50 Mathematical Ideas You Really Need to Know
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Arnold Sommerfeld in Einigen Zitaten Von Ihm Und Über Ihn1
K.-P. Dostal, Arnold Sommerfeld in einigen Zitaten von ihm und über ihn Seite 1 Karl-Peter Dostal, Arnold Sommerfeld in einigen Zitaten von ihm und über ihn1 Kurze biographische Bemerkungen Arnold Sommerfeld [* 5. Dezember 1868 in Königsberg, † 26. April 1951 in München] zählt neben Max Planck, Albert Einstein und Niels Bohr zu den Begründern der modernen theoretischen Physik. Durch die Ausarbeitung der Bohrschen Atomtheorie, als Lehrbuchautor (Atombau und Spektrallinien, Vorlesungen über theoretische Physik) und durch seine „Schule“ (zu der etwa die Nobelpreisträger Peter Debye, Wolfgang Pauli, Werner Heisenberg und Hans Bethe gehören) sorgte Sommerfeld wie kein anderer für die Verbreitung der modernen Physik.2 Je nach Auswahl könnte Sommerfeld [aber] nicht nur als theoretischer Physiker, sondern auch als Mathematiker, Techniker oder Wissenschaftsjournalist porträtiert werden.3 Als Schüler der Mathematiker Ferdinand von Lindemann, Adolf Hurwitz, David Hilbert und Felix Klein hatte sich Sommerfeld zunächst vor allem der Mathematik zugewandt (seine erste Professur: 1897 - 1900 für Mathematik an der Bergakademie Clausthal). Als Professor an der TH Aachen von 1900 - 1906 gewann er zunehmendes Interesse an der Technik. 1906 erhielt er den seit Jahren verwaisten Lehrstuhl für theoretische Physik in München, an dem er mit wenigen Unterbrechungen noch bis 1940 (und dann wieder ab 19464) unterrichtete. Im Gegensatz zur etablierten Experimen- talphysik war die theoretische Physik anfangs des 20. Jh. noch eine junge Disziplin. Sie wurde nun zu -
How to Show That Various Numbers Either Can Or Cannot Be Constructed Using Only a Straightedge and Compass
How to show that various numbers either can or cannot be constructed using only a straightedge and compass Nick Janetos June 3, 2010 1 Introduction It has been found that a circular area is to the square on a line equal to the quadrant of the circumference, as the area of an equilateral rectangle is to the square on one side... -Indiana House Bill No. 246, 1897 Three problems of classical Greek geometry are to do the following using only a compass and a straightedge: 1. To "square the circle": Given a circle, to construct a square of the same area, 2. To "trisect an angle": Given an angle, to construct another angle 1/3 of the original angle, 3. To "double the cube": Given a cube, to construct a cube with twice the area. Unfortunately, it is not possible to complete any of these tasks until additional tools (such as a marked ruler) are provided. In section 2 we will examine the process of constructing numbers using a compass and straightedge. We will then express constructions in algebraic terms. In section 3 we will derive several results about transcendental numbers. There are two goals: One, to show that the numbers e and π are transcendental, and two, to show that the three classical geometry problems are unsolvable. The two goals, of course, will turn out to be related. 2 Constructions in the plane The discussion in this section comes from [8], with some parts expanded and others removed. The classical Greeks were clear on what constitutes a construction. Given some set of points, new points can be defined at the intersection of lines with other lines, or lines with circles, or circles with circles. -
Operations with Complex Numbers Adding & Subtracting: Combine Like Terms (풂 + 풃풊) + (풄 + 풅풊) = (풂 + 풄) + (풃 + 풅)풊 Examples: 1
Name: __________________________________________________________ Date: _________________________ Period: _________ Chapter 2: Polynomial and Rational Functions Topic 1: Complex Numbers What is an imaginary number? What is a complex number? The imaginary unit is defined as 풊 = √−ퟏ A complex number is defined as the set of all numbers in the form of 푎 + 푏푖, where 푎 is the real component and 푏 is the coefficient of the imaginary component. An imaginary number is when the real component (푎) is zero. Checkpoint: Since 풊 = √−ퟏ Then 풊ퟐ = Operations with Complex Numbers Adding & Subtracting: Combine like terms (풂 + 풃풊) + (풄 + 풅풊) = (풂 + 풄) + (풃 + 풅)풊 Examples: 1. (5 − 11푖) + (7 + 4푖) 2. (−5 + 7푖) − (−11 − 6푖) 3. (5 − 2푖) + (3 + 3푖) 4. (2 + 6푖) − (12 − 4푖) Multiplying: Just like polynomials, use the distributive property. Then, combine like terms and simplify powers of 푖. Remember! Multiplication does not require like terms. Every term gets distributed to every term. Examples: 1. 4푖(3 − 5푖) 2. (7 − 3푖)(−2 − 5푖) 3. 7푖(2 − 9푖) 4. (5 + 4푖)(6 − 7푖) 5. (3 + 5푖)(3 − 5푖) A note about conjugates: Recall that when multiplying conjugates, the middle terms will cancel out. With complex numbers, this becomes even simpler: (풂 + 풃풊)(풂 − 풃풊) = 풂ퟐ + 풃ퟐ Try again with the shortcut: (3 + 5푖)(3 − 5푖) Dividing: Just like polynomials and rational expressions, the denominator must be a rational number. Since complex numbers include imaginary components, these are not rational numbers. To remove a complex number from the denominator, we multiply numerator and denominator by the conjugate of the Remember! You can simplify first IF factors can be canceled. -
The Infinite and Contradiction: a History of Mathematical Physics By
The infinite and contradiction: A history of mathematical physics by dialectical approach Ichiro Ueki January 18, 2021 Abstract The following hypothesis is proposed: \In mathematics, the contradiction involved in the de- velopment of human knowledge is included in the form of the infinite.” To prove this hypothesis, the author tries to find what sorts of the infinite in mathematics were used to represent the con- tradictions involved in some revolutions in mathematical physics, and concludes \the contradiction involved in mathematical description of motion was represented with the infinite within recursive (computable) set level by early Newtonian mechanics; and then the contradiction to describe discon- tinuous phenomena with continuous functions and contradictions about \ether" were represented with the infinite higher than the recursive set level, namely of arithmetical set level in second or- der arithmetic (ordinary mathematics), by mechanics of continuous bodies and field theory; and subsequently the contradiction appeared in macroscopic physics applied to microscopic phenomena were represented with the further higher infinite in third or higher order arithmetic (set-theoretic mathematics), by quantum mechanics". 1 Introduction Contradictions found in set theory from the end of the 19th century to the beginning of the 20th, gave a shock called \a crisis of mathematics" to the world of mathematicians. One of the contradictions was reported by B. Russel: \Let w be the class [set]1 of all classes which are not members of themselves. Then whatever class x may be, 'x is a w' is equivalent to 'x is not an x'. Hence, giving to x the value w, 'w is a w' is equivalent to 'w is not a w'."[52] Russel described the crisis in 1959: I was led to this contradiction by Cantor's proof that there is no greatest cardinal number. -
Theory of Trigintaduonion Emanation and Origins of Α and Π
Theory of Trigintaduonion Emanation and Origins of and Stephen Winters-Hilt Meta Logos Systems Aurora, Colorado Abstract In this paper a specific form of maximal information propagation is explored, from which the origins of , , and fractal reality are revealed. Introduction The new unification approach described here gives a precise derivation for the mysterious physics constant (the fine-structure constant) from the mathematical physics formalism providing maximal information propagation, with being the maximal perturbation amount. Furthermore, the new unification provides that the structure of the space of initial ‘propagation’ (with initial propagation being referred to as ‘emanation’) has a precise derivation, with a unit-norm perturbative limit that leads to an iterative-map-like computed (a limit that is precisely related to the Feigenbaum bifurcation constant and thus fractal). The computed can also, by a maximal information propagation argument, provide a derivation for the mathematical constant . The ideal constructs of planar geometry, and related such via complex analysis, give methods for calculation of to incredibly high precision (trillions of digits), thereby providing an indirect derivation of to similar precision. Propagation in 10 dimensions (chiral, fermionic) and 26 dimensions (bosonic) is indicated [1-3], in agreement with string theory. Furthermore a preliminary result showing a relation between the Feigenbaum bifurcation constant and , consistent with the hypercomplex algebras indicated in the Emanator Theory, suggest an individual object trajectory with 36=10+26 degrees of freedom (indicative of heterotic strings). The overall (any/all chirality) propagation degrees of freedom, 78, are also in agreement with the number of generators in string gauge symmetries [4]. -
Truly Hypercomplex Numbers
TRULY HYPERCOMPLEX NUMBERS: UNIFICATION OF NUMBERS AND VECTORS Redouane BOUHENNACHE (pronounce Redwan Boohennash) Independent Exploration Geophysical Engineer / Geophysicist 14, rue du 1er Novembre, Beni-Guecha Centre, 43019 Wilaya de Mila, Algeria E-mail: [email protected] First written: 21 July 2014 Revised: 17 May 2015 Abstract Since the beginning of the quest of hypercomplex numbers in the late eighteenth century, many hypercomplex number systems have been proposed but none of them succeeded in extending the concept of complex numbers to higher dimensions. This paper provides a definitive solution to this problem by defining the truly hypercomplex numbers of dimension N ≥ 3. The secret lies in the definition of the multiplicative law and its properties. This law is based on spherical and hyperspherical coordinates. These numbers which I call spherical and hyperspherical hypercomplex numbers define Abelian groups over addition and multiplication. Nevertheless, the multiplicative law generally does not distribute over addition, thus the set of these numbers equipped with addition and multiplication does not form a mathematical field. However, such numbers are expected to have a tremendous utility in mathematics and in science in general. Keywords Hypercomplex numbers; Spherical; Hyperspherical; Unification of numbers and vectors Note This paper (or say preprint or e-print) has been submitted, under the title “Spherical and Hyperspherical Hypercomplex Numbers: Merging Numbers and Vectors into Just One Mathematical Entity”, to the following journals: Bulletin of Mathematical Sciences on 08 August 2014, Hypercomplex Numbers in Geometry and Physics (HNGP) on 13 August 2014 and has been accepted for publication on 29 April 2015 in issue No. -
Theodore H. White Lecture on Press and Politics with Taylor Branch
Theodore H. White Lecture on Press and Politics with Taylor Branch 2009 Table of Contents History of the Theodore H. White Lecture .........................................................5 Biography of Taylor Branch ..................................................................................7 Biographies of Nat Hentoff and David Nyhan ..................................................9 Welcoming Remarks by Dean David Ellwood ................................................11 Awarding of the David Nyhan Prize for Political Journalism to Nat Hentoff ................................................................................................11 The 2009 Theodore H. White Lecture on Press and Politics “Disjointed History: Modern Politics and the Media” by Taylor Branch ...........................................................................................18 The 2009 Theodore H. White Seminar on Press and Politics .........................35 Alex S. Jones, Director of the Joan Shorenstein Center on the Press, Politics and Public Policy (moderator) Dan Balz, Political Correspondent, The Washington Post Taylor Branch, Theodore H. White Lecturer Elaine Kamarck, Lecturer in Public Policy, Harvard Kennedy School Alex Keyssar, Matthew W. Stirling Jr. Professor of History and Social Policy, Harvard Kennedy School Renee Loth, Columnist, The Boston Globe Twentieth Annual Theodore H. White Lecture 3 The Theodore H. White Lecture com- memorates the life of the reporter and historian who created the style and set the standard for contemporary -
Or, If the Sine Functions Be Eliminated by Means of (11)
52 BINOMIAL THEOREM AND NEWTONS MONUMENT. [Nov., or, if the sine functions be eliminated by means of (11), e <*i : <** : <xz = X^ptptf : K(P*ptf : A3(Pi#*) . (53) While (52) does not enable us to construct the point of least attraction, it furnishes a solution of the converse problem : to determine the ratios of the masses of three points so as to make the sum of their attractions on a point P within their triangle a minimum. If, in (50), we put n = 2 and ax + a% = 1, and hence pt + p% = 1, this equation can be regarded as that of a curve whose ordinate s represents the sum of the attractions exerted by the points et and e2 on the foot of the ordinate. This curve approaches asymptotically the perpendiculars erected on the vector {ex — e2) at ex and e% ; and the point of minimum attraction corresponds to its lowest point. Similarly, in the case n = 3, the sum of the attractions exerted by the vertices of the triangle on any point within this triangle can be rep resented by the ordinate of a surface, erected at this point at right angles to the plane of the triangle. This suggestion may here suffice. 22. Concluding remark.—Further results concerning gen eralizations of the problem of the minimum sum of distances are reserved for a future communication. WAS THE BINOMIAL THEOEEM ENGKAVEN ON NEWTON'S MONUMENT? BY PKOFESSOR FLORIAN CAJORI. Moritz Cantor, in a recently published part of his admir able work, Vorlesungen über Gescliichte der Mathematik, speaks of the " Binomialreihe, welcher man 1727 bei Newtons Tode . -
Chapter I, the Real and Complex Number Systems
CHAPTER I THE REAL AND COMPLEX NUMBERS DEFINITION OF THE NUMBERS 1, i; AND p2 In order to make precise sense out of the concepts we study in mathematical analysis, we must first come to terms with what the \real numbers" are. Everything in mathematical analysis is based on these numbers, and their very definition and existence is quite deep. We will, in fact, not attempt to demonstrate (prove) the existence of the real numbers in the body of this text, but will content ourselves with a careful delineation of their properties, referring the interested reader to an appendix for the existence and uniqueness proofs. Although people may always have had an intuitive idea of what these real num- bers were, it was not until the nineteenth century that mathematically precise definitions were given. The history of how mathematicians came to realize the necessity for such precision in their definitions is fascinating from a philosophical point of view as much as from a mathematical one. However, we will not pursue the philosophical aspects of the subject in this book, but will be content to con- centrate our attention just on the mathematical facts. These precise definitions are quite complicated, but the powerful possibilities within mathematical analysis rely heavily on this precision, so we must pursue them. Toward our primary goals, we will in this chapter give definitions of the symbols (numbers) 1; i; and p2: − The main points of this chapter are the following: (1) The notions of least upper bound (supremum) and greatest lower bound (infimum) of a set of numbers, (2) The definition of the real numbers R; (3) the formula for the sum of a geometric progression (Theorem 1.9), (4) the Binomial Theorem (Theorem 1.10), and (5) the triangle inequality for complex numbers (Theorem 1.15). -
From Piano Girl to Professional: the Changing
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2014 FROM PIANO GIRL TO PROFESSIONAL: THE CHANGING FORM OF MUSIC INSTRUCTION AT THE NASHVILLE FEMALE ACADEMY, WARD’S SEMINARY FOR YOUNG LADIES, AND THE WARD- BELMONT SCHOOL, 1816-1920 Erica J. Rumbley University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Rumbley, Erica J., "FROM PIANO GIRL TO PROFESSIONAL: THE CHANGING FORM OF MUSIC INSTRUCTION AT THE NASHVILLE FEMALE ACADEMY, WARD’S SEMINARY FOR YOUNG LADIES, AND THE WARD-BELMONT SCHOOL, 1816-1920" (2014). Theses and Dissertations--Music. 24. https://uknowledge.uky.edu/music_etds/24 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
3D Topological Quantum Computing
3D Topological Quantum Computing Torsten Asselmeyer-Maluga German Aerospace Center (DLR), Rosa-Luxemburg-Str. 2 10178 Berlin, Germany [email protected] July 20, 2021 Abstract In this paper we will present some ideas to use 3D topology for quan- tum computing extending ideas from a previous paper. Topological quan- tum computing used “knotted” quantum states of topological phases of matter, called anyons. But anyons are connected with surface topology. But surfaces have (usually) abelian fundamental groups and therefore one needs non-abelian anyons to use it for quantum computing. But usual materials are 3D objects which can admit more complicated topologies. Here, complements of knots do play a prominent role and are in principle the main parts to understand 3-manifold topology. For that purpose, we will construct a quantum system on the complements of a knot in the 3-sphere (see arXiv:2102.04452 for previous work). The whole system is designed as knotted superconductor where every crossing is a Josephson junction and the qubit is realized as flux qubit. We discuss the proper- ties of this systems in particular the fluxion quantization by using the A-polynomial of the knot. Furthermore we showed that 2-qubit opera- tions can be realized by linked (knotted) superconductors again coupled via a Josephson junction. 1 Introduction Quantum computing exploits quantum-mechanical phenomena such as super- position and entanglement to perform operations on data, which in many cases, arXiv:2107.08049v1 [quant-ph] 16 Jul 2021 are infeasible to do efficiently on classical computers. Topological quantum computing seeks to implement a more resilient qubit by utilizing non-Abelian forms of matter like non-abelian anyons to store quantum information. -
0 Musical Borrowing in Hip-Hop
MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A. Williams, BA, MMus Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy September 2009 0 Musical Borrowing in Hip-hop Music: Theoretical Frameworks and Case Studies Justin A. Williams ABSTRACT ‗Musical Borrowing in Hip-hop‘ begins with a crucial premise: the hip-hop world, as an imagined community, regards unconcealed intertextuality as integral to the production and reception of its artistic culture. In other words, borrowing, in its multidimensional forms and manifestations, is central to the aesthetics of hip-hop. This study of borrowing in hip-hop music, which transcends narrow discourses on ‗sampling‘ (digital sampling), illustrates the variety of ways that one can borrow from a source text or trope, and ways that audiences identify and respond to these practices. Another function of this thesis is to initiate a more nuanced discourse in hip-hop studies, to allow for the number of intertextual avenues travelled within hip-hop recordings, and to present academic frameworks with which to study them. The following five chapters provide case studies that prove that musical borrowing, part and parcel of hip-hop aesthetics, occurs on multiple planes and within myriad dimensions. These case studies include borrowing from the internal past of the genre (Ch. 1), the use of jazz and its reception as an ‗art music‘ within hip-hop (Ch. 2), borrowing and mixing intended for listening spaces such as the automobile (Ch. 3), sampling the voice of rap artists posthumously (Ch. 4), and sampling and borrowing as lineage within the gangsta rap subgenre (Ch.