DOCSLIB.ORG

YEAR ENDING DECEMBER 2018 Photo by Taylor Van Horne 2016 Van Taylor by Photo 18Th Century Portuguese Tiles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
YEAR ENDING DECEMBER 2018 Photo by Taylor Van Horne 2016 Van Taylor by Photo 18Th Century Portuguese Tiles YEAR ENDING DECEMBER 2018 Photo by Taylor Van Horne 2016 Van Taylor by Photo 18th century Portuguese tiles. Photo by Taylor Van Horne 2017 Van Taylor by Photo tiles. Portuguese 18th century KEEP THE JUJU GOING FOR YOURSELF AND OTHERS! 2 SACATAR 2017 Tis a place like none other, Sacatar provides an exultation of senses and sensibilities that can lead you happily astray. where you can fly from your muddle to land in the middle of influence protean It is a place of wander, an I’ll of Possibilities and profound. constructed for artists far from home. There lies an other worldly culture, Nonetheless it is a vision precarious to compelling, flamboyant and hidden maintain so far out to see. on that I-land of curious breezes, For those of us who know its astounding beckoning waters, magic firsthand, we can actively participate in its future. and the wile’d lives of flora and fauna at your deck and crawl. Keep the juju going, for yourself, Horses stroll in the surf and for others. amidst the heartbeat of drums and the sun beams at your progress. PAT OLESZKO, New York performance artist extraordinaire Work wasn’t always easy (Sacatar Fellow, 2008 & 2016) but it was never hard with inadvertent inspiration from the fecund surrounds, a casual conversation https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=R6GS6XPSZFCTC or an unexpected collaboration. SACATAR 2018 3 Drone image by DT Soluções 2017 Soluções DT image by Drone “Rua da Alegria 10” Photo by Taylor Van Horne 2018 Van Taylor by “Rua da Alegria 10” Photo CONTENTS Sacatar is a portal. Keep the Juju Going 2 Isa Trigo Mission 5 Salvador, Bahia, Brazil -- 2018 Artists From Around the World 6 Statements from the Founders 7 Program Highlights 10 Artists in Residence 12 Community Partnerships Of the 45 countries I’ve traveled to, this may be the best door I’ve had the privilege to walk through as an artist! & Engagement 29 Precious Lovell Sacatar Solo 30 Raleigh, North Carolina, USA -- 2017 Financials and Partners 31 Board of Directors 32 4 SACATAR 2018 Photo by Marcelo Thomaz 2018 Thomaz Marcelo by Photo Photo by Taylor Van Horne Van Taylor by Photo OUR MISSION IS... • To provide residencies for seasoned and emerging artists to create new work; • To promote cross-cultural interaction and collaboration among the participating artists and the local communities; • To support artists in the creation of work that inspires across class and national boundaries; • To encourage art that returns us to where art began – to a wordless silence and a sense of wonder before all creation. SACATAR 2018 5 ARTISTS FROM AROUND THE WORLD The Sacatar Foundation, created in the year We have hosted artists as young as 21 and We also seek to have a rich cross-section of 2000, supports and promotes the interna- as old as 84. The average age of the Sacatar artistic disciplines. Here is the breakdown by tional artist residency program of the Fellow is 40. discipline: Instituto Sacatar, founded a year later in 2001. The Instituto occupies a stunning We are very proud to be a thoroughly Visual Arts in general 155 artists / 39% beachside property on the island of international residency, intentionally bringing Itaparica, across the Bay of All Saints from together artists from all around the world. Literature – English 53 artists / 14% the colonial capital of Brazil and Brazil’s We try to host at least one Brazilian artist in Literature – Portuguese 14 artists / 4% third largest city, Salvador da Bahia. each residency group, since this helps Sacatar’s facilities can currently host six ‘anchor’ the artists in the local culture, Literature – other languages 11 artists / 3% artists at one time and we typically another aspect that we work closely with Music Composition 42 artists / 11% schedule four eight-week sessions annually. the artists to achieve. As of December 2018, we have hosted 392 artists from 66 Photography 33 artists / 8% Since 2001, we are grateful to have countries, as follows: Film/Video 32 artists / 8% partnered with twenty-four institutions and organizations to provide residency opportu- Dance / Choreography 26 artists / 7% Brazil 87 artists / 22% nities for 122 artists. These Fellowships Theater/Performance/Circus 20 artists / 5% typically have restrictions by discipline, age North America 125 artists / 31% and/or nationality. Through our Open Call, Other Creative Acts 6 artists / 1% Europe 57 artists / 15% we have received thousands of applications from artists with no restrictions, open to Australia/Asia 39 artists / 10% In 2018, we hosted 24 artists from eleven countries, including our first artist from artists of all ages, nationalities and Africa 30 artists / 8% disciplines. We have provided residencies to Sudan, the filmmaker Ahmad Mahmoud, as 230 artists through our own selection Russia and Eastern Europe 22 artists / 6% part of an effort to bring artists to Sacatar who have been prohibited from traveling to process, or about 3-5% of all applications Latin America (not Brazil) 21 artists / 5% received. In addition, we have invited 11 the United States. artists and have hosted 29 artists who have Middle East 10 artists / 3% returned for second Sacatar Fellowships. 6 SACATAR 2018 Google Images SACATAR 2018 7 STATEMENTS FROM THE FOUNDERS Photography was not yet 150 years old In 2019 we will celebrate several new For seventeen years, we reimbursed the when this image was captured and shared partnerships to assist us in achieving this cost of airfare, so that no artist would have with all earth’s inhabitants. For the first time renewed vision: to decline a Fellowship for lack of funds. we saw our planet from the moon. This Facing budget shortfalls, we will unfortu- image, more so than words, communicates • We will host a Swiss artist within the nately suspend this largesse (8% of our that we occupy a mote that astronomers frame of the South American programme budget) starting in 2019. Please consider a agree spins at the edge of just one of billions “Coincidencia” of the Swiss Arts Council Pro generous donation – financial, or in kind of galaxies. Our home is this tiny blue dot. Helvetia: https://prohelvetia.ch/en/. flight miles -- so that we can continue to Over the 50 years since this photo was taken, provide exceptional opportunities for the we have forgotten or ignored its impact. • Sacatar will be one of three sites to host people who will light our way forward. recipients of the residency prize, Prêmio We must resist those who weaponize social FOCO Bradesco ArtRio, in association with media to disseminate misinformation, ArtRio, the international Art Fair of Rio de https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=R6GS6XPSZFCTC disinformation and outright lies, in order to Janeiro: http://artrio.art.br/premio-foco pit sect against sect, community against community, ‘us’ against ‘them,’ operating • We are working with L’Atelier des Artistes under their conviction that “Hate is more en Exil, an organization based in Paris, France, This photograph re-emerges on its fiftieth powerful than love.” We must work that works with refugee artists. In 2019, we anniversary to challenge us. Will artists be powerfully to bring together us inhabitants of intend to host our first artist from Afghanistan able to articulate a compelling vision for the the planet to forge a new vision for our as part of our effort to provide opportunities future, or do we truly face an apocalypse? I shared future. for artists whom the Trump administration continue to believe that the Instituto Sacatar blocks from entering the United States. and similar residency programs around the Our mission at Sacatar is to bring together world provide the environment where a the greatest diversity possible of creators • We have established an exchange of comprehensive and illuminating vision can and thinkers, to share their vision through former Fellows with the Djerassi Resident take form. I currently only see turbid local interaction and to draw inspiration Artists Program in Woodside, California. We confusion as artists struggle to articulate the from the extraordinary vivacity of Bahia. will assist Djerassi in its intention to increase complexities we face, but if not artists, who? I urge you to read the moving and inspiring international engagement by nominating statements from our 2018 Fellows in the South American artists for residencies there. Taylor Van Horne following pages that testify to the unique We in turn will host artists nominated by Executive Director power of Bahia. Djerassi: http://djerassi.org/ Instituto Sacatar 8 SACATAR 2018 Sacatar Fellows are serious risk-takers. Each Photo by Charles Silva, 2019 Silva, Charles by Photo of them has follow-up stories and anecdotes to share that demonstrate this. Because our ongoing cross-cultural operations involve, by now, some routine procedures developed over the past 19 years, it actually takes me awhile to suddenly admit to myself, “Hey, but we that founded this artists’ residency program in Bahia took a huge gamble as well, didn’t we? And don’t we continue to take daily risks in our program that is co-dependent During my recent visit to the Instituto here afraid of falling onto hot charcoals or with the culture and economy of Bahia, the Sacatar, I participated in three into sizzling oil?” energy and commitment of board members well-celebrated festivals – the Festa do and employees, and the unpredictable spirit Bonfim in Salvador, the Festa dos Caboclos Hmmnn... I will try to answer my question of each artist that becomes part of our in Itaparica, and the Festa de Yemanja in from another perspective. global family?” Amoreiras, a neighboring coastal village on the island.
Load more

Recommended publications
  • Inter-American Development Bank
    SIMULTANEOUS DISCLOSURE DOCUMENT OF THE INTER-AMERICAN DEVELOPMENT BANK BRAZIL NATIONAL TOURISM DEVELOPMENT PROGRAM IN BAHIA (PRODETUR NACIONAL-BAHIA) (BR-L1300) LOAN PROPOSAL This document was prepared by the project team consisting of: Adela Moreda (INE/RND) and Annette Killmer (RND/CBR), Project Team Co-leaders; Joseph Milewski (RND/CBR); Leonardo Corral (SPD/SDV); Andrés Consuegra (LEG/SGO); Fernando Glasman (FMP/CBR); Carlos Lago (FMP/CBR); Suzanne Casolaro (VPS/ESG); Denise Levy (VPS/ESG); Matias Bendersky (ORP/ORP); Fernanda Soares (ORP/ORP); and Rosario Gaggero (INE/RND). This document is being released to the public and distributed to the Bank’s Board of Executive Directors simultaneously. The Board may or may not approve the document, or may approve it with modifications. If the document is subsequently updated, the updated document will be made publicly available in accordance with the Bank’s Access to Information Policy. CONTENTS PROJECT SUMMARY I. DESCRIPTION AND RESULTS MONITORING ..................................................................... 1 A. Background, problems to be addressed, and rationale ......................................... 1 B. Objectives, components, and cost ......................................................................... 8 C. Key results indicators ............................................................................................ 9 II. FINANCING STRUCTURE AND MAIN RISKS ....................................................................10 A. Financing instruments .........................................................................................10
    [Show full text]
  • Ecstatic Encounters Ecstatic Encounters
    encounters ecstatic encounters ecstatic ecstatic encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Ecstatic Encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Layout: Maedium, Utrecht ISBN 978 90 8964 298 1 e-ISBN 978 90 4851 396 3 NUR 761 © Mattijs van de Port / Amsterdam University Press, Amsterdam 2011 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents PREFACE / 7 INTRODUCTION: Avenida Oceânica / 11 Candomblé, mystery and the-rest-of-what-is in processes of world-making 1 On Immersion / 47 Academics and the seductions of a baroque society 2 Mysteries are Invisible / 69 Understanding images in the Bahia of Dr Raimundo Nina Rodrigues 3 Re-encoding the Primitive / 99 Surrealist appreciations of Candomblé in a violence-ridden world 4 Abstracting Candomblé / 127 Defining the ‘public’ and the ‘particular’ dimensions of a spirit possession cult 5 Allegorical Worlds / 159 Baroque aesthetics and the notion of an ‘absent truth’ 6 Bafflement Politics / 183 Possessions, apparitions and the really real of Candomblé’s miracle productions 5 7 The Permeable Boundary / 215 Media imaginaries in Candomblé’s public performance of authenticity CONCLUSIONS Cracks in the Wall / 249 Invocations of the-rest-of-what-is in the anthropological study of world-making NOTES / 263 BIBLIOGRAPHY / 273 INDEX / 295 ECSTATIC ENCOUNTERS · 6 Preface Oh! Bahia da magia, dos feitiços e da fé.
    [Show full text]
  • Fuelwood • In· Colonial Brazil
    . ' Fuelwood •in· Colonial Brazil The Economkand Social Consequences of Fuel Depletion for the Bah ian RecOnc:avo,l 549-1820 . Shawn'W. Miller mong the various tasks that con­ contributed to the contest, in which all eyes of the early Portuguese, the fuel stituted the daily routine of . .colonists participated, for one crucial capacity of the Brazilian forest was ABrazil's sugar economy, col­ natural resource: wood. · boundless. · lecting fuel from the colony's plentiful Portuguese, Italian, and Spanish forests was among the most extensive. Discovery of the Forest explorers, the people who initiated In addition to preparing land for the expansion of Europe, carrie from planting, cutting cane at harvest, and At the height of the Bahian sugar an environment that had long been refining it ar.rhe mill, African slaves harvest, a view from the bluffs of the stripped of its trees. In fact the entire through four centuries had the addi­ Bay of All Saints contained a great Mediterranean seaboard, except a · tional burden of gathering the crucial deal of smoke, for all along the north~ few isolated and coveted pockets, energy source that fuelled the sugar ern shoreline, to a few kilometers had been bereft of forests for centu~ mill. This article is in part a study of inland, a considerable array of fires ries. Growing populations and the • - that resource's depletion and of sugar pushed arching columns into the pre­ growing material demands for ships of vailing southeasterly winds. The :-"- production's detrimental effect on discovery, war, and trade continued N - Brazil's Atlantic forest.
    [Show full text]
  • This Dissertation Analyzes the Wills Left Behind by African-Born Ex-Slaves In
    This dissertation analyzes the wills left behind by African-born ex-slaves in nineteenth-century Salvador in order to shed light on the lives that they led in the Bahian capital upon their arrival as slaves from Africa, and upon the re-acquisition of their freedom through the alforria system. The material assets and the slave ownership of libertos are studied in depth, as well as their religiosity, and the larger world and networks within which they operated in their Brazilian lives, with a specific eye towards African agency and processes of community formation. The qualitative and in-depth study of post-mortem testaments and inventories as meaningful texts in their own right provides the opportunity to decipher the individual voices of freed Africans, as well as to acquire insight into their Bahian worlds. The relationships, affective ties, and kinship networks of libertos, as well as their efforts to exercise agency and deliberation over their own lives, and the lives of others to whom they were connected, also become evident in the process. The testaments also make it possible to acquire a deeper understanding of African cosmologies in Brazil, through the ways in which libertos understood the passage from the worldly life to the afterlife, the meanings they gave to death, to funerals and other last rites. Understandings of justice, legality, and honor also come to the forefront, while the complex context of nineteenth century Bahia (and Brazil in general) constitutes the constant backdrop against which all these discussions acquire meaning. Understanding the lives, belief systems, and connections of African libertos also has important repercussions for understanding the experiences of Africans and their descendants in slave societies all over the Atlantic World.
    [Show full text]
  • Being in Afro-Brazilian Families by Elizabeth Hordge
    Home is Where the Hurt Is: Racial Socialization, Stigma, and Well- Being in Afro-Brazilian Families By Elizabeth Hordge Freeman Department of Sociology Duke University Date: _____________________ Approved: ________________________________________ Eduardo Bonilla-Silva, Co-Supervisor _________________________________________ Linda George, Co-Supervisor _________________________________________ Lynn Smith-Lovin _________________________________________ Linda Burton __________________________________________ Sherman James Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Sociology in the Graduate School of Duke University 2012 ! ABSTRACT Home is Where the Hurt Is: Racial Socialization, Stigma, and Well- Being in Afro-Brazilian Families By Elizabeth Hordge Freeman Department of Sociology Duke University Date: _____________________ Approved: ________________________________________ Eduardo Bonilla-Silva, Co-Supervisor _________________________________________ Linda George, Co-Supervisor _________________________________________ Lynn Smith-Lovin _________________________________________ Linda Burton __________________________________________ Sherman James An abstract submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Sociology in the Graduate School of Duke University 2012 ! ! Copyright by Elizabeth Hordge Freeman 2012 ! Abstract This dissertation examines racial socialization in Afro-Brazilian families in
    [Show full text]
  • The Roots of Black Resistance: Race, Gender and the Struggle for Urban Land Rights in Salvador, Bahia, Brazil
    Social Identities, Volume 10, Number 6, 2004 |^ Carfax Publishing The Roots of Black Resistance: Race, Gender and the Struggle for Urban Land Rights in Salvador, Bahia, Brazil KEISHA-KHAN Y. PERRY The University of Texas at Austin ABSTRACT: In Salvador, Bahia, Brazil, during the past ten years, the city has transformed its historical centre into cultural sites for leisure tourism. This process has included projects of 'slum clearance', negatively impacting black communities who have historically occupied these areas. In this essay, I present an ethnographic account of Gamboa de Baixo, a black coastal community in the centre of Salvador, and its political movement against urban renewal programmes. Specifically, I focus on the articulation of racial and gender politics in black women's grassroots activism against land expulsion and for access to material resources. This case in Salvador unearths one aspect of institutional racism in Brazil and the formation of an anti-black racism resistance movement. Resistance to urban renewal plans in Salvador demonstrates how struggles for urban land rights are a crucial part of engaging in the broader national and international politics of race. In black communities in Brazil and throughout the African diaspora, urban land and territorial rights are the local idioms of black resistance. Introduction Brazil as a nation proclaims herself the only racial democracy in the world, and much of the world views and accepts her as such. But an examination of the historical development of my country reveals the true nature of her social, cultural, political and economic anatomy: it is essentially racist and vitally threatening to Black people.
    [Show full text]
  • Early Printing in Brazil1 Valeria Gauz
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-LIS Early Printing in Brazil1 Valeria Gauz “There is no education without books. — Frei José Mariano da Conceição Veloso. “Early Printing in Brazil” may appear to be an impossible subject to write about. A more accurate title might be “Books without a press: a history of early printing in Brazil, mostly from abroad,” or “The non-history of printing in Brazil during the colonial period,” or even “The history of the absence of early books printed in Brazil.” One might even ask: “What is early printing in Brazil, exactly?” There were practically no early Brazilian imprints, if we understand “early” to mean the colonial period which, in the case of Brazil, was a little over three centuries. It is not a common history compared to other colonies. The European discovery (or arrival) by the Portuguese navigator Pedro Álvares Cabral was in 1500; the first official printing press was installed in 1808. In spite of this, the subject can be approached in other ways, leaving aside actual printing in Brazil. Encounters, flora and fauna, geography, slavery, literature and the short life of the literary academies in the eighteenth century, sciences in colonial Brazil, are a few possibilities, almost all involving travelers, writers, scientists, or men of politics, the vast majority foreigners. However, I opted for a more general approach in which the starting point is my own handling of books as a rare-book catalog librarian, as well as the reading of the literature.
    [Show full text]
  • Evaluation of the Chemical Transport of Air Pollutants in the Metropolitan Region of Salvador, Brazil
    Air Pollution XXVI 519 EVALUATION OF THE CHEMICAL TRANSPORT OF AIR POLLUTANTS IN THE METROPOLITAN REGION OF SALVADOR, BRAZIL YASMIN KAORE LAGO KITAGAWA1, ERICK GIOVANI SPERANDIO NASCIMENTO2, NOÉLE BISSOLI PERINI DE SOUZA1, SILVANO MOREIRA JUNIOR2, TACIANA TOLEDO DE ALMEIDA ALBUQUERQUE3 & DAVIDSON MARTINS MOREIRA2 1Federal University of Espírito Santo (UFES), Vitória, Espírito Santo, Brazil 2Manufacturing and Technology Integrated Campus (SENAI CIMATEC), Salvador, Bahia, Brazil 3Federal University of Minas Gerais (UFMG), Belo Horizonte, Minas Gerais, Brazil ABSTRACT Considering the fact that the exposure to polluted air has been associated with adverse health effects, it is important to look into the air pollution in urban areas. To evaluate the impact of emissions on the air quality in the Metropolitan Region of Salvador (MRS) in the Northeast region of Brazil, simulations using the Weather Research and Forecasting (WRF) and the Community Multiscale Air Quality (CMAQ) models were applied. The region’s choice was due to the fact that, although Salvador is the 3rd most populated city in Brazil and its metropolitan area is the 7th most populated one, there is a lack of scientific studies about regional air quality and air pollution dispersion, especially in terms of photochemical regional impact assessment of pollutants in this urban area. The aim of this work was to assess the impact of atmospheric pollutants (NOx and SO2) over the MRS from stacks held in a petrochemical complex that lies within this metropolitan site. The emissions rates were based on another study since there is no official emissions inventory available for the region. Moreover, as there were no pollutant measurement data to be compared, a qualitative analysis was conducted.
    [Show full text]
  • History of Brazil, Comprising a Geographical Account of That
    /. HISTORY BRAZIL,OF COMPRISING A GEOGRAPHICAL ACCOUNT OF THAT COUNTRY, TOGETHER WITH A NARRATIVE OF THE MOST REMARKABLE EVENTS WHICH HAVE OCCURRED THERE SINCE ITS DISCOVERY; vi Description of the Manners^ Customs, Religion, SfC. of the JVatixes and Colonists ; Interspersed with Remarks OJf THE NATURE OF ITS SOIL, CLIMATE, PRODUCTIONS, AND jToitign antr internal Commerce, To which are subjoined CAUTIONS TO NEW SETTLERS FOR THE PRESERVATION OF HEALTH. A v I3t/ ANDREW GRANT, M. D. L0\DOX: PRINTED FOR HENRY COLBURN, conduit. street NEW BOND-STREET. 1809. " * . IJ. Clarki:, Printer, Well-Street, Cripplcgatc. TO TUS MERCHANTS OF GREAT BRITAIN, TRADING TO BRAZIL, THIS HISTORICAL AND DESCRIPTIVE ACCOUNT OF THAT INTERESTING COLONY, IS RESPECTFULLY INSCRIBED, BY Their most ohedknt^ humble Servaiii, The AUTHOK. AD VERTISEMENT. As the recent political changes in Europe have naturally attracted the general attention towards the New World, no apology, it is presumed, can be deemed necessary for present- ing to the public the following succinct account of one of the most interesting colonies in that quarter of the globe. , The jealous and illiberal policy which at all times characterized the government of Bra- zil, in its intercourse with foreigners, have hitherto rendered it difficult to obtain accurate information respecting the productions, trade, and commerce of this colony. The author therefore trusts that the information contained in the following sheets cannot Aiil to prove ac- ceptable to the general reader, and highly in- terestir?g to every one engaged in commercial speculations. London, Feb. 25, 180,9.- CONTENTS. CHAPTER I. Discovery and settlement of Brazil by the Portu- guese — Climate — Natural productions—Animals, Page I CHAPTER II.
    [Show full text]
  • Download an Explorer Guide +
    SALVADOR DE BAHIA BRAZIL alvador De Bahia Swas one of the first settlements to be established in the New World. From 1534 through 1763 the city was the capital of colonial Brazil after which the seat of government was moved to Rio. The past wealth and power of the city can be seen in its beautiful colonial architecture that stands today in sharp contrast to the economic and social challenges facing Sal- vador. The city has long been a vital port. As HISTORY the colony’s first slave market it was through The great Italian navigator Amerigo Vespucci, still in search of a westward Salvador that the vast majority of African passage to the spices of India and the Orient, while under the flag of Portu- slaves entered Brazil. The traditions and cui- gal’s King João III reached latitude 12“58”S and longitude 38“33”W on his sine that was brought over from Africa have map…a large and beautiful bay on the Atlantic Coast of Brazil. The date was had a tremendous influence on the cultural November 1st, 1501…All Saints Day for those of the Roman Catholic faith. life of Salvador. Captain Vespucci carefully charted the entrance of the bay, named it “Bahia de Todos os Santos”, the Bay of All Saints…and sailed on. Thirty-five years later Portuguese Captain Francisco Pereira Coutinho would be given a land grant and permission by the king to establish a permanent set- tlement on Bahia de Todos os Santos. The plan would have a tragic setback due to the harsh manner in which Captain Coutinho treated the local Indians.
    [Show full text]
  • First Encounters Between Indians and Europeans on Coastal Brazil, 1500–1530 S!
    BY SPEECH AND BY SIGNS: FIRST ENCOUNTERS BETWEEN INDIANS AND EUROPEANS ON COASTAL BRAZIL, 1500–1530 S! M. Kittiya Lee " RESUMO : Este artigo considera a tópica da comunicação interétnica. Ele exami- na os textos dos viajantes do século XVI e do início do século XVII, as cartas dos jesuítas e os textos em língua indígena para sugerir o domínio das variantes costeiras da família lingüística Tupi-Guarani como língua franca entre índios e europeus. PALAVRAS -CHAVE : Língua geral; Literatura de viagens; Brasil colonial. Of the indigenous peoples of Brazil, “their gestures and expressions are so com- pletely di"erent from ours that it is di#cult, I confess, to represent them well…” Jean de Léry, History of a Voyage to the Land of Brazil , !*+/. ! 0is essay is a revision of chapter one of the author’s dissertation, “Conversing in Colony: 0e Brasílica and the Vulgar in Portuguese America, !*33-!+*4,” defended in "33* in the History Department at 0e Johns Hopkins University in Baltimore, Maryland, USA. Research for this chapter was made possible by the Comissão Nacional para a Comemoração dos Descobrimentos Portugueses/Biblioteca Nacional de Lisboa, the Charles L. Singleton Foundation at the Johns Hopkins University, the Fulbright Hays, and the Center for New World Comparative Studies at the John Carter Brown Library. " California State University, Los Angeles. Jean de Léry, History of a Voyage to the Land of Brazil, otherwise called America, Containing the Navigation and the Remarkable &ings Seen on the Sea by the Author; ! #$%%$&' ()), *. BY SPEECH AND BY SIGNS: In April, +-//, the Portuguese made landfall to a place they called, A Ter- ra da Vera Cruz , the Land of the True Cross.
    [Show full text]
  • Early Modern Catholic Missions in Brazil: the Challenge of the Outsiders
    John Carroll University Carroll Collected 2018 Faculty Bibliography Faculty Bibliographies Community Homepage 2018 Early Modern Catholic Missions in Brazil: The Challenge of the Outsiders Anne McGinness John Carroll University, [email protected] Follow this and additional works at: https://collected.jcu.edu/fac_bib_2018 Part of the Religion Commons Recommended Citation McGinness, Anne, "Early Modern Catholic Missions in Brazil: The Challenge of the Outsiders" (2018). 2018 Faculty Bibliography. 8. https://collected.jcu.edu/fac_bib_2018/8 This Book Chapter is brought to you for free and open access by the Faculty Bibliographies Community Homepage at Carroll Collected. It has been accepted for inclusion in 2018 Faculty Bibliography by an authorized administrator of Carroll Collected. in Brazil due to the vast amount of territ01y and the limited number of people to colonize. Portugal began the largest seafaringmovement of the 15th century Early Modem Catholic Missions in Brazil: while being one of the smallest kingdoms in WesternEurope in terms of land The Challenge of the:,Outsiders mass and population size. Therefore, afterthe Portuguese explorer Pedro Alva­ res Cabral and his crew landed in Brazil in 1500, settlement was minimal for the next fiftyyears. In 1530 KingJoao III of Portugal delegated the promotion of Anne McGinness settlement to several captains. In an effortto populate (pavoar)the new-found colony, KingJoao III divided fifteen lots (sesmarias) among twelve proprietary Portuguese captains. The system failed.Portuguese settlements in Asia, which 4.1 Introduction seemed more promising, absorbed disproportionate numbers from a homeland of only one million people. In Brazil, moreover, the colonists and native peoples Jesuits Manuel da Nobrega andJose de Anchieta recounted their horror on the often did not get along.
    [Show full text]