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19 Language Revitalisation: Community and School Programs Working Together
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship 19 Language revitalisation: community and school programs working together Diane McNaboe1 and Susan Poetsch2 Abstract Since it was published in 2003 the New South Wales Aboriginal Languages K– 10 Syllabus has led to a substantial increase in the number of school programs operating in the state. It has supported the quality of those programs, and the status and recognition given to Aboriginal languages and cultures in the curriculum. School programs also complement community initiatives to revitalise, strengthen and share Aboriginal languages in New South Wales. As linguistic and cultural knowledge increases among adult community members, school programs provide a channel for them to continue to develop their own skills and knowledge and to pass on this heritage. This paper takes Wiradjuri as an example of language revitalisation, and describes achievements in adult language learning and the process of developing a school program with strong input from community. A brief history of Wiradjuri language revitalisation Wiradjuri is one of the central inland New South Wales (NSW) languages (Wafer & Lissarrague 2008, pp. 215–25). In recent decades various language teams have investigated and analysed archival sources for Wiradjuri and collected information from both written and oral sources (Büchli 2006, pp. 58–60). These teams include Grant and Rudder (2001a, b, c, d; 2005), Hosking and McNicol (1993), McNicol and Hosking (1994) and Donaldson (1984), as well as Christopher Kirkbright, George Fisher and Cheryl Riley, who have been working with Wiradjuri people in and near Sydney. -
Re-Awakening Languages: Theory and Practice in the Revitalisation Of
RE-AWAKENING LANGUAGES Theory and practice in the revitalisation of Australia’s Indigenous languages Edited by John Hobson, Kevin Lowe, Susan Poetsch and Michael Walsh Copyright Published 2010 by Sydney University Press SYDNEY UNIVERSITY PRESS University of Sydney Library sydney.edu.au/sup © John Hobson, Kevin Lowe, Susan Poetsch & Michael Walsh 2010 © Individual contributors 2010 © Sydney University Press 2010 Reproduction and Communication for other purposes Except as permitted under the Act, no part of this edition may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All requests for reproduction or communication should be made to Sydney University Press at the address below: Sydney University Press Fisher Library F03 University of Sydney NSW 2006 AUSTRALIA Email: [email protected] Readers are advised that protocols can exist in Indigenous Australian communities against speaking names and displaying images of the deceased. Please check with local Indigenous Elders before using this publication in their communities. National Library of Australia Cataloguing-in-Publication entry Title: Re-awakening languages: theory and practice in the revitalisation of Australia’s Indigenous languages / edited by John Hobson … [et al.] ISBN: 9781920899554 (pbk.) Notes: Includes bibliographical references and index. Subjects: Aboriginal Australians--Languages--Revival. Australian languages--Social aspects. Language obsolescence--Australia. Language revival--Australia. iv Copyright Language planning--Australia. Other Authors/Contributors: Hobson, John Robert, 1958- Lowe, Kevin Connolly, 1952- Poetsch, Susan Patricia, 1966- Walsh, Michael James, 1948- Dewey Number: 499.15 Cover image: ‘Wiradjuri Water Symbols 1’, drawing by Lynette Riley. Water symbols represent a foundation requirement for all to be sustainable in their environment. -
North West Wiradjuri Language and Culture Nest Stage 1 Final Report
North West Wiradjuri Language and Culture Nest Stage 1 Final Report Prepared for participating Aboriginal Communities and members of the North West Wiradjuri Language and Culture Nest Reference Group June 2018 Ilan Katz, Jan Idle, Shona Bates, Wendy Jopson, Michael Barnes This report belongs to the Aboriginal Communities of Dubbo, Narromine, Gilgandra, Peak Hill, Trangie, Wellington and Mudgee, and the North West Wiradjuri Language and Culture Nest Reference Group. The North West Wiradjuri Language and Culture Nest operates on Wiradjuri Country. The evaluation team from the Social Policy Research Centre acknowledges the Wiradjuri peoples as the traditional custodians of the land we work on and pay our respect to Elders past, present and future and all Aboriginal peoples in the region. Acknowledgements We thank Aboriginal Communities involved for their support and participation in this evaluation. We would like to thank Tony Dreise and Dr Lynette Riley – both members of the Evaluation Steering Committee – for reviewing the report. The OCHRE Evaluation was funded by Aboriginal Affairs NSW. The views expressed in this report are those of the authors and may not reflect those of Aboriginal Affairs NSW or the New South Wales Government. We would like to acknowledge the contribution of Aboriginal Affairs NSW for their support. Evaluation Team Prof Ilan Katz, Michael Barnes, Shona Bates, Dr Jan Idle, Wendy Jopson, Dr BJ Newton For further information: Ilan Katz +61 2 9385 7800 Social Policy Research Centre UNSW Sydney NSW 2052 Australia T +61 2 9385 7800 F +61 2 9385 7838 E [email protected] W www.sprc.unsw.edu.au © UNSW Australia 2018 The Social Policy Research Centre is based in the Faculty of Arts & Social Sciences at UNSW Sydney. -
Our Knowledge for Country
2 2 STRENGTHENING OUR KNOWLEDGE FOR COUNTRY Authors: 2.1 INTRODUCTION TO CARING FOR COUNTRY 22 Barry Hunter, Aunty Shaa Smith, Neeyan Smith, Sarah Wright, Paul Hodge, Lara Daley, Peter Yates, Amelia Turner, 2.2 LISTENING AND TALKING WITH COUNTRY 23 Mia Mulladad, Rachel Perkins, Myf Turpin, Veronica Arbon, Eleanor McCall, Clint Bracknell, Melinda McLean, Vic 2.3 SINGING AND DANCING OUR COUNTRY 25 McGrath, Masigalgal Rangers, Masigalgal RNTBC, Doris 2.4 ART FOR COUNTRY 28 Yethun Burarrwaŋa, Bentley James, Mick Bourke, Nathan Wong, Yiyili Aboriginal Community School Board, John Hill, 2.5 BRINGING INDIGENOUS Wiluna Martu Rangers, Birriliburu Rangers, Kate Cherry, Darug LANGUAGES INTO ALL ASPECTS OF LIFE 29 Ngurra, Uncle Lex Dadd, Aunty Corina Norman-Dadd, Paul Glass, Paul Hodge, Sandie Suchet-Pearson, Marnie Graham, 2.6 ESTABLISHING CULTURAL Rebecca Scott, Jessica Lemire, Harriet Narwal, NAILSMA, KNOWLEDGE DATABASES AND ARCHIVES 35 Waanyi Garawa, Rosemary Hill, Pia Harkness, Emma Woodward. 2.7 BUILDING STRENGTH THROUGH KNOWLEDGE-RECORDING 36 2.8 WORKING WITH OUR CULTURAL HIGHLIGHTS HERITAGE, OBJECTS AND SITES 43 j Our Role in caring for Country 2.9 STRENGTHENING KNOWLEDGE j The importance of listening and hearing Country WITH OUR KIDS IN SCHOOLS 48 j The connection between language, songs, dance 2.10 WALKING OUR COUNTRY 54 and visual arts and Country 2.11 WALKING COUNTRY WITH j The role of Indigenous women in caring WAANYI GARAWA 57 for Country 2.12 LESSONS TOWARDS BEST j Keeping ancient knowledge for the future PRACTICE FROM THIS CHAPTER 60 j Modern technology in preserving, protecting and presenting knowledge j Unlocking the rich stories that our cultural heritage tell us about our past j Two-ways science ensuring our kids learn and grow within two knowledge systems – Indigenous and western science 21 2 STRENGTHENING OUR KNOWLEDGE FOR COUNTRY 2.1 INTRODUCTION TO CARING We do many different actions to manage and look after Country9,60,65,66. -
Aboriginal Languages
Aboriginal Languages Advice on Programming and Assessment for Stages 4 and 5 Acknowledgements The map on p 8 is © Department of Lands, Panorama Ave, Bathurst, NSW, www.lands.nsw.gov.au © 2003 Copyright Board of Studies NSW for and on behalf of the Crown in right of the State of New South Wales. This document contains Material prepared by the Board of Studies NSW for and on behalf of the State of New South Wales. The Material is protected by Crown copyright. All rights reserved. No part of the Material may be reproduced in Australia or in any other country by any process, electronic or otherwise, in any material form or transmitted to any other person or stored electronically in any form without the prior written permission of the Board of Studies NSW, except as permitted by the Copyright Act 1968. School students in NSW and teachers in schools in NSW may copy reasonable portions of the Material for the purposes of bona fide research or study. When you access the Material you agree: • to use the Material for information purposes only • to reproduce a single copy for personal bona fide study use only and not to reproduce any major extract or the entire Material without the prior permission of the Board of Studies NSW • to acknowledge that the Material is provided by the Board of Studies NSW • not to make any charge for providing the Material or any part of the Material to another person or in any way make commercial use of the Material without the prior written consent of the Board of Studies NSW and payment of the appropriate copyright fee • to include this copyright notice in any copy made • not to modify the Material or any part of the material without the express prior written permission of the Board of Studies NSW. -
Commonwealth of Australia
COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of The Charles Darwin University with permission from the author(s). Any further reproduction or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice Aboriginal and Torres Strait Islander THESAURUS First edition by Heather Moorcroft and Alana Garwood 1996 Acknowledgements ATSILIRN conference delegates for the 1st and 2nd conferences. Alex Byrne, Melissa Jackson, Helen Flanders, Ronald Briggs, Julie Day, Angela Sloan, Cathy Frankland, Andrew Wilson, Loris Williams, Alan Barnes, Jeremy Hodes, Nancy Sailor, Sandra Henderson, Lenore Kennedy, Vera Dunn, Julia Trainor, Rob Curry, Martin Flynn, Dave Thomas, Geraldine Triffitt, Bill Perrett, Michael Christie, Robyn Williams, Sue Stanton, Terry Kessaris, Fay Corbett, Felicity Williams, Michael Cooke, Ely White, Ken Stagg, Pat Torres, Gloria Munkford, Marcia Langton, Joanna Sassoon, Michael Loos, Meryl Cracknell, Maggie Travers, Jacklyn Miller, Andrea McKey, Lynn Shirley, Xalid Abd-ul-Wahid, Pat Brady, Sau Foster, Barbara Lewancamp, Geoff Shepardson, Colleen Pyne, Giles Martin, Herbert Compton Preface Over the past months I have received many queries like "When will the thesaurus be available", or "When can I use it". Well here it is. At last the Aboriginal and Torres Strait Islander Thesaurus, is ready. However, although this edition is ready, I foresee that there will be a need for another and another, because language is fluid and will change over time. As one of the compilers of the thesaurus I am glad it is finally completed and available for use. -
Aboriginal Design Principles
WAGGA WAGGA SPECIAL ACTIVATION PRECINCT WIRADJURI COUNTRY ABORIGINAL DESIGN PRINCIPLES This document acknowledges the elders, past and present, of the Wiradjuri people as the traditional owners of Wagga Wagga and the lands knowledge. / Explorer Mitchell (1839) described “a beautiful plain; covered with shining verdure [lush green vegetation] and ornamented with trees… gave the country the appearance of an extensive park” Contents Document produced by Michael Hromek WSP Australia Pty Ltd. 01. Wiradjuri Country Descended from the Budawang tribe of the Yuin nation, Michael is currently working at WSP, doing a PhD in architecture People and Design and teaches it at the University of Technology Sydney in the Bachelor of Design in Architecture. [email protected] 02. Aboriginal Planning Principles Research by Sian Hromek (Yuin) Graphic design by Sandra Palmer, WSP 03. Project Site Application of Aboriginal Planning and Design Principles 04. Project Examples Examples of Indigenous planning and design applied to projects of similar scope 05. Indigenous participation strategy Engaging Community through co-design strategies Image above: Sennelier Watercolour - Light Yellow Ochre (254) Please note: In order to highlight the use of Aboriginal Design Principles, this document may contain examples from other Aboriginal Countries. 01 WIRADJURI COUNTRY - 1 - Indigenous specialist services When our Country is acknowledged and returned to us, Aboriginal design principles it completes our songline, makes us feel culturally proud, Indigenous led/ Indigenous people (designers, elders etc) and strengthens our identity and belonging. should be leading or co-leading the Indigenous elements in the design. Wurundjeri Elder, Annette Xiberras. Community involvement/ The local Indigenous community to be engaged in this process, can we use their patterns? Can they design patterns for the project? Appropriate use of Indigenous design/ All Indigenous Indigenous design statement design elements must be approved of by involved Indigenous people / community / elders. -
GUWAABAL NGURRAMBAA-DHI GAMILARAAY-DHI Gamilaraay Voices STORIES from GAMILARAAY COUNTRY
GUWAABAL NGURRAMBAA-DHI GAMILARAAY-DHI Gamilaraay Voices STORIES FROM GAMILARAAY COUNTRY Compiled by Hilary Smith Project Director Carmel O’Shannessy Linguistic advice John Giacon In collaboration with Winanga-Li Aboriginal Child and Family Centre GIIRR NGIYANI DHAWUN GAMILARAAY WINANGA-Y-LA-NHA We acknowledge Gamilaraay country GIIRR NGIYANI MARAN GAMILARAAY WINANGA-Y-LA-NHA We acknowledge Gamilaraay ancestors GIIRR NGIYANI WAYAMAA GAMILARAAY WINANGA-Y-LA-NHA And pay respects to Gamilaraay elders Aboriginal and Torres Strait Islander readers are warned that the following materials may contain images of or reference to deceased persons. © Copyright Australian National University 2020 Cover picture: Gamilaraay lands, Sisters Under the Skin, Moree Design: Emily Downie, ANU College of Arts and Social Sciences CONTENTS GULBIYAAY Welcome 2 1. (A) Lands and Languages – Wayne Griffiths 5 (B) Names, Identity, Traditional Songs – Wayne Griffiths 9 (C) New Beginnings - Wayne Griffiths 11 2. (A) Reserves, Removals - Noeline Briggs-Smith OAM 13 (B) Massacres - Noeline Briggs-Smith OAM 16 3. Stolen Generations - Victoria Stark 17 4. Connection to Ancestors - Leanne Pryor 18 5. Footprints on the Land - Mitchum Neave 23 6. Segregated Schooling - Frances Nean 25 7. Silence and Trauma - Peter Allan 27 8. Cultural Revival through Dance - Barry Sampson 28 9. Cultural Revival through Art - Ryli Johnson 30 10. Language Revival in Schools - Allison West 31 11. Aboriginal Sport - Mikaela Aldridge 33 12. Passing on Language and Culture - Renee Stanford 34 GAMILARAAY VOICES: STORIES FROM GAMILARAAY COUNTRY 1 GULBIYAAY Welcome Welcome to Gamilaraay Voices, with stories from Gamilaraay country. View from Porcupine Hill, Gunnedah (Photo: Hilary Smith) The purpose of this course is to provide insight into the importance of renewing Gamilaraay language through the perspectives of people living ‘on country’, i.e. -
Belong Education Kit
Belong Education Kit ©Bangarra Dance Theatre Belong Education Kit Belong Education Kit Bangarra Dance Theatre Company Company Profile Bangarra has created an extraordinary signature body of work that has secured the company’s Bangarra is Australia's premier Indigenous national and international reputation. Stephen performing arts company. Established in 1989, Page is committed to developing the next Bangarra produces distinctive dance theatre generation of Indigenous storytellers by mentoring productions that tour each year to capital cities, creative artists and providing opportunities for regional towns and remote communities of Indigenous young people. Australia. As cultural ambassadors, Bangarra presents its truly Australian contemporary Four artists-in-residence have been appointed to Indigenous theatrical experiences throughout the Bangarra in 2011: Kathy Marika, Jacob Nash, world. David Page and Frances Rings. A new Indigenous trainee program has enabled three young Under the leadership of Artistic Director Stephen Aboriginal theatre practitioners to join Bangarra for Page since 1991, Bangarra embraces, celebrates formal training and career development. and respects Australia’s Aboriginal and Torres Strait Islander people and their cultures. Always uplifting and deeply moving, Bangarra unifies the past and the present by connecting traditional Indigenous culture with our contemporary lives. ©Bangarra Dance Theatre Belong Education Kit Belong Education Kit With studios based in the arts precinct at Walsh Bay in Sydney, the company has 15 dancers who come from all over Australia reflecting many Aboriginal and Torres Strait cultures. Bangarra is a significant Indigenous employer with 70% of its 34 full time staff being of Aboriginal and/or Torres Strait Islander decent. The board is chaired by Larissa Behrendt who is a leading Aboriginal lawyer and academic. -
Key Factors in the Renewal of Aboriginal Languages in NSW
This item is Chapter 35 of Language, land & song: Studies in honour of Luise Hercus Editors: Peter K. Austin, Harold Koch & Jane Simpson ISBN 978-0-728-60406-3 http://www.elpublishing.org/book/language-land-and-song Key factors in the renewal of Aboriginal languages in NSW John Giacon and Kevin Lowe Cite this item: John Giacon and Kevin Lowe (2016). Key factors in the renewal of Aboriginal languages in NSW. In Language, land & song: Studies in honour of Luise Hercus, edited by Peter K. Austin, Harold Koch & Jane Simpson. London: EL Publishing. pp. 523-538 Link to this item: http://www.elpublishing.org/PID/2035 __________________________________________________ This electronic version first published: March 2017 © 2016 John Giacon and Kevin Lowe ______________________________________________________ EL Publishing Open access, peer-reviewed electronic and print journals, multimedia, and monographs on documentation and support of endangered languages, including theory and practice of language documentation, language description, sociolinguistics, language policy, and language revitalisation. For more EL Publishing items, see http://www.elpublishing.org 35 Key factors in the renewal of Aboriginal languages in New South Wales John Giacon1 & Kevin Lowe2 Australian National University1, Macquarie University2 1. Introduction1 Across the state of New South Wales (NSW) a number of language rebuilding (LRB) efforts are currently underway.2 We use the term LRB to refer to development of a communicative, spoken form of a language that is no longer used to any substantial extent, based on prior written and audio-recorded records. Several other terms are used for this process, including ‘language revival’ (Walsh 2005), ‘language reclamation’ (Leonard 2007; McCarty 2003) or, more imaginatively, ‘awakening sleeping languages’ (Hinton & Hale 2001). -
Re-Awakening Languages Theory and Practice in the Revitalisation of Australia’S Indigenous Languages
RE-AWAKENING LANGUAGES Theory and practice in the revitalisation of Australia’s Indigenous languages Edited by John Hobson, Kevin Lowe, Susan Poetsch and Michael Walsh Published 2010 by Sydney University Press SYDNEY UNIVERSITY PRESS University of Sydney Library sydney.edu.au/sup © John Hobson, Kevin Lowe, Susan Poetsch & Michael Walsh 2010 © Individual contributors 2010 © Sydney University Press 2010 Reproduction and Communication for other purposes Except as permitted under the Act, no part of this edition may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All requests for reproduction or communication should be made to Sydney University Press at the address below: Sydney University Press Fisher Library F03 University of Sydney NSW 2006 AUSTRALIA Email: [email protected] Readers are advised that protocols can exist in Indigenous Australian communities against speaking names and displaying images of the deceased. Please check with local Indigenous Elders before using this publication in their communities. National Library of Australia Cataloguing-in-Publication entry Title: Re-awakening languages : theory and practice in the revitalisation of Australia’s Indigenous languages / edited by John Hobson ... [et al.] ISBN: 9781920899554 (pbk.) Notes: Includes bibliographical references and index. Subjects: Aboriginal Australians--Languages--Revival. Australian languages--Social aspects. Language obsolescence--Australia. Language revival--Australia. Language planning--Australia. Other Authors/Contributors: Hobson, John Robert, 1958- Lowe, Kevin Connolly, 1952- Poetsch, Susan Patricia, 1966- Walsh, Michael James, 1948- Dewey Number: 499.15 Cover image: ‘Wiradjuri Water Symbols 1’, drawing by Lynette Riley. Water symbols represent a foundation requirement for all to be sustainable in their environment. -
Living Centres for Living Cultures 2 a Snapshot Report on the Status of NSW Aboriginal Cultural Venues
Living Centres for Living Cultures 2 A snapshot report on the status of NSW Aboriginal Cultural Venues Produced by Museums & Galleries of NSW With the support of Terri Janke & Company Funded by Create NSW Living Centres for Living Cultures 2 Living Centres for Living Cultures 2 Written and researched by: Steve Miller, Michael Rolfe, Terri Janke and Melissa Abraham Museums & Galleries of NSW, 2017 Commissioned by: Create NSW Writing assistance: Sarah Grant, Paralegal Citation: Steve Miller, Michael Rolfe, Terri Janke and Melissa Abraham, Living Centres for Living Cultures 2: A snapshot report of the status of NSW Aboriginal cultural venues, Museums & Galleries of NSW, 2017 © Museums & Galleries of NSW, 2017 WARNING The document contains names of deceased persons of Aboriginal and Torres Strait Islander. It also contains some language that might be considered offensive. Important legal notice The laws and policies cited in this book are current as at August 2017. They are generally discussed for the purposes of providing this report. No person should rely on the contents of this report for a specific legal matter but should obtain professional legal advice from a qualified legal practitioner. 2 Living Centres for Living Cultures 2 1.Indigenous peoples have the right to maintain, control, protect and develop their cultural heritage, traditional knowledge and traditional cultural expressions, as well as the manifestations of their sciences, technologies and cultures, including human and genetic resources, seeds, medicines, knowledge of the properties of fauna and flora, oral traditions, literatures, designs, sports and traditional games and visual and performing arts. They also have the right to maintain, control, protect and develop their intellectual property over such cultural heritage, traditional knowledge, and traditional cultural expressions.