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Musical Knowledge and the Vernacular Past in Post-War Sri Lanka
Musical Knowledge and the Vernacular Past in Post-War Sri Lanka Jim Sykes King’s College London “South Asian kings are clearly interested in vernacular culture zones has rendered certain vernacular Sinhala places, but it is the poet who creates them.” and Tamil culture producers in a subordinate fashion to Sinhala and Tamil ‘heartlands’ deemed to reside Sheldon Pollock (1998: 60) elsewhere, making it difficult to recognise histories of musical relations between Sinhala and Tamil vernac - This article registers two types of musical past in Sri ular traditions. Lanka that constitute vital problems for the ethnog - The Sinhala Buddhist heartland is said to be the raphy and historiography of the island today. The first city and region of Kandy (located in the central ‘up is the persistence of vernacular music histories, which country’); the Tamil Hindu heartland is said to be demarcate Sri Lankan identities according to regional Jaffna (in the far north). In this schemata, the south - cultural differences. 1 The second type of musical past ern ‘low country’ Sinhala musicians are treated as is a nostalgia for a time before the island’s civil war lesser versions of their up country Sinhala cousins, (1983-2009) when several domains of musical prac - while eastern Tamil musicians are viewed as lesser ver - tice were multiethnic. Such communal-musical inter - sions of their northern Tamil cousins. Meanwhile, the actions continue to this day, but in attenuated form southeast is considered a kind of buffer zone between (I have space here only to discuss the vernacular past, Tamil and Sinhala cultures, such that Sinhalas in the but as we will see, both domains overlap). -
Baila and Sydney Sri Lankans
Public Postures, Private Positions: Baila and Sydney Sri Lankans Gina Ismene Shenaz Chitty A Thesis Submitted in Fulfilment of the Requirements for the Degree of Doctor of Philosophy Department of Contemporary Music Studies Division of Humanities Macquarie University Sydney, Australia November 2005 © Copyright TABLE OF CONTENTS LIST OF F IG U R E S.......................................................................................................................................................................... II SU M M A R Y ......................................................................................................................................................................................Ill CER TIFIC ATIO N ...........................................................................................................................................................................IV A CK NO W LED GEM EN TS............................................................................................................................................................V PERSON AL PR EFA C E................................................................................................................................................................ VI INTRODUCTION: SOCIAL HISTORY OF BAILA 8 Anglicisation of the Sri Lankan elite .................... ............. 21 The English Gaze ..................................................................... 24 Miscegenation and Baila............................................................ -
Shihan DE SILVA JAYASURIYA King’S College, London
www.reseau-asie.com Enseignants, Chercheurs, Experts sur l’Asie et le Pacifique / Scholars, Professors and Experts on Asia and Pacific Communication L'empreinte portugaise au Sri Lanka : langage, musique et danse / Portuguese imprint on Sri Lanka: language, music and dance Shihan DE SILVA JAYASURIYA King’s College, London 3ème Congrès du Réseau Asie - IMASIE / 3rd Congress of Réseau Asie - IMASIE 26-27-28 sept. 2007, Paris, France Maison de la Chimie, Ecole des Hautes Etudes en Sciences Sociales, Fondation Maison des Sciences de l’Homme Thématique 4 / Theme 4 : Histoire, processus et enjeux identitaires / History and identity processes Atelier 24 / Workshop 24 : Portugal Índico après l’age d’or de l’Estado da Índia (XVIIe et XVIII siècles). Stratégies pour survivre dans un monde changé / Portugal Índico after the golden age of the Estado da Índia (17th and 18th centuries). Survival strategies in a changed world © 2007 – Shihan DE SILVA JAYASURIYA - Protection des documents / All rights reserved Les utilisateurs du site : http://www.reseau-asie.com s'engagent à respecter les règles de propriété intellectuelle des divers contenus proposés sur le site (loi n°92.597 du 1er juillet 1992, JO du 3 juillet). En particulier, tous les textes, sons, cartes ou images du 1er Congrès, sont soumis aux lois du droit d’auteur. Leur utilisation autorisée pour un usage non commercial requiert cependant la mention des sources complètes et celle du nom et prénom de l'auteur. The users of the website : http://www.reseau-asie.com are allowed to download and copy the materials of textual and multimedia information (sound, image, text, etc.) in the Web site, in particular documents of the 1st Congress, for their own personal, non-commercial use, or for classroom use, subject to the condition that any use should be accompanied by an acknowledgement of the source, citing the uniform resource locator (URL) of the page, name & first name of the authors (Title of the material, © author, URL). -
The Portuguese Identity of the Afro-Sri Lankans University of London, King’S College London
Lusotopie Recherches politiques internationales sur les espaces issus de l’histoire et de la colonisation portugaises XII(1-2) | 2005 Genre et rapports sociaux The Portuguese Identity of the Afro-Sri Lankans University of London, King’s College London. Department of Portuguese & Brazilian Studies L’identité portugaise des Afro-Sri Lankais A identidade portuguesa dos afro-sri lankanos Shihan de Silva Jayasuriya Electronic version URL: http://journals.openedition.org/lusotopie/1164 ISSN: 1768-3084 Publisher: Association des rechercheurs de la revue Lusotopie, Brill, Karthala Printed version Date of publication: 30 November 2005 Number of pages: 21-32 ISSN: 1257-0273 Electronic reference Shihan de Silva Jayasuriya, « The Portuguese Identity of the Afro-Sri Lankans », Lusotopie [Online], XII (1-2) | 2005, Online since 30 March 2016, connection on 04 May 2019. URL : http:// journals.openedition.org/lusotopie/1164 Tous droits réservés THE PORTUGUESE IDENTITY OF THE AFRO-SRI LANKANS The Afro-Sri Lankans are an ethnic minority who have long been overlooked and have received little academic attention. They are a marginalised group, part of a culture which is undergoing rapid assimilation, and any information that we have at present about them may be lost if it is not recorded. There is as yet no adequate history of the Afro-Sri Lankans. The three waves of European colonisers (Portuguese, Dutch and British) that came to the shores of Sri Lanka brought Africans with them to this island in the Indian Ocean. This paper focuses on the largest Afro-Sri Lankan contemporary community. Since Sri Lanka regained its independence, the Afro-Sri Lankans have had to cope with the socio-political changes that have occurred in postcolonial Sri Lanka. -
Indi@Logs Vol 4 2017 , Pp
Indi@logs Vol 4 2017 , pp. 11 - 26 , ISSN: 2339 - 8523 DOI http://dx.doi.org/10.5565/rev/indialogs. 73 ----------------------- ------------------------------------------------------------------- ----- - L OST N ARRATIVES AND H YBRID I DENTITIES IN THE I NDIAN O CEAN : A FRO - A SIANS S HIHAN DE S ILVA Institute of Commonwealth Studies, University of London [email protected] Received: 20 - 08 - 2016 Accepted: 17 - 12 - 2 0 1 6 A BSTRACT The v oluntary movement of Africans was concurrent with the ir involuntary uprooting , driven by the slave trade. Trade , colonisation and slavery have been drivers of migration , interconnecting people of diverse ethnicity globally. Afro - Asian communities are both historic and contemporary a nd, w hilst Afro - diasporic communities in the Atlantic World are well recognised, the diasporas in Asia have only become visible in the last decade. Assimilation to the diversity of the Indian Ocean has cont ributed to this invisibility. With the loss of patronage due to changing political scenarios, African migrants have bec o me disenfranchised. The dynamics of their identity, shaped by strong cultural memories bring out their African roots. This paper argue s that diasporic consciousness of Afro - Asians is expressed through their strong cultural memories. As people with dual belongings, identifying with both the homeland and the hostland , Afro - Asians are able to reconcile their hybrid identities. With the mov ement of Afro - Asians from the peripheries their subaltern voices are beginning to be heard. T heir eclipsed histories and lost narratives are challeng ing the Atlantic model of African migration . K EY WORDS : African diaspora, Indian Ocean, Hybrid Identities , Homeland, Hostland , Afro - Asians . -
Cultural Construction of the 'Sinhala Woman' and Women's Lives in Post-Independence Sri Lanka
Cultural Construction of the 'Sinhala Woman' and Women's Lives in Post-Independence Sri Lanka Janaki Jayawardena Ph.D. University Of York Centre for Women's Studies October 2002 2 You are dOing this (research) because there is a reason for it. Otherwise you could have stayed at home surrounded by your family. But you left them and are doing this work because it will do good to someone. I hope I may have a chance to read the book (thesis) you write. Podi (Age 54, Badulla) 3 Abstract This thesis examines the lives of Sinhala women in postcolonial Sri Lanka, particularly the cultural construction of the 'Sinhala woman' as an aspect of the 'invented tradition' during the late nineteenth and early twentieth centuries. In order to historicise gender and culture I examine the pre - colonial and colonial period and also focus my attention on a set of informal restrictions working to constrain women's equal participation in economic, social and political activities, which the Sinhala community identifies as a part and parcel of the 'culture and tradition'. This thesis uses life histories of sixty-four women and life cycle and life course approaches to analyse the data. The first chapter sets the context of the study. The second chapter discusses childhood in order to examine how girls come to understand that they are different from boys. The third chapter discusses an important milestone in Sinhala women's lives, attaining puberty, where the 'traditions' they learn become meaningful and reinforce gender differences. The fourth chapter discusses how and why the 'tradition' was invented. -
The Cases of Guinea-Bissau and Sri Lanka
Chapter 2 Luso-Creole Culture and Identity Compared Th e Cases of Guinea-Bissau and Sri Lanka Christoph Kohl Introduction Th e Upper Guinea Coast is a special case, where processes of creolization in con- nection to Portugal’s expansion are concerned. Colonial ideology used to depict Guinea-Bissau as the ‘fi rst Portuguese possession’, ‘cradle’ (Reis Torgal 2005: 64), and ‘dawn’ (Governo da Guiné 1952) of the Portuguese empire. Th e Portuguese called at the Upper Guinea Coast on their way to Asia and Brazil. Portuguese culture, having ‘disembarked’ there fi rst, has been appropriated, integrated and transformed by local populations there since the late fi fteenth century. Hence, the Upper Guinea Coast was the fi rst region where creolization occurred in con- nection to (Portuguese) colonialism (Vale de Almeida 2007). Processes of cultural and particularly linguistic creolization in Africa and Asia have been the subject of several ‘mono-sited’ studies. However, very few (e.g. Knörr 2008, 2010) in- volve a comparative look at such processes and their social impact. Generally speaking, fi ndings concerning linguistic connections are linked to connections beyond language – where people speak, they interact (and vice versa); and where they interact, new culture and new identifi cations are likely to emerge. Research has, however, led to a number of studies on creole groups and culture, which I term ‘Luso-Creole’. Th is notion alludes to a network of ‘continued identities’ and cultural representations that started emerging during the Portuguese expansion that began in the fi fteenth century and have since acquired specifi c complexities and dynamics (Pina Cabral 2010). -
STAGING SRI LANKAN DANCERS UNDER BRITISH COLONIAL RULE from the 1870S – 1930S
ABSTRACT Title of Dissertation: COLONIAL CHOREOGRAPHY: STAGING SRI LANKAN DANCERS UNDER BRITISH COLONIAL RULE FROM THE 1870s – 1930s Sudesh Bandara Mantillake Madamperum Arachchilage, Doctor of Philosophy, 2018. Dissertation directed by: Dr. Esther Kim Lee, School of Theatre, Dance, and Performance Studies. In textbooks the terms “Kandyan dance” and its equivalent in the Sinhala language “udarata nätuma” are used to describe the dance tradition that was predominantly practiced in the Kandyan region of Sri Lanka. Nationalist histories portray Kandyan dance as a continuation of a pristine tradition that was passed down from ancient Sinhala kingdoms. As the Sinhala nationalist discourse glorified Kandyan dance vis à vis its Tamil counterpart, it obscured the British colonial encounter with Kandyan dancers by leaving out a part of the rich history of dance. As I demonstrate in this dissertation, colonialism transformed to a significant extent the Kandyan dancescape of the British colonial period, particularly between the 1870s and 1930s. Therefore, this dissertation re-examines the history of the so-called tradition of Kandyan dance with the focus on the British colonial encounter with performers of the Kandyan region. As a Sri Lankan dancer, I try to trace and interpret the histories of dancers that were ignored or shrouded in silence in colonial and Sinhala national histories. As a historian, I interpret archival materials through textual and visual analysis while as a dancer, I interpret archival materials through my embodied knowledge -
Buddha in the Crown This Page Intentionally Left Blank Buddha in the Crown Avalokitesvara in the Buddhist Traditions of Sri Lanka
Buddha in the Crown This page intentionally left blank Buddha in the Crown Avalokitesvara in the Buddhist Traditions of Sri Lanka JOHN CLIFFORD HOLT New York Oxford OXFORD UNIVERSITY PRESS 1991 Oxford University Press Oxford New York Toronto Delhi Bombay Calcutta Madras Karachi Petaling Jaya Singapore Hong Kong Tokyo Nairobi Dar es Salaam Cape Town Melbourne Auckland and associated companies in Berlin Ibadan Copyright © 1991 by John Clifford Holt Published by Oxford University Press, Inc. 200 Madison Avenue, New York, NY 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Library of Congress Cataloging-in-Publication Data Holt, John, 1948- Buddha in the crown : Avalokitesvara in the Buddhist traditions of Sri Lanka / by John Clifford Holt. p. cm. Includes bibliographical references (p. ). ISBN 0-19-506418-6 1. Avalokitesvara (Buddhist deity)—Sri Lanka. I. Title. BQ4710.A84S724 1991 294.3 '4211 '095493 dc20 90-6835 1 3 5 7 9 8 6 4 2 Printed in the United States of America on acid-free paper In Memory of Winifred Wick Holt This page intentionally left blank PREFACE Buddha in the Crown has been written primarily for students of religion. The argument I have set forth about the nature of religious change in Sri Lanka is one that need not be regarded as culture-specific, but one that can be tested in a number of other religio-historical contexts. -
Documenting Modern Sri Lanka Portuguese
Language Documentation & Conservation Special Publication No. 19 Documentation and Maintenance of Contact Languages from South Asia to East Asia ed. by Mário Pinharanda-Nunes & Hugo C. Cardoso, pp.1–33 http:/nflrc.hawaii.edu/ldc/sp19 1 http://hdl.handle.net/10125/24905 Documenting modern Sri Lanka Portuguese Hugo C. Cardoso, Mahesh Radhakrishnan, Patrícia Costa & Rui Pereira Universidade de Lisboa, Faculdade de Letras Abstract Sri Lanka Portuguese (SLP) is a Portuguese-lexified creole formed during Sri Lanka’s Portuguese colonial period, which lasted from the early 16th century to the mid-17th century. The language withstood several political changes and became an important medium of communication for a portion of the island’s population, but reached the late 20th century much reduced in its distribution and vitality, having essentially contracted to the Portuguese Burgher community of Eastern Sri Lanka. In the 1970s and 1980s, the language was the object of considerable research and documentation efforts, which were, however, curtailed by the Sri Lankan civil war. This chapter reports on the activities, challenges, and results of a recent documentation project developed in the post-war period and designed to create an appropriate and diverse record of modern SLP. The project is characterised by a highly multidisciplinary approach that combines linguistics and ethnomusicology, a strong focus on video recordings and open-access dissemination of materials through an online digital platform (Endangered Languages Archive), archival prospection -
A South Asian Community of African Descent: Continuing Linguistic and Musical Traditions Shihan De Silva Jayasuriya 46
SAARC Culture Volume 5, 2014 SAARC Cultural Centre Colombo General Editor G.L.W. Samarasinghe, Director, SAARC Cultural Centre Executive Editor Dr. Sanjay Garg, Deputy Director (Research), SAARC Cultural Centre Editorial Team Apsara Karunaratne, Research Assistant, SAARC Cultural Centre Nipunika O. Lecamwasam, Research Coordination Assistant, SAARC Cultural Centre Production Team Ishan Amaraweera, Computer Operations Officer, SAARC Cultural Centre Melani Malawaraarachchi, Computer Operations Assistant, SAARC Cultural Centre Printing: Vishwa Graphics, Pannipitiya SAARC Culture, Volume 5, 2014 © SAARC Cultural Centre, Colombo 2014 All Rights Reserved. No material in this publication may be reproduced without the written permission of the publisher. ISSN: 2012-922x SAARC Culture is an annual research journal of the SAARC Cultural Centre, Colombo. It seeks to provide a platform to the academics, practitioners, policy makers and other stakeholders of various dimensions of culture of the South Asian region (including Afghanistan, Bangladesh, Bhutan, India, Nepal, Maldives, Pakistan and Sri Lanka) to present their research findings and to debate on issues of mutual and common interests. Disclaimer: The views expressed and the information contained in the articles included in this journal is the sole responsibility of the author/s, and do not bear any liability on the SAARC Cultural Centre, Colombo. Contents From the Editor‘s Desk 1 Part I Patterning Storytelling: Oral Traditions and History in Modern Animation Media in India Lopamudra Maitra -
Asian-European Music Research
ASIAN-EUROPEAN MUSIC RESEARCH E-JOURNAL No. 3 (Summer 2019) ISSN 2625-378X COTTBUS/BERLIN: WENDISCHER VERLAG ASIAN-EUROPEAN MUSIC RESEARCH E-JOURNAL SPECIAL PRINT No. 3 (Summer 2019) ISSN 2625-378X COTTBUS/BERLIN: WENDISCHER VERLAG AEMR-EJ Editor Xiao Mei, Shanghai Conservatory of Music, [email protected] Reviews Editors Tan Hwee San, SOAS, [email protected] Chuen-Fung Wong, Macalester College, [email protected] Send books, films, links and other materials for review to: Tan Hwee San, Chuen-Fung Wong, Gisa Jähnichen, Xiao Mei Co-Editor Gisa Jähnichen, Shanghai Conservatory of Music [email protected] Editorial Board • Ako Mashino (Dr., Tokyo University of the Arts, Japan) [email protected] • Alexander Djumaev (Dr., Union of Composers of Uzbekistan) [email protected] • Chinthaka P. Meddegoda (Dr., UVPA, Colombo, Sri Lanka) [email protected] • Chow Ow Wei (Dr., Putra University, Malaysia) [email protected] • Earl Jimenez (MA, Philippine Women’s University, Philippines) [email protected] • Esbjörn Wettermark (Dr., Office for Cultural Development Gävleborg, Sweden) [email protected] • Helen Rees (Prof. Dr., UCLA, USA) [email protected] • Liu Hong (Dr., Shanghai Conservatory of Music, China) [email protected] • Xu Xin (Dr., China Conservatory of Music, Beijing, China) [email protected] • Razia Sultanova (Dr., Cambridge University, UK) [email protected] • Tan Shzr Ee (Dr., Royal Holloway, University of London, UK) [email protected] Asian-European Music Research Journal is a peer-reviewed academic journal that publishes scholarship on traditional and popular musics and field work research, and on recent issues and debates in Asian and European communities.