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Redalyc.O TERREIRO DO ALAKETU E SEUS FUNDADORES
Afro-Ásia ISSN: 0002-0591 [email protected] Universidade Federal da Bahia Brasil Earl Castillo, Lisa O TERREIRO DO ALAKETU E SEUS FUNDADORES: HISTÓRIA E GENEALOGIA FAMILIAR, 1807- 1867 Afro-Ásia, núm. 43, 2011, pp. 213-259 Universidade Federal da Bahia Bahía, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=77021122007 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto O TERREIRO DO ALAKETU E SEUS FUNDADORES: HISTÓRIA E GENEALOGIA FAMILIAR, 1807-1867* Lisa Earl Castillo** terreiro Ilê Maroiá Laji, localizado na cidade de Salvador e mais conhecido como o Alaketu, é considerado um dos mais velhos O do Brasil, junto com a Casa das Minas, no Maranhão, e a Casa Branca, na Bahia. Embora este último e dois descendentes seus, o Gantois e o Ilê Axé Opô Afonjá, tenham recebido mais atenção etnográfica, o Alaketu também ocupa um lugar de prestígio no mundo do candomblé baiano, o que resultou no seu tombamento pelo IPHAN em 2005. Na etnografia, a primeira menção do terreiro é de 1937, quando foi indicado para ser visitado pelos participantes do II Congresso Afro-Brasileiro. Em 1948, Edison Carneiro caracterizou a então ialorixá Dionísia Fran- cisca Régis como uma das mais importantes de Salvador. Contudo, ao abordar a história do candomblé da Bahia, Carneiro privilegiou a Casa * A pesquisa que deu origem a este texto foi realizada entre 2006-2010, com o apoio de bolsas de pós-doutorado da Fundação de Amparo à Pesquisa do Estado da Bahia – Fapesb e o Conselho Nacional de Desenvolvimento Científico e Tecnológico – CNPq. -
PIERRE FATUMBI VERGER AS SOCIAL SCIENTIST Introduction
PIERRE FATUMBI VERGER AS SOCIAL SCIENTIST Peter F. COHEN Introduction Someone asked me very seriously the other day whether Pierre Verger really existed or if he was not just another Bahian invention. Jorge Amado (1997 : 7) Pierre Fátúmbí Verger was a Frenchman who devoted more than half of his 93-year life to the study, promotion and practice of African and Afro- Brazilian culture1. His written legacy includes some of the most original and valuable contributions to these fields. At his death in 1996, Verger left behind him some 30 books, 100 articles, over 60,000 photographic negatives, films and audio recordings and thousands of pages of unpublished ethnographic data. This massive body of work is unusual in several respects, perhaps the most striking of which is its highly eclectic nature. Verger delved into virtually any field that interested him, regardless of whether or not he had any formal training in the area. “Photographer, ethnographer and babalawo”, exclaimed ethnographer Alfred Métraux, “what a Renaissance man!” (Le Bouler 1994:256) –long before Verger’s publications in history, linguistics and ethnobotany2. Verger published historical research more than a decade 1 I would like to thank the Wenner-Gren Foundation for Anthropological Research, the Ford Foundation and the Columbia University Institute of Latin American Studies for funding my fieldwork in Brazil, and the Fundação Pierre Verger for its gracious assistance in my research. Thanks to Ibéa Atondi, Marion Aubrée, Brunehilde Biebuyk, George Brandon, Barbara L. Cohen, Lee Cohen, C. Daniel Dawson, Kenneth Dossar, Henry John Drewal, Angela Lühning, Ivor Miller, Barbara Price, Dolores Shapiro and Robert Farris Thompson for their reading and encouragement. -
The University of Chicago the Creole Archipelago
THE UNIVERSITY OF CHICAGO THE CREOLE ARCHIPELAGO: COLONIZATION, EXPERIMENTATION, AND COMMUNITY IN THE SOUTHERN CARIBBEAN, C. 1700-1796 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF HISTORY BY TESSA MURPHY CHICAGO, ILLINOIS MARCH 2016 Table of Contents List of Tables …iii List of Maps …iv Dissertation Abstract …v Acknowledgements …x PART I Introduction …1 1. Creating the Creole Archipelago: The Settlement of the Southern Caribbean, 1650-1760...20 PART II 2. Colonizing the Caribbean Frontier, 1763-1773 …71 3. Accommodating Local Knowledge: Experimentations and Concessions in the Southern Caribbean …115 4. Recreating the Creole Archipelago …164 PART III 5. The American Revolution and the Resurgence of the Creole Archipelago, 1774-1785 …210 6. The French Revolution and the Demise of the Creole Archipelago …251 Epilogue …290 Appendix A: Lands Leased to Existing Inhabitants of Dominica …301 Appendix B: Lands Leased to Existing Inhabitants of St. Vincent …310 A Note on Sources …316 Bibliography …319 ii List of Tables 1.1: Respective Populations of France’s Windward Island Colonies, 1671 & 1700 …32 1.2: Respective Populations of Martinique, Grenada, St. Lucia, Dominica, and St. Vincent c.1730 …39 1.3: Change in Reported Population of Free People of Color in Martinique, 1732-1733 …46 1.4: Increase in Reported Populations of Dominica & St. Lucia, 1730-1745 …50 1.5: Enslaved Africans Reported as Disembarking in the Lesser Antilles, 1626-1762 …57 1.6: Enslaved Africans Reported as Disembarking in Jamaica & Saint-Domingue, 1526-1762 …58 2.1: Reported Populations of the Ceded Islands c. -
Photographic Portraits by Pierre Verger September 10, 2017–January 21, 2018
Press Release Africa/Americas: Photographic Portraits by Pierre Verger September 10, 2017–January 21, 2018 I started traveling, not so much driven by a desire to do ethnographic research or journalistic reports, but rather as a result of the need to distance myself, to free myself and escape the environment in which I had been living until then, whose prejudices and rules of conduct did not make me happy. —Pierre Verger, 1982 Los Angeles, CA—Africa/Americas: Photographic Portraits by Pierre Verger presents 32 stunning images by the widely renowned French photographer and anthropological researcher Pierre Verger (1902–1996). Organized in association with the Pierre Verger Foundation (Fundação Pierre Verger), this is the first solo museum exhibition in the United States dedicated to Verger’s work. The exhibition includes photographs taken in the Republic of Benin, Brazil, Cuba, Haiti, Nigeria, Suriname, and the United States. Verger traveled extensively during his long career, but his central focus was the exploration and visual depiction of the enduring continuities linking peoples and cultures of West Africa and the African Diaspora. Over the course of five decades, he took an estimated 65,000 black-and-white photographs with his Rolleiflex camera, depicting individuals and groups in humanistic, light-drenched portraits. In his approach to photography, he placed great emphasis on documenting the beauty of the human form as encountered in scenes of everyday life. In large part, his intention was to counter racism and all-too-prevalent derogatory representations of Africans and peoples of African-descent in the Americas. From the time of his earliest visits to Africa in the 1930s, Verger composed intimate portraits of individuals as well as lively scenes of crowded public places and community gatherings. -
Pierre Verger: Mensageiro Entre Dois Mundos (Messenger Between Two Worlds)'
H-AfrArts Miller on de Hollanda, 'Pierre Verger: Mensageiro Entre Dois Mundos (Messenger between two worlds)' Review published on Tuesday, September 22, 2009 Lula Buarque de Hollanda, dir. Pierre Verger: Mensageiro Entre Dois Mundos (Messenger between two worlds). DVD. Brazil: Melhor Programa Cultural para TV, Grande Premio Cinema Brasil, 2000. 83 minutes. Reviewed by Ivor Miller Published on H-AfrArts (September, 2009) Commissioned by Jean M. Borgatti Honoring Verger's Legacy This tribute to photographer, scholar, and Ifá initiate Pierre "Fatumbi" Verger is required viewing for students of transatlantic African civilizations. Narrated by musician Gilberto Gil, a native-son of Salvador who later became Brazil's minister of culture, the film explores multiple facets of the art and scholarship of a privileged European who lived among several West African and Brazilian African- descendant initiation communities. It includes extra scenes of Gelede dance; Zabata dance; close-up shots of faces of people in African locations; interviews with Verger (in Portuguese), with scholar Milton Guran (in Portuguese), and with filmmaker Jean Rouch (in French); and commentaries by the director (in Portuguese). The film opens poetically with a scene on a Salvador beach where a rope extending into the ocean is pulled by scores of African descendants, a metaphor for the collective process of maintaining fragile ties to African inheritance through daily practice. Verger, described as "the messenger," is celebrated for his contributions to the communication -
Ofportuguese History Table of Contents Volume 15, Number 1, June 2017
Vol. 15 · n.º 1 · June 2017 e-journal ofPortuguese History Table of Contents Volume 15, number 1, June 2017 [ARTICLES] Introduction: ........................................................................................................................................................... 1 The Lusophone World at War, 1914-1918 and Beyond Filipe Ribeiro de Meneses World War I and the Arts: ................................................................................................................................. 15 The ‘Geração de Orpheu’ and the Emergence of a Cosmopolitan Avant-Garde Ellen W. Sapega The mutilated face of World War I in Portugal ......................................................................................... 35 Sílvia Correia World War One and Authoritarian Thought in the Lusophone World .............................................. 55 Francisco Carlos Palomanes Martinho World War One and Brazilian Cultural Life ................................................................................................ 71 Lúcia Lippi Oliveira The First World War in Portuguese East Africa: ...................................................................................... 82 Civilian and Military Encounters in the Indian Ocean Ana Paula Pires Macau between Republics: ............................................................................................................................ 105 Neither War nor Peace (1914-1918) Luís Cunha Portugal’s Empire in the Wake of WWI: ................................................................................................... -
Inter-American Development Bank
SIMULTANEOUS DISCLOSURE DOCUMENT OF THE INTER-AMERICAN DEVELOPMENT BANK BRAZIL NATIONAL TOURISM DEVELOPMENT PROGRAM IN BAHIA (PRODETUR NACIONAL-BAHIA) (BR-L1300) LOAN PROPOSAL This document was prepared by the project team consisting of: Adela Moreda (INE/RND) and Annette Killmer (RND/CBR), Project Team Co-leaders; Joseph Milewski (RND/CBR); Leonardo Corral (SPD/SDV); Andrés Consuegra (LEG/SGO); Fernando Glasman (FMP/CBR); Carlos Lago (FMP/CBR); Suzanne Casolaro (VPS/ESG); Denise Levy (VPS/ESG); Matias Bendersky (ORP/ORP); Fernanda Soares (ORP/ORP); and Rosario Gaggero (INE/RND). This document is being released to the public and distributed to the Bank’s Board of Executive Directors simultaneously. The Board may or may not approve the document, or may approve it with modifications. If the document is subsequently updated, the updated document will be made publicly available in accordance with the Bank’s Access to Information Policy. CONTENTS PROJECT SUMMARY I. DESCRIPTION AND RESULTS MONITORING ..................................................................... 1 A. Background, problems to be addressed, and rationale ......................................... 1 B. Objectives, components, and cost ......................................................................... 8 C. Key results indicators ............................................................................................ 9 II. FINANCING STRUCTURE AND MAIN RISKS ....................................................................10 A. Financing instruments .........................................................................................10 -
Ecstatic Encounters Ecstatic Encounters
encounters ecstatic encounters ecstatic ecstatic encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Ecstatic Encounters Bahian Candomblé and the Quest for the Really Real Mattijs van de Port AMSTERDAM UNIVERSITY PRESS Layout: Maedium, Utrecht ISBN 978 90 8964 298 1 e-ISBN 978 90 4851 396 3 NUR 761 © Mattijs van de Port / Amsterdam University Press, Amsterdam 2011 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Contents PREFACE / 7 INTRODUCTION: Avenida Oceânica / 11 Candomblé, mystery and the-rest-of-what-is in processes of world-making 1 On Immersion / 47 Academics and the seductions of a baroque society 2 Mysteries are Invisible / 69 Understanding images in the Bahia of Dr Raimundo Nina Rodrigues 3 Re-encoding the Primitive / 99 Surrealist appreciations of Candomblé in a violence-ridden world 4 Abstracting Candomblé / 127 Defining the ‘public’ and the ‘particular’ dimensions of a spirit possession cult 5 Allegorical Worlds / 159 Baroque aesthetics and the notion of an ‘absent truth’ 6 Bafflement Politics / 183 Possessions, apparitions and the really real of Candomblé’s miracle productions 5 7 The Permeable Boundary / 215 Media imaginaries in Candomblé’s public performance of authenticity CONCLUSIONS Cracks in the Wall / 249 Invocations of the-rest-of-what-is in the anthropological study of world-making NOTES / 263 BIBLIOGRAPHY / 273 INDEX / 295 ECSTATIC ENCOUNTERS · 6 Preface Oh! Bahia da magia, dos feitiços e da fé. -
Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson a Dissertation S
Mothers in the Family of Saints: Gender and Race in the Making of Afro-Brazilian Heritage by Jamie Lee Andreson A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology and History) in the University of Michigan 2020 Doctoral Committee: Professor Paul Christopher Johnson, Chair Associate Professor Paulina Alberto Associate Professor Victoria Langland Associate Professor Gayle Rubin Jamie Lee Andreson [email protected] ORCID iD: 0000-0003-1305-1256 © Jamie Lee Andreson 2020 Dedication This dissertation is dedicated to all the women of Candomblé, and to each person who facilitated my experiences in the terreiros. ii Acknowledgements Without a doubt, the most important people for the creation of this work are the women of Candomblé who have kept traditions alive in their communities for centuries. To them, I ask permission from my own lugar de fala (the place from which I speak). I am immensely grateful to every person who accepted me into religious spaces and homes, treated me with respect, offered me delicious food, good conversation, new ways of thinking and solidarity. My time at the Bate Folha Temple was particularly impactful as I became involved with the production of the documentary for their centennial celebrations in 2016. At the Bate Folha Temple I thank Dona Olga Conceição Cruz, the oldest living member of the family, Cícero Rodrigues Franco Lima, the current head priest, and my closest friend and colleague at the temple, Carla Nogueira. I am grateful to the Agência Experimental of FACOM (Department of Communications) at UFBA (the Federal University of Bahia), led by Professor Severino Beto, for including me in the documentary process. -
Fuelwood • In· Colonial Brazil
. ' Fuelwood •in· Colonial Brazil The Economkand Social Consequences of Fuel Depletion for the Bah ian RecOnc:avo,l 549-1820 . Shawn'W. Miller mong the various tasks that con contributed to the contest, in which all eyes of the early Portuguese, the fuel stituted the daily routine of . .colonists participated, for one crucial capacity of the Brazilian forest was ABrazil's sugar economy, col natural resource: wood. · boundless. · lecting fuel from the colony's plentiful Portuguese, Italian, and Spanish forests was among the most extensive. Discovery of the Forest explorers, the people who initiated In addition to preparing land for the expansion of Europe, carrie from planting, cutting cane at harvest, and At the height of the Bahian sugar an environment that had long been refining it ar.rhe mill, African slaves harvest, a view from the bluffs of the stripped of its trees. In fact the entire through four centuries had the addi Bay of All Saints contained a great Mediterranean seaboard, except a · tional burden of gathering the crucial deal of smoke, for all along the north~ few isolated and coveted pockets, energy source that fuelled the sugar ern shoreline, to a few kilometers had been bereft of forests for centu~ mill. This article is in part a study of inland, a considerable array of fires ries. Growing populations and the • - that resource's depletion and of sugar pushed arching columns into the pre growing material demands for ships of vailing southeasterly winds. The :-"- production's detrimental effect on discovery, war, and trade continued N - Brazil's Atlantic forest. -
PIERRE FATUMBÍ VERGER : a View from Bahia a Multifaceted Work and Life
PIERRE FATUMBÍ VERGER : a view from Bahia (Dedicated to Gilbert Rouget) Angela LÜHNING* Pierre Fatumbí Verger, Frenchman by birth1, Bahian by choice and African by affinity, arrived in Salvador, Bahia, in 1946, choosing the city as his residence from that time until his death fifty years later. He arrived as a photographer and transformed himself into an ethnographer, an anthropologist, an historian and a botanist, among the numerous other activities he pursued. He was without a doubt one of the great researchers of Afro-Brazilian religion and culture and left a vast oeuvre as the result of his innumerable research projects. This article will focus less on his work2 than on his life, based on his own testimony and tales of his experiences, along with notes and observations that I was personally able to make during more than ten years of professional and personal contact with him. The article will concentrate on the years in which Verger lived in Brazil and the strong impression that Bahia made on him –to the point of rediscovering Africa from his new vantage point in Bahia. In order to convey the wide range and variety of his life, however, it will be useful to include a brief analysis of certain of his publications that exemplify particular phases of his life and thought. A Multifaceted Work and Life Most of those who knew Pierre Verger immediately remember his work as a photographer, having travelled to innumerable countries after 1932 and publishing photos in books, magazines and newspapers that became classics of visual anthropology. Others know the publications with which he entered the world of academia, first as an autodidactic and later as a Doctor of African Studies (3e cycle) at the Sorbonne in Paris for his work Flux et reflux * Professor of etnomusicology at the Federal University of Bahia (UFBa) ; projects’ director at the Pierre Verger Foundation in the city of Salvador (Bahia). -
YEAR ENDING DECEMBER 2018 Photo by Taylor Van Horne 2016 Van Taylor by Photo 18Th Century Portuguese Tiles
YEAR ENDING DECEMBER 2018 Photo by Taylor Van Horne 2016 Van Taylor by Photo 18th century Portuguese tiles. Photo by Taylor Van Horne 2017 Van Taylor by Photo tiles. Portuguese 18th century KEEP THE JUJU GOING FOR YOURSELF AND OTHERS! 2 SACATAR 2017 Tis a place like none other, Sacatar provides an exultation of senses and sensibilities that can lead you happily astray. where you can fly from your muddle to land in the middle of influence protean It is a place of wander, an I’ll of Possibilities and profound. constructed for artists far from home. There lies an other worldly culture, Nonetheless it is a vision precarious to compelling, flamboyant and hidden maintain so far out to see. on that I-land of curious breezes, For those of us who know its astounding beckoning waters, magic firsthand, we can actively participate in its future. and the wile’d lives of flora and fauna at your deck and crawl. Keep the juju going, for yourself, Horses stroll in the surf and for others. amidst the heartbeat of drums and the sun beams at your progress. PAT OLESZKO, New York performance artist extraordinaire Work wasn’t always easy (Sacatar Fellow, 2008 & 2016) but it was never hard with inadvertent inspiration from the fecund surrounds, a casual conversation https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=R6GS6XPSZFCTC or an unexpected collaboration. SACATAR 2018 3 Drone image by DT Soluções 2017 Soluções DT image by Drone “Rua da Alegria 10” Photo by Taylor Van Horne 2018 Van Taylor by “Rua da Alegria 10” Photo CONTENTS Sacatar is a portal.