Michael Brecker – Periodical Features
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Michael Brecker Chronology
Michael Brecker Chronology Compiled by David Demsey • 1949/March 29 - Born, Phladelphia, PA; raised in Cheltenham, PA; brother Randy, sister Emily is pianist. Their father was an attorney who was a pianist and jazz enthusiast/fan • ca. 1958 – started studies on alto saxophone and clarinet • 1963 – switched to tenor saxophone in high school • 1966/Summer – attended Ramblerny Summer Music Camp, recorded Ramblerny 66 [First Recording], member of big band led by Phil Woods; band also contained Richie Cole, Roger Rosenberg, Rick Chamberlain, Holly Near. In a touch football game the day before the final concert, quarterback Phil Woods broke Mike’s finger with the winning touchdown pass; he played the concert with taped-up fingers. • 1966/November 11 – attended John Coltrane concert at Temple University; mentioned in numerous sources as a life-changing experience • 1967/June – graduated from Cheltenham High School • 1967-68 – at Indiana University for three semesters[?] • n.d. – First steady gigs r&b keyboard/organist Edwin Birdsong (no known recordings exist of this period) • 1968/March 8-9 – Indiana University Jazz Septet (aka “Mrs. Seamon’s Sound Band”) performs at Notre Dame Jazz Festival; is favored to win, but is disqualified from the finals for playing rock music. • 1968 – Recorded Score with Randy Brecker [1st commercial recording] • 1969 – age 20, moved to New York City • 1969 – appeared on Randy Brecker album Score, his first commercial release • 1970 – co-founder of jazz-rock band Dreams with Randy, trombonist Barry Rogers, drummer Billy Cobham, bassist Doug Lubahn. Recorded Dreams. Miles Davis attended some gigs prior to recording Jack Johnson. -
QUASIMODE: Ike QUEBEC
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ QUASIMODE: "Oneself-Likeness" Yusuke Hirado -p,el p; Kazuhiro Sunaga -b; Takashi Okutsu -d; Takahiro Matsuoka -perc; Mamoru Yonemura -ts; Mitshuharu Fukuyama -tp; Yoshio Iwamoto -ts; Tomoyoshi Nakamura -ss; Yoshiyuki Takuma -vib; recorded 2005 to 2006 in Japan 99555 DOWN IN THE VILLAGE 6.30 99556 GIANT BLACK SHADOW 5.39 99557 1000 DAY SPIRIT 7.02 99558 LUCKY LUCIANO 7.15 99559 IPE AMARELO 6.46 99560 SKELETON COAST 6.34 99561 FEELIN' GREEN 5.33 99562 ONESELF-LIKENESS 5.58 99563 GET THE FACT - OUTRO 1.48 ------------------------------------------ Ike QUEBEC: "The Complete Blue Note Forties Recordings (Mosaic 107)" Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Milt Hinton -b; J.C. Heard -d; recorded July 18, 1944 in New York 34147 TINY'S EXERCISE 3.35 Blue Note 6507 37805 BLUE HARLEM 4.33 Blue Note 37 37806 INDIANA 3.55 Blue Note 38 39479 SHE'S FUNNY THAT WAY 4.22 --- 39480 INDIANA 3.53 Blue Note 6507 39481 BLUE HARLEM 4.42 Blue Note 544 40053 TINY'S EXERCISE 3.36 Blue Note 37 Jonah Jones -tp; Tyree Glenn -tb; Ike Quebec -ts; Roger Ramirez -p; Tiny Grimes -g; Oscar Pettiford -b; J.C. Heard -d; recorded September 25, 1944 in New York 37810 IF I HAD YOU 3.21 Blue Note 510 37812 MAD ABOUT YOU 4.11 Blue Note 42 39482 HARD TACK 3.00 Blue Note 510 39483 --- 3.00 prev. unissued 39484 FACIN' THE FACE 3.48 --- 39485 --- 4.08 Blue Note 42 Ike Quebec -ts; Napoleon Allen -g; Dave Rivera -p; Milt Hinton -b; J.C. -
Steps Ahead Steps Ahead Mp3, Flac, Wma
Steps Ahead Steps Ahead mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Steps Ahead Country: US Released: 2005 Style: Contemporary Jazz MP3 version RAR size: 1851 mb FLAC version RAR size: 1577 mb WMA version RAR size: 1719 mb Rating: 4.4 Votes: 465 Other Formats: TTA AUD ASF APE DXD XM WMA Tracklist Hide Credits Pools 1 11:15 Written-By – Don Grolnick Islands 2 6:23 Written-By – Mike Mainieri Loxodrome 3 5:25 Written-By – Eddie Gomez Both Sides Of The Coin 4 6:10 Written-By – Michael Brecker Skyward Bound 5 4:03 Written-By – Mike Mainieri Northern Cross 6 5:50 Written-By – Peter Erskine Trio (An Improvisation) 7 7:32 Written-By – Eddie Gomez, Michael Brecker, Mike Mainieri Credits Bass – Eddie Gomez Drums – Peter Erskine Piano – Eliane Elias Tenor Saxophone – Michael Brecker Vibraphone [Vibes], Synthesizer [Synthivibe], Marimba – Mike Mainieri Barcode and Other Identifiers Barcode: 0 90431 65452 1 Other versions Category Artist Title (Format) Label Category Country Year Elektra 9 60168-1, Steps Steps Ahead Musician, 9 60168-1, US 1983 60168-1 Ahead (LP, Album, SP) Elektra 60168-1 Musician Steps Steps Ahead Elektra 96-0168-1 96-0168-1 Netherlands 1983 Ahead (LP, Album) Musician Steps Ahead Steps Elektra WPCR-27928 (CD, Album, WPCR-27928 Japan 2014 Ahead Musician Ltd, RE, RM) Steps Steps Ahead Elektra 9 60168-4 9 60168-4 US 1983 Ahead (Cass) Musician Steps Ahead Steps Elektra 7559-60168-2 (CD, Album, 7559-60168-2 Europe Unknown Ahead Musician RE) Related Music albums to Steps Ahead by Steps Ahead Mike Mainieri Quintet - Live At Seventh Avenue South Steps Ahead - Michael Brecker, Warren Bernhardt, Peter Erskine, Eddie Gomez, Mike Mainieri - Modern Times Steps Ahead - Live in Tokyo 1986 Steps Ahead - Magnetico 3 Steps Ahead - Drop It Mike Mainieri & Friends - White Elephant Vol. -
Pilgrimage Review Dan Ouellette Stereophile.Pdf
Stereophile: Recording of May 2007: <I>Pilgrimage</I> pagina 1 van 3 Stereophile :: Home Theater :: Ultimate AV :: Audio Video Interiors :: Shutterbug :: Home Entertainment Show Recording of May 2007: Pilgrimage Your E-mail Dan Ouellette, May, 2007 Zip Code Michael Brecker Pilgrimage Michael Brecker, tenor sax, EWI; Pat Metheny, guitars; Herbie Hancock, Brad Mehldau, keyboards; John Patitucci, bass; Jack DeJohnette, drums Ads by Google Heads Up International HUCD 3095 (CD). 2007. Michael Brecker, Gil Goldstein, Steve Rodby, Pat Metheny, prods.; Darryl Pitt, exec. prod.; Joe Ferla, eng. DDD. TT: 77:57 Study Jazz Improv Online Performance ****½ Online jazz improvisation courses and programs Sonics ****½ from Berklee College. www.berkleemusic.com When, following the superb Wide Angels (2003), recorded with his 15-piece Quindectet, Michael Brecker decided to end his long-term contract with Impulse!/Verve and hook up with Heads Brilliant Jazz Up International, part of his goal was to Alle prachtige jazzmuziek van dit label is hier adventurously expand his repertoire in a jazz direction more oriented toward world verkrijgbaar! music—specifically, an album influenced www.Kruidvat.nl/jazz by Bulgarian music, which had forced him to harmonically reconceptualize how he played his tenor sax. However, his Bulgarian speed-jazz project, which was to include Bulgarian artists, was shelved in 2005 when Brecker was stricken with the rare bone-marrow cancer > Recent Additions Myelodysplastic syndrome (MDS), which > Budget Components > Floorstanding Loudspeakers -
An Analytical Approach to Vibraphone Performance Through the Transcription and Analysis of Gary Burton’S Solo on Blue Monk
AN ANALYTICAL APPROACH TO VIBRAPHONE PERFORMANCE THROUGH THE TRANSCRIPTION AND ANALYSIS OF GARY BURTON’S SOLO ON BLUE MONK A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in Partial fulfillment of the Requirements for the degree of Doctor of Musical Arts in The School of Music By Charles B. Brooks B.A., Western Kentucky University, 1997 M.A., Austin Peay State University, 2000 December 2007 ACKNOWLEDGMENTS This document would not exist without the guidance and counsel of several extraordinary individuals. It is dedicated to my father for introducing me to the world of music. I would like to extend special gratitude to my mother for her guidance, strength, and belief that anything is possible. In addition I would like to thank Johnny Walker and my brother, Michael Brooks, without whom none of this would possible. This document is also dedicated to Kenneth Welch and Larry Long for their counsel and friendship. I extend special thanks to my teachers Dr. Christopher Norton, Mr. David Steinquest, Dr. Charles Smith, Dr. Thomas King, Dr. Jefferey Wood, Dr. Dinos Constantinides, Dr. Joseph Skillen, Dr. Robert Peck, and Dr. Michael Kingan. I would especially like to thank Dr. Willis Delony for staying the course and guiding me through rough terrain. ii TABLE OF CONTENTS ACKNOWLEDGMENTS ..............................................................................................ii LIST OF MUSICAL EXAMPLES................................................................................iv -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop ~ Dear Beryl: . -
Letter from Susan Brecker: Please Send This to As Many People You Know
Michael Brecker is 56 and an internationally renowned jazz musician. As a result of his harmonic innovations, Michael is among the most studied contemporary instrumentalists in music schools throughout the world today. Michael has recorded and performed with a virtual Who’s Who of hundreds of Jazz and pop giants including McCoy Tyner, Herbie Hancock, James Taylor, Chick Corea, Chet Baker, George Benson, Quincy Jones, John Lennon, Charles Mingus, Joni Mitchell, Aerosmith, Paul Simon, Wynton Marsalis, Frank Sinatra, James Brown, Bruce Springsteen, Steely Dan, Pat Metheny, Billy Joel and Elton John. As a leader and co-leader of The Brecker Brothers (with Randy Brecker) and Directions in Music (with Herbie Hancock and Roy Hargrove), Michael has received 11 Grammy Awards-more than any saxophonist. For further information, go to http://www.michaelbrecker.com LETTER FROM SUSAN BRECKER: PLEASE SEND THIS TO AS MANY PEOPLE YOU KNOW Dear Family and Friends, My husband, Michael Brecker, has been diagnosed with MDS (myelodysplastic syndrome) and it's critical that he has a bone marrow or blood stem cell transplant (which has nothing to do with embryonic stem cells). The initial search for a donor, including Michael’s siblings and children, has not resulted in a suitable match. We now hope to have as many people tested as possible that share a similar genetic background as my husband. There are some important points to understand concerning this process: 1. The screening involves only a blood test. It can be done very easily at a donor center of the National Marrow Donor Program [NMDP]. The blood test identifies your HLA tissue type. -
Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Brecker's Blues
BRECKER’S BLUES: TRANSCRIPTION AND THEORETICAL ANALYSIS OF SIX SELECTED IMPROVISED BLUES SOLOS BY JAZZ SAXOPHONIST MICHAEL BRECKER DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By David Rawlings Freedy, M.M. ***** The Ohio State University 2003 Document Committee: James Akins, Advisor Joseph Duchi Dr. Russel Mikkelson ABSTRACT The following is an analysis of selected musical improvisations of tenor saxophonist Michael Brecker. The improvisations span the years 1987-99 and are all characterized by a shared underlying 12-bar chord structure commonly known as “Blues.” The improvisations at hand were chosen by the author by means of six necessary characteristics: 1. Performance over a 12- bar Blues (major or minor) harmonic progression; 2. Profundity or “specialness” of the improvisation as determined by the author; 3. Theoretical complexity of the improvisation sufficient to warrant an extended analysis as determined by the author; 4. Historical placement of the improvisations from 1987 to the year of Document submission; 5. Commercial availability of Compact Disc recordings of all of the improvisations; 6. Lack of availability of other transcriptions of the improvisations from either commercial or academic sources. It is the author’s contention that the transcriptions and analyses of the selected improvisations will help illustrate Mr. Brecker’s approach to the Blues as well as identify the theoretical underpinnings upon which these improvisations rest. ii ACKNOWLEDGMENTS I wish to thank my advisor, Professor James Akins, for his patience, support, and encouragement throughout my entire Doctoral degree program at Ohio State University. -
An Historical Survey of the Development of the Vibraphone As an Alterna Tive Accompanying Instrument in Jazz
AN HISTORICAL SURVEY OF THE DEVELOPMENT OF THE VIBRAPHONE AS AN ALTERNA TIVE ACCOMPANYING INSTRUMENT IN JAZZ. BY FRANK A MALLOWS (MLLFRA002) A MINOR DISSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE A WARD OF THE DEGREE OF MASTER OF MUSIC. SOUTH AFRICAN COLLEGE OF MUSIC UNIVERSITY OF CAPE TOWN SOUTH AFRICA 2004 The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town 11 DECLARATION This work has not been previously submitted in whole, or in part, forthe award of any degree. It is my own work. Each significant contribution to, and quotation in, this dissertation from the work, or works, of other people has been attributed, and has been cited and referenced. SIGNATURE DATE (Frank Arthur Mallows) III ABSTRACT AN HISTORICAL SURVEY OF THE DEVELOPMENT OF THE VIBRAPHONE AS AN ALTERNATIVE ACCOMPANYING INSTRUMENT IN JAZZ. by Frank Arthur Mallows 7 Muswell Hill Road Mowbray Cape Town A minor dissertation submitted in partial fulfilment of the requirements for the award of the degree of Master of Music. South African College of Music University of Cape Town South Africa 2004 The vibraphone, a melodic percussion instrument in which metal bars are struck with mallets to produce the sound and with a chromatic range of usually three octaves, was developed in the United States of America in the early 1900s. -
December 1996
While lead singer Scott Wieland gets his act together off the bandstand, Stone Temple Pilots' latest, Tiny Music, hits the charts without a touring band to sup- port it. Drummer Eric Kretz isn't one to twiddle his thumbs, though, and an STP side project might end up being the new canvas for his powerful and tasty playing, by Matt Peiken 44 Toto, I don't think we're in the Opry anymore, These days Garth Brooks' drummer is slamming under an acrylic "pod" to fifty thousand screaming fans a night, Mike Palmer tells tales of high-tech honky tonkin' on the new by Robyn Flans 64 Soundgarden's Matt Cameron and the Foo Fighters' Will Goldsmith have been appearing all A staunch refusal to conform may have kept over MTV behind a strange new drumkit with Fishbone off the charts for years, but it's also provid- wooden hoops. It's no surprise people have ed tons of crazy, cookin', funky, freaky music for fans been asking lots of questions about the drums' who know where to look and listen. Now a new origin. Answer: Vancouver, where custom Ayotte album and lineup have reenergized drummer Philip kits have been pumped out—one at a time—for "Fish" Fisher, who's still adding his ever-powerful and longer than you might think. creative percussives to the Fishy stew. by Rick Van Horn by Matt Peiken 80 98 photo by John Eder Volume 2O, Number 12 Cover photo by John Eder education equipment 112 ROCK 'N' JAZZ CLINIC 24 NEW AND NOTABLE A Different Slant For The Hi-Hat, Part 1 New From Nashville NAMM by Rod Morgenstein 32 PRODUCT CLOSE-UP 114 ROCK PERSPECTIVES Fibes