Tool Fear Inoculum Vinyl Release Date
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The Recording Academy® Producers & Engineers Wing® to Present Grammy® Soundtable— “Sonic Imprints: Songs That Changed My Life” at 129Th Aes Convention
® The Recording Academy Producers & Engineers Wing 3030 Olympic Boulevard • Santa Monica, CA 90404 E-mail: p&[email protected] THE RECORDING ACADEMY® PRODUCERS & ENGINEERS WING® TO PRESENT GRAMMY® SOUNDTABLE— “SONIC IMPRINTS: SONGS THAT CHANGED MY LIFE” TH AT 129 AES CONVENTION Diverse Group of High Profile Producer and Engineers Will Gather Saturday Nov. 6 at 2:30PM in Room 134 To Dissect Songs That Have Left An Indelible Mark SANTA MONICA, Calif. (Oct. 15, 2010) — Some songs are hits, some we just love, and some have changed our lives. For the GRAMMY SoundTable titled “Sonic Imprints: Songs That Changed My Life,” on Saturday, Nov. 6 at 2:30PM in Room 134, a select group of producer/engineers will break down the DNA of their favorite tracks and explain what moved them, what grabbed them, and why these songs left a life long impression. Moderated by Sylvia Massy, (Prince, Johnny Cash, Sublime) and featuring panelists Joe Barresi (Bad Religion, Queens of the Stone Age, Tool), Jimmy Douglass (Justin Timberlake, Jay Z, John Legend), Nathaniel Kunkel (Lyle Lovett, Everclear, James Taylor) and others, this event is sure to be lively, fun, and inspirational.. More Participant Information (other panelists TBA): Sylvia Massy broke into the big time with 1993's “Undertow” by Los Angeles rock band Tool, and went on to engineer for a diverse group of artists including Aerosmith, Babyface, Big Daddy Kane, The Black Crowes, Bobby Brown, Prince, Julio Iglesias, Seal, Skunk Anansie, and Paula Abdul, among many others. Massy also engineered and mixed projects with producer Rick Rubin, including Johnny Cash's “Unchained” album which won a GRAMMY award for Best Country Album. -
ENTERTAINMENT Page 17 Technique • Friday, March 24, 2000 • 17
ENTERTAINMENT page 17 Technique • Friday, March 24, 2000 • 17 Fu Manchu on the road On shoulders of giants ENTERTAINMENT The next time you head off down the Oasis returns after some troubling highway and are looking for some years with a new release and new hope tunes, try King of the Road. Page 19 for the future of the band. Page 21 Technique • Friday, March 24, 2000 Passion from the mouthpiece all the way to the back row By Alan Back Havana, Cuba, in 1949, Sandoval of jazz, classical idioms, and Living at a 15-degree tilt began studying classical trumpet traditional Cuban styles. at the age of 12, and his early During a 1977 visit to Cuba, Spend five minutes, or even experience included a three-year bebop master and Latin music five seconds, talking with enrollment at the Cuba National enthusiast Dizzy Gillespie heard trumpeter Arturo Sandoval and the young upstart performing you get an idea of just how with Irakere and decided to be- dedicated he is to his art. Whether “I don’t have to ask gin mentoring him. In the fol- working as a recording artist, lowing years, Sandoval left the composer, professor, or amateur permission to group in order to tour with both actor, he knows full well where anybody to do Gillespie’s United Nation Or- his inspiration comes from and chestra and an ensemble of his does everything in his power to what I have to.” own. The two formed a friend- pass that spark along to anyone Arturo Sandoval ship that lasted until the older who will listen. -
Queens of the Stone Age Are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman
Queens of the Stone Age are: Joshua Homme, Troy Van Leeuwen, Dean Fertita, Michael Shuman …Like Clockwork Release date June 4th, 2013 (US) LABEL • …Like Clockwork is the first QOTSA release with new label partner, Matador Records – which is part of the Beggars Group, the largest independent label group in the world. PRODUCTION • …Like Clockwork was recorded at Joshua Homme’s Pink Duck Studios in Burbank, CA • All Songs produced by Joshua Homme and QOTSA except …Like Clockwork, produced by Joshua Homme and James Lavelle • Engineered by Mark Rankin, with additional engineering by Alain Johannes and Justin Smith • All songs mixed by Mark Rankin, except “Fairweather Friends” mixed by Joe Barresi • All lyrics by Joshua Homme • Mastered by Gavin Lurssen of Lurssen Mastering, Los Angeles, CA ADDITIONAL PERFORMERS • DRUMMERS Joey Castillo, Dave Grohl, Jon Theodore o After Joey left the band, Dave came in to play on the remaining songs. § Joey Castillo performs on “Keep Your Eyes Peeled” - “ I Sat by the Ocean” - “The Vampyre of Time and Memory”- “Kalposia” § Dave Grohl performs on “My God Is The Sun” - “If I Had a Tail” - “Smooth Sailing” “Fairweather Friends” - “I Appear Missing” § Jon Theodore is the new touring drummer of QOTSA, and performs on “…Like Clockwork” • Jake Shears (Scissor Sisters) appears on “Keep Your Eyes Peeled” o Homme has previously worked with the front man by appearing as the spokesperson in an infomercial for the Scissor Sisters 2012 release “Magic Hour” http://youtu.be/aw60b-wk9MA • Mark Lanegan, Nick Oliveri and Alex -
Acoustic Sounds Catalog Update
WINTER 2013 You spoke … We listened For the last year, many of you have asked us numerous times for high-resolution audio downloads using Direct Stream Digital (DSD). Well, after countless hours of research and development, we’re thrilled to announce our new high-resolution service www.superhirez.com. Acoustic Sounds’ new music download service debuts with a selection of mainstream audiophile music using the most advanced audio technology available…DSD. It’s the same digital technology used to produce SACDs and to our ears, it most closely replicates the analog experience. They’re audio files for audiophiles. Of course, we’ll also offer audio downloads in other high-resolution PCM formats. We all like to listen to music. But when Acoustic Sounds’ customers speak, we really listen. Call The Professionals contact our experts for equipment and software guidance RECOMMENDED EQUIPMENT RECOMMENDED SOFTWARE Windows & Mac Mac Only Chord Electronics Limited Mytek Chordette QuteHD Stereo 192-DSD-DAC Preamp Version Ultra-High Res DAC Mac Only Windows Only Teac Playback Designs UD-501 PCM & DSD USB DAC Music Playback System MPS-5 superhirez.com | acousticsounds.com | 800.716.3553 ACOUSTIC SOUNDS FEATURED STORIES 02 Super HiRez: The Story More big news! 04 Supre HiRez: Featured Digital Audio Thanks to such support from so many great customers, we’ve been able to use this space in our cata- 08 RCA Living Stereo from logs to regularly announce exciting developments. We’re growing – in size and scope – all possible Analogue Productions because of your business. I told you not too long ago about our move from 6,000 square feet to 18,000 10 A Tribute To Clark Williams square feet. -
Grammy Award Winners Created with Avid's Proven and Trusted, Industry
Grammy award winners created with Avid’s proven and trusted, industry‐ leading audio solutions Album of the Year, Record of the Year, and Song of the Year! January 28, 2014 Avid Customers Take Center Stage at the 56th Annual GRAMMY® Awards Avid Customers Take Center Stage at the 56th Annual GRAMMY® Awards Award winners created with Avid’s proven and trusted, industry-leading audio solutions include Album of the Year, Record of the Year, and Song of the Year Avid® (NASDAQ: AVID) today congratulated its many award-winning and nominated customer at the 56th Annual GRAMMY® Awards for their outstanding achievements in the recording arts At the ceremony on January 26 in Los Angeles, the preeminent peer-recognized awards for music excellence were bestowed on numerous artists, producers and engineers who use Avid audio solutions. Avid audio professionals created GRAMMY Award winners including Album of the Year Rando Access Memories by Daft Punk, Record of the Year Get Lucky by Daft Punk and Pharrell Williams, and Song of the Year Royals by Joel Little and Ella Yelich O’Connor (Lorde). GRAMMY Award nominee for Producer of the Year Ariel Rechtshaid has produced records spanning indie/alternative, hip-hop, reggae and R&B. His 2013 releases include Best Alternativ Music Album, Vampire Weekend’s Modern Vampires of the City, as well as Haim’s Days Are Gone, Snoop Lion’s Reincarnated, and Sky Ferreira’s Night Time, My Time. “The GRAMMY nomination for Producer of the Year is an honor,” he said. “I share it with all the artists I’ve bee fortunate enough to make music with. -
Recording Secrets for the Small Studio This Page Intentionally Left Blank Recording Secrets for the Small Studio
Recording Secrets for the Small Studio This page intentionally left blank Recording Secrets for the Small Studio Mike Senior First published 2015 by Focal Press 70 Blanchard Road, Suite 402, Burlington, MA 01803 and by Focal Press 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Focal Press is an imprint of the Taylor & Francis Group, an informa business © 2015 Mike Senior The right of Mike Senior to be identifi ed as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Notices Knowledge and best practice in this fi eld are constantly changing. As new research and experience broaden our understanding, changes in research methods, professional practices, or medical treatment may become necessary. Practitioners and researchers must always rely on their own experience and knowledge in evaluating and using any information, methods, compounds, or experiments described herein. In using such information or methods they should be mindful of their own safety and the safety of others, including parties for whom they have a professional responsibility. Product or corporate names may be trademarks or registered trademarks, and are used only for identifi cation and explanation without intent to infringe. Library of Congress Cataloging in Publication Data Application submitted ISBN: 978-0-415-71670-3 (pbk) ISBN: 978-1-135-87950-5 (ebk) Typeset in ITC Giovanni Std By MPS Limited, Chennai, India, www.adi-mps.com To my parents. -
500 Drugstore Feat. Thom Yorke El President 499 Blink
500 DRUGSTORE FEAT. EL PRESIDENT THOM YORKE 499 BLINK 182 ADAMS SONG 498 SCREAMING TREES NEARLY LOST YOU 497 LEFTFIELD OPEN UP 496 SHIHAD BEAUTIFUL MACHINE 495 TEGAN AND SARAH WALKING WITH A GHOST 494 BOMB THE BASS BUG POWDER DUST 493 BAND OF HORSES IS THERE A GHOST 492 BLUR BEETLEBUM 491 DISPOSABLE HEROES TELEVISION THE DRUG OF THE OF... NATION 490 FOO FIGHTERS WALK 489 AIR SEXY BOY 488 IGGY POP CANDY 487 NINE INCH NAILS THE HAND THAT FEEDS 486 PEARL JAM NOT FOR YOU 485 RADIOHEAD EVERYTHING IN ITS RIGHT PLACE 484 RANCID TIME BOMB 483 RED HOT CHILI MY FRIENDS PEPPERS 482 SANTIGOLD LES ARTISTES 481 SMASHING PUMPKINS AVA ADORE 480 THE BIG PINK DOMINOS 479 THE STROKES REPTILIA 478 THE PIXIES VELOURIA 477 BON IVER SKINNY LOVE 476 ANIMAL COLLECTIVE MY GIRLS 475 FILTER HEY MAN NICE SHOT 474 BRAD 20TH CENTURY 473 INTERPOL SLOW HANDS 472 MAD SEASON SLIP AWAY 471 OASIS SOME MIGHT SAY 470 SLEIGH BELLS RILL RILL 469 THE AFGHAN WHIGS 66 468 THE FLAMING LIPS FIGHT TEST 467 ALICE IN CHAINS MAN IN THE BOX 466 FAITH NO MORE A SMALL VICTORY 465 THE THE DOGS OF LUST 464 ARCTIC MONKEYS R U MINE 463 BECK DEADWEIGHT 462 GARBAGE MILK 461 BEN FOLDS FIVE BRICK 460 NIRVANA PENNYROYAL TEA 459 SHIHAD YR HEAD IS A ROCK 458 SNEAKER PIMPS 6 UNDERGROUND 457 SOUNDGARDEN BURDEN IN MY HAND 456 EMINEM LOSE YOURSELF 455 SUPERGRASS RICHARD III 454 UNDERWORLD PUSH UPSTAIRS 453 ARCADE FIRE REBELLION (Lies) 452 RADIOHEAD BLACK STAR 451 BIG DATA DANGEROUS 450 BRAN VAN 3000 DRINKING IN LA 449 FIONA APPLE CRIMINAL 448 KINGS OF LEON USE SOMEBODY 447 PEARL JAM GETAWAY 446 BEASTIE -
Jon Theodore
12 Modern Drummer June 2014 Booth #1219 Always on the go, Daru Jones desired a highly portable cymbal set for hip-hop sessions, DJ Jams, and other sit-ins that spontaneously present themselves, enabling him to preserve his personal sound in modern urban mobility. The concept was developed in the PST X series, which provides a suitable basis for the type of fast and dry sounds that perfectly fit the world of Hip-hop & Electronica percussion. It is executed with the DJs 45 set consisting of a 12" Crash, 12" Ride and 12" Hats. INTRODUCING ?MbcRaf^aYbE^]WPERZRPcEVRZZDRPW_Rb͜ŬeRQWbcW]PcZh d]W`dRS^a\dZMb͜QRbWU]RQ͜PaRMcRQM]QcRbcRQc^_RaS^a\ ^_cW\MZZhW]cVRR]eWa^]\R]ccVMcORMabWcb]M\R͙ studio heritage modern dry stadium urban ?MbcRaf^aYbGaOM]bVRZZbSRMcdaRMa^d]QRQ ʎORMaW]URQUR P^\OW]RQfWcV^da6eR]BZhEWgOZR]Q^S3WaPVΧ8d\Χ3WaPVfWcV?M_ZR aRW]S^aPR\R]caW]Ubc^_a^\^cR_a^]^d]PRQZ^fR]QMccMPYfWcV b\^^cV͜ReR]QRPMh͙Ada\W]W\MZP^]cMPcEF>bfWeRZZdUb͜P^\OW]RQ fWcV^da ͙ \\Ed_Ra:^^_ZZhoops increase projection without W\_RQW]U_RaS^a\M]PRMPa^bbcVRcd]W]Ub_RPcad\͙ FVWbWbcVRWQRMZb^d]QS^aB^_͜D̿3^a8^b_RZ͙ ?MbcRaf^aYbGaOM]bV^f]W]ORMdcWSdZ3ZMPY lacquer fWcV:^Z^UaM_VWPůMYRb͙>WbcR]c^cVR GaOM]aRPW_R_ZMhRQOh3aWM]7aMbWRa?^^aR Mc_RMaZQad\͙P^\ CONTENTS Volume 41 • Number 12 CONTENTS Cover and Contents photos by Andreas Neumann FEATURES 28 MODERN DRUMMER 2018 56 ELI KESZLER READERS POLL The multidisciplinary artist has Make your voice heard in the most dedicated much of his career important poll in the drumming to exploring the solo drumset’s world! expressionistic capabilities, leading to new creative and career 30 THE PSYCHEDELIC FURS’ opportunities. -
Joe Barresi Issue 41
Joe Barresi: King Of The Rock Age complimented the producer on working for the band, and “not for anyone When it comes to the production of volume-to-11 rock there’s else” – an apparent reference to record company pressures. And so, with no-one better than Joe Barresi – the latest offering from full creative control and a much larger budget to work with than before, Homme and Barresi set out to experiment more than ever and, said the Queens of the Stone Age, Lullabies to Paralyze, is latter, “create something unique.” testament to that. Paul Tingen finds out “The band rehearsed the songs at Rancho de la Luna studios [in Joshua Tree National Park in Southern California]” explained Barresi. how this complex, ear-invading metal “When they came back to LA, I sat in on a couple of rehearsals and it monster was assembled. was mainly a matter of me learning the music and seeing what worked, sonically, guitar- and tempo-wise, and so on. Then we loaded all the gear into Sound City studios and spent the first day sorting through it, plugging things in and deciding what would sound good for what parts. We had a massive array of amplifiers, guitars and drums, including some of my own stuff…” Vintage King When Barresi spoke about “some of [his] own stuff,” he was, perhaps momentarily, under the spell of the British art of understatement, for he’s the proud owner of a rather extravagant collection of assorted boxes, guitars and amplifiers. As he put it, “I have 250 guitar pedals, probably close to 45 guitars, 75 guitar amps (35 combos and 40 heads), and countless pieces of outboard gear. -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Evil Joe Barresi Kit 1 for Session Drummer 3
Evil Joe Barresi Kit 1 for Session Drummer 3 Welcome and thank you for purchasing the Platinum Samples Evil Joe Barresi Kit 1 for Session Drummer 3 expansion kit. This kit requires Session Drummer 3 which is available exclusively in Cakewalk SONAR 8.5 and Cakewalk SONAR X1 Producer. Please note that images in this manual may be from other Platinum Samples products. Registration and Download After purchasing the product you will be supplied with a serial number. Either log in or register at: https://www.platinumsamples.com/register. Once logged in register the serial number and click on the product to access the downloads for your product. Download and unzip the archive (zip) file. In order to cut down upon illegal file-sharing of this product, we are using an invis- ible watermarking technique. Your unique customer number is encoded into the audio files. Should the files find their way to Bittorrent (or other file-sharing serv- ers), we will be able to extract the customer number from the material and trace back to the original purchaser of the material. For your privacy, none of your personal information is embedded within the water- mark.Only our internal customer number is encoded within the watermark. Even if someone were able to decode our watermark (which is highly unlikely), they would only be able to see the customer number. We do not disclose the customer numbers to anyone except our legal team and law-enforcement. Our watermarking technique is impervious to re-encodes or format translation (such as RAR or downstream encoders (YouTube, etc.)). -
Software Sampler Instrument Design - Review and Proposal
Joseph Sprint (33020978) - BSc (Hons) Music Technology, Level 6 1 of 14 Software Sampler Instrument Design - Review and Proposal Sample Instrument Review This review looks at and makes extensive reference to the drum sample-engine 'Superior Drummer 2' (2008) and the sample-instrument 'Joe Barresi Evil Drums SDX' (2010). All audio examples can be found at https://soundcloud.com/c3020978/sets/ssid-review (or follow the << links >> within the text) (Fig.1 - Superior Drummer 2 main page) Superior-Drummer recreates the sound of professionally recorded drums in a versatile software engine. The Evil-Drums sample library was recorded by Joe Barresi (Tool, Queens of the Stone Age, Bad Religion) with the same techniques and tools he would use when working on a professional project. << Demo Song - Default Settings >> Channel Organisation The drum instrument is organised by microphone channels which matches how a real drum kit is recorded; Kick, SnareDrumTop, SnareDrumBottom, RackTom1, RackTom2, FloorTom1, HiHat, Ride, Overhead Left&Right, AmbientClose Left&Right, AmbientMono. This means the drums produced can be mixed virtually the same as if they had been recorded. The program is well organised giving the user direct access to the main features on the front page which will benefit the work-flow. Joseph Sprint (33020978) - BSc (Hons) Music Technology, Level 6 2 of 14 Mixer (Fig.2 - Superior Drummer 2 mixer page) The mixer is where the microphone channels are routed to their outputs. By default the outputs are grouped by stereo output channels which creates combined stereo channels in the sequencer (Fig.3). This in effect doubles the processor requirements for each channel which would not be desirable on a computer with limited resources.