14TH ANNUAL WASHINGTON FOLK FESTIVAL - JUNE 2 & 3 at Glen Echo Park

Total Page:16

File Type:pdf, Size:1020Kb

14TH ANNUAL WASHINGTON FOLK FESTIVAL - JUNE 2 & 3 at Glen Echo Park Editor: Helen Gordon Staff: Pam Harders Volume 26, No. 10 June/July 1990 (703) 281-2228 14TH ANNUAL WASHINGTON FOLK FESTIVAL - JUNE 2 & 3 at Glen Echo Park It’s almost summer, and it’s festival season again! Like the swallows returning to Capistrano, and the buzzards returning to Hinckley, the Washington Folk Festival returns to Glen Echo Park for two days of FREE music, dance, storytelling, kids’ programs and crafts! The Festival goes on, rain or shine, from noon until 10 PM, Saturday, June 2, and from noon until 6 PM, Sunday, June 3. Glen Echo National Park is located at Goldsboro Rd. and MacArthur Blvd. in Glen Echo, MD. Parking is very limited after last year’s flood, so carpool or catch the N8 bus from the Friendship Heights Metro stop. Bring a picnic, a blanket and the whole family! This year’s program features both familiar and new faces. You’ll hear the tight Balkan harmonies of Slaveya, the in­ tricate music and dance of a Balinese kenreling, and the masterful duo of Fink and Marxer. Workshops feature every­ thing from old time country mu­ sic to bagpipes from around the world to the rhythms of tap and step dancing. StorytellersSharon Butler, Linda Fang and many others will en­ thrall with their tales. Craftspeople will show the arts of quilting, ornamental inlay, instrument construction and much more. Kids can join in the fun of singing nonsense songs or seeing how musical instruments really work. See the schedule on the next page for a host of other acts! As always, all the performers and artists in the Festival are from the Washington area. They, and all the staff, are volunteers. If you’d like to help, too, visit the Festival Office. The Festival is made possible with the support of the National Park Service, the Montgomery County Council on the Humanities, and the kind donations of individuals and organizations. Thanks to all of you, and enjoy the Festival! Sparky Rucker House Concert...June Program: Estonia...Page 3 INSIDE: WFF SCHEDULES!!!...Page 2. Sunday Night Dances...Page 4. June AND July Calendars! FSGW Newsletter, Volume 26, No.10 June/July 1990 Wash ngt.nn Fnllc Festival - Saturday, Juno 2, 1990 YU R T VILLAGE ADVENTURE CUDDLE-UP STORYTELLING CHILDREN’S SPANISH CRYSTAL POOL STAGE THEATER STAGE AR EA AREA BALLROOM STAGE 12:00 Ollantay Buffalo Nickel Band Ed Tamulevich Tall Tales The New St. George Ron Trotta Mazin Marji Nonsense Songs Ap p a la ch ia n 1:00 Dulcimer Workshop Double Dutch Original Tales and Tunes Stages in a Wom an’s Jumprope Ceili Dance Swingabilly Band Au toh arp Workshop Life Wor k sh op Hazlewood Frog Stories Ironweed 2:00 ComedySportz Giggi Liberti Ceoltoiri Pete Kennedy Family Dance Guitar Workshop Wiley Ways Wor k sh op La Rondinella Mazin Marji Water Songs 3:00 Blues Workshop Workshop Linn Barnes and Pipes to Pedal Allison H a m p ton Marc Spiegel Swing Dance New Voices Steel: How Does It Rhythms of Feet Worksh op Connell, Dickens, Slaveya Work? Workshop and McLoughlin 4:00 New Faces, Old Stories Limberjacks Ar ch ie Edwar ds Country, Down-Home Rhythms of Work Guitaroids Workshop Zem ya Steve ’’Ham bone” Style Jane Gillman Both Sides of the Hickman 5:00 Ocean Daddy Longlegs Morton Brook, Jr. Lox and Vodka Mississippi John Quebecois Sampler Tap Dance Workshop Hurt Workshop Yon a Ch ock Italian Music Five-String Banjo Sampler of Stories 6:00 Workshop Namu Lwanga Alborada Gospel Harmonies Waltz Workshop Sharon Butler DC Rhythm Ensemble 7:00 Ganga Story Swap BAMCO Warn er William s Springfield Baptist Church Male Chorus Reed Martin Songs of Sociable Louvin Brothers 8:00 Ferment Workshop Tales for a Midsummer’s Night Musica Antiqua Gamelan Kenreling Bill Baker Linda Fang 9:00 Mill Run Dulcimer Franklin, Harpe and Band Usilton Loony Toonz Saturday Night Paramount Jazz Band Workshop Dance Bruce Hutton 10:00 11:00 Washington Folk Festival — Sunday, June 3, 1990 YU R T VILLAGE ADVENTURE CUDDLE-UP STORYTELLING CHILDREN’S SPANISH CRYSTAL POOL STAGE THEATER STAGE AR EA AREA BALLROOM STAGE 12:00 King David’s Harp Sodabread Sh aron Butler Greek and Lionhart Pipe Band Gospel Singing Stories for the Macedonian Dance Workshop Spirit Clishmaclaver Djimo Kouyate Worksh op Allon s Zee Cathy Fink k. Marcy 1:00 Tales from Around Marxer Joe Hickerson Rowdy English Hammered Dulcimer the World Blues Workshop Country Dance Irish Stew Workshop Within and Without Djimo Kouyate Worksh op Accor dion Wor k sh op 2:00 Tales from the Cathy Fink and Washin gton Toho Middle East Cowboy Dance Marcy Marxer Bagpipe Workshop John Bell Worksh op Koto Society Cornucopia 3:00 Ragtime Workshop Team of Tellers Daryl Davis Band An n Sheldon Jump Up, Clap Hands The Boarding Party Contra Dance Brock and the Workshop Tales about Folks Michael Fleming Singer-Songwriter Rockets Spanish Dance 4:00- Ruminahui Ecuadorian Folklore Workshop Eleanor Ellis and Society Bill J enkins’ Friends Morris Dancing Tales from Africa Wonderful World of Worksh op Nubian League John Bell Music Patuxent Partners 5:00 Fiddle Workshop Wash in gton Old Tales, Fresh Balalaika Society Ideas Vietn a m ese Mu sic Zydeco Dan ce P arty Tisza Ensemble Sunshine Skiffle 6:00 Band 2 Deadline for August Issue: 9pm, Thursday, July 12 FSGW Newsletter, Volume 26, No.10 June/July 1990 SPARKY & RHONDA RUCKER HOUSE CONCERT Saturday, June 23, 8pm Sparky Rucker, folk-blues performer, storyteller, histori­ an, folklorist and educator, and his wife, Rhonda, pay a special visit to FSGW for a house concert June 23, 8pm, at the home of Lars Hanslin in Chevy Chase, MD. Sparky’s voice ranges from a throaty growl to a warble, backed by the rhythm of his bottleneck guitar playing. Rhonda Rucker is a versatile performer, singing harmonies with Sparky and playing harmonica. Rhonda has studied with Washington’s Phil Wiggins, and applies her techniques when accompanying Sparky. Their concerts are total experiences in sound, history and culture, mixing song, legend, tale, and historical narrative in an exploration which tells the story of American life. Once a teacher and now a travelling troubadour, Sparky mixes jokes and comments on contemporary life with the historical roots of the traditional material he loves so well. Admission to this intimate concert is $5, FSGW; $7, non-members. Call (301) 654-4317 for directions to the Hanslin house. Thomas & Tarmo Urb Estonian Freedom Songs June Program at WES : Friday, June 8, 8:30pm The FSGW June Program features two brothers from Estonia who bring to the US a view of Eastern Block life not often heard. This is the first DC concert appearance by these recent emigres, who just have been honored by the Congressional Human Rights Foundation. They will be featured later this month on Diane Rehm’s WAMU talk show. Their songs are topical, original, mostly in English, and accompanied by guitar. It is reminiscent of topical folkmusic of the ’60s. Changing politics in changing times! Join us at Washington Ethical Society Auditorium, 7750 16th St. NW, DC. Programs are FREE to members, including those who join at this event, and $6 all others. FSGW "On the Way Home" Friday, July 13, 8pm Friday, July 13 will be "FSGW Night" at Arena Stage’s Old Vat Room for an 8pm per­ formance of Stephen Wade’s "On the Way Home". After 8 years at Arena with his previ­ ous show, "Banjo Dancing", Stephen Wade has prepared a new selection of American stories, songs, tales, and historical narratives all ac­ companied by his favorite banjos and banjo pieces. Steve (an FSGW member) is a veteran researcher of folk and traditional sources and has prepared materials for film and television as well as for his own shows. He came to Arena for a 3 week run in January 1981 and his engaging and effervescent manner have been charming audiences and critics alike ever since. Now, through a special arrangement with Arena Stage, FSGW members can see the new show at 35 percent off the normal ticket price. The tickets cost $9.75 and must be reserved in advance by calling the Arena group sales office at (202) 488- 4380. Ask for the FSGW group on July 13. You will need vour membership card to pick up vour tickets on the night of the performance. A block of seats will held until July 2. Additional seats will be on an as available basis. Reserve your seats now for a special opportunity to enjoy this delightful evening. Newsletter Editor's Address: 14244 Bradshaw Dr., Silver Spring, MD 20905 3 FSGW Newsletter, Volume 26, No.10 June/July 1990 FSGW Sunday Night Dance at Glen Echo Park The FSGW Sunday night contra & square dances are held in the Spanish Ballroom at Glen Echo Park, just off MacArthur Blvd. in Glen Echo MD. The dance is aimed at intermediate to advanced dancers (i.e. little teaching, short walk-throughs, lots of music & dancing). Dances start 7:30pm & end 10:30pm promptly. Admission: $4, FSGW, BFMS, ATDS, CDSS, NPS Golden Eagle Pass Holders and Senior Citizens; $6 non-members. NEW! N EW! N EW! Sunday night dancers are invited to gather before the dances for "Picnics in the Park." Show up at 6:30. BYO Everything: share conversation & the chance to get to know your fellow dancers better. Let’s enjoy even more of Glen Echo Park! Ju n e 3: Robbin Schaeffer; band TB A. Robbin will call an Ju l y 8: Bob Dalsemer with Tripping up Stairs. DARE TO evening of all contras to the music of a band not DANCE W ITH W IT: This afternoon’s contra­ worn out by the festival.
Recommended publications
  • Neotrance and the Psychedelic Festival DC
    Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival.
    [Show full text]
  • Of ABBA 1 ABBA 1
    Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7.
    [Show full text]
  • Is Rock Music in Decline? a Business Perspective
    Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,
    [Show full text]
  • Project Kosmicare – Boom Festival
    Project Kosmicare – Boom Festival Nights Conference 2016 Maria Carmo Carvalho • 2002: for the first time at Boom, Liminal Village hosted an information stand about drugs and harm reduction • 2004: Kosmikiva (with the collaboration of MAPS). First time offered “psychedelic emergency services” at Boom. • 2006 - 2008: Kosmicare (with the collaboration of MAPS) • 2010 - …: Kosmicare Project Partnership (Boom Festival, Catholic University of Portugal, SICAD – Portuguese Government) • 2016: Kosmicare Association The Context: Boom Festival Since 1997 Over 35 000 people from over 150 countries (2014); 33 000/170 countries (2016) Biannual large-scale electronic dance music festival Independent culture and multidisciplinary artistic expression Strong values (humanism, sustainability, equality) “No logo” policy High investment in care of partygoers Several international awards in the field of sustainability But also Utopia (2014), Be-In (2015) – up to present only Good Mood, Lda Events. Kosmicare Activity 2010-2016 (N=1141) 40000 35000 30000 25000 20000 Total Festival Total Festival Participants 15000 10000 5000 0 Boom 2010 Boom 2012 Boom 2014 Utopia2014 Be-In2015 Boom 2016 Kosmicare Activity total people 22500 25000 37000 3000 2700 33000 Kosmicare Activity total KC 122 197 394 6 23 399 Kosmicare Visitors - Gender 160 140 120 100 80 60 40 20 0 Boom 2010 (N=122) Boom 2012 (N=197) Boom 2014 (n=119) Be-In 2015 (n=19) Boom 2016 (n=198) Kosmicare Visitors/Sex Male 82 135 76 15 114 Kosmicare Visitors/Sex Female 40 62 37 4 76 • 63,1% aged 19-29 yoa (2010) • 90,2% from European countries (2010); 40 nationalities in total (2016) Kosmicare Visitors - PAS 120 100 80 60 40 20 0 LSD MDMA Amph Cann Coc Ket 2CB Mush Alc Dox GHB Other Boom 2010 (N=122) 68 24 17 16 7 7 5 3 24 1 7 Boom 2012 (N=155) 90 41 9 38 7 12 6 5 32 7 15 Boom 2016 (n=197) 111 35 10 36 6 21 5 6 27 1 3 15 “Other” includes prescription pharms, NPS, opium derivatives, DMT/changa, etc.
    [Show full text]
  • Boom Festival | Rehearsing the Future
    Boom festival | Rehearsing the Future Music and the Prefiguration of Change by Saul Roosendaal 5930057 Master’s thesis Musicology August 2016 supervised by dr. Barbara Titus University of Amsterdam Boom festival | Rehearsing the future Contents Foreword .................................................................................................................................... 3 Introduction ................................................................................................................................ 4 1. A Transformational Festival ................................................................................................. 9 1.1 Psytrance and Celebration ........................................................................................... 9 1.2 Music and Culture ..................................................................................................... 12 1.3 Dance and Musical Embodiment .............................................................................. 15 1.4 Art, Aesthetics and Spirituality ................................................................................. 18 1.5 Summary ................................................................................................................... 21 2. Music and Power: Prefigurating Change ........................................................................... 23 2.1 Education: The Liminal Village as Forum ................................................................ 25 2.1.1 Drugs and Policies .........................................................................................
    [Show full text]
  • Miroslava Lukic Krstanovic, Spektakli 20 Veka:Raspored 1.Qxd
    ISBN 978–86–7587–060–9 Мирослава Лукић Крстановић СПЕКТАКЛИ XX ВЕКА МУЗИКА И МОЋ SERBIAN ACADEMY OF SCIENCES AND ARTS INSTITUTE OF ETHNOGRAPHY SPECIAL EDITIONS Volume 72 Miroslava Lukić Krstanović TWENTIETH CENTURY SPECTACLE MUSIC AND POWER Editor Dragana Radojičić BELGRADE 2010 СРПСКА АКАДЕМИЈА НАУКА И УМЕТНОСТИ ЕТНОГРАФСКИ ИНСТИТУТ ПОСЕБНА ИЗДАЊА Књига 72 Мирослава Лукић Крстановић СПЕКТАКЛИ XX ВЕКА МУЗИКА И МОЋ Уредник Драгана Радојичић БЕОГРАД 2010 Издавач ЕТНОГРАФСКИ ИНСТИТУТ САНУ Кнез Михајлова 36/IV, Београд, тел. 011 26 36 804 [email protected], www.etno-institut.co.rs За издавача Драгана Радојичић Рецензенти академик Гојко Суботић проф. др Иван Ковачевић проф. др Бојан Жикић Секретар редакције: Марија Ђокић Лектор Ивана Башић Коректор Марија Ђокић Превод на енглески Богдан Петровић Корице Игор Васиљев Техничка припрема Београдска књига Штампа Будућност Нови Сад Тираж 500 примерака Штампање публикације финансирано је из средстава Министарства за науку и технолошки развој Републике Србије Примљено на II седници Одељења друштвених наука САНУ одржаној 23. фебруара 2010. године, на основу реферата академика Гојка Суботића САДРЖАЈ Предговор.....................................................................................9 I. ТЕОРИЈА СПЕКТАКЛА Морфологија појма .................................................................15 Теоријско мапирање ...............................................................20 Спектакл – друштво .........................................................22 Спектакл – бирократија ..................................................27
    [Show full text]
  • June/July 2019
    Kaitlyn O’Connor Shares Her Love of the Region Coulees, Caves & Currents What’s a Coulee, Anyway? Restoring a River Exploring Caves and Cultures Enjoy a Wine Pairing Picnic Special Guide to the Great Outdoors COMMUNITY SECTION INSIDE! Make Feist SiegertDental your new dental home ... we can take care of all of your needs under one roof! Dental Cleanings & Exams Dentures Implants Orthodontics Root Canal Therapy Same Day Crowns Sleep Appliances TMJ Veneers Feist Siegert Dental 831 Critter Courf • Onalaska, WI www.78teeth.com 608. 790. 9464 Dr.Jake Siegert Kelly and Courtney CONTENTS | June/July 2019 Coulees, Caves & Currents 11 PROFILE 34 FAMILY GIVING VOICE TO THE PLACE SHE LOVES WE BOUGHT A CAVE! Naturalist Kaitlyn O’Connor educates about and advocates for The Bishop family celebrates 25 years at one of the area’s the Driftless Area. natural wonders—Niagara Cave. 15 EDUCATION 36 NONPROFIT A GUIDE TO THE DRIFTLESS AREA MORE THAN FOUR WALLS What’s a coulee? Learn this and more in this Driftless Area primer. TheExchange ensures families transitioning out of homelessness 19 CAREERS have the furnishings they need. IT FLOWS IN HER VEINS 38 RETAIL THERAPY Researcher KathiJo Jankowski is passionate about water quality. TANDEM TRENDS 23 HEALTHY LIVING When biking the river, the forest or the marsh, hit the trails in style. SAFE FUN IN THE SUN Protecting your skin is key to a healthy summer. 39 TRAVEL 26 HOME TOUCHING THE DISTANT PAST This summer, explore the local treasures of the Coulee Region. A LITTLE BIT OUT OF THE NORM A quirky but clever apartment complements a machine shed.
    [Show full text]
  • The VIRTUAL 46Th Annual Alaska Folk Festival
    The VIRTUAL 46th Annual Alaska Folk Festival April 5-11, 2021 It gives me tremendous pleasure to say these words that we have all been waiting far too long to hear -- Welcome to the 46th Annual Alaska Folk Festival! After the disappointment of cancelling the 2020 festival, and when it became clear that large gatherings would not be happen- ing for a long time, our all-volunteer board decided to forego the normal 5 month hiatus to keep working to develop a virtual Folk Festival. The lineup and variety of programming that came together far exceeded my expectations of what was possible, and I could not be more proud to be a part of this amazing group of volunteers. One of the silver linings of the pandemic was seeing how folk music and musicians immediately responded to the abrupt can- cellation of live musical performances by finding new and innovative ways to keep the music going. Online performances, workshops and festivals began sprouting up like fireweed shoots after a forest fire. This provided great hope and inspiration for us at the Alaska Folk Festival that the music would continue – no matter what! One striking example of the resilience of folk music came through the Quarantine Happy Hour group. Started in early April, 2020 by Oregon musicians Gabrielle Macrae and Barry Southern (The Horsenecks), this Facebook group began as a live feed for musicians to perform during the height of the pandemic lockdown. One year and twenty thousand followers later, Quaran- tine Happy Hour has featured a live performance every single night since it began! As great friends of the AFF, Gabrielle and Barry graciously offered to lend their platform to help us bring live musical performances to you during this year’s festival.
    [Show full text]
  • January / February 2001
    FREE Volume 1 Number 1 January / February 2001 A BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY “Don’t you know that Folk Music is illegal in Los Angeles?” –Warren Casey of the Wicked Tinkers Dancing in the Subway MUSIC & DANCE IN UNDERGROUND LA by TERRY SQUIRE STONE ere we are at the birth of a new adventure: were here for a trade show a new newspaper for an old tradition. A downtown and were look- newspaper for those of us who have been ing to kill a few hours around the folk music scene for a while, between seminars. Did as well as one for those who are new to I think they should go this community. And, it is a community in to NoHo or City H the realist sense of the word. Walk? Could I help Which brings me to the LA subway… them? They wanted Bear with me… to know my opinion! I recently had reason to use the Los Angeles Metro Then, there was Link system for the first time. The Metro Link is the LA the Orthodox Jewish version of Paris Metro, the London Tube. And, just like teenager from Woodland Hills LA, it is glitzy and expensive, without much “there,” who was out for his first adventure there. It goes only a short distance with a lot of fanfair, but alone. Everything from the pur- it suited my purposes; to get downtown from the San chasing of a ticket to the art on Fernando Valley while avoiding the traffic and the hassle the walls was a wonder to him.
    [Show full text]
  • The Manual of Psychedelic Support a Practical Guide to Establishing and Facilitating Care Services at Music Festivals and Other Events
    The Manual of Psychedelic Support A Practical Guide to Establishing and Facilitating Care Services at Music Festivals and Other Events First Edition (2015) Psychedelic Care Publications GWYLLM LLWYDD • The Chemist (dedicated to Sasha Shulgin), 2013 • multimedia, digital collage http://ic.earthrites.org The Manual of Psychedelic Support First Edition (2015) • Psychedelic Care Publications Copies of this Manual may be downloaded freely from http://www.psychsitter.com The Manual of Psychedelic Support First Edition, V1.0 (2015) Psychedelic Care Publications ISBN 978-0-646-91889-1 LICENSING & COPYRIGHT This work, excluding all art and photos, is licensed under a Creative Commons Attribution—Non-Commercial 4.0 Inter- national licence. You are free to Share (copy/redistribute in any medium) and Adapt (remix, transform, build upon) the text of this work, as long as you attribute its original source to The Manual of Psychedelic Support and provide a link to the CC BY-NC 4.0 licence https://creativecommons.org/licenses/by-nc/4.0/. Additionally, no part of this work may be used directly for commercial purposes. Art and photos in this work are copyright by their respective artists and photographers. EDITORS ANNIE OAK Founder of the Women’s Visionary Congress and the Full Circle Tea House JON HANNA Co-founder of Mind States KAYA SVEA NIELSEN Psychologist, Vision Board Coach, Nikken Consultant, and Mama of fine organic children TWILIGHT ZEVIC MISHOR FOREWORDS FIRE & EARTH EROWID Co-founders of Erowid Center, Erowid.org, and EcstasyData.org DIOGO RUIVO
    [Show full text]
  • HOMEGROWN in the COROMANDEL
    HOMEGROWN in THE COROMANDEL OFFICIAL VISITOR GUIDE REFER TO CENTRE FOLDOUT www.thecoromandel.com Hauraki Rail Trail, Karangahake Gorge CAPE COLVILLE Fletcher Bay PORT JACKSON COASTAL WALKWAY Stony Bay MOEHAU RANGE Sandy Bay Fantail Bay PORT CHARLES HAURAKI GULF Waikawau Bay Otautu Bay COLVILLE Amodeo Bay Kennedy Bay Papa Aroha NEW CHUM BEACH KUAOTUNU Otama Shelly Beach MATARANGI BAY Beach WHANGAPOUA BEACH Long Bay Opito Bay COROMANDEL Coromandel Harbour To Auckland TOWN Waitaia Bay PASSENGER FERRY Te Kouma Te Kouma Harbour WHITIANGA Mercury Bay Manaia Harbour Manaia 309 Cooks Marine Reserve Kauris Beach Ferry CATHEDRAL COVE Landing HAHEI C OROMANDEL RANGE Waikawau HOT WATER COROGLEN BEACH 25 WHENUAKITE Orere 25 Point TAPU Sailors Grave Rangihau Square Valley Te Karo Bay WAIOMU Kauri TE PURU TAIRUA To Auckland Pinnacles Broken PAUANUI 70km KAIAUA Hut Hills Hikuai DOC PINNACLES Puketui Tararu Info WALK Shorebird Coast Centre Slipper Island 1 FIRTH (Whakahau) OF THAMES THAMES Kauaeranga Valley OPOUTERE Pukorokoro/Miranda 25a Kopu ONEMANA MARAMARUA Pipiroa 25 To Auckland Waitakaruru Kopuarahi 2 WHANGAMATA Hauraki Plains Maratoto Valley Wentworth 2 NGATEA Mangatarata Valley Whenuakura Island 25 27 Kerepehi Hikutaia Kopuatai HAURAKI 26 Waimama Bay Wet Lands RAIL TRAIL Whiritoa To Rotorua/ Netherton Taupo PAEROA Waikino Mackaytown WAIHI 2 OROKAWA BAY Tirohia KARANGAHAKE GORGE Waitawheta WAIHI BEACH Athenree KEY Kaimai Marine Reserve Walks Golf Course Forest Park Bowentown Gold Heritage Fishing Information Centres Surfing Cycleway Airports TE AROHA To Tauranga 70km Kauri Heritage Camping life asitshouldbe. slow downandreconnectwith abreak, it’s time to relax.Take selling homegrown foodandart, and meetingcreativelocals you. Aftersomeretailtherapy perfect, becauseit’s allabout The Coromandel is a prescription for your own own your is aprescriptionfor wellbeing.
    [Show full text]
  • A Five Capitals Investigation Into Festival Impacts
    Richard Fletcher A five capitals investigation into festival impacts Dissertation submitted in partial fulfillment of the requirements for a Master of Science by Research De Montfort University Date of submission: January 2013 Minor revisions completed: June 2013 Sponsored by the Institute of Energy and Sustainable Development ABSTRACT The impact of festivals on contemporary society has proven, through ongoing investigation, to constitute a wide-ranging and highly contrasting set of costs and benefits. The Five Capitals model (Porritt, 2005) presents a comprehensive framework to guide the sustainable development of all products and services, that will be of particular interest when applied to the great variety of festivals, and their associated impacts. A framework will be developed, through which festivals can consider the range of impacts they have on natural, human, social, manufactured and financial sources of capital. The research approach of various festival organisations and of individuals working around festivals is considered throughout, how is knowledge gathered, what do ordering structures create, and what structures are created by this? The framework is applied in as much detail as possible to one festival, demonstrating a practical outcome, discussing the overall value of an integrated approach to reporting and finally suggesting future approaches. This research touches on wider contemporary issues, such as the practical workings of multi or inter-culturalist policies, costs/benefits of mega-events (such as the Olympics,
    [Show full text]