Wilbur H. Siebert’s underground railroad of WNY map Buffalo soon became a key part of the underground railroad: it was the last stop before reaching freedom. The city became known to conductors around the country as a network of “stations” were established. -
Farmer Department of History and African American Studies Boston University 226 Bay State Road #210 Boston, Massachusetts 02215 404-668-9138
Ashley D. Farmer Department of History and African American Studies Boston University 226 Bay State Road #210 Boston, Massachusetts 02215 404-668-9138 www.ashleydfarmer.com EDUCATION PhD Harvard University, African American Studies 2013 MA Harvard University, History 2008 BA Spelman College, French, summa cum laude 2006 ACADEMIC APPOINTMENTS Assistant Professor, History and African American Studies Program, Boston University 2016–present Provost Postdoctoral Fellow, History Department, Duke University 2014-2016 Postdoctoral Fellow, Clayman Institute for Gender Research, Stanford University 2013-2014 PUBLICATIONS Books What You’ve Got is a Revolution: Black Women’s Movements for Black Power (under contract, University of North Carolina Press) Edited Anthologies New Perspectives on the Black Intellectual Tradition, co-edited with Keisha Blain and Christopher Cameron (under contract, Northwestern University Press) Peer Reviewed Journal Articles “Mothers of the Movement: Audley Moore and Dara Abubakari,” Special Issue: Women, Gender, and Pan Africanism, Women, Gender, and Families of Color 4: 2 (Fall 2016): 274–295. “Reframing African American Women’s Grassroots Organizing: Audley Moore and the Universal Association of Ethiopian Women, 1957-1963,” Journal of African American History 101:1/2 (Winter/Spring 2016): 69-96. “Renegotiating the ‘African Woman’: Women’s Cultural Nationalist Theorizing in the Us Organization and the Congress of African People, 1965-1975,” Black Diaspora Review 4:1 (Winter 2014): 76-112. FARMER 2 “‘Working Toward Community is Our Full-Time Focus’: Muriel Snowden, Black Power, and the Freedom House, Roxbury, MA,” Black Scholar 41: 3 (Winter 2011): 17-25. Special Journal Issues Guest Editor with Erik McDuffie, Queen Mother Moore: Pan-African Activist, Palimpsest: A Journal on Women, Gender, and the Black International (forthcoming, Spring/Summer 2017). -
Journal of Eastern African Studies Rethinking the State in Idi Amin's Uganda: the Politics of Exhortation
This article was downloaded by: [Cambridge University Library] On: 20 July 2015, At: 20:55 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London, SW1P 1WG Journal of Eastern African Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rjea20 Rethinking the state in Idi Amin's Uganda: the politics of exhortation Derek R. Peterson a & Edgar C. Taylor a a Department of History , University of Michigan , Ann Arbor , MI , 48109 , USA Published online: 26 Feb 2013. To cite this article: Derek R. Peterson & Edgar C. Taylor (2013) Rethinking the state in Idi Amin's Uganda: the politics of exhortation, Journal of Eastern African Studies, 7:1, 58-82, DOI: 10.1080/17531055.2012.755314 To link to this article: http://dx.doi.org/10.1080/17531055.2012.755314 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
Report from Edinbur H • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview
Report From Edinbur h • Soul Man Review • Robert Hooks Three Critics Look at She's Gotta Have It • Peter Wang Interview World of Black Film Collectors Remembering Lorenzo Tucker- The Black. Gil Noble Plans Valentino Like It Is Archive Film Clips and News Early Black Independents Co-produced with the Black Film Institute of the University of the District of Columbia ••••••••••••••••••••••••••••••• Vol. 2, No. 4/Fa111986 'Peter Wang Breaks Cultural Barriers Black Film Review by Pat Aufderheide 10 SSt., NW An Interview with the director of A Great Wall p. 6 Washington, DC 20001 (202) 745-0455 Remembering lorenzo Tucker Editor and Publisher by Roy Campanella, II David Nicholson A personal reminiscence of one of the earliest stars of black film. ... p. 9 Consulting Editor Quick Takes From Edinburgh Tony Gittens by Clyde Taylor (Black Film Institute) Filmmakers debated an and aesthetics at the Edinburgh Festival p. 10 Associate EditorI Film Critic Anhur Johnson Film as a Force for Social Change Associate Editors by Charles Burnett Pat Aufderheide; Keith Boseman; Excerpts from a paper delivered at Edinburgh p. 12 Mark A. Reid; Saundra Sharp; A. Jacquie Taliaferro; Clyde Taylor Culture of Resistance Contributing Editors Excerpts from a paper p. 14 Bill Alexander; Carroll Parrott Special Section: Black Film History Blue; Roy Campanella, II; Darcy Collector's Dreams Demarco; Theresa furd; Karen by Saundra Sharp Jaehne; Phyllis Klotman; Paula Black film collectors seek to reclaim pieces of lost heritage p. 16 Matabane; Spencer Moon; An drew Szanton; Stan West. With a repon on effons to establish the Like It Is archive p. -
Lessons from New York's Recent Experience with Capital Punishment
BE CAREFUL WHAT YOU ASK FOR: LESSONS FROM NEW YORK’S RECENT EXPERIENCE WITH CAPITAL PUNISHMENT James R. Acker* INTRODUCTION On March 7, 1995, Governor George Pataki signed legislation authorizing the death penalty in New York for first-degree murder,1 representing the State’s first capital punishment law enacted in the post- Furman era.2 By taking this action the governor made good on a pledge that was central to his campaign to unseat Mario Cuomo, a three-term incumbent who, like his predecessor, Hugh Carey, had repeatedly vetoed legislative efforts to resuscitate New York’s death penalty after it had been declared unconstitutional.3 The promised law was greeted with enthusiasm. The audience at the new governor’s inauguration reserved its most spirited 4 ovation for Pataki’s reaffirmation of his support for capital punishment. * Distinguished Teaching Professor, School of Criminal Justice, University at Albany; Ph.D. 1987, University at Albany; J.D. 1976, Duke Law School; B.A. 1972, Indiana University. In the spirit of full disclosure, the author appeared as a witness at one of the public hearings (Jan. 25, 2005) sponsored by the Assembly Committees discussed in this Article. 1. Twelve categories of first-degree murder were made punishable by death under the 1995 legislation, and a thirteenth type (killing in furtherance of an act of terrorism) was added following the September 11, 2001 terrorist attacks. N.Y. PENAL LAW § 125.27 (McKinney 2003). Also detailed were the procedures governing the prosecution’s filing of a notice of intent to seek the death penalty, N.Y. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne