Montana Kaimin, September 26, 2018 Students of the University of Montana, Missoula

Total Page:16

File Type:pdf, Size:1020Kb

Montana Kaimin, September 26, 2018 Students of the University of Montana, Missoula University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 9-26-2018 Montana Kaimin, September 26, 2018 Students of the University of Montana, Missoula Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Students of the University of Montana, Missoula, "Montana Kaimin, September 26, 2018" (2018). Montana Kaimin, 1898-present. 6972. https://scholarworks.umt.edu/studentnewspaper/6972 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Montana kaimin Sustainability Then &Now WHY UM STRUGGLES TO GO GREEN WHILE IN THE RED NEWS We’re here ARTS Get Lit at OPINION Lemme and we’re queer book fest Smash! Issue No. 5 September 26, 2018 KIOSK ON THE COVER The Montana Kaimin is a weekly independent student newspaper at the University Illustration LindseyWeek Sewell of 9/24/18 - 9/30/18 of Montana and does not condone or encourage any illegal activities. Services For comments, corrections or letters to the editor, contact The Weekly Crossword by Margie E. Burke [email protected] or call (406) 243-4310. Text: I Buy Imports < Subaru < Toyota-Japanese/German Cars & 1 2 3 4 5 6 7 8 9 10 11 12 13 For advertising opportunities, contact Trucks. Nice, ugly, running or not 327-0300 [email protected] or call (406) 243-6541. 14 15 16 17 18 19 Help Wanted NEWSROOM STAFF 20 21 22 Editor-in-Chief 23 24 25 Missoula’s only popcorn shop is looking for a part time em- Matt Neuman ployee to work a few evenings and Saturdays. Must have great News Editor 26 27 28 29 30 customer service skills and cash handling experience. Please Cassidy Alexander Arts & Opinion Editors 31 32 33 34 35 36 come in person and apply or bring a resume. No email resumes Drew Novak and Erin Goudreau please. Come in between the hours of 11:00 a.m. and 6:00 p.m. 37 38 39 40 Multimedia Editors M-F. KornUtopia, 617 S. Higgins behind the Big Dipper. Reed Klass, Sara Diggins and John Hooks 41 42 43 44 Design Editor 45 46 47 48 Zoie Koostra Web Editor 49 50 51 52 53 Savannah Sletten 54 55 56 57 Week of 9/24/18 - 9/30/18 News Reporters 58 59 60 61 Melissa Loveridge, Ryan OConnell, Madeline Broom, Shaylee Ragar, Sydney Ackridge, Emily Schabacker, Helena Dore, Cameron Kia Weix and Paul Hamby 62 63 64 Arts & Opinion Reporters 65 66 67 Kailyn Mercer, Noelle Huser, Emma Smith, Ethan Newman and LJ Dawson Sports Reporters Copyright 2018 by The Puzzle Syndicate Zach Flickinger and Henry Chisholm ACROSS 1 Study in a hurry DOWN 30 Japanese plane Multimedia 5 Cousin of a 1 Rocky's title 31 Q-Tip SUDOKU Edited by Margie E. Burke Quinn Corcoran, Eli Imadali, Micah Pengilly, Cheyenne Fisher, Donal Lakatua, Kayden mandolin 2 Bit of gossip 32 Programmer's Difficulty: Medium Harrison, Jiakai Lou, Daniel Duensing and Colton Rothwell HOW TO SOLVE: Type of drum Deserted output Designers 9 3 1 2 Each row must contain the 14 Maui dance 4 Add up 33 Like the Sahara numbers 1 to 9; each column must Jackie Evans-Shaw, Lindsey Sewell, Daylin Scott and Marijka Devivier 15 ____-friendly 5 Semicircular 36 Warning on 8 6 7 3 contain the numbers 1 to 9; and Copy Editors each set of 3 by 3 boxes must Luke Smith 16 Haul with effort window paint cans contain the numbers 1 to 9. 17 One way to run? 6 Like hand-me- 38 Lily-like flower 7 4 6 1 BUSINESS STAFF 18 Close calls downs 43 In all respects Answers to Last Week’s Sudoku: Business Manager Well-to-do Tetley product State with 4 1 20 7 47 8 3 2 9 1 5 7 6 4 Patrick Boise 22 Objective 8 "To ___ is certainty 6 4 6 9 5 8 4 7 1 3 2 Advertising Representatives 23 Car radio button human …" 48 Sculler's need 1 4 7 6 3 2 9 8 5 Mason Hague and Norbert Weber 24 In a fitting way 9 Wild lily of the 49 Metric volume 3 2 9 5 7 6 9 3 2 1 5 4 8 Office Assistants 26 Rough valley 51 Lit Dominique Nault and Mickey Haldi calculation 10 Cantankerous 52 Kind of change 3 4 2 8 3 5 9 4 6 1 7 28 Kin of "i.e." 11 Lighten 53 Sign above a 4 5 1 7 6 8 2 9 3 31 Glance over 12 Uniform door 6 5 7 9 2 6 4 7 3 8 5 1 34 Broadcast 13 "___ we 54 End of a 9 4 3 3 7 8 1 5 9 4 2 6 35 Full of zeal forget…" Hemingway title Copyright 2018 by The Puzzle Syndicate 5 1 4 2 8 6 3 7 9 37 Bottom of the 19 Baseball gear 55 Attempt barrel 21 "Absolutely!" 56 Cozumel coin 39 Crooner Boone 24 Friendly 57 Bookkeeper's 40 Pizazz 25 Pitter-_____ stamp 41 French farewell 27 Skewer 59 Outrage 42 Aid and ____ 28 Medicine bottle 60 Atlantic food fish 44 As well 29 Pigmented eye 45 River bottom part Contact us to sponsor a puzzle! 46 Fancy dance hall Answers to Last Week’s Crossword: 49 Embankment SCAT FROM SPELL 50 Mexicali munchie PAGE LAVA CAMEO (406) 243-4310 or [email protected] 54 Shoot for, with ABANDONED REINS "to" SLIDER REHEARSE 57 Ideal MEN SAND YEN 58 Like some DELOUSE DAM questions WADER REINSTATE ERRATUM CAPITOL 61 Stain LEAFSTALK ADAPT Exodus leader 62 LAB ULULATE 63 Muddy up TAR NEST FIN 64 Misplace SCROUNGE SERENE 65 Mall tenant ALONG UTTERANCE 66 Water whirled SEDGE STAN SCUD 67 Pitcher SPEAR TENT HERS 2 September 26-October 2, 2018 montanakaimin.com OPINION KAIMIN EDITORIAL THE ONE PLACE WHERE WE TRY TO BE FUNNY UM’s new motto: “Fuck, BIG UPS & BACKHANDS Big Ups to Grizzly Athleltics for reminding us there’s enough money floating around for new retro fuck fuck. What do we do?” uniforms — for everyone but marching band. The following is a transcript, with one tee, held more illegal meetings without misspoken correction, of comments made proper public notice and opportunity for SHAME Backhands to UM for listing the College of Visual and Performing Arts by a student at the Sept. 20 Faculty Senate public comment. as priority for development and then slashing its budget. Oh wait, no meeting. The student submitted the tran- Increasingly, Cabinet meetings, like they didn’t. Can people make up their minds? script as a letter to the editor. Budget Committee meetings, are just can- celed. And when Cabinet meetings are sort of open to the public, most of the agenda Big Ups to the 903 students who decided not to come back. We’re glad OUCH! items are just “updates.” you got out, but man is that 7.6 percent Hello. My name is Ross Best. I’m a stu- The process has “evolved” so that most drop in enrollment going to hurt. dent. of the big decisions are still dealt with only I’ve spoken before about the scandalous behind the scenes. refusal of the University to comply fully The word around campus is that the with [the] requirements for public partic- administration is borrowing a trick from KAIMIN COMIC ipation, open meetings and open docu- private business and reducing the number ments. of meetings in favor of “huddles,” informal Our new president repeatedly prom- micro-meetings, almost like just casually ised transparency last semester. bumping into each other in the hallway, But in April, the Kaimin had a telling designed to be under-the-radar and fall headline: “Public sees public information, between the legal cracks. UM administrators get nervous.” The sports metaphor of “huddles” is At a dean’s meeting, someone carelessly sadly appropriate, since courts sometimes committed an act of transparency in front call the kind of secrecy game our public of witnesses. university plays “hide the football.” Against all decency, some actual infor- In other words, the system is too often mation about likely areas for cuts appeared designed to obstruct, not facilitate public on a graph in a slideshow with reporters participation and public accountability. nearby. The Faculty Senate should be doing Reporters being what they are, photo- more to hold the university administration graphs were taken. Administrators being accountable when it comes to public partic- what they are, a recess was called. ipation, open meetings, and access to doc- And then the interim provost at the uments. But to do that the Faculty Senate time, the dean of the law school, whispered and ECOS need to clean up their own act. to the president some of the most profound Thank you. words in the history of this university. He said: “Fuck, fuck, fuck. What do we Ross Best, do?” UM Grad Student What they did, of course, was take down [email protected] the graph. Forget about “Lux et Veritas.” Thanks to the Kaimin, we now know LIKE IT? HATE IT? WISH WE WERE DEAD? the real motto of the University. Email us your opinions at Over the summer, the Cabinet, the [email protected] deans and ECOS, your executive commit- PAUL TIEDE montanakaimin.com September 26-October 2 2018 3 OPINION KAIMIN COLUMN It’s time to bury the ‘body count’ question You’re in bed getting frisky, and your partner substitute for important conversations about sex- blows the mood by asking you what your “num- ually-transmitted infections and sexual history.
Recommended publications
  • Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
    THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE.
    [Show full text]
  • Allison Wolfe Interviewed by John Davis Los Angeles, California June 15, 2017 0:00:00 to 0:38:33
    Allison Wolfe Interviewed by John Davis Los Angeles, California June 15, 2017 0:00:00 to 0:38:33 ________________________________________________________________________ 0:00:00 Davis: Today is June 15th, 2017. My name is John Davis. I’m the performing arts metadata archivist at the University of Maryland, speaking to Allison Wolfe. Wolfe: Are you sure it’s the 15th? Davis: Isn’t it? Yes, confirmed. Wolfe: What!? Davis: June 15th… Wolfe: OK. Davis: 2017. Wolfe: Here I am… Davis: Your plans for the rest of the day might have changed. Wolfe: [laugh] Davis: I’m doing research on fanzines, particularly D.C. fanzines. When I think of you and your connection to fanzines, I think of Girl Germs, which as far as I understand, you worked on before you moved to D.C. Is that correct? Wolfe: Yeah. I think the way I started doing fanzines was when I was living in Oregon—in Eugene, Oregon—that’s where I went to undergrad, at least for the first two years. So I went off there like 1989-’90. And I was there also the year ’90-’91. Something like that. For two years. And I met Molly Neuman in the dorms. She was my neighbor. And we later formed the band Bratmobile. But before we really had a band going, we actually started doing a fanzine. And even though I think we named the band Bratmobile as one of our earliest things, it just was a band in theory for a long time first. But we wanted to start being expressive about our opinions and having more of a voice for girls in music, or women in music, for ourselves, but also just for things that we were into.
    [Show full text]
  • Art-Rock Legends Pylon to Release​ Pylon Box
    ART-ROCK LEGENDS PYLON TO RELEASE PYLON BOX ​ NOVEMBER 6, 2020, VIA NEW WEST RECORDS COMPREHENSIVE 4xLP BOX SET REMASTERED FROM THE ORIGINAL TAPES FEATURES EIGHTEEN UNRELEASED RECORDINGS INCLUDES 200-PAGE HARDBOUND BOOK WITH WRITINGS BY MEMBERS OF R.E.M., GANG OF FOUR, THE B-52’s, SONIC YOUTH, SLEATER-KINNEY, MISSION OF BURMA, DEERHUNTER, STEVE ALBINI, ANTHONY DECURTIS, AND MORE STANDALONE REISSUES OF STUDIO LPS GYRATE (1980) AND CHOMP ​ ​ ​ (1983) TO BE RELEASED ON VINYL FOR THE FIRST TIME IN NEARLY 35 YEARS; AVAILABLE ACROSS DIGITAL PLATFORMS TODAY PYLON COLLECTION EXHIBIT TO OPEN SEPTEMBER 18 AT THE ​ HARGRETT LIBRARY, UNIVERSITY OF GEORGIA SPECIAL COLLECTIONS BUILDING JITTERY JOE’S COFFEE ROASTING COMPANY ANNOUNCES PYLON BUZZ ​ BLEND INDUCTED INTO THE ATHENS MUSIC WALK OF FAME NPR MUSIC EXPLORES PYLON’S LASTING INFLUENCE WITH ​ UNRELEASED RECORDINGS “THE HUMAN BODY” & “3X3 (LIVE)” TODAY Seminal art-rock legends Pylon will release Pylon Box on November 6, 2020, via New ​ West Records. The comprehensive 4xLP box set includes their studio albums Gyrate ​ (1980) and Chomp (1983), which have been remastered from their original tapes and ​ ​ will be available on vinyl for the first time in nearly 35 years. Pylon Box includes 47 total ​ tracks, 18 of which are previously unreleased recordings. In addition to the remastered studio albums, the collection also includes Pylon’s first ever recording, Razz Tape. The ​ ​ previously unreleased 13-track session predates the band’s legendary 1979 debut single “Cool” b/w “Dub.” Also included is Extra, an 11-song collection featuring a recording ​ ​ made before frontwoman Vanessa Briscoe Hay joined the band, along with the “Cool” b/w “Dub” single (which Rolling Stone named one of the “100 Greatest Debut Singles ​ of All Time” this year), the rare recording “Recent Title,” the original single mix of “Crazy,” five previously unreleased studio and live recordings, and more.
    [Show full text]
  • Universitá Degli Studi Di Milano Facoltà Di Scienze Matematiche, Fisiche E Naturali Dipartimento Di Tecnologie Dell'informazione
    UNIVERSITÁ DEGLI STUDI DI MILANO FACOLTÀ DI SCIENZE MATEMATICHE, FISICHE E NATURALI DIPARTIMENTO DI TECNOLOGIE DELL'INFORMAZIONE SCUOLA DI DOTTORATO IN INFORMATICA Settore disciplinare INF/01 TESI DI DOTTORATO DI RICERCA CICLO XXIII SERENDIPITOUS MENTORSHIP IN MUSIC RECOMMENDER SYSTEMS Eugenio Tacchini Relatore: Prof. Ernesto Damiani Direttore della Scuola di Dottorato: Prof. Ernesto Damiani Anno Accademico 2010/2011 II Acknowledgements I would like to thank all the people who helped me during my Ph.D. First of all I would like to thank Prof. Ernesto Damiani, my advisor, not only for his support and the knowledge he imparted to me but also for his capacity of understanding my needs and for having let me follow my passions; thanks also to all the other people of the SESAR Lab, in particular to Paolo Ceravolo and Gabriele Gianini. Thanks to Prof. Domenico Ferrari, who gave me the possibility to work in an inspiring context after my graduation, helping me to understand the direction I had to take. Thanks to Prof. Ken Goldberg for having hosted me in his laboratory, the Berkeley Laboratory for Automation Science and Engineering at the University of California, Berkeley, a place where I learnt a lot; thanks also to all the people of the research group and in particular to Dmitry Berenson and Timmy Siauw for the very fruitful discussions about clustering, path searching and other aspects of my work. Thanks to all the people who accepted to review my work: Prof. Richard Chbeir, Prof. Ken Goldberg, Prof. Przemysław Kazienko, Prof. Ronald Maier and Prof. Robert Tolksdorf. Thanks to 7digital, our media partner for the experimental test, and in particular to Filip Denker.
    [Show full text]
  • Kenyon Collegian College Archives
    Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 3-26-1998 Kenyon Collegian - April 2, 1998 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - April 2, 1998" (1998). The Kenyon Collegian. 543. https://digital.kenyon.edu/collegian/543 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. Volume CXXV, Number 19 ESTABLISHED 1856 Thursday, April 2, 1998 Security, Fire Department investigating arson Serious injury and building damage prevented in early morning arson fire, suspect still at large "I think Arson is the most ter ana criminal cnarges are some- - BY DAVID SHARGEL 'I don't know what the intent was but they cowardly crime you can commit," thing we would seriously con- News Editor said Director of Security and sider," said Dean of Students put the lives of my officers, the firemen and Safety Daniel J. Werner. "I don't Donald J. Omahan. Arson has been ruled the know what the intent was but they Omahan however feels that cause of an early morning fire in the residents in danger.' Dan Werner put the lives of my officers, the fire- identifying the people responsible McBride Residence yesterday. The men and the residents in danger." will be difficult. fire alarm sounded at approxi- found a pile of rags burning, un- building.
    [Show full text]
  • Hydro-Quebec Abandons the Great Whale Electric Project by JESSICA ROSENTHAL Als'] Project but It Wasn't Ours."
    TUFT............ DAILY Where You Read It First Wednesday, December 7,1994 Vol XXIX Number 57 Hydro-Quebec abandons the Great Whale electric project by JESSICA ROSENTHAL als'] project but it wasn't ours.". $12 billion contract for Quebec's Daily Editorial Board Parizeau won the Quebec provin- hydroelectric power in 1992, cit­ The Great Whale hydroelec- cial elections in September. ing depressed demand for power tric project of the Hydro-Quebec Great Whale, a $9.5 billion and environmental concerns. company has been halted by the project, is the second phase ofthe Last February, the Tufts Board government ofQuebec. Last Feb- James Bay power development in ofTrustees also voted to divest its ruary, the Tufts University Board northern Quebec. The project was holdings from Hydro-Quebec as a of Trustees voted in favor of di- to flood a large area of land that result of student activism led by vestment of the University's $2 would hav.e affected the livelihood the organization Environmental million worth ofbonds invested in ofapproximately 10,000 Cree In- Consciousness Outreach (ECO). the project. dians who live in the area. The pressure of the undergradu­ The new Premier of Quebec, Kaldon stressed that Hydro- ates on the trustees caused them to Jacques Parizeau ofthe separatist Quebec is still focused on hydro­ adopt a policy ofsocially-respon­ PartiQuebecois, has indicatedthat electric power and said that envi­ sible investing. the government no longer consid- ronmental studies "are still going While Tufts students may feel ers the Great Whale project at on." that the University's divestment James Bay a priority for develop- Additionally, she said that the from Hydro-Quebec may have had ment.
    [Show full text]
  • A Shared Strategy Between US Independent
    3.4. Songs for Cassateves (2001): A shared strategy between U.S. independent filmmaking and underground music scenes Maria Teresa Soldani1 Abstract 1991 was indicated by Dave Markey and Thurston Moore as “the year punk broke” in a film that documented the European tour of some indie bands: in 1991 “punk broke out” as a mass phenomenon of consumption, and, contemporaneously, was “broken, it should be fixed”, in reason of a damaged underground identity (Moore, 2011). This paper explores how Justin Mitchell’s DIY documentary Songs for Cassavetes contributed to fix the status of the so-called “American indie underground” (Azerrad, 2002). Mitchell portrayed with b/w 16mm film the shared milieu of the DIY scenes, as the K Records with Calvin Johnson in Olympia-WA, the community-based activity of the Make-Up in Washington-DC, plus several indie acts interviewed in all-ages venues. Furthermore, the film displayed the map as a key-tool for visualizing such scenes. This convergence between independent filmmaking and DIY spaces and practices suggested a way to restore the image of the underground scenes. Keywords: alternative/indie rock, undeground music scenes, independent filmmaking, 1990s, DIY. 1. 1991: The year punk broke It is a well-known fact that in the 1990s many U.S. indie2 bands as R.E.M. and Nirvana broke through the charts worldwide. They came from such music scenes as Athens, GA and Seattle, WA, where, at first, they were produced by independent labels as I.R.S., Sub Pop, and SST Records, and, afterward, signed with the majors.
    [Show full text]
  • Arbiter, July 27 Students of Boise State University
    Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 7-27-1994 Arbiter, July 27 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. ;.-- ... ~-. --- .. - ...-"......... ·","'1 '. Michael B;lai~,So~i~l~gyPep'~rt~ent chair; saYsth~teSt.wltichc:()nsists of 14Qmul· tipl~oice ~uestiC:)Ji5'''meas~ SOciologystu- d~nts'factual knowledge, ability l:oanalyze and ,solve problems, understandrelatio~ships and interpret graphs, diagrams and charts." Weekly's Hlest. of. Boise"" survey· namesTrus~y as·· best BSUprofessor " Tom Trusky, an English professor at BSU since '1970, was honored bythe readership of Boise Weeldy, who wrote him in as the best professor here. '. .' - . Trusky is perhaps remembered for his liber- Dednefor faI·acInIis$ions NOW' , percent from last year. Over the past fiveyears, 'al exhibits-many times referred to as New and returning students who plan to the Lottery has sold $300 million in Lottery Payor be purged obscene-more than he is remembered for attend BSU this fall need to complete' the tickets and has paid more than $185 million to Thursday,Aug. 18is the f.ill fee paymentdead- teaching creative writing and poetry and direct- admissions process today. winners. line for registeredstudents.
    [Show full text]
  • The Retriever, Issue 5, Volume 39
    THE RETRIEVER UMBC’s Student Newspaper INSIDE Volume 39, Issue 5 1000 Hilltop Circle, Baltimore, MD 21250 September 28, 2004 Staff server UMBC students News 02 back online rock the vote PATRICK TYLER RYAN DORRILL Retriever Editorial Staff Retriever Staff Writer A “catastrophic hardware fail- When it comes to voting, col- ure” that shut down a university lege students have a bit of a bad rep- server for most of last week and utation. During the 2000 presiden- severely limited printing and file tial election, only 36 percent of sharing access for administration Americans between the ages of 18-24 Stitchy chicks itch and staff has been repaired, accord- voted. With the 2004 election loom- to stitch, candy ing to Michael Carlin, Director of ing only months away, colleges and bars getting smaller, infrastructure and support with organizations, such as “Rock the OIT. Vote,” are scrambling to get students and watch your The failure also limited the registered. owners manual. library’s website which stores most One part of the problem is that of their web pages on the server many students have to wrestle with Opinion 06 according to librarian, Eric Rector. absentee ballets when voting because The problem occurred around they are not allowed to use their noon last Monday when a critical campus addresses as their place of hardware failure shut down a Novell residence. The laws regarding resi- server in the engineering and com- dency restrictions are meant to pre- puter science building. vent people from registering from Novell is a system that allows hotels and other temporary loca- for groups to share files across a net- tions, lowering the chance of outsud- work.
    [Show full text]
  • Calvin Johnson (Beat Happening/K Records) Live På Moriska Paviljongen 8 Oktober
    2015-09-14 14:00 CEST Calvin Johnson (Beat Happening/K records) live på Moriska Paviljongen 8 Oktober No Time For Us & Moriska Paviljongen presenterar stolt en solokonsert med Calvin Johnson. Med förflutet i Beat Happening, Dub Narcotic Sound System, The Halo Benders, The Hive Dwellers och som skivbolagsboss av K records så har Calvin ristat in sitt namn i DIY och musikhistorien. Det råder ingen tvivel om att USA's indie rock, twee och lo-fi scen hade sett annorlunda ut utan Calvin Johnsons och K records inflytande. I kontrast med den rådande musikscenens machoism så stod Calvin och hans likasinnade för en känslosammare, naivare och snällare attityd där kvinnliga och queerartister tog plats och där gemenskapen och gör-det-själv-andan var levande och uttalat socialistisk. Gemenskapen var tydlig redan i Calvins första band The Go Team som han hade tillsammans med Tobi Vail, senare grundaren av riot grrrl bandet Bikini Kill, där de bjöd in bland andra Kurt Cobain (Nirvana), Rich Jensen, Donna Dresch (Team Dresch) för samarbete. Cobain tatuerade även in K Records logo för att påminna honom om att försöka behålla barnasinnet. På K records festivalen International Pop Underground Convention's första dag så anordnades Love Rock Revolution Girl Style Now en heldag med bara 15 kvinnliga och queer artister. Den här kvällen får du uppleva en intim spelning med Calvin där hans röst, en avgrundsdjup baryton, och gitarr står i fokus utan förstärkning. ▸ Stora salen, Moriska Paviljongen ▸ Torsdag 8 Oktober insläpp ca kl 20:30 ▸ Förköp 150:- inklusive avgift: http://bit.ly/calvinjohnson ▸ Sittande konsert.
    [Show full text]
  • From Riot Grrrl to Girls Rock Camp: Gendered Spaces, Musicianship and the Culture of Girl Making
    Volume 5, Issue 1 February 2012 From Riot Grrrl to Girls Rock Camp: Gendered Spaces, Musicianship and the Culture of Girl Making NYALA ALI, University of Winnipeg ABSTRACT This paper explores constructs of rock musicianship and girlhood from the late ’80s/early ’90s Riot Grrrl movement, up until the 2001 formation of the Rock ‘N' Roll Camp for Girls in Portland, Oregon, which was subsequently documented in a 2007 film entitled Girls Rock! The Movie. Topics include feminism(s) and girlhood in media (specifically Riot Grrrl in contrast to the “Girl Power” movement of the late ’90s), girl-centred media franchises, and girlhood with respect to gender-related branding, all of which function as a means to explore the culture of girl- making and negotiations of girlhood, within a musical framework that is frequently still regarded as “male” by the mainstream media. The paper will point to the ways in which Girls Rock Camp reconfigures girl making by expanding its potential for youth empowerment through the practical application of both girlhood studies theory and popular music culture, in order to create a safe public space that fosters a sense of female agency and female identity. KEYWORDS Rock ‘n’ Roll Camp for Girls, feminism, girlhood studies, pop-culture, popular music theory, cultural production Revelation Girl Style Now!: Autokeny, Pop-Culture & Pedagogyi In a 1997 interview with Punk Planet magazine, musician Kathleen Hanna, pioneer of the feminist punk movement and female-oriented subculture known as Riot Grrrl, outlines Sarah Hoagland’s concept of autokeny. First defined in Hoagland’s 1987 book Lesbian Ethics, Toward New Values, Hanna paraphrases autokeny as The self in the community.
    [Show full text]
  • VISUALIZING the HISTORY of FUGAZI | Designed By: Carni Klirs © 2018 Like Churches Justasoften Asthey Played Rock Clubs
    Animal Rights Group Greenpeace Inmate Programs Jessup Prison Christic Institute Drug Rehab Center Neighbors ConsejoLatin & Homes American Not YouthJails Center Anti-War Protest Rally for the Homeless * * Mayday Celebration 28th anniversary o * Kent State massacre Food Not Bombs 20th Anniversary Salvadoran Bank Collapse * Supreme Court ENVIRO/ * Rally on Prison Issues ANIMAL * VISUALIZINGANTI- RIGHTS THEDefend DC Home Rule Casa Del Pueblo * * DRUG $5,000 MLK Anniversary * PROTESTS/ * WAR/ RALLIES Protest Against Cuts in Programs for DC's Needy Washington * PRISON FREE SHOWS * Free Clinic ISSUES Rally to End the Drug War Whitman-Walker Clinic 1987 * * Women's Shelter LATINO/ $6,200 4 Necessities Women's Center1988 2 IMMIGRANT * 1 * 2 RIGHTS * * 1 1989 1 $16,400 * 4 POSTER CHILDREN 3 HISTORY2 OF FUGAZI* 1 1 Safe Passage1990 * 2 VENUE THAT AT PLAYED 3 SOULSIDE 1 HEALTH 3 SCRAM FIRE PARTY 1 1 Women's Crisis Center CLINICS 5 FIDELITY JONES 1991 Rock for Choice 1 BAD MUTHA GOOSE A GIVEN YEAR 3 WOMEN’S $50,200 * THATCHER ON ACID * 12 SHOWS HOLY ROLLERS 1 SHELTERS 11 2 1992 1 4 1 $9,700 5Heartly House Maryland for Choice CIRCLE SIZE SHOWS THE NUMBER OF SHOWS PLAYED WITH FUGAZI IN VISIONS OF CHANGE 1 1 NO TWIST 1993 1 2 ABORTION 1 1 14 1 Clinic Defense Fund BANDS ON DISCHORD RECORDS HIGHLIGHTED IN BLUE 2 1994 RIGHTS * 2 1 2 1 5 7 $39,000 URGE Ann Arbor Committee to 2 PROHIBITION 1 CESTA Youth Center 1995 YOUTH 8 HEIGHT SHOWS OF = VERTICAL Defend Abortion 1988 12 1 2 VAMPIRE LEZBOS 1 1 1 in Czech Republic 1 OUTREACH JAWBOX 5 SPINANES 2 GIRLS VS.
    [Show full text]