DOCSLIB.ORG

@Mongrelmedia Mongrelmedia SYNOPSIS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
@Mongrelmedia Mongrelmedia SYNOPSIS Presents RISK A film by Laura Poitras (92 min., USA/Germany, 2016) Language: English Distribution Publicity Bonne Smith Star PR 1352 Dundas St. West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1Y2 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com @MongrelMedia MongrelMedia SYNOPSIS How much of your own life are you willing to risk? Laura Poitras, Academy Award winning director of CITIZENFOUR, returns with her most personal and intimate film to date. Filmed over six years, RISK is a complex and volatile character study that collides with a high stakes election year and its controversial aftermath. Cornered in a tiny building for half a decade, Julian Assange is undeterred even as the legal jeopardy he faces threatens to undermine the organization he leads and fracture the movement he inspired. Capturing this story with unprecedented access, Poitras finds herself caught between the motives and contradictions of Assange and his inner circle. In a new world order where a single keystroke can alter history, RISK is a portrait of power, betrayal, truth, and sacrifice. Executive Produced by Sam Esmail, creator of Mr. Robot. DIRECTOR’S STATEMENT I first approached WikiLeaks in 2010. They had just published a leaked Apache helicopter video that documented U.S. soldiers gunning down Iraqi civilians, including two Reuters journalists. I began filming the organization in 2011, after the Arab Spring had begun and the U.S. government had launched a multi-agency investigation into Julian Assange and the staff. By enabling secure, anonymous leaking of large datasets, WikiLeaks’ publishing has changed the landscape of journalism. Their activities foreshadowed and enabled the emergence of whistleblowers like Chelsea Manning and Edward Snowden, and leaks like the Panama Papers. Today, many mainstream newsrooms have systems for anonymous sources to submit leaks securely. Shooting the material for my documentary RISK prepared me for what happened later when Edward Snowden contacted me. Filming with WikiLeaks, I learned about secure communication, encryption, source protection, and navigating publication of classified information. RISK premiered at the Cannes Film Festival in May 2016. Events unfolded before and after the Cannes screening that obligated me to continue working on the film. These included legal and personal pressure and demands by Assange and his legal team to remove scenes in the film in which he speaks about the ongoing sexual offences investigation in Sweden, and new sexual misconduct allegations made against another person in the film. The recent threats against WikiLeaks and their staff by the director of the CIA and the Attorney General are chilling. These threats should be interpreted for what they are: an aggressive effort on the part of the Trump administration to silence the free press and attack the First Amendment. FILMMAKER BIO Laura Poitras is a filmmaker, journalist, and artist. CITIZENFOUR, the third installment of her post-9/11 Trilogy, won an Academy Award for Best Documentary, along with awards from the British Film Academy, Independent Spirit Awards, Director’s Guild of America, German Filmpreis, Cinema Eye Honors, Gotham Awards and others. Part one of the trilogy, MY COUNTRY, MY COUNTRY, about the U.S. occupation of Iraq, was nominated for an Academy Award. Part two, THE OATH, focused on Guantanamo and the war on terror, and was nominated for two Emmy awards. ASTRO NOISE (2016), her first solo museum exhibition at the Whitney Museum of American Art curated by Jay Sanders, is a series of immersive installations and new work, including: ANARCHIST; O'Say Can You See; Bed Down Location; Disposition Matrix; November 20, 2004; and Last Seen. Her reporting on NSA mass surveillance based on Edward Snowden’s disclosures won the George Polk Award for national security journalism, and shared in the 2014 Pulitzer Prize for Public Service. In 2006, the U.S. government placed her on a secret watch list and, through 2012, she was detained and interrogated at the U.S. border each time she traveled internationally. In 2015, the Electronic Frontier Foundation filed a FOIA lawsuit against the U.S. government to obtain her FBI and other government files. Over 1,000 pages have been released. She has received many honors for her work, including a MacArthur Fellowship, Guggenheim Fellowship, Creative Capital grant, and a Peabody Award. She has attended the Sundance Institute Documentary Labs as both a Fellow and Creative Advisor. She is on the board of the Freedom of the Press Foundation, and is Co-Creator of the visual journalism project Field of Vision. THE OATH Credits and Packaging - 1.6 - Fine Cut Deliverables Credits JULIAN ASSANGE SARAH HARRISON JACOB APPELBAUM JOSEPH FARRELL RENATA AVILA JENNIFER ROBINSON ERINN CLARK Directed and Produced by LAURA POITRAS Produced by BRENDA COUGHLIN YONI GOLIJOV Executive Producers SAM ESMAIL VINNIE MALHOTRA Executive Producers CHARLOTTE COOK AJ SCHNACK MICHAEL BLOOM ADAM PINCUS Executive Producers DAVID MENSCHEL JESS SEARCH JOSH BRAUN Editors ERIN CASPER MELODY LONDON LAURA POITRAS Cinematography KIRSTEN JOHNSON KATY SCOGGIN LAURA POITRAS Music JEREMY FLOWER Co-Producer & Additional Editor JONAH GREENSTEIN Creative Advisors KATE CRAWFORD JONATHAN OPPENHEIM Story Consultant RA'ANAN ALEXANDROWICZ Supervising Editor SABINE HOFFMAN Consulting Editor JEAN TSIEN Additional Editor MATHILDE BONNEFOY Co-Producers KATY SCOGGIN ANNE NECZYPOR KIRSTEN JOHNSON MELODY LONDON Additional Camera JUAN LUIS PASSARELLI JOSE PASSARELLI NADIA HALLGREN HENRIK MOLTKE RYAN SCAFURO Sound Recordists LAURA POITRAS WELLINGTON BOWLER THE OATH Credits and Packaging - 1.6 - Fine Cut Deliverables Distribution and Sales SUBMARINE Production Accountant & Line Producer, Germany PANDORA ZOLOTOR Legal Counsel, Praxis Films, Inc. MAURA J. WOGAN, Frankfurt Kurnit Klein & Selz IDDO I. ARAD, Frankfurt Kurnit Klein & Selz Legal Counsel, Praxis Films Berlin GmbH ANDREAS PENSE, Unverzagt von Have General Counsel, Media Operations, First Look Media LYNN OBERLANDER WILL FITZPATRICK Production Publicity CLAUDIA TOMASSINI & CARSTEN SIEBERT claudiatomassini and associates RYAN WERNER, CHARLIE OLSKY EMILIE SPIEGEL, Cinetic Marketing NANCY WILLEN, Acme PR Line Producer, U.K. RYAN SCAFURO Post Production Supervisor ANNE NECZYPOR Post Production Coordinators JONAH GREENSTEIN MARIA FRYCZ Research & Editorial JENNY PERLIN Editorial CHRISTINA BURCHARD Visual Effects NEIL REYNOLDS KILIAN MANNING Assistant Editors MARIA FRYCZ TOM KNIGHT Research HENRIK MOLTKE Archival Research and Clearances ROSEMARY ROTONDI SIERRA PETTENGILL JOSHUA KOLENIK KATE COE Translation ROOJ ALWAZIR MAX SILVER Post Production Services TECHNICOLOR-POSTWORKS Chief Technology Officer JOE BEIRNE Head of Sound Department JAY RUBIN SVP Theatrical Services CLARK HENDERSON DI Supervising Conform Editor BENJAMIN MURRAY DI Colorist ALLIE AMES Additional Colorist JACK LEWARS DI Producers JOEY HANDY CHRISTINA DELERME ISABEL ANDERSON DI Conform Editors JEFF CORNELL KEITH JENSON RYAN ROLANDELLI RYAN MCMAHON Supervising Sound Editor & Re-Recording Mixer MICHAEL A.H. KURIHARA Additional Sound Editing MICHAEL MCMENOMY ADR Recordist CHRIS WHITE Project Manager BRYN NEUENSCHWANDER Subtitles TECHNICOLOR LOCALIZATION SERVICES Closed Captions CAPTIONMAX Offline Facilities HARBOR PICTURE COMPANY This film would not be possible without these encryption tools: THE ONION ROUTER SECUREDROP SIGNAL PRIVATE MESSENGER WIKILEAKS SUBMISSION SYSTEM THE OATH Credits and Packaging - 1.6 - Fine Cut Deliverables This film would not be possible without these encryption tools: THE ONION ROUTER SECUREDROP SIGNAL PRIVATE MESSENGER WIKILEAKS SUBMISSION SYSTEM In loving memory of Michael Ratner (1943-2016), who devoted his life to justice Archival Sources SUNSHINE PRESS PRODUCTIONS BONFIRE FILMS OF AMERICA C-SPAN ARCHIVES PULSE FILMS NBC UNIVERSAL ARCHIVES LIFENEWS CNN RT NEWS EXPOSURE, LLC AUSTRALIAN BROADCASTING CORPORATION For Field of Vision Editorial Manager BRYCE RENNINGER Production Manager FARIHAH ZAMAN Technical Coordinator BEN GARCHAR Data Manager MARK LUKENBILL This film made possible in part by support from VITAL PROJECTS FUND BERTHA / BRITDOC SUNDANCE INSTITUTE DOCUMENTARY FILM PROGRAM with support from Open Society Foundations Ford Foundation JustFilms.
Load more

Recommended publications
  • How Laura Poitras Helped Snowden Spill His Secrets
    How Laura Poitras Helped Snowden Spill His Secrets Documentary filmmaker Laura Poitras in Berlin. By PETER MAASS Published: August 13, 2013 This past January, Laura Poitras received a curious e-mail from an anonymous stranger requesting her public encryption key. For almost two years, Poitras had been working on a documentary about surveillance, and she occasionally received queries from strangers. She replied to this one and sent her public key — allowing him or her to send an encrypted e-mail that only Poitras could open, with her private key — but she didn’t think much would come of it. The stranger responded with instructions for creating an even more secure system to protect their exchanges. Promising sensitive information, the stranger told Poitras to select long pass phrases that could withstand a brute-force attack by networked computers. “Assume that your adversary is capable of a trillion guesses per second,” the stranger wrote. Before long, Poitras received an encrypted message that outlined a number of secret surveillance programs run by the government. She had heard of one of them but not the others. After describing each program, the stranger wrote some version of the phrase, “This I can prove.” 1 From www.nytimes.com/2013/08/18/magazine/laura-poitras-snowden.html?hpw 20 August 2013 Seconds after she decrypted and read the e-mail, Poitras disconnected from the Internet and removed the message from her computer. “I thought, O.K., if this is true, my life just changed,” she told me last month. “It was staggering, what he claimed to know and be able to provide.
    [Show full text]
  • Running Head: Wikileaks and the Censorship of News Media in the U.S
    RUNNING HEAD: WIKILEAKS AND THE CENSORSHIP OF NEWS MEDIA IN THE U.S. WikiLeaks and the Censorship of News Media in the U.S. Author: Asa Hilmersson Faculty Mentor: Professor Keeton Ramapo College of New Jersey WIKILEAKS AND THE CENSORSHIP OF NEWS MEDIA IN THE U.S. 1 “Censorship in free societies is infinitely more sophisticated and thorough than in dictatorships, because ‘unpopular ideas can be silenced, and inconvenient facts kept dark, without any need for an official ban’.” – George Orwell Introduction Throughout history, media has been censored or obscured in different ways which seem to fit the dominant ideology or ruling regime. As William Powers (1995) from The Washington Post said; the Nazis were censored, Big Brother was a censor, and nightmare regimes such as China have censors. Though we are all aware of censorship around the world and in history, little do we look to ourselves because as Powers writes, “None of that [censorship] for us. This is America” (para. 3). People in America have long been led to believe that they live in a free world where every voice is heard. It is not until someone uses the opportunities of this right that we see that this freedom of speech might only be an illusion. The emergence of WikiLeaks in 2010 and the censorship exercised against this organization by the United States’ government exemplifies the major obstacles individuals can face when seeking to expose potential wrongdoing by public officials. Through questioning of media’s power as whistleblowers it is hinted that there are institutions which may carry more weight than the truth in making decisions that affect that public interest.
    [Show full text]
  • On the Case of Julian Assange
    The OSCE Secretariat bears no responsibility for the content of this document PC.DEL/262/20 and circulates it without altering its content. The distribution by OSCE 6 March 2020 Conference Services of this document is without prejudice to OSCE decisions, as set out in documents agreed by OSCE participating States. ENGLISH only United States Mission to the OSCE On the Case of Julian Assange As delivered by Acting Deputy Chief of Mission Gregory Macris to the Permanent Council, Vienna March 5, 2020 The United States seeks to deter unauthorized disclosure of classified information, including via prosecution. This is done transparently and according to the laws of the United States. In 2013, Chelsea Manning was convicted by court martial for offenses that involved violations of her military oath to protect and defend the United States. As you know, she provided Julian Assange and WikiLeaks with hundreds of thousands of pages of security information related to national defense. The U.S. Department of Justice indicted Julian Assange for his alleged complicity in Manning’s actions, including his explicit solicitation of classified information and his encouraging Ms. Manning to remove classified information from U.S. systems. The indictment also charges Assange for allegedly posting a subset of classified documents on WikiLeaks that identified the names of human sources, including local Afghans and Iraqis who were assisting U.S. forces, journalists, religious leaders, human rights advocates, and political dissidents living in repressive regimes, thereby causing grave and imminent risk to these individuals’ lives and liberty. The United States takes freedom of the press seriously and is thankful for the invaluable role journalists play in a free society.
    [Show full text]
  • The Views of the U.S. Left and Right on Whistleblowers Whistleblowers on Right and U.S
    The Views of the U.S. Left and Right on Whistleblowers Concerning Government Secrets By Casey McKenzie Submitted to Central European University Department of International Relations and European Studies In partial fulfillment of the requirements for the degree of Master of Arts Supervisor: Professor Erin Kristin Jenne Word Count: 12,868 CEU eTD Collection Budapest Hungary 2014 Abstract The debates on whistleblowers in the United States produce no simple answers and to make thing more confusing there is no simple political left and right wings. The political wings can be further divided into far-left, moderate-left, moderate-right, far-right. To understand the reactions of these political factions, the correct political spectrum must be applied. By using qualitative content analysis of far-left, moderate-left, moderate-right, far-right news sites I demonstrate the debate over whistleblowers belongs along a establishment vs. anti- establishment spectrum. CEU eTD Collection i Acknowledgments I would like to express my fullest gratitude to my supervisor, Erin Kristin Jenne, for the all the help see gave me and without whose guidance I would have been completely lost. And to Danielle who always hit me in the back of the head when I wanted to give up. CEU eTD Collection ii Table of Contents Abstract ....................................................................................................................................... i Acknowledgments.....................................................................................................................
    [Show full text]
  • Julia Reichert and the Work of Telling Working-Class Stories
    FEATURES JULIA REICHERT AND THE WORK OF TELLING WORKING-CLASS STORIES Patricia Aufderheide It was the Year of Julia: in 2019 documentarian Julia Reichert received lifetime-achievement awards at the Full Frame and HotDocs festivals, was given the inaugural “Empowering Truth” award from Kartemquin Films, and saw a retrospec- tive of her work presented at the Museum of Modern Art in New York. (The International Documentary Association had already given her its 2018 award.) Meanwhile, her newest work, American Factory (2019)—made, as have been all her films in the last two decades, with Steven Bognar—is being championed for an Academy Award nomination, which would be Reichert’s fourth, and has been picked up by the Obamas’ new Higher Ground company. A lifelong socialist- feminist and self-styled “humanist Marxist” who pioneered independent social-issue films featuring women, Reichert was also in 2019 finishing another film, tentatively titled 9to5: The Story of a Movement, about the history of the movement for working women’srights. Yet Julia Reichert is an underrecognized figure in the contemporary documentary landscape. All of Reichert’s films are rooted in Dayton, Ohio. Though periodically rec- ognized by the bicoastal documentary film world, she has never been a part of it, much like her Chicago-based fellow Julia Reichert in 2019. Photo by Eryn Montgomery midwesterners: Kartemquin Films (Gordon Quinn, Steve James, Maria Finitzo, Bill Siegel, and others) and Yvonne 2 The Documentary Film Book. She is absent entirely from Welbon. 3 Gary Crowdus’s A Political Companion to American Film. Nor has her work been a focus of very much documentary While her earliest films are mentioned in many texts as scholarship.
    [Show full text]
  • Wikileaks and the Institutional Framework for National Security Disclosures
    THE YALE LAW JOURNAL PATRICIA L. BELLIA WikiLeaks and the Institutional Framework for National Security Disclosures ABSTRACT. WikiLeaks' successive disclosures of classified U.S. documents throughout 2010 and 2011 invite comparison to publishers' decisions forty years ago to release portions of the Pentagon Papers, the classified analytic history of U.S. policy in Vietnam. The analogy is a powerful weapon for WikiLeaks' defenders. The Supreme Court's decision in the Pentagon Papers case signaled that the task of weighing whether to publicly disclose leaked national security information would fall to publishers, not the executive or the courts, at least in the absence of an exceedingly grave threat of harm. The lessons of the PentagonPapers case for WikiLeaks, however, are more complicated than they may first appear. The Court's per curiam opinion masks areas of substantial disagreement as well as a number of shared assumptions among the Court's members. Specifically, the Pentagon Papers case reflects an institutional framework for downstream disclosure of leaked national security information, under which publishers within the reach of U.S. law would weigh the potential harms and benefits of disclosure against the backdrop of potential criminal penalties and recognized journalistic norms. The WikiLeaks disclosures show the instability of this framework by revealing new challenges for controlling the downstream disclosure of leaked information and the corresponding likelihood of "unintermediated" disclosure by an insider; the risks of non-media intermediaries attempting to curtail such disclosures, in response to government pressure or otherwise; and the pressing need to prevent and respond to leaks at the source. AUTHOR.
    [Show full text]
  • As Assange Awaits Ruling, Wikileaks Faces Its Fate 1 November 2011, by RAPHAEL G
    As Assange awaits ruling, WikiLeaks faces its fate 1 November 2011, By RAPHAEL G. SATTTER , Associated Press Harvard University's Belfer Center for Science and International Affairs. Legal analysts were predicting a ruling in favor of extradition. "Very, very few people defeat a European Arrest Warrant," said Julian Knowles, an extradition lawyer at London's Matrix Chambers who has been following the case. "The courts in England generally lean in favor of extradition." Assange may have the right to challenge an This is a Monday, Feb. 7, 2011 file photo of WikiLeaks unfavorable verdict in Britain's Supreme Court. But founder Julian Assange as he leaves Belmarsh Magistrates' Court in London. Assange on Tuesday Nov. Knowles said that if he were denied leave to 1, 2011 awaits a judge's extradition verdict, it could be appeal, it could be only days before he were sent to WikiLeaks' very future that's at stake. Its finances under Scandinavia to face allegations of sex crimes. pressure and some of its biggest revelations already public, WikiLeaks may not have the strength to survive if That result could be devastating for WikiLeaks. Britain's High Court judge decides Wednesday in favor of a Swedish request to extradite Assange to face trial For much of the past year Assange has been over rape allegations, some experts argue. (AP running the website from a supporter's country Photo/Kirsty Wigglesworth, File) manor in eastern England, where the terms of his bail have confined him to virtual house arrest. The 40-year-old Australian says he has 20 staff (AP) -- As Julian Assange awaits a judge's members, but it's unclear who might take over were extradition verdict, it could be WikiLeaks' very he jailed.
    [Show full text]
  • USA -V- Julian Assange Judgment
    JUDICIARY OF ENGLAND AND WALES District Judge (Magistrates’ Court) Vanessa Baraitser In the Westminster Magistrates’ Court Between: THE GOVERNMENT OF THE UNITED STATES OF AMERICA Requesting State -v- JULIAN PAUL ASSANGE Requested Person INDEX Page A. Introduction 2 a. The Request 2 b. Procedural History (US) 3 c. Procedural History (UK) 4 B. The Conduct 5 a. Second Superseding Indictment 5 b. Alleged Conduct 9 c. The Evidence 15 C. Issues Raised 15 D. The US-UK Treaty 16 E. Initial Stages of the Extradition Hearing 25 a. Section 78(2) 25 b. Section 78(4) 26 I. Section 78(4)(a) 26 II. Section 78(4)(b) 26 i. Section 137(3)(a): The Conduct 27 ii. Section 137(3)(b): Dual Criminality 27 1 The first strand (count 2) 33 The second strand (counts 3-14,1,18) and Article 10 34 The third strand (counts 15-17, 1) and Article 10 43 The right to truth/ Necessity 50 iii. Section 137(3)(c): maximum sentence requirement 53 F. Bars to Extradition 53 a. Section 81 (Extraneous Considerations) 53 I. Section 81(a) 55 II. Section 81(b) 69 b. Section 82 (Passage of Time) 71 G. Human Rights 76 a. Article 6 84 b. Article 7 82 c. Article 10 88 H. Health – Section 91 92 a. Prison Conditions 93 I. Pre-Trial 93 II. Post-Trial 98 b. Psychiatric Evidence 101 I. The defence medical evidence 101 II. The US medical evidence 105 III. Findings on the medical evidence 108 c. The Turner Criteria 111 I.
    [Show full text]
  • Oct16-Newsletter
    COURAGE TO RESIST Supporting the troops who refuse to fight! www.couragetoresist.org 484 Lake Park Ave #41, Oakland CA 94610 510-488-3559 October 2016 National Newsletter facebook.com/couragetoresist Chelsea Manning again thrown in solitary By the Chelsea Manning Support mistreated by the US government since year, they threatened her with solitary Network and Fight for the Future. she was first taken into custody in 2010, confinement for minor “infractions” September 23, 2016 including long stretches of extreme including possession of LGBTQ reading After years of inhumane treatment, solitary confinement even before she materials and an expired tube of and having been held in conditions that had ever been convicted. toothpaste. Only after we delivered the UN considers to be torture, Chelsea This is not the first time the 100,000 petitions did they back off. Manning, the Guardian columnist and government has harassed Chelsea with For the most current news, please whistleblower who has been in prison outrageous charges while in prison. Last visit chelseamanning.org for years serving a 35-year sentence for exposing some of the US government’s worst abuses, attempted to take her own life July 5, 2016. After a 5-day hunger strike this month, the US Army finally agreed to provide her with gender reassignment surgery and the health care that she needs. Chelsea’s hunger strike is a historic victory for human rights. However, today, a prison disciplinary board decided to Do not extend draft registration to women. punish Chelsea with 14 days of solitary End war registration for everyone! confinement (with 7 days suspended) for charges related to her suicide attempt, and possession of an unmarked book in her cell.
    [Show full text]
  • Civil Disobedience July 18 – October 29, 2017
    MIT List Visual Arts Center 20 Ames Street, Building E15 Cambridge MA 02139 listart.mit.edu Civil Disobedience July 18 – October 29, 2017 COVER Patricia Silva, Mass Swell (still),2016, single-channel video, sound, 14:07 min. Courtesy the artist. ABOVE Third World Newsreel, America (still), 1969, single-channel video, sound, 30 min. Courtesy Third World Newsreel. Civil Disobedience Bakalar Gallery July 18 – October 29, 2017 List Projects: Civil Disobedience presents a program of documentaries, news footage, artist’s films and videos focusing on moments of political resistance and public demonstration from the early 20th century through today. Featuring records from 1930s “hunger marches,” the historic Civil Rights and women’s movements, anti-war action, gay liberation and AIDS activism, the Black Lives Matter movement, and recent Women’s Marches, the exhibition considers the history of resistance as well as the role that artists and documentarians play in chronicling and confronting abuses of power and social injustice. DAILY SCREENING PROGRAM 1. The Workers Film and Photo League The National Hunger March, 1931; 11 min. writers, and projectionists in the 1930s, America Today and The World in Review, dedicated to documenting the US Labor 1932; 11 min. Movement and using film and photography The Workers Film and Photo League was an for social change. Courtesy MoMA organization of filmmakers, photographers, Circulating Film & Video Library. 2. The 1960s: Civil Rights Movement Videofreex, Fred Hampton: Black Panthers Madeline Anderson, I Am Somebody, 1970; in Chicago, 1969; 23:10 min. 29:43 min. Formed in 1969 when David Cort and Madeline Anderson is a pioneering African- Parry Teasdale met at the Woodstock American television and documentary Music Festival, the Videofreex was a video producer, director, editor, and writer.
    [Show full text]
  • USA V. Bradley (Chelsea) Manning: Army Court of Appeals Affirms Prior
    UNITED STATES ARMY COURT OF CRIMINAL APPEALS Before CAMPANELLA, CELTNIEKS, and HAGLER Appellate Military Judges UNITED STATES, Appellee v. Private First Class BRADLEY E. MANNING (nka CHELSEA E. MANNING) United States Army, Appellant ARMY 20130739 U.S. Army Military District of Washington Denise R. Lind, Military Judge Colonel Corey J. Bradley, Staff Judge Advocate (pretrial) Colonel James R. Agar, II, Staff Judge Advocate (post-trial) For Appellant: Vincent J. Ward, Esquire (argued); Captain J. David Hammond, JA; Lieutenant Colonel Jonathan F. Potter, JA; Vincent J. Ward, Esquire; Nancy Hollander, Esquire (on brief); Lieutenant Colonel Christopher D. Carrier, JA. Amicus Curiae: For Electronic Frontier Foundation, National Association of Criminal Defense Lawyers, and the Center for Democracy and Technology: Jamie Williams, Esquire; Andrew Crocker, Esquire (on brief). For Amnesty International Limited: John K. Keker, Esquire; Dan Jackson, Esquire; Nicholas S. Goldberg, Esquire (on brief). For American Civil Liberties Union Foundation: Esha Bhandari, Esquire; Dror Ladin, Esquire; Ben Wizner, Esquire (on brief). For Open Society Justice Initiative: James Goldston, Esquire; Sandra Coliver, Esquire (on brief). For Appellee: Captain Catherine M. Parnell, JA (argued); Colonel Mark H. Sydenham, JA; Lieutenant Colonel A.G. Courie III, JA; Major Steve T. Nam, JA; Captain Timothy C. Donahue, JA; Captain Jennifer A. Donahue, JA; Captain Samuel E. Landes, JA (on brief); Captain Allison L. Rowley, JA. 31 May 2018 --------------------------------- OPINION OF THE COURT --------------------------------- MANNING—ARMY 20130739 CAMPANELLA, Senior Judge: A military judge sitting as a general court-martial convicted appellant, in accordance with her pleas, of one specification of violating a lawful general regulation and two specifications of general disorders in violation of Articles 92 and 134, Uniform Code of Military Justice (UCMJ), 10 U.S.C.
    [Show full text]
  • Wikileaks and the Afterlife of Collateral Murder
    International Journal of Communication 8 (2014), Feature 2593–2602 1932–8036/2014FEA0002 WikiLeaks and the Afterlife of Collateral Murder CHRISTIAN CHRISTENSEN Stockholm University, Sweden In this essay, the author considers not only what is shown in the WikiLeaks Collateral Murder video but reflects upon what the act of uploading this video symbolized and continues to symbolize and how the multifaceted symbolic value of the video has led to its steady inscription and reinscription into the public consciousness during a wide variety of popular and political debates. Apart from the disturbing content of the film, showing a potentially criminal act, the author argues that the uploading of the film was itself an act of dissent and, thus, a challenge to U.S. power. This combination of content and context makes the WikiLeaks Collateral Murder video an interesting case study that touches upon several key areas within academic study. Keywords: WikiLeaks, journalism, war, visual culture, Iraq, Collateral Murder, video Introduction On April 5, 2010, WikiLeaks released Collateral Murder, a video showing a July 12, 2007, U.S. Apache attack helicopter attack upon individuals in New Baghdad. Among the more than 23 people killed by the 30-mm cannon fire were two Reuters journalists. WikiLeaks published this statement in conjunction with the release: WikiLeaks has released a classified U.S. military video depicting the indiscriminate slaying of over a dozen people in the Iraqi suburb of New Baghdad — including two Reuters news staff. Reuters has been trying to obtain the video through the Freedom of Information Act, without success since the time of the attack.
    [Show full text]