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SPIDER in the RIVER: a COMPARATIVE ENVIRONMENTAL HISTORY of the IMPACT of the CACHE LA POUDRE WATERSHED on CHEYENNES and EURO- AMERICANS, 1830-1880 John J
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, & Student Research, History, Department of Department of History Spring 4-21-2015 SPIDER IN THE RIVER: A COMPARATIVE ENVIRONMENTAL HISTORY OF THE IMPACT OF THE CACHE LA POUDRE WATERSHED ON CHEYENNES AND EURO- AMERICANS, 1830-1880 John J. Buchkoski University of Nebraska-Lincoln Follow this and additional works at: http://digitalcommons.unl.edu/historydiss Part of the Cultural History Commons, and the United States History Commons Buchkoski, John J., "SPIDER IN THE RIVER: A COMPARATIVE ENVIRONMENTAL HISTORY OF THE IMPACT OF THE CACHE LA POUDRE WATERSHED ON CHEYENNES AND EURO-AMERICANS, 1830-1880" (2015). Dissertations, Theses, & Student Research, Department of History. 83. http://digitalcommons.unl.edu/historydiss/83 This Article is brought to you for free and open access by the History, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, & Student Research, Department of History by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. SPIDER IN THE RIVER: A COMPARATIVE ENVIRONMENTAL HISTORY OF THE IMPACT OF THE CACHE LA POUDRE WATERSHED ON CHEYENNES AND EURO-AMERICANS, 1830-1880 By John J. Buchkoski A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: History Under the Supervision of Professor Katrina L. Jagodinsky Lincoln, Nebraska April, 2015 SPIDER IN THE RIVER: A COMPARATIVE ENVIRONMENTAL HISTORY OF THE IMPACT OF THE CACHE LA POUDRE WATERSHED ON CHEYENNES AND EURO-AMERICANS, 1830-1880 John Buchkoski, M.A. -
Table of Contents
Dakota, Nakota, Lakota Life South Dakota State Historical Society Education Kit Table of Contents Table of Contents 1 Goals and Materials 2 Photograph List 3-4 Books and CDs in the Kit 5 Music CDs and DVD in the Kit 6 Erasing Native American Stereotypes 7-8 Teacher Resource 9-18 Bibliography 19-20 Worksheets Word Find 21 Word Find Key 22 Crossword Puzzle 23 Crossword Puzzle Key 24 Word Scramble 25 Word Scramble Key 26 Activities Reading an Object 27-28 Object Identification Sheet 29-35 Trek to Wind Cave 36-37 South Dakota Coordinates Worksheet 38 Comparing Families 39-40 Comparing Families Worksheet 41 What Does the Photo Show? 42-43 Beadwork Designs 44-45 Beadwork Designs Worksheet 46 Beadwork Designs Key 47 Lazy Stitch Beading 48-49 Lazy Stitch Beading Instructions / Pattern 50-51 What Do You Get From a Buffalo? 52-53 Buffalo Uses Worksheet 54 Pin the Parts on the Buffalo 55-56 Pin the Parts on the Buffalo Worksheet 57 Pin the Parts on the Buffalo Worksheet Key 58 Pin the Parts on the Buffalo Outline & Key 59-60 Create a Ledger Drawing 61-62 Examples of Ledger Drawings 63-66 Traditional & Contemporary: Comparing Drum 67-68 Groups Come Dance With Us: Identifying Powwow Dance 69-72 Styles 1 Dakota, Nakota, Lakota Life South Dakota State Historical Society Education Kit Goals and Materials Goals Kit users will: explore the history and culture of the Dakota, Nakota and Lakota people understand the changes brought about by the shift from buffalo hunting to reservation life appreciate that the Dakota, Nakota and Lakota culture is not something -
Book Review: Halfbreed: the Remarkable True Story of George Bent - Caught Between the Worlds of the Indian and the White Man
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for 2006 Book Review: Halfbreed: The Remarkable True Story of George Bent - Caught Between the Worlds of the Indian and the White Man Lincoln Faller University of Michigan Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Faller, Lincoln, "Book Review: Halfbreed: The Remarkable True Story of George Bent - Caught Between the Worlds of the Indian and the White Man" (2006). Great Plains Quarterly. 144. https://digitalcommons.unl.edu/greatplainsquarterly/144 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Published in GREAT PLAINS QUARTERLY 26:1 (Winter 2006) Copyright © 2006 Center for Great Plains Studies, University of Nebraska–Lincoln. IlClOK REVIEWS )) published until 1968), which Halfbreed seeks no", tLl replace. HaLlas and Masich's research far exceeds anything that the totally deaf and nearly blind Hyde, almost wholly dependent un the good uftices of the Omaha Public Library, was able to accomplish at the turn of the last century. Their list of sources is impressi\'e and worth the careful attention of anyone deeply interested in Halfbreed: The Remarkable True Story of George Bent. in High Plains military history, or in the Bent-Caught Between the \'Vorlds of the Indian histLlry of the Cheyennes. Halaas and Masich and the White Man, By David Fridtjof Halaas also tell a far more exciting and culurful tale. -
Bent's Fort Primary Resource
1 Bent’s Fort: Trade in Transition How did family relationships influence trade relationships on the southern Colorado plains? What role did Bent’s Fort play in the westward expansion of the United States? What does the story of Bent’s Fort suggest about the relationship between trade and war among American Indians and Colorado settlers? By Jennifer Goodland* Standards and Teaching Strategies by: Corey Carlson, Zach Crandall, and Marcus Lee** Paid for by a grant from the Institute of Museum and Library Sciences * Jennifer Goodland has a master’s in history from University of Colorado Denver, where she concentrated on history tourism and the American West. She taught history at Metro State in Denver. Goodland runs a history research business called Big Year Colorado. ** Corey Carlson teaches 4th grade at Flatirons Elementary in Boulder, Zach Crandall teaches 8th grade U.S. Society at Southern Hills Middle in Boulder, Marcus Lee teaches and is the chair of the social studies department at George Washington High School in Denver. 2 Contents Standards Addressed Overview Essay Resources Growing the Border 1. The Louisiana Purchase and Missouri Territory 2. Bent and St. Vrain Families 3. Colorado’s Changing Borders 4. Bent’s Fort and the Border 5. Cheyenne Territory Travel and Trade 6. Bent’s Fort Floor Plan 7. Fur Trappers and the Bent, St. Vrain and Company Network 8. Jean-Baptiste Charbonneau 9. Fugitive at Bent’s Fort 10. Mexico Retaliates 11. Battleground: Bent’s Fort 12. Kearny’s March 13. Rebellion in Taos 14. Cut Off 15. Destruction of the Fort 16. -
Wandering Western Chests Native American Crate Teacher Lesson Plans, Grades 3 – 5
Wandering Western Chests Native American Crate Teacher Lesson Plans, Grades 3 – 5 1700 Northeast 63rd Street Oklahoma City, OK 73111 (405) 478-2250 nationalcowboymuseum.org Native American Crate Contents Crate Inventory Schedule Your Class Visit to the Museum! The National Cowboy & Western Heritage Museum offers a Lesson Plans variety of on-site programs focusing on Native Americans. Symbols and Pictographs These programs were specifically created for grades K – 12 “Reading” Art and Artifacts as an extension of the Native American Crate. Museum docents conduct facilitated programs to engage students and reinforce curriculum. You may also bring students for a Artifact Reproductions* self-directed tour. Please call or email to discuss the best fit Animal Pelts (4): beaver, fox, rabbit, ermine for your class: (405) 478-2250 ext. 264 or Beaded Bag [email protected]. Beaded Rosette We look forward to seeing you and your students soon! Buffalo Horn Moccasins Porcupine Quills Stone Scraper Feathers (3): pheasant, turkey, faux eagle Quilled Medicine Wheel Woven Textile, Basket Pottery *Educator: Some objects are fragile or may be sharp. Instruct students to handle objects gently. Books Jingle Dancer by Cynthia Leitich Smith Doesn’t Fall Off His Horse by Virginia A. Stroud Gift Horse: A Lakota Story by S.D. Nelson Meet Christopher: An Osage Indian Boy From Oklahoma by Genevieve Simermeyer Images/Reproduction Artwork On Foam Core Smoke Talk, Charles M. Russell, oil on canvas, 1924 Teller of Tales, Martin Grelle, oil on canvas, 2002 The Hand Warmer, Tom Lovell, oil on canvas, 1973 Comanche Warrior, Silver Horn, Ledger paper and colored pencils, ca. -
Indians and Whites: the Sand Creek Massacre
Lesson Plan Primary Sources Lessons 12 – 13 Native American Experience/Compare & Contrast Primary Source Lesson Plan Indians and Whites: The Sand Creek Massacre Name of Primary Source Colorado Standards • The Sand Creek Massacre: Colonel Chivington’s Account, George Bent’s Account, Lieutenant Joseph • Social Studies Standard 1 History: History develops Cremer’s Account, John Smith’s Acclount. moral understanding, defines identity, and creates and appreciation of how things change while building skills http://www.legendsofamerica.com/NA- in judgment and decision making. History enhances SandCreek.html Additional Source – Legends of the ability to read varied sources and develop the America, Native American Legends, The Sand Creek skills to analyze, interpret, and communicate. Massacre. This can be used to provide background • Grade level expectation: Use a variety of sources to information. distinguish historical fact from fiction. • Reading and Writing 1: Read and understand a variety How primary source ties into text of materials • Reading and Writing 3: Write and speak using • Qualifies: The primary sources include four different conventional grammar, usage, sentence structure, accounts of the Sand Creek Massacre by people punctuation, capitalization, and spelling present that day. Big Idea • Elaborates: Each primary source gives a different perspective of the events that took place at the Sand • Literacy - Compare and Contrast different points of Creek Massacre. Three accounts are told from the view. perspective of the white men who were present at the attack. One is told from the Native American • History - students understand that history is a written perspective. The Legends of American source gives an account often based on conflicting evidence. -
Halfbreed: the Remarkable True Story of George Bent Caught Between the Worlds of the Indian and the White Man
Civil War Book Review Summer 2004 Article 21 Halfbreed: The Remarkable True Story of George Bent Caught Between the Worlds of the Indian and the White Man Barbara Cloud Follow this and additional works at: https://digitalcommons.lsu.edu/cwbr Recommended Citation Cloud, Barbara (2004) "Halfbreed: The Remarkable True Story of George Bent Caught Between the Worlds of the Indian and the White Man," Civil War Book Review: Vol. 6 : Iss. 3 . Available at: https://digitalcommons.lsu.edu/cwbr/vol6/iss3/21 Cloud: Halfbreed: The Remarkable True Story of George Bent Caught Betwee Review Cloud, Barbara Summer 2004 Halaas, David Fridtjof and Masich, Andrew E. Halfbreed: The Remarkable True Story of George Bent û Caught Between the Worlds of the Indian and the White Man. Da Capo Press, $30.00 ISBN 306813203 Culture clash The Cheyenne and Manifest Destiny The lives of people who live in mixed cultures involving Native Americans hold a particular fascination for white Americans, whether they are accounts of white children captured and raised by Native Americans, or of those like George Bent, the "Halfbreed" of this book, the son of a white trader and his wife, the daughter of a Cheyenne chief. George Bent truly walked a fine line between the two worlds. (His wedding photograph is symbolic: He is dressed in white man's clothes, but wears moccasins; his Cheyenne wife, Magpie, is in full Cheyenne dress.) He had a white education and, until the Sand Creek Massacre, tended to follow in the footsteps of his white father. The Massacre, however, changed his view of whites and from then on the Cheyenne were, to Bent, "my people." Like his father he married a Cheyenne woman, and he rode with the Crooked Lances, in their war parties raiding white settlements and wagon trains as they sought revenge for Sand Creek. -
Charge to the Sons 2018 Camp Officers the SOUTHERN CROSS
The SOUTHERN CROSS Newsletter of the Sterling Price Camp #145 Sons of Confederate Veterans St. Louis, MO May-June, 2018 Charge to the Sons “To you Sons of Confederate Veterans, we will submit the vindication of the cause for which we fought. To your strength will be given the defense of the Confederate soldier’s good name, the guardianship of his history, the emulation of his virtues, the perpetuation of those principles he loved and which made him glorious and which you also cherish. Remember it is your duty to see that the true history of the South is presented to future generations.” General Stephen Dill Lee 2018 Camp Officers Commander – Ray Cobb; First Lt. Commander – Bill Napier; Second Lt Commander – Robert Kennedy; Sgt. at Arms – Zachary Burnett; Adjutant – Chuck Knight; Historian – Gene Dressel; Chaplain – James England; Featured Article With the building of the new National Geospatial- Intelligence Agency (NGA) facility in north St. Louis, it should be noted that the foundations of this agency (and its predecessor agencies) are based in a large part on the work of Matthew Fontaine Maury. Maury, born January 14th, 1806 in Spotsylvania County, Virginia, was an experienced officer in the U.S. Navy assigned to the Depot of Charts and Instruments, which grew into the U.S. Naval Observatory and Hydrographic Office. When Virginia seceded in 1861, Maury resigned his commission in the U.S. Navy and accepted one in the Confederate States. He is credited with perfecting the electric torpedo, which “cost the Union more vessels than all other causes combined." In 1862 Maury was detailed to Europe to obtain ships and supplies for the Confederacy as well as working for the Confederate Secret Service. -
Ethnology of the Blackfeet. INSTITUTION Browning School District 9, Mont
DOCUMENT RESUME ED 060 971 RC 005 944 AUTHOR McLaughlin, G. R., Comp. TITLE Ethnology of the Blackfeet. INSTITUTION Browning School DiStrict 9, Mont. PUB DATE [7 NOTE 341p. EDRS PRICE MF-$0.65 HC-$13-16 DESCRIPTORS *American Indians; Anthologies; Anthropology; *Cultural Background; *Ethnic Studies; Ethnolcg ; *High School Students; History; *Instructional Materials; Mythology; Religion; Reservations (Indian); Sociology; Values IDENTIFIERS *Blackfeet ABSTRACT Compiled for use in Indian history courses at the high-school level, this document contains sections on thehistory, culture, religion, and myths and legends of theBlackfeet. A guide to the spoken Blackfeftt Indian language andexamples of the language with English translations are also provided, asis information on sign language and picture writing. The constitutionand by-laws for the Blackfeet Tribe, a glossary of terms, and abibliography of books, films, tapes, and maps are also included. (IS) U S DEPARTMENT OF HEALTH EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIG INATING IT POINTS OF VIEW OR OPIN IONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EOU CATION POSITION OR POLICY le TABLE OF CONTBTTS Introductio Acknowledgement-- Cover Page -- Pronunciation of Indian Names Chapter I - History A Generalized View The Early Hunters 7 8 The Foragers The Late Hunters - -------- ----- Culture of the Late Hunters - - - - ---------- --- ---- ---9 The plains Tribes -- ---- - ---- ------11 The BlaLkfeet -
Visual & Performing Arts Program, SJUSD
VViiissuuaalll && PPeerrffoorrmmiiinngg AArrttss PPrrooggrraamm,,, SSJJUUSSDD AArrttss CCoonnnneeccttiiioonnss Title/Description of Lesson Parfleche Carrier (Crafts of the American Indians of the Plains region of America) Grade Level: 5th Grade (Integrates History-Social Science, Math and Visual Art) Lesson Links Objectives/Outcomes Materials and Resources Vocabulary Procedures Criteria for Assessing Student Learning California Standards in Visual & Performing Arts California Standards for Integrated Subject Other Resources Presentation on the Parfleche Plains Indians and the Bison Uses Worksheet Objectives/Outcomes (Return to Links) • Students will learn about one of many items that were made by the Plains Indians from buffalo hide and used in their daily. • Students will learn that the Indians used geometric design as both decoration and in a practical sense as a map. • Students will make a craft piece of the Indians made from buffalo hide and learn that they can be simple, beautiful and very useful. Materials and Resources (Return to Links) Visual & Performing Arts Program, SJUSD Author: Larry Williams Page 1 of 11 Art Connections Last Updated: 7/17/2011 • 1 piece of 18”x24” (brown kraft paper.. or a brown paper bag from the grocery store) per student • Black, white, red, blue, yellow crayons..(also helpful to have Sanguine or Sienna traditional earth pigment pastels. They are a red clay color. They can be purchased at any art supply store.) • Sprayable fixative (for economy, you can purchase inexpensive Aqua-Net hair spray.) • Ruler • Pencil • Jute string or brown yarn. • Hole punch Background Information Plains Indians (From Wikipedia, the free encyclopedia) The Plains Indians are the Indigenous peoples who live on the plains and rolling hills of the Great Plains of North America. -
Read George Bent Account Here
Editor’s Note: George Bent, born in 1843, was the son of Owl Woman, who as Keeper of the Sacred Arrows was perhaps the most important person among the Southern Cheyenne. His father, William Bent, was one of the founders and proprietors of Bent’s Fort, the trading post on the Arkansas River in what’s now southeastern Colorado. George Bent was raised near the fort, sent to school in Missouri and served for about a year early in the Civil War with Confederate forces in Missouri, Arkansas and Missisippi. He may have deserted, was captured and sent to a Union prison in St. Louis from which, thanks to family connections, he was quickly released. He immediately returned to the Plains and began living the Indian life with his cousins. He was with the Southern Cheyenne in a peaceful village on Sand Creek when it was attacked late in 1864 by ill-trained Colorado volunteer troops and about 150 Cheyenne and Arapaho children, men and women were killed. The following winter and spring, driven by rage at this event, the Cheyenne, Arapaho and Lakota of the southern plains moved north, raiding and making war as they went, to join with their northern cousins in the Powder River Basin of what are now northeast Wyoming and southeast Montana. In July 1865 these tribes came together—Bent here says there were 3,000 warriors— to attack the U.S. Army post at Platte Bridge Station on the North Platte River, where Casper, Wyo., is located today. After 1900, George Bent began speaking and corresponding with the white historian George Hyde, who eventually made a book out of Bent’s accounts. -
Gibson, Jeffry
!" ! Follow us Published 14/09/2016 Share: ! ! Je!rey Gibson: ‘I was so angry I washed my canvases in the laundromat’ The artist talks about being any angry young artist, his earlier determination not to be viewed as an American Indian artist, and the practice he has evolved over the years, which combines traditional Native American art with contemporary styles by LILLY WEI Jeffrey Gibson (b1972, Colorado) is a multidisciplinary artist who is a member of the Mississippi Band of Choctaw Indians and half Cherokee. He earned his Master of Arts degree in painting at the Royal College of Art, London in 1998 and his Bachelor of Fine Arts in painting from the School of the Art Institute of Chicago in 1995. His work is in the permanent collection of the Museum of Fine Arts, Boston, the Smithsonian, Washington, The Art Museum in Modern Times the National Gallery of Canada, the Nasher Museum of Art, North Carolina, Crystal – book review Bridges Museum of American Art, Bentonville, Arkansas, and the Denver Art Museum, among others. Recent solo exhibitions include the SCAD Museum of Art, Savannah, Georgia, the National Academy Museum in New York, the Institute of Contemporary Art in Boston and the Cornell Fine Arts Museum. He has participated in Greater New York, Prospect New Orleans and Site Santa Fe. Gibson is on the faculty at Bard College, a past TED Foundation Fellow and Joan Mitchell Grant recipient. He was brought up in the United States, Germany, South Korea, England and elsewhere. This range of global cultural influences is evident in a practice that suavely combines traditional Native American art with contemporary styles.