Self-Authorship in Undergraduate Students in a Blended-Learning Multicultural Course Vicki Rae Abel Iowa State University
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Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Hercules Fanzine No. 54
Meet John Jorgenson since 1988 at the Hercules UK Convention on 24th March See inside for details THE MAG inside this issue: Exclusive! Clive Franks Interview part 3 Nigel Olsson talks about the past year We talk to one of Elton’s schoolfriends John Jorgenson competition PLUS: News, Trivia, For up-to-the-minute news about Elton, Quizzes, callers in the UK can phone the Your Letters & more! HERCULESHERCULES HotlineHotline onon 09060906 888888 2020 2020 Calls cost 60p per minute anytime March 2001 Issue No: 54 Fanzine of the Elton John SMALL ADS THE MAG Fan Club Free to Hercules members. Send yours to David Wright, Editor, 100 Winkworth Rd, Banstead, Surrey SM7 2QR, UK., or e-mail him at [email protected] TOUR DATES Issue No. 54 FAN CLUB INFORMATION MARCH 2001 EJ CELS! ELTON JOHN SOLO TOUR 2001 Annual membership fee for the UK is £14 if paid by HERCULES Chief Editor Similar to the way animation DATE CITY VENUE David Wright Standing Order/VISA/Mastercard. By Cheque/Postal 100 Winkworth Road, Cels are made. Matted and 03-Apr-2001 Paris, France: BERCY Order it is £15. For the rest of Europe it is £14, and Banstead presented in shadow box frames. 04-Apr-2001 Nice, France: S.A. NIKAIA for the USA it is 17£/US$30. Please note that your Surrey SM7 2QR, U.K. [email protected] 16 titles available. Some in 05-Apr-2001 Nice, France: S.A. NIKAIA renewal date is printed on your address label in Assistant Editor: limited edition! Visit our web site European format day/month/year. -
John, Sir Elton (B.1947) by Nathan G
John, Sir Elton (b.1947) by Nathan G. Tipton Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Sir Elton John on stage in 2008. Photograph by Elton John has, over five decades, achieved an amazingly successful track record in Richard Mushet. the music industry. He was not only the biggest-selling pop superstar of the 1970s, Image appears under the but, more surprisingly, he continues to retain popularity among his fans and respect Creative Commons from music critics. Attribution-Share Alike 2.0 Generic license. Elton John holds a music industry record for most consecutive singles placed in the Top 40, a string that began in 1970 and was broken only in 2000. Stephen Erlewine has noted that, although Elton John has endured temporary slumps in creativity and sales, he continues to craft contemporary pop standards that showcase his musical versatility. John's combination of melodic skills, dynamic charisma, and raucous performance style has made him a remarkably popular musical artist. Elton John was born Reginald Kenneth Dwight in Pinner, Middlesex, England on March 25, 1947. Dwight began playing piano at age four and, when he was eleven, won a scholarship to the Royal Academy of Music in London. After six years at school, he left in order to break into the music business. In 1961 he joined his first band, Bluesology, but left in 1966 because of creative differences with bandleader Long John Baldry. During this time Dwight had answered a Liberty Records advertisement for songwriters; and, though he failed the vocal audition, he was given a stack of lyrics written by Bernie Taupin, a young songwriter from Lincolnshire who had also answered the ad. -
Employers' Obligations to Workers in Military
NEW YORK STATE BAR ASSOCIATION JournalJournalNOVEMBER/DECEMBER 2001 | VOL. 73 | NO. 9 EMPLOYERS’EMPLOYERS’ OBLIGATIONSOBLIGATIONS TOTO WORKERSWORKERS ININ MILITARYMILITARY Inside Dilemmas for Fiduciaries Testimony by Physicians Your Writing Style Appealable Issues Three-Year Index BOARD OF EDITORS C ONTENTS Howard F. Angione When Duty Calls: What Obligations Do Employers Have Editor-in-Chief Queens To Employees Who Are Called to Military Service? e-mail: [email protected] Eve I. Klein and Maria Cilenti 10 Rose Mary Bailly Albany Estates with Multiple Fiduciaries Pose Ethical and Willard H. DaSilva Practical Issues for Attorneys and Clients Alike Garden City John R. Morken and Gary B. Freidman Louis P. DiLorenzo 22 Syracuse Philip H. Dixon Need for a Testifying Physician to Rely on Albany Reports by a Non-Testifying Physician Poses Judith S. Kaye Evidentiary Problems New York City Marcy S. Friedman 28 John B. Nesbitt Lyons Appeals Can Deal With the “Stain” of Unpreserved Kenneth P. Nolan New York City Constitutional Issues if Criteria for Exception Eugene E. Peckham Are Met Binghamton Paul Golden 34 Sanford J. Schlesinger New York City Writing Clinic—So Just What Is Your Style? Richard N. Winfield Susan McCloskey 39 New York City Eugene C. Gerhart Editor Emeritus Binghamton Daniel J. McMahon Managing Editor Albany e-mail: [email protected] Philip C. Weis Associate Editor Oceanside D EPARTMENTS EDITORIAL OFFICES One Elk Street President’s Message _______________ 5 New Members Welcomed __________ 60 Albany, NY 12207 Index ____________________________ -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Six Toes in Eternity Book B Face to Face 2001-2003
Six Toes in Eternity Book B Face to Face 2001-2003 Introduction I wanted to share with you, loyal old readers and new ones as well, my sightings of the age sixty-four; the Bridegroom peering through the “lattices” of my present life as I grappled with the daily mood swings of fatigue, desperation and, more rarely, exulted in moments of joy and peace. I love to hear such accounts from my personal friends and from more famous ones who write them down in books. An expert in literature recently said that an author is an invisible friend whose story, thoughts, and images enrich the life of the reader. May it be so. The impetus for beginning to journal again came on November 15, 2001 during Eucharistic Adoration, crouched in my alcove praying the Office of Readings. On the inside cover of that prayer book I have pasted the famous face of Christ painted by El Greco to be found on the cover of Face to Face. The words I heard him speaking in my heart as I looked at that Spanish face were those of St. Bernard: “Love is not Loved!” When I stared into your sad El Greco eyes, my Jesus, those words “Love is not Loved!” came to me not as a general statement but as directed by You to me. It seems that You wanted me to know just how wounding it is for You that I will not trust the love that You went to such lengths to prove to me. Staring at the pure whiteness of Your presence in the host in the monstrance and, then, down at Your face in the painting, I tried to respond. -
CAC4 + Hiperorgânicos5
Computer Art & Design for All – Proceedings of the Computer Art Congress Edited By: Guto Nóbrega, Khaldoun Zreik, Maria Luiza Fragoso e Tania Fraga September 2014 Http://cac4.eba.ufrj.br Published by School of Fine Arts, Federal University of Rio de Janeiro (EBA – Escola de Belas Artes de UFRJ ) RioBooks Av. Pedro Calmom 550, 7 andar – Cidade Universitária Rio de Janeiro, RJ CEP – 21941-901 Tel: +55 21 2252-0084 Email: [email protected] Credits Cover Design: Ian Guy Ipanema Logo: Guto Nóbrega Layout: Maria Luiza Fragoso Printed in Rio de Janeiro ISBN 978-85-61556-64-8 Copyright 2014 Escola de Belas Artes/UFRJ All rights reserved. No part of this publication may be reproduced, stored in a restricted system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior written permission of the Publisher Escola de Belas Artes – EBA/ UFRJ – Riobooks. All text and images reproduced on the papers are their author´s responsability. COMPUTER ART & DESIGN FOR ALL PROCEEDINGS OF THE 4TH COMPUTER ART CONGRESS 1-3 September 2014 – School of Fine Arts/ UFRJ, Rio de Janeiro, Brazil Edited Guto Nóbrega Khaldoun Zreik Maria Luiza Fragoso Tania Fraga Graduate Program of Visual Arts/PPGAV - School of Fine Arts/EBA Federal University of Rio de Janeiro/UFRJ EBA UFRJ EBA / UFRJ Promoted by: Centro de Letras e Artes EBA UFRJ EBA / UFRJ Sponsored by: PR-3 PR-5 Pró-Reitoria de Planejamento, Pró Reitoria de Extensão UFRJ Superintendência de Tecnologia Desenvolvimento e Finanças UFRJ da Informação e Comunicação Our Partners: IMA - INSTITUTE OF MATHEMATICS AND ART OF SÃO PAULO FOREWORD The 4th edition of CAC (2014) is organized with the collaboration of NANO Lab, supported by the Graduate Program in Visual Arts, at the School of Fine Arts of the Federal University of Rio de Janeiro (UFRJ). -
The Lighter Fall 2018
The Lighter Volume 65 Article 1 Issue 1 The Lighter Fall 2018 The Lighter Fall 2018 Follow this and additional works at: https://scholar.valpo.edu/lighter Recommended Citation () "The Lighter Fall 2018," The Lighter: Vol. 65 : Iss. 1 , Article 1. Available at: https://scholar.valpo.edu/lighter/vol65/iss1/1 This Full Issue is brought to you for free and open access by the Department of English at ValpoScholar. It has been accepted for inclusion in The Lighter by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Title Occum restiae peris net ent volorrunt eumenturias aut Author | Prose idusam fugit, temped ullesse cturia quatus, omnis id elignim inverum erferecus dus nulparchici uta invello rehenis sitibus simus mi, accuscipite nullia nobis ut fuga. Moditis assi beraeri busdae sinulparibus aut aut nimpore cum nonsequia nonsequidus dolupta tuscita sum vel mi, sum dolorpore velictiandem acepratusae poria que sin cus doluptam laborio reicit, cusda nihilib usaperrovid volupta dolorit iorero coris re, occum ut moluptatur re, moluptatus porem aut in pra sim dipsandionet expliqui ut ditatisquo ex endellabor maiorereped molorpos essit alitiatem as natur? Qui conse digene il il molent, odio cus, si quis aut mos dolorio qui vendi dolore etur sit optatectur? delluptat pla quas raeri sum quam quis id quatios maximus Catusanda vene vent, omnist officil iandus dolectumet porem into mil ma cum quodiae. Tatiur? ommoluptio blandan dersped etur sum unt ratemquo Ma sere se volupta eperio mos por molorem faces mostibus cust quo molupti iliti voluptias excest evella volo rem destis velecae. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 117 CONGRESS, FIRST SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 117 CONGRESS, FIRST SESSION Vol. 167 WASHINGTON, WEDNESDAY, APRIL 28, 2021 No. 73 House of Representatives The House met at 6 p.m. and was The SPEAKER led the Pledge of Alle- invitees and staff are required to follow called to order by the Speaker. giance as follows: the COVID protocols stated by the Ser- f I pledge allegiance to the Flag of the geant at Arms in consultation with the United States of America, and to the Repub- Office of the Attending Physician. PRAYER lic for which it stands, one nation under God, All seating for the joint session will The Chaplain, the Reverend Margaret indivisible, with liberty and justice for all. be assigned by name, both on the floor Grun Kibben, offered the following f of the House and in the House gallery. prayer: Members will be required to sit in their Almighty God, we pause to approach COMMUNICATION FROM THE assigned seat and the Sergeant at Arms You keenly aware that our business CLERK OF THE HOUSE will assist Members in finding their this evening is not to be the usual po- The SPEAKER laid before the House seats. litical discourse. Rather, tonight, we the following communication from the All Members are reminded to refrain seek some sense of awareness of where Clerk of the House of Representatives: from engaging in still photography or we are, and look for direction as to OFFICE OF THE CLERK, audio or video recording in the Cham- where we should go as a Nation in HOUSE OF REPRESENTATIVES, ber. -
2009 NOHS National Conference Proceedings
2009 NOHS National Conference Proceedings People in Contexts: Families, Schools, Community, and Cultures Portland, Oregon – October, 2009 Publisher: Dr. Nadira Charaniya Editor: Steve Cockerham Assistant Editor: Amanda Barker Editorial Review Board: Dr. Cecil Blankenship Teresa Brooks-Taylor Dr. Debbie Harley Dr. Jamie Kridler Dr. Mary Langenbruner Copyright 2010 National Organization of Human Services All rights reserved. No part of this publication may be reproduced, stored, transmitted, or disseminated in any form or by any means without prior written permission from NOHS Board Members or Editors. Copies are permitted for research or educational purposes. Any financial benefit from use of copies accrues to NOHS, which disclaims responsibility for statements of fact or opinion expressed in this publication. For additional information, contact www.nationalhumanservices.org 2 Table of Contents The Death of the Professor: Dialogue Education's Learning Focus Debra Minar Driscoll…………………………………………………………………………….......... 3 Human Services-Board Certified Practitioner Ethics Scott Hinkle & Shoshana D. Kerewsky……………………………….…………………….………….. 6 The Challenges of Transition for Newly Arrived Youth and Families Joan Tropnas…………………………………………………………………………………………… 12 Integrating Human Services Skills Using Autobiographical Graphic Novels Shoshana D. Kerewsky………………………………….……………………………………………… 16 Arab-Muslims in America: An Intersection of Gender, Religion, and Culture Tricia McClam & Marianne Woodside……………………………….……………………………….. 19 Increasing the Academic Rigor -
Nordicom Review 2001(2)
Reflections on Public Discussion in the Mass Media VEIKKO PIETILÄ Normative reflections upon democracy and the me- Public Discussion as dia have emphasized again and again that, in order Face-to-Face Conversation to function properly, modern democracies require the media to provide “the means whereby the public One should note, however, that what was tradition- debate” underpinning these societies “can take ally meant by public debate was face-to-face discus- place” (Oreja et al. 1998: 9). Beetham and Boyle sion in public. For instance, Peters (1999: 21) has (1995: 13) think, for example, that the main task of stated that regardless of the emphasis Habermas the media, in addition to their ’watchdog’ role, is puts on the press in the 18th century’s public sphere their role as a forum for public debate whereby they he still “avoids the implication” that the press is also serve “the expression of public opinion to the “the stage of public conversation”. If the press “ena- government”. According to Nordenstreng (1997: bles a wide-scale conversation to take place” (Peters 18), in Scandinavian countries the “current ’func- 1995: 10), this is due above all to its working as “a tions’ of the media” have been condensed into in- catalyst of conversation” (Salmon & Glasser 1995: formation function, critique function and forum 447). This view of the media as “the principal function, the last one involving the media “to pro- source of conversation”, which takes place in fora vide the representatives of different views the op- safely outside of them, was formulated particularly portunity for publicity”.