RAST MUSICOLOGY JOURNAL | Special Issue 2019, 7(2) RAST MUSICOLOGY JOURNAL | Special Issue 2019, 7(2) Original Research Harris, R. (2019), Text and Performance in the Hikmät of Khoja Ahmad Yasawi, Rast Musicology Journal, 7(2), s.2152-2168. Doi:https://doi.org/10.12975/pp2152-2168. Text and Performance in the Hikmät of Khoja Ahmad Yasawi Rachel Harris* Corresponding Author: *Professor of Ethnomusicology, School of Arts, SOAS, University of London,
[email protected] Abstract In this chapter I discuss an aspect of Uyghur religious practice, which is at the time of writing under severe threat in the Uyghur homeland. I trace the patterns of circulation of sung hikmät, considering the ways that these Turkic language prayers link the Uyghur communities of Xinjiang to other parts of the Turkic speaking world through the circulation of written and published texts. I draw on recent debates on the relationship between orality and literacy, and consider how they help us to think about hikmät as they were performed in ritual contexts in Uyghur communities until very recently. I argue that oral and textual traditions of hikmät interact constantly and closely, creating "feedback loops" of transmission and performance. This perception impels a reassessment of our assumptions around projects of canonization of Central Asian performance traditions. Keywords hikmät, yasawi, text, performance, sufism, uyghur The sung performance of hikmät is firmly hikmät is linked across space to traditions embedded in community life amongst maintained in Uzbek communities in the the Turkic speaking Muslim Uyghurs of Ferghana valley. All of these traditions Central Asia. They play a part in rituals are believed to derive from a collection of of mourning and healing, and as part of texts which are attributed to the medieval regular spiritual practice in both men’s and Central Asian Sufi sheikh, Khoja Ahmad women’s gatherings.