DOCSLIB.ORG

Thricefiction027s.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Thricefiction027s.Pdf THRICETHRICE FICTIONFICTION™ ISSUE No. 27 • DECEMBER 2019 • FINAL ISSUE To all the writers, artists, supporters, and readers who kept us going for these thrice times thrice years of Thrice Fiction, thank you. We’ve loved having you here with us. But we’re not done yet! Look for something new from Thrice Publishing one day, some day... THRICE FICTION™ ©2019 Thrice Publishing All content is copyrighted by their respective Published three times yearly creators and reproduced with permission. No part of this publication may be reproduced www.ThriceFiction.com without permission from the copyright holders. ™ THRICE FICTION™ Issue No. 27 • DECEMBER 2019 RW Spryszak, Editor David Simmer II, Art Director CONTENTS 2. Thrice 27 Notes by RW Spryszak 33. A Starry Sky by Barbara de la Cuesta 3. The Inside Woman by Kate Easley 37. Search by Bob Chikos 5. Alien Artifact by Craig Wilson 39. A Sacred History of Coal 7. The Light at Margate by Philip Kane by Augusto Todoele 10. Poorly Drawn Lines by Reza Farazmand 43. Expectation of Stars by Dan A. Cardoza 11. The Secret Life of Democrats 44. Admirer • Poignant • Maintenance by AE Reiff by Nigel Ford 15. Finding Factors of Very Large 46. Magnus Opus with Rodents Prime Numbers by L. Shapley Bassen by Suzanne C Martinez 18. An Encounter by Toni Fuhrman 49. Cowboy-gone by Mary K. Curran 21. Oscar in the Timeless by Bonny Finberg 54. Thrice Time’s a Charm by David Simmer II 23. The Room of Unanswered Prayers by Sharon Frame Gay 29. #connected by Jen Knox 30. Her Suggestions by Christina Rosso A guide to art & photos in this issue is on pages 56-57 THRICE PUBLISHING NFP, a private corporation registered in the state of Illinois, reaches outside the mainstream to publish the work of selected writers whose efforts, we feel, need to be seen. It’s flagship publication,THRICE FICTION, has been a platform for presenting this work alongside exceptional artwork since 2011. THRICE ARTS provides design and editing services to writers at large. Issue No. 27 — The Final Issue 1 Thrice 27 Notes RW Spryszak, Editor The plan is to take a break. Maybe a long break, maybe not. I don’t know. There are ethereal ideas about what Thrice Fiction would/could/should/ may ideally look like in the future, should we come back to it. I like the new ideas and, along with the slew of ISBNs we own, their existence may be enough of a reason to stage a comeback. What it would look like is a condition that would answer a lot of things I don’t like about Thrice Fiction’s position and function, currently. I’ve come to like a different presentation (size, thickness) than we use. I dislike the idea that it can’t be obtained in stores. And most of all I hate the idea that we reimburse nobody for their work and their talent. We make nothing – in fact we end up spending our own money – in all this. There are precious little donations. And, when we do sell the product, most of the money goes to the services that make the physical thing. Well… okay… that last thing doesn’t change no matter what we do. The only alternative is to build our own network of employee-owned print services (I know of one I’d like to use) and set up our own distribution network. Because not only do I distrust everything that ever came out of the internet, I – like most of you – am only too aware of the slow evolution to a publishing monopoly in the world that has been lurching toward control from a central master for years now. Such a thing takes time, energy, and money. And though I may have the first two I certainly don’t have the last one. I would like to see a magazine you can find on the bookstands as well as on our own online store. To hell with this Amazon crap. There are people successfully bucking their omnipresence. All it takes is the will to do it, really. I would like to see something the size of a paperback. Something that comes out, officially, “irregularly,” because I’d like to present a product that comes from a perfect mind rather than doing something we have to do because we imposed our own artificial conditions on its availability. I would also like to follow a format that features a lot of work from one writer, supported by smaller, if not single, contributions from a handful of others rather than twenty or twenty three people (as we do now). If we can do it all this way then, yes, we can actually afford an honorarium of some kind (even if it is only copies) to the writers and artists who we feature. If I can do that then I really don’t give a shit if we make money at this because money isn’t the goal, it’s the problem. So, I’m not sure when, if, or how we return. We have a ton of ISBNs we bought and I really dislike throwing stuff away I haven’t used, so there is that. Stay tuned to find out what happens to our plucky heroes next time. And thanks, everyone, for joining in. 2 THRICE FICTION™ • December 2019 The Inside Woman Kate Easley ragments of female body parts in black and of a guy killing eight nurses in the 1960s. She read about the white, confusing jolts and a man’s face against crime during the movie, all stoned and paranoid and freaked Japanese calligraphy. Gunshots. Screams. She was out on Wikipedia. He had wanted to watch the movie dreaming about the movie they watched one night because he liked experimental Japanese films, but she just when they were stoned in their old apartment. thought most of the stuff was boring and would have rather The night when the woman came to their door and scared been watching Gossip Girl or something. Fher half to death. Waking up was so bright and fake-clean So, when the knock came at the door, she could feel her smelling in that hospital, the scar over her appendix. Her throat plummet into her stomach and there was this crazy body part removed a few hours before. Someone moaning beating drum through every centimeter of her flesh; it was behind the curtain and patters of nurse feet in the endless the most scared she had ever been, she was sure. They didn’t hallways that zigzagged around and around like the NIMH have the lace curtains then, over the window on the door. experiment with rats. No lace curtains, just a blonde-haired head with a face and She was on painkillers and the TV was on and she bruises and a nothing expression. He didn’t see the woman, thought maybe she was still dreaming because of what didn’t hear the knocking, and he started laughing because he she saw. On TV, they were talking about the woman who thought she was just terrified by the movie. knocked on their door that night, her head was floating And then they were both at the door, her telling him inside a lurid blue rectangle. She wanted to call him: her ex. not to open it for a random person and him giving her an To call him and tell him that the woman’s head was on the annoyed look because obviously he wasn’t going to do that. TV, right there on channel six, right next to the coiffed news He had long known not to trust people knocking at the door lady with a symmetrical face. She wanted him to laugh and because his mother drilled that into his brain when they joke about how much weed they used to smoke and inquire got to the United States. The pouring rain had drenched about why the woman was on the TV. To dream about that the outside woman’s hair. She looked like an actress in a movie and then see the woman’s face, pixilated and sparkling romantic comedy about to tell the guy she loves him except there above her on the black box attached to the wall. How her face was bruised. fucking weird is that, she thought. The outside woman looked at her, the inside woman, They had been watching that creepy avant-garde but not at her ex. The inside woman left the outside woman exploitation movie with no real point, she thought, other standing there alone, got a piece of paper from a drawer than to show women getting killed. It was based on the story somewhere, and wrote a note: Sorry, I can’t open the door. Issue No. 27 — The Final Issue 3 Are you okay? The outside woman pulled an iPhone from a like people hadn’t loved her. She could have called a couple reusable shopping bag and took a minute to type something, friends from the office to give her a ride home, but an uber then held the phone to the window, screen against glass: No was just easier. The driver was not friendly, not human-like minutes left on this phone I need a taxi. Lumpy bruises on in his interactions with her. As they drove from the hospital, her arms and face. suburbia squeezed them like a weak hand, allowing parts to The taxi was called, and the outside woman waited on seep into unseen dimensions. It was so dark, she thought, for the porch.
Load more

Recommended publications
  • AS WE RECALL the Growth of Agricultural Estimates^ 1933-1961 L M Brooks
    ^t^f.t.i^A^( fk^^^ /^v..<. S AS WE RECALL The Growth of Agricultural Estimates^ 1933-1961 L M Brooks Statistical Reporting s Service U.S. Department of Agriculture Washington, D.C As We Recall, THE GROWTH OF AGRICULTURAL ESTIMATES, 1933-1961 U.S. OEPÎ. or AGRlCUtTURE NATIONAL AGRICULTURAL UBRARY OECIT CATALOGmC PREP E. M. Brooks, Statistical Reporting Service, U.S. Dept. of Agriculture 1977 I FOREWORD The Statistical Reporting Service, as with any organization, needs to know its past to understand the present and appraise the future. Accordingly, our technical procedures are peri- ^odically set forth in ''Scope and Methods of the Statistical Reporting Service," and the agency's early development and program expansion were presented in "The Story of Agricultural Estimates." However, most important are the people who de- veloped this complex and efficient statistical service for agriculture and those who maintain and expand it today. Dr. Harry C. Trelogan, SRS Administrator, 1961-1975, arranged for Emerson M. Brooks to prepare this informal account of some of the people who steered SRS's course from 1933 to 1961. The series of biographical sketches selected by the author are representative of the people who helped develop the per- sonality of SRS and provide the talent to meet challenges for accurate and timely agricultural information. This narrative touching the critical issues of that period and the way they'^ were resolved adds to our understanding of the agency and helps maintain the esprit de corps that has strengthened our work since it started in 1862. Our history provides us some valuable lessons, for "those who cannot remember the past are condemned to repeat it." W.
    [Show full text]
  • Diplomarbeit
    DIPLOMARBEIT Titel der Diplomarbeit „Narrative and the self in British author-autobiography: Kingsley Amis, Martin Amis, Elizabeth Jane Howard“ Verfasserin Verena Gappmaier angestrebter akademischer Grad Magistra der Philosophie (Mag. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Diplomstudium Anglistik und Amerikanistik Betreuer: Ao.Univ.-Prof. Dr. Rudolf Weiss To my parents Hans and Marianne Gappmaier with love There are various people I would like to thank: my supervisor Ao.Univ.-Prof. Dr. Rudolf Weiss – for his invaluable support, encouragement and expertise, my family – for everything, Tom – for sharing all the joys and frustrations associated with this thesis, Theresa, Ursula and Verena – for being great friends and supporting me emotionally, Prof. Mag. Dr. Richard Lechner – for sparking my interest in English literature, and again Verena – for proofreading the final draft. Our lives with all their miracles and wonders are merely a discontinuous string of incidents – until we create the narrative that gives them meaning. (Arlene Goldbard) TABLE OF CONTENTS Introduction ………………………………………………………. 1 Theory 1. Theorising autobiography as a genre………………………... 4 1.1. Genre as a working hypothesis…………………………………….. 4 1.2. Structuralism…………………………………….………………...... 6 1.2.1. Before structuralism: Georges Gusdorf’s ‘Conditions and Limits of Autobiography’…...……………………………….. 6 1.2.2. Philippe Lejeune’s ‘The Autobiographical Pact’…………….. 7 1.3. Poststructuralism……………………………………………….…... 10 1.3.1. Philippe Lejeune’s ‘The Autobiographical Pact (Bis)’............. 10 1.3.2. Paul de Man’s ‘Autobiography as De-facement’...................... 11 1.3.3. Michael Sprinker’s ‘Fictions of the Self: The End of Autobiography’......................................................................... 11 1.4. Emerging from poststructuralist cynicism………………………... 12 1.4.1. Philippe Lejeune’s ‘Bis’ revisited…………………………….
    [Show full text]
  • The Invention of Cultural Memory
    See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/216723904 The Invention of Cultural Memory Chapter · January 2008 DOI: 10.13140/2.1.1296.4807 CITATIONS READS 4 10,020 Some of the authors of this publication are also working on these related projects: José Rizals fin de siècle View project Wissenschaftstheorie View project All content following this page was uploaded by Dietrich Harth on 20 May 2014. The user has requested enhancement of the downloaded file. Cultural Memory Studies ≥ Media and Cultural Memory/ Medien und kulturelle Erinnerung Edited by/ Herausgegeben von Astrid Erll · Ansgar Nünning Editorial Board / Wissenschaftlicher Beirat Aleida Assmann · Mieke Bal · Marshall Brown · Vita Fortunati Udo Hebel · Claus Leggewie · Gunilla Lindberg-Wada Jürgen Reulecke · Jean Marie Schaeffer · Jürgen Schlaeger Siegfried J. Schmidt · Werner Sollors · Frederic Tygstrup Harald Welzer 8 Walter de Gruyter · Berlin · New York Cultural Memory Studies An International and Interdisciplinary Handbook Edited by Astrid Erll · Ansgar Nünning in collaboration with Sara B. Young Walter de Gruyter · Berlin · New York Țȍ Printed on acid-free paper which falls within the guidelines of the ANSI to ensure permanence and durability. Library of Congress Cataloging-in-Publication Data Cultural memory studies : an international and interdisciplinary hand- book / edited by Astrid Erll, Ansgar Nünning. p. cm. Ϫ (Media and cultural memory ; 8 ϭ Medien und kultu- relle Erinnerung ; 8) Includes bibliographical references and index. ISBN 978-3-11-018860-8 (alk. paper) 1. Culture Ϫ Handbooks, manuals, etc. 2. Memory Ϫ Cross-cul- tural studies Ϫ Handbooks, manuals, etc. I. Erll, Astrid. II.
    [Show full text]
  • U·M·I University Microfilms International a Bell & Howeluntormanon Company 300 North Zeeb Road
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely. event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sectionswith small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howeluntormanon Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313/761-4700 800: 521·0600 ----- ------------------------------- Order Number 9506216 Hidden in plain sight: The metaphysics of gender and death Kane, Kathleen Osborne, Ph.D. University of Hawaii, 1994 Copyright @1994 by Kane, Kathleen Osborne.
    [Show full text]
  • Determination in Apocalyptic Literature from the Wycliffe Bible of 1388 to the United Nations World Conference on Human Rights of 1993
    1 CREATORS, CREATURES AND VICTIM-SURVIVORS: WORD, SILENCE AND SOME HUMANE VOICES OF SELF- DETERMINATION IN APOCALYPTIC LITERATURE FROM THE WYCLIFFE BIBLE OF 1388 TO THE UNITED NATIONS WORLD CONFERENCE ON HUMAN RIGHTS OF 1993 Penelope Susan Keable Thesis presented for the degree of Doctor of Philosophy in the School of Studies in Religion at the University of Sydney November, 1994 2 THE TITLE Creators, Creatures And Victim-Survivors: Word, Silence And Some Humane Voices Of Self-Determination In Apocalyptic Literature From The Wycliffe Bible Of 1388 To The United Nations World Conference On Human Rights Of 1993 THE THESIS In contemporary apocalyptic rhetoric, polyvalent figures of victim-survivors augment creator-creature dualism, ancient and current. Particular attention is paid to a shift in the creator-creature motif which was foreshadowed in the writings of Giambattista Vico and has been carried forward into contemporary criticism by Northrop Frye. This pursuit attempts to make available to contemporary concern an appreciation of a variety of concepts of humanity, all of which may contribute to an enhanced toleration of diversity. THE ARGUMENT A very simple argument is pursued against the acceptance of one-eyed visions and univocal utterances in interpretation of apocalyptic rhetoric. It is an argument for paying attention to miscellaneous images and polyvalent utterances. This entails an accommodation in thought of convergent and divergent horizons of imagery. So it is an argument for thoughtful tolerance. 3 ABSTRACT This analysis of apocalyptic rhetoric brings nine generations of the written text of the Johannine Apocalypse into a contemporary (1989-1994) framework which includes phenomena such as self-determination, mutual interdependence and psychoterror.
    [Show full text]
  • Suspense Magazine May 2013 / Vol
    Suspense, Mystery, Horror and Thriller Fiction MAY 2013 Masters of Their Game M.J. Rose Lisa scottoLine DaviD MoRReLL Authors to add to the Shelves Thomas m. malafarina lisa manneTTi Stranger Than Fiction The MysTery of oak Island Anthony J. Franze sits down with HeatHer GraHam on the Rules of Fiction From David Morrell, the Acclaimed Author of First Blood and The Brotherhood of the Rose . 1811—the ratcliffe Highway mass murders rival Jack the ripper’s for terrorizing london and all of england. 1854—the notorious thomas De Quincey returns to london. along with his Confessions of an English Opium-Eater, he is infamous for a blood-soaked essay about the murders. Five days later—the killings begin again. Murder as a Fine Art “One of DaviD MOrrell’s strongest and boldest books in years.” — Dan SimmonS, New York Times bestselling author of Drood and The Terror “a Masterpiece— i don’t use that word lightly. a brilliant historical thriller, beautifully written, intricately plotted, and populated with unforgettable characters. if you liked The Alienist, you will absolutely love this book.” — DouglaS PreSton, #1 bestselling author of The Monster of Florence Murder as a Fine Art Available in hardcover, audio, and e-book formats May, ISBN 978-0-316-21679-1, $25.99/$28.99 Canada Mulholland Books, an Imprint of Little, Brown and Company davidmorrell.net • mulhollandbooks.com David Morrell is an Edgar, Anthony, and Macavity nominee, a 3-time Stoker recipient, and ITW’s 2009 Thriller Master. Illustrations by Tomislav Tikulin From the Editor C r e di t s John Raab President & Chairman Is it possible that readers can’t trust book Shannon Raab reviews anymore? Creative Director For years, readers had to rely on reviews to Romaine Reeves see what to read, but can the reader trust that CFO the reviews they say to be real? We have talked before about the new “sock puppetry,” in which Starr Gardinier Reina Executive Editor authors pump up their own books or bring down the books of rival authors in their genres.
    [Show full text]
  • Valhalla Voice May 28, 2019
    Valhalla Voice May 28, 2019 PTSA CAPS Committee KASPO Committee Viking Backers PAAS IASPA MTHMU Boosters Community News Calendar Date Time Event/Location May 28 6pm Cavaliers Officers Tryouts in the Main Gym June 3 6:30pm Viking Backers Meeting in the Media Center June 4 Staff Luncheon by KASPO(Korean American Student and Parent Committee) June 5 6pm College Night in the Auditorium June 5 6pm MTHMU Last Boosters Meeting in the Band Room June 8 Football Event Run by MHHS Coach Frederick June 11-13 5:30-7:30pm Lancers Fall Marching Unit Auditions in the Main Gym June 19 Final Staff Appreciation Luncheon by PTSA June 24 – July 8 Street Smarts Drivers Ed Sessions @ Hebron No Class on 7/4 July 15 - 26 Street Smarts Drivers Ed Sessions @ Hebron August 7 - 20 Street Smarts Drivers Ed Sessions @ Hebron September 10 7pm 1st PTSA 2019-2020 Meeting in the Media Center Parent Teacher Student Association (PTSA) Caroline Bodziak, President: [email protected], www.mthebronptsa.com/ Twitter: @Mthebronptsa, Facebook MHHSPTSA Meetings 2nd Tuesday of the month @ 7:00pm in the Media Center Next Meeting: September 10, 2019 Help with the Final Staff Appreciation Luncheon 6/19 The PTSA Staff Appreciation Committee is planning the end-of-year Staff Luncheon for Wed., June 19 and can use your help rounding out the menu. Please check out the SignUp Genius here: https://www.signupgenius.com/go/30e0f4caca92d6-mthebron and help if you can. Thank you! Help with KASPO Committee Luncheon 6/4 The Korean American Student and Parent Committee is looking for help holding a traditional Korean lunch for Mt.
    [Show full text]
  • Everyonelearning Is For
    Jewish LIFE EveryoneLearning Is For Ambassador Daniel C. Kurtzer Jewish LIFE Mission Statement: Jewish LIFE, a collaborative Jewish education program created by the JCC, Rabbis, lay leadership and Jewish agencies, strives to expand and enhance the Jewish educational opportunities offered to both affiliated and non-affiliated Jews in Somerset, Hunterdon and Warren Counties. Jewish LIFE, a Community-Wide Adult Education Program, is Supported by: Judith Viorst Chabad of Greater Somerset County; Chabad Jewish Center of Southern Somerset County; Chabad of Hunterdon County; Flemington Jewish Community Center; Congregation Kehilat Shalom, Belle Mead; Congregation Knesseth Israel, Bound Brook; Jewish Family Service of Somerset, Hunterdon and Warren Counties; Jewish Federation of Somerset, Hunterdon and Warren Counties; Or Chadash, the Reform Temple of Hunterdon County; Shimon and Sara Birnbaum Jewish Community Center, Bridgewater; Jewish Center of Northwest Jersey; Temple Beth-El, Hillsborough; Temple Beth El, Somerset; Temple Har Shalom, Warren; Temple Sholom, Bridgewater. Yousef Bashir Program Guide 2019-20/5780 Aimee Ginsburg Bikel If you are interested in registering for any class listed under Course Offerings, please contact the host locations directly, using the below guide. Code Organization Code Organization BES Temple Beth El, Somerset OCH Or Chadash 1489 Hamilton Street, Somerset 08873 149 Foothill Road, Flemington 08822 (732) 873-2325 • Fax: ( 732) 873-3892 (908) 806-2122 Denomination: Conservative Denomination: Reform Rabbi Eli Garfinkel Rabbi Joseph M. Forman CKS Congregation Kehilat Shalom JCNWJ Jewish Center of Northwest Jersey 253 Griggstown Road, Belle Mead 08503 115 Youmans Avenue, Washington 07882 (908) 359-0420 • Fax: (908) 359-8848 (908) 689-0762 Denomination: Reconstructionist Denomination: Reform Rabbi Jacob Best Adler Rabbi Dr.
    [Show full text]
  • 1984-1986 Acts of Mind
    ACTS OF MIND II Interviews by Richard Jackson Edited by Richard Jackson and Michael A. Beard FACT, EXPERIENCE, RELEASE An Interview with Sharon Olds, 1986 PM: What do you think is the relation between truth and fact in poetry and in everyday life? Some poets and critics subscribe to the notion that no facts are really relevant, that you just go with the flow of language wherever that leads you. Some see a dramatic and dialectic relationship. For a lot of critics, only poetry that subscribes to a certain mindset or dogma is true, but poetry that is “rhapsodic,” as one critic describes poetry that emphasizes verbal play, is not serious for them. These critics often seem to be against exploration and provisional discovery and for stasis, for absolute values, sometimes absolute forms, a perverted formalism. Of course, all these categories are oversimplifications anyways, but I know your poems contain many historical and factual references, like “Photograph of the Girl,” so perhaps this would be a way to begin. SO: Well, poems contain facts. “Photograph of the Girl” contains facts. There’s the fact of her age, that she’s going to die, that there is a famine, the fact of puberty. I think facts are important, and trying to state truths, too. I feel secure with the poems of Phil Levine because of that. I have a poem about a guy who almost jumped off the roof across the way. Perhaps, according to the view of those critics, there are not facts there, but to me it’s all facts.
    [Show full text]
  • Chelsea Station Editions
    CHELSEA STATION EDITED BY jAMESON CURRIER fall 2016 16 2012 a new destination for gay literatureALA Rainbow Book Now Back in Print WHERE THE RAINBOW ENDS Lambda Literary Finalist a novel by Jameson Currier “Jameson Currier’s debut novel, Where the Rainbow Ends, moved me to tears more than once and, simply put, is one of the best pieces of gay literature I have ever read. Rather than focusing on and wallowing in the heavy melodrama that the AIDS epidemic seems to produce in most writers, Currier shows both the highs and lows. The lives of these incredibly well-drawn, three-dimensional people encompass all of the emotion that is found in gay/ lesbian life. The book is about creating a sense of family, and most of all, it is about hope. In Robbie, Currier has created a gay Everyman we can all identify with, love, and root for. This is one novel that I was sorry to see end. With this work, Currier has established himself as one of the preeminent gay novelists, not just of the 1990s, 978-0-9832851-6-8 but of all time. This book should be required reading for $20 every gay man, period.” Also available in digital editions —Greg Herren, Impact Also by Jameson Currier Dancing on the Moon Still Dancing “De ant and elegaic.” “Courageous.” e Village Voice Edge www.chelseastationeditions.com Fall 2016 Chelsea Station Edited by Jameson Currier Chelsea Station Contents Fall 2016 copyright © 2016 Chelsea Station Editions October 17: “Laughing,” poetry by Charles Springer October 18: “The Dancing Bear,” from The Sea is Quiet Tonight, memoir by Founder, Publisher, and Editor: Michael H.
    [Show full text]
  • Geography and Emotion - Emerging Constellations
    Edinburgh Research Explorer Geography and emotion - emerging constellations Citation for published version: Smith, M, Davidson, J, Cameron, L & Bondi, L 2009, Geography and emotion - emerging constellations. in M Smith, J Davidson, L Cameron & L Bondi (eds), Emotion, Place and Culture. Ashgate Publishing, Farnham, pp. 1-18. Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Emotion, Place and Culture Publisher Rights Statement: © Smith, M., Davidson, J., Cameron, L., & Bondi, L. (2009). Geography and emotion - emerging constellations. In M. Smith, J. Davidson, L. Cameron, & L. Bondi (Eds.), Emotion, Place and Culture. (pp. 1-18). Farnham: Ashgate. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 23. Sep. 2021 1 Introduction: Geography and Emotion – Emerging Constellations Astronomy tells us that the light from the Pleiades, the Seven Sisters star cluster, takes approximately 400 light years to reach the Earth. And yet those few photons which, having travelled this unimaginable distance in time and space, impinge upon our eyes can excite the most profound and varied of feelings, can change, dispel, or deepen our moods, incite and admix awe, wonder, and utter loneliness, and even, if we should happen to be so fortunate, entangle themselves in those universally expansive feelings of inseparable closeness impressed upon us as the very moment of love’s realization in a starlit kiss.
    [Show full text]
  • Appendix A: Alphabetical List of All Name Suggestions
    Appendix A: Alphabetical List of all Name Suggestions 1. Angela Angela Davis was a revolutionary leader in and ally of the Black Panther Party and Black Davis Power movement of the 1960s and 70s. Her resounding activism challenged the authority of the oppressive Nixon administration and the segregationist sentiments that lingered in the country after the signing of the Civil Rights and Voting Rights Acts, and she worked hard to improve her own East Bay community (including Berkeley). Despite the prevalence of names of African-American leaders in BUSD schools, Davis’ Communist affiliations give her a unique place in history (and one that has won her a great deal of scrutiny). Davis spent many years as a professor at UC Santa Cruz, and has repeatedly stated that education is the key to social change, so she would be an excellent role model for students and educators alike. 2. Audre Audre Lorde was an American writer,feminist, librarian, and civil rights activist. She was a Lorde self-described “black, lesbian, mother, warrior, poet,” who dedicated both her life and her creative talent to confronting and addressing injustices of racism, sexism, classism, heterosexism, and homophobia. As a poet, her work largely dealt with issues related to civil rights, feminism, lesbianism, illness and disability, and the exploration of black female identity. 3. Barack Reasons we chose Barack Obama: 1. He was our president. He was the best president, says Obama Ari & Vivi. 2. He did really good things for our country. He helped keep people safe and made sure people were following the laws.
    [Show full text]