Country Update BILLBOARD.COM/NEWSLETTERS SEPTEMBER 28, 2020 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE
[email protected] Brice, Urban ‘Speed’ Country Songwriters Sure Play A Mean To Chart Peaks >page 4 Pinball As Genre Strikes A New Chord Willie Nelson’s Country music, we’ve been told for years, is three chords and The “weird,” or unsafe, chords often heighten the sense of Virtual Farm Aid the truth. tension and release that makes music work. The major seventh >page 10 But in the current environment, the genre’s key, signature guitar intro in Old Dominion’s new single, “Never Be Sorry,” sound may be undergoing a minor adjustment. spikes a standard chord with a hint of dissonance. Dan + Shay’s “I guess now it’s nine chords and the truth,” says Old “I Should Probably Go To Bed” uses a major three chord, injecting Dominion’s Trevor Rosen with a laugh. a sharp note from outside the key signature that practically begs Dan, Shay, Combs Nine might be on the high side, but the truth is that country for resolution. The hook of Devin Dawson’s “I Got a Truck” Roll Sevens is growing more experimental ends in the first chorus with >page 11 in its chord structures. him singing a note that’s not Standard three-note triads actually in the underlying are subtly giving way to more chord, creating a discomfort complex four-note chords, and that matches the plot. Danielle Two Tenilles songwriters are increasingly Bradbery’s “Never Have I Take Trophies likely to inject a flat or a Ever” momentarily threads DAWSON DAN + SHAY TURSI >page 11 sharp into a chord that bends an Eastern-flavored pentatonic it ever so slightly out of the scale into a typical major-scale key signature.