Leak Prosecutions and the First Amendment: New Developments and a Closer Look at the Feasibility of Protecting Leakers
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How Laura Poitras Helped Snowden Spill His Secrets
How Laura Poitras Helped Snowden Spill His Secrets Documentary filmmaker Laura Poitras in Berlin. By PETER MAASS Published: August 13, 2013 This past January, Laura Poitras received a curious e-mail from an anonymous stranger requesting her public encryption key. For almost two years, Poitras had been working on a documentary about surveillance, and she occasionally received queries from strangers. She replied to this one and sent her public key — allowing him or her to send an encrypted e-mail that only Poitras could open, with her private key — but she didn’t think much would come of it. The stranger responded with instructions for creating an even more secure system to protect their exchanges. Promising sensitive information, the stranger told Poitras to select long pass phrases that could withstand a brute-force attack by networked computers. “Assume that your adversary is capable of a trillion guesses per second,” the stranger wrote. Before long, Poitras received an encrypted message that outlined a number of secret surveillance programs run by the government. She had heard of one of them but not the others. After describing each program, the stranger wrote some version of the phrase, “This I can prove.” 1 From www.nytimes.com/2013/08/18/magazine/laura-poitras-snowden.html?hpw 20 August 2013 Seconds after she decrypted and read the e-mail, Poitras disconnected from the Internet and removed the message from her computer. “I thought, O.K., if this is true, my life just changed,” she told me last month. “It was staggering, what he claimed to know and be able to provide. -
The Views of the U.S. Left and Right on Whistleblowers Whistleblowers on Right and U.S
The Views of the U.S. Left and Right on Whistleblowers Concerning Government Secrets By Casey McKenzie Submitted to Central European University Department of International Relations and European Studies In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Erin Kristin Jenne Word Count: 12,868 CEU eTD Collection Budapest Hungary 2014 Abstract The debates on whistleblowers in the United States produce no simple answers and to make thing more confusing there is no simple political left and right wings. The political wings can be further divided into far-left, moderate-left, moderate-right, far-right. To understand the reactions of these political factions, the correct political spectrum must be applied. By using qualitative content analysis of far-left, moderate-left, moderate-right, far-right news sites I demonstrate the debate over whistleblowers belongs along a establishment vs. anti- establishment spectrum. CEU eTD Collection i Acknowledgments I would like to express my fullest gratitude to my supervisor, Erin Kristin Jenne, for the all the help see gave me and without whose guidance I would have been completely lost. And to Danielle who always hit me in the back of the head when I wanted to give up. CEU eTD Collection ii Table of Contents Abstract ....................................................................................................................................... i Acknowledgments..................................................................................................................... -
Julia Reichert and the Work of Telling Working-Class Stories
FEATURES JULIA REICHERT AND THE WORK OF TELLING WORKING-CLASS STORIES Patricia Aufderheide It was the Year of Julia: in 2019 documentarian Julia Reichert received lifetime-achievement awards at the Full Frame and HotDocs festivals, was given the inaugural “Empowering Truth” award from Kartemquin Films, and saw a retrospec- tive of her work presented at the Museum of Modern Art in New York. (The International Documentary Association had already given her its 2018 award.) Meanwhile, her newest work, American Factory (2019)—made, as have been all her films in the last two decades, with Steven Bognar—is being championed for an Academy Award nomination, which would be Reichert’s fourth, and has been picked up by the Obamas’ new Higher Ground company. A lifelong socialist- feminist and self-styled “humanist Marxist” who pioneered independent social-issue films featuring women, Reichert was also in 2019 finishing another film, tentatively titled 9to5: The Story of a Movement, about the history of the movement for working women’srights. Yet Julia Reichert is an underrecognized figure in the contemporary documentary landscape. All of Reichert’s films are rooted in Dayton, Ohio. Though periodically rec- ognized by the bicoastal documentary film world, she has never been a part of it, much like her Chicago-based fellow Julia Reichert in 2019. Photo by Eryn Montgomery midwesterners: Kartemquin Films (Gordon Quinn, Steve James, Maria Finitzo, Bill Siegel, and others) and Yvonne 2 The Documentary Film Book. She is absent entirely from Welbon. 3 Gary Crowdus’s A Political Companion to American Film. Nor has her work been a focus of very much documentary While her earliest films are mentioned in many texts as scholarship. -
Civil Disobedience July 18 – October 29, 2017
MIT List Visual Arts Center 20 Ames Street, Building E15 Cambridge MA 02139 listart.mit.edu Civil Disobedience July 18 – October 29, 2017 COVER Patricia Silva, Mass Swell (still),2016, single-channel video, sound, 14:07 min. Courtesy the artist. ABOVE Third World Newsreel, America (still), 1969, single-channel video, sound, 30 min. Courtesy Third World Newsreel. Civil Disobedience Bakalar Gallery July 18 – October 29, 2017 List Projects: Civil Disobedience presents a program of documentaries, news footage, artist’s films and videos focusing on moments of political resistance and public demonstration from the early 20th century through today. Featuring records from 1930s “hunger marches,” the historic Civil Rights and women’s movements, anti-war action, gay liberation and AIDS activism, the Black Lives Matter movement, and recent Women’s Marches, the exhibition considers the history of resistance as well as the role that artists and documentarians play in chronicling and confronting abuses of power and social injustice. DAILY SCREENING PROGRAM 1. The Workers Film and Photo League The National Hunger March, 1931; 11 min. writers, and projectionists in the 1930s, America Today and The World in Review, dedicated to documenting the US Labor 1932; 11 min. Movement and using film and photography The Workers Film and Photo League was an for social change. Courtesy MoMA organization of filmmakers, photographers, Circulating Film & Video Library. 2. The 1960s: Civil Rights Movement Videofreex, Fred Hampton: Black Panthers Madeline Anderson, I Am Somebody, 1970; in Chicago, 1969; 23:10 min. 29:43 min. Formed in 1969 when David Cort and Madeline Anderson is a pioneering African- Parry Teasdale met at the Woodstock American television and documentary Music Festival, the Videofreex was a video producer, director, editor, and writer. -
Doc Nyc Visionaries Tribute to Honor Wim Wenders, Orlando Bagwell, Elizabeth Chai Vasarhelyi & Jimmy Chin, and Tabitha Jacks
DOC NYC VISIONARIES TRIBUTE TO HONOR WIM WENDERS, ORLANDO BAGWELL, ELIZABETH CHAI VASARHELYI & JIMMY CHIN, AND TABITHA JACKSON ON NOVEMBER 8 NEW YORK, Sept. 24, 2018 – DOC NYC, America’s largest documentary festival, running November 8-15, announced the honorees for the fifth annual Visionaries Tribute, taking place on November 8, 2018 at Manhattan’s Edison Ballroom. Veteran filmmakers Wim Wenders and Orlando Bagwell will receive Lifetime Achievement recognition. TheRobert and Anne Drew Award for Documentary Excellence will go to Elizabeth Chai Vasarhelyi and Jimmy Chin (Meru, Free Solo) and the Leading Light Award will go toTabitha Jackson, Director of the Sundance Institute’s Documentary Film Program. The festival announced Netflix as its Leadership Sponsor supporting the Visionaries Tribute. The NEON Shorts Award will debut at this year’s Visionaries event. The team at NEON will select one short from the DOC NYC lineup to honor with the opportunity for theatrical distribution. The winner will be announced on November 8. “The Visionaries Tribute is known to gather an astonishing array of documentary talent,” said DOC NYC’s Artistic Director Thom Powers. “For our fifth year, we’re dedicated to making it the best version ever.” LIFETIME ACHIEVEMENT AWARD The Lifetime Achievement Award honors individuals with a substantial body of film work. Past recipients are Sheila Nevins, Errol Morris, Stanley Nelson, Jonathan Demme, Barbara Kopple, Jon Alpert, Frederick Wiseman, D.A. Pennebaker, Chris Hegedus and Albert Maysles. The 2018 Lifetime Achievement Award goes to: Wim Wenders has directed the Oscar-nominated documentaries The Salt of the Earth, Pina and Buena Vista Social Club, along with nonfiction titles such as The Blues and Room 666 and celebrated fiction films such as Paris, Texas and Wings of Desire. -
2007 Highlander Vol 89 No 15 January 30, 2007
Regis University ePublications at Regis University Highlander - Regis University's Student-Written Archives and Special Collections Newspaper 1-30-2007 2007 Highlander Vol 89 No 15 January 30, 2007 Follow this and additional works at: https://epublications.regis.edu/highlander Part of the Education Commons, and the Religion Commons Recommended Citation "2007 Highlander Vol 89 No 15 January 30, 2007" (2007). Highlander - Regis University's Student-Written Newspaper. 237. https://epublications.regis.edu/highlander/237 This Book is brought to you for free and open access by the Archives and Special Collections at ePublications at Regis University. It has been accepted for inclusion in Highlander - Regis University's Student-Written Newspaper by an authorized administrator of ePublications at Regis University. For more information, please contact [email protected]. )I • I• Volume 89, Issue 15 January 30, 2007 Regis University e a weekly publication 1 er The Jesuit University of the Rockies www.RegisHighlander.com Denver, Colorado Tuition rates · on heading up What students need to know about the new fiscal year Jacqueline Kharouf Ed;tor-in-Chief With the new fiscal year, students are reminded by enrollment services to complete their FAFSA applications by March, to pay their semester tuition bills on time, and to prep for taxes and student loan fees. But with the 2007- 2008 fiscal year comes another finan cial based to-do on the new year agen da: adapting for the new tuition rates at Regis University. Every year the Executive Budget Committee (EBC), comprised of vice presidents and academic deans, which meets weekly throughout the school year, works on putting together tuition rates, estimating credit hour produc tion revenue (also known as enroll ment rates), and examining the expen diture side of the university budget. -
@Mongrelmedia Mongrelmedia SYNOPSIS
Presents RISK A film by Laura Poitras (92 min., USA/Germany, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia SYNOPSIS How much of your own life are you willing to risk? Laura Poitras, Academy Award winning director of CITIZENFOUR, returns with her most personal and intimate film to date. Filmed over six years, RISK is a complex and volatile character study that collides with a high stakes election year and its controversial aftermath. Cornered in a tiny building for half a decade, Julian Assange is undeterred even as the legal jeopardy he faces threatens to undermine the organization he leads and fracture the movement he inspired. Capturing this story with unprecedented access, Poitras finds herself caught between the motives and contradictions of Assange and his inner circle. In a new world order where a single keystroke can alter history, RISK is a portrait of power, betrayal, truth, and sacrifice. Executive Produced by Sam Esmail, creator of Mr. Robot. DIRECTOR’S STATEMENT I first approached WikiLeaks in 2010. They had just published a leaked Apache helicopter video that documented U.S. soldiers gunning down Iraqi civilians, including two Reuters journalists. I began filming the organization in 2011, after the Arab Spring had begun and the U.S. government had launched a multi-agency investigation into Julian Assange and the staff. -
A Film Music Documentary
VULTURE PROUDLY SUPPORTS DOC NYC 2016 AMERICA’s lARGEST DOCUMENTARY FESTIVAL Welcome 4 Staff & Sponsors 8 Galas 12 Special Events 15 Visionaries Tribute 18 Viewfinders 20 Metropolis 24 American Perspectives 29 International Perspectives 33 True Crime 36 DEVOURING TV AND FILM. Science Nonfiction 38 Art & Design 40 @DOCNYCfest ALL DAY. EVERY DAY. Wild Life 43 Modern Family 44 Behind the Scenes 46 Schedule 51 Jock Docs 55 Fight the Power 58 Sonic Cinema 60 Shorts 63 DOC NYC U 68 Docs Redux 71 Short List 73 DOC NYC Pro 83 Film Index 100 Map, Pass and Ticket Information 102 #DOCNYC WELCOME WELCOME LET THE DOCS BEGIN! DOC NYC, America’s Largest Documentary hoarders and obsessives, among other Festival, has returned with another eight days fascinating subjects. of the newest and best nonfiction programming to entertain, illuminate and provoke audiences Building off our world premiere screening of in the greatest city in the world. Our seventh Making A Murderer last year, we’ve introduced edition features more than 250 films and panels, a new t rue CriMe section. Other fresh presented by over 300 filmmakers and thematic offerings include SceC i N e special guests! NONfiCtiON, engaging looks at the worlds of science and technology, and a rt & T HE C ITY OF N EW Y ORK , profiles of artists. These join popular O FFICE OF THE M AYOR This documentary feast takes place at our Design N EW Y ORK, NY 10007 familiar venues in Greenwich Village and returning sections: animal-focused THEl wi D Chelsea. The IFC Center, the SVA Theatre and life, unconventional MODerN faMilY Cinepolis Chelsea host our film screenings, while portraits, cinephile celebrations Behi ND the sCeNes, sports-themed JCO k DO s, November 10, 2016 Cinepolis Chelsea once again does double duty activism-oriented , music as the home of DOC NYC PrO, our panel f iGht the POwer and masterclass series for professional and doc strand Son iC CiNeMa and doc classic aspiring documentary filmmakers. -
Documentary Version 1
Qualification Accredited A LEVEL Delivery Guide FILM STUDIES H410 For first teaching in 2017 Component 2 – Section B: Documentary Version 1 www.ocr.org.uk/filmstudies A Level Film Studies Delivery Guide A LEVEL FILM STUDIES This guide outlines approaches and ideas, including learner activities for the Section B of Component 2: Documentary. Delivery guides are designed to represent a body of knowledge about teaching a particular topic and contain: • Content: A clear outline of the content covered by the delivery guide; • Thinking Conceptually: Expert guidance on the key concepts involved, common difficulties students may have, approaches to teaching that can help students understand these concepts and how this topic links conceptually to other areas of the subject; • Thinking Contextually: A range of suggested teaching activities using a variety of Introduction themes so that different activities can be selected which best suit particular classes, learning styles or teaching approaches. If you have any feedback on this Delivery Guide or suggestions for other resources you would like OCR to develop, please email [email protected] Curriculum Content 3 Thinking Conceptually 4 Thinking Contextually 8 Learner Resources – Activities 9 DISCLAIMER This resource was designed using the most up to date information from the specification at the time it was published. Specifications are updated over time, which means there may be contradictions between the resource and the specification, therefore please use the information on the latest specification at all times. If you do notice a discrepancy please contact us on the following email address: [email protected] 2 © OCR 2017 A Level Film Studies Delivery Guide A brief contextual history of documentary film The Documentary component is designed to engage learners in the close study of documentary film. -
1 5. ANALYSIS: Being a Woman Behind-The-Camera in American Independent Documentary Filmmaking World 5.1. Introduction Women
5. ANALYSIS: Being a Woman Behind-the-camera in American Independent Documentary Filmmaking World 5.1. Introduction Women are still a minority behind the camera in the commercial film industry. Assessing 250 of the top-grossing U.S. movies of 2013, only 6 % of directors were female. The statistics have fluctuated very little since 1998 (Lauzen, 2014). In contrast to corporate Hollywood, in independent filmmaking the situation is different, and the numbers are in women’s favor. A recent study conducted by the Annenberg School of Communication & Journalism shows that across 11 years (2002 – 2012) of programmed U.S. feature-length films at the Sundance Film Festival 17 % of narrative movie directors were women. However, during the same 11-year period 34.5 % of documentary directors who presented their U.S. feature films were women and in 2012 women directed 41.9 % of documentary films screened at the festival. In 2013 women directed almost half of documentary movies featured in the Sundance Film Festival (Smith, Pieper & Choueiti, 2013). Female documentary filmmakers from all around the world have been in the news recently: the surge of Arab female documentary filmmakers (“We want to tell stories from our part of the world,” said Palestinian Rana Khaled al-Khatib) (Jones, 2013) and documentaries by Indian women winning national and international awards (Anand, 2012). In 2014 the film “The Square,” by Jehane Noujaim, was nominated for an Academy Award in the Best Documentary category. In 2012, two women documentary 1 filmmakers were awarded the MacArthur Genius Grant ($500,000 without any strings), which is recognition for excellence in the field and an incentive for fostering further vision. -
FS 250 DOCUMENTARY FILMMAKING IES Abroad Rome
FS 250 DOCUMENTARY FILMMAKING IES Abroad Rome DESCRIPTION: This Introduction to Documentary Filmmaking will enable students to develop a critical, aesthetic and ethical approach to visual representation. Through selected documentary viewings, readings, class discussions, research projects and the completion of a final documentary project, students will acquire the necessary tools that will help them understand the process needed for making an audiovisual product. The making of a short documentary project on a selected topic will be proposed by the students and approved by the instructor. The documentaries will be based on the new reality in which students will be living and will focus on the differences between cultures, religions, politics, arts, architecture and lifestyles. Students will capture aspects of Italian culture with the advantage of being able to observe it as spectators with a certain amount of detachment. Students will develop the ability to observe, explore, and investigate reality around them. The course fosters a new mode of attentiveness and observation that stimulates and allows students to turn their ideas, intuitions and emotions into visual narratives. Students will learn and discuss all steps involved in the making of documentaries from the conception of the idea to the final film. This process will allow them to develop, in a written form as well, a research project structured in four parts: Theme; Characters; Locations; Story. Students will be trained in the basic technical and creative skills of digital video production and postproduction under the guidance of an experienced filmmaker. They will transform selected research projects into documentaries working in small groups. Students will film and edit also outside class time if necessary. -
An Inconvenient Sequel: Truth to Power Kinostart
AN INCONVENIENT SEQUEL: TRUTH TO POWER DEUTSCHER TITEL: IMMER NOCH EINE UNBEQUEME WAHRHEIT - UNSERE ZEIT LÄUFT KINOSTART: 12. OKTOBER 2017 IM VERLEIH VON THE WALT DISNEY COMPANY (SWITZERLAND) GMBH EPK, Bildmaterial, Trailer, weitere Infos usw. stehen zum Download bereit unter: https://www.tmdb.pro/downloadcenter.php?movie=3642&m=k Die offizielle Website zum Film lautet: https://www.facebook.com/paramountswiss/ #BeInconvenient #UnsereZeitläuft Inhaltsverzeichnis KURZINHALT UND PRESSENOTIZ ..................................................................................................3 ÜBER DIE PRODUKTION ................................................................................................................ 4 AL GORE UND DIE KLIMAKRISE: ZEHN JAHRE SPÄTER ........................................................... 4 WIE MAN EIN KULTURELLES PHÄNOMEN ERNEUERT ............................................................ 7 AL GORES ZWEITE KARRIERE ................................................................................................... 13 KLIMAWANDEL JETZT .............................................................................................................. 16 EINE REISE NACH INDIEN – AUF DEM WEG NACH PARIS ...................................................... 20 TRAGÖDIE UND TRIUMPH IN PARIS ........................................................................................ 22 CINÉMA VÉRITÉ TRIFFT KLIMAWANDEL ................................................................................. 25 INTERVIEW MIT