Categorical Perception and Levels of Processing in the Psychology of Eating
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Ewolucja Błazna
Historia Ewolucja błazna Marillion – studyjne albumy ery Fisha (1983-1987) Druga fala, w kontekście trendów wszelakich (może poza drugą falą feminizmu oraz drugą falą ezoteryki), nigdy nie będzie tą pierwszą, więc konserwatyści zawsze ją zdeprecjonują. Marillion – prekursor powrotu rocka progresywnego w latach 80. XX wieku – nie był i nie będzie postrzegany jako jedna z najważniejszych grup tego gatunku. Pod względem popularności nie może się równać z „wielką szóstką” z poprzedzającej dekady – zespołami Pink Floyd, King Crimson, Genesis, Yes, ELP i Jethro Tull. Mimo to warto się pochylić nad twórczością tej szczególnej grupy. Michał Dziadosz 90 Hi•Fi i Muzyka 7-8/16 Historia fanów prozy J.R.R. Od fonograficznych początków do dziś Fish, jako główna postać, góruje nad resztą Tolkiena nazwa na gitarze gra Steve Rothery, na basie – Pete nie tylko wzrostem, ale także poetycką indy- brzmi dziwnie zna- Trewavas, a na instrumentach klawiszowych widualnością. Koledzy z zespołu dotrzymują jomo – Marillion to niemal „Silmarillion”. – Mark Kelly. Od 1984 roku za perkusją za- mu jednak kroku, stwarzając dookoła jego Panowie już we wczesnym etapie działalno- siada Ian Mosley. W 1988 etat wokalisty ob- opowieści niezwykły klimat. Od początku ści zrezygnowali jednak z przedrostka „sil”, jął utalentowany Steve Hogarth. Zmiana na każdy z nich trzyma poziom, może poza gdyż niedaleko od niego do „silly”, a przecież tym stanowisku wciąż budzi kontrowersje grającym na perkusji Mickiem Pointerem. nikt nie chce być postrzegany jako głuptas. i dzieli fanów na zwolenników starego i no- Przez jego problemy z punktualnością sekcja Wczesny etap trwał wystarczająco długo, wego Marillion. rytmiczna nieco pływa, ale w ogólnym roz- by grupa zdążyła się ukształtować i przygo- Dziś jednak nie o konfliktach i sporach, rachunku – nie jest źle. -
Metal Storm - Marillion - Somewhere Else Review
Metal Storm - Marillion - Somewhere Else review http://www.metalstorm.ee/pub/review.php?review_id=4193 Are Death Metal Ringtone Alchemy Irish Music You Emo? Send this ringtone to your phone No other band sounds like this. Great Nova Scotia Vacation User: Guest TheEmoQuiz.com right now! Listen now. You'll be satisfied. Packages Plan Your Travel to Nova RingRingMobile.com DVicklund.googlepages.com/AlchemScotia Now Login novascotia.com Register band 6 Search NAVIGATION MARILLION - SOMEWHERE ELSE REVIEW SITE STATS Index | RSS | A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Website Bands: 2374 Musicians: 7117 Home Albums: 9985 FAQ RSS feeds Reviews: 3498 T-shirts Marillion - Somewhere Else Interviews: 312 Promo media 9 April 2007 News: 4207 MS Awards 2006 01. The Other Half Registered users: 13209 Community 02. See It Like A Baby Forum 03. Thankyou Whoever You Are Members 04. Most Toys GOOGLE ADS Contributions 05. Somewhere Else 06. A Voice From The Past Rating: Featured bands 07. No Such Thing 08. The Wound Bands 8.7 09. The Last Century For Man Oh No - I'm Emo Albums 10. Faith Are You Emo? Take Top albums the Quiz! Videos TheEmoQuiz.com Musicians Label: Intact Records Distribution in France: Replica Records News & events News If I have to be honest, I will say that my favorite Marillion's period New releases was and will ever be the one with Fish when the band uses to Upcoming releases release albums like "Misplaced Childhood" or "Clutching At Straws". -
Fish Biog 2018 in September 1988 Edinburgh Born Singer Derek
Fish Biog 2018 In September 1988 Edinburgh born singer Derek William Dick, better known by his stage name ‘Fish’ resigned from his position as lead singer with world renowned progressive rock band ‘Marillion’ in a move that shocked both fans and the music business alike. The band were seemingly at the peak of their powers selling out arenas across Europe and having just released their album ‘Clutching at Straws’ in 1987 to critical acclaim following the multi-platinum 1985 album ’Misplaced Childhood’ they looked like they had the world at their feet. ‘Clutching at Straws’ was seen by many to be their best album yet and offered the beginning of an exciting new creative era for the band. “I adored ‘Clutching’. It was very personal to me and painful both writing and especially recording in the studio where confrontations were regular occurrences. We started writing “songs”, not just “bits” that were joined together. ‘Hotel Hobbies’ was a throwback to ‘Misplaced’ but we broke out on ‘Warm Wet Circles’ into bona fide song writing. ‘Incommunicado’ the band really didn’t like when we put it together. They thought it was too simple, a throwaway ‘jam’ .I loved it, it was plugged into my own influences and I admit very ‘Who’ ‘Quadrophenia’, one of my favourite albums. I loved the energy we created. It to me represented the original ‘Marillion attitude’ we had before we became ‘successful’. The fact they didn’t get turned on by it summed up the differences” Behind the scenes internal conflict continued over musical directions and managerial and business issues simmered. -
Intactcd11 Progressi
Marillion goes PHOTO: NIELS VAN IPEREN Somewhere Else It has been nearly a quarter century since Marillion arose at Band considers its chemistry the forefront of progressive rock’s second wave in the early th 1980s. During that span the band gradually adapted to a tighter than ever on 14 changing musical landscape, morphing from prototypical neo- progressive band, replete with references to Peter Gabriel-era studio release Genesis, to crack contemporary rock band. Rock, yes — but still progressive? According to guitarist Steve Rothery, yes, probably, but bassist Pete Trewavas isn’t so sure. By ROSS BOISSONEAU “It’s a rock band,” Trewavas says flatly, before adding, “I’m not even sure it’s a rock band.” “Some people call you progressive,” says Rothery, “but they mean that as an insult, like the worst ‘70s excess or self- indulgent twaddle. The true meaning is it doesn’t have to conform to short-radio format. “You can absorb classical, jazz. It [progressive music] has more meaning than most conventional pop songs. In that regard, yes, we’re a progressive band.” Drummer Ian Mosley is more succinct. “I’ve never really thought about progressive rock, I much prefer to think of music as good or bad – whether it’s long or short,” he says. Not that this discussion settles anything definitively. Marillion long has been considered a standard-bearer among second-generation prog bands, along with outfits such as Pallas and Pendragon, which followed on the heels of Kansas and 42 Progression 51 • Spring/Summer 2007 Rush and the “golden-era” groups who pioneered progressive “We’ve improved as musicians, and I think we’ve learned rock in the ‘70s – the likes of King Crimson, Yes, and Emerson, the craft of writing and arranging,” says Trewavas of the new Lake & Palmer. -
“Het Voelt Alsof Ik Nog Één Album in Mij Heb”
“HET VOELT ALSOF IK NOG ÉÉN ALBUM IN MIJ HEB” Interview Fish – De Oosterpoort, Groningen (22 april 2016 ) Met Marillion’s hitsingle Kayleigh zal hij altijd in één adem genoemd worden: Derek William Dick, beter bekend als Fish. Ook zijn naderende afscheid als muzikant in 2018 zal daar weinig aan veranderen. Hoewel Kayleigh in Neder- land niet verder kwam dan de 16 e plaats in de Top 40 bleef Marillion hier door de jaren heen enorm populair. In 2015 was Fish voor het laatst in Groningen, toen zijn optreden op het laatste moment werd geannuleerd omdat toetsenist John Beck kort daarvoor zijn arm had gebroken. Op vrijdag 22 april 2016 is Fish weer terug, deze keer met een ongedeerde toetsenist in zijn band… ’s Middags spreek ik de Schotse zanger in De Oosterpoort, waar hij druk rokend vertelt over alles wat hem bezig houdt. Want Fish is veel meer dan alleen Marillion. Hij is acteur in een aantal tv-series, schrijver van zijn eigen biografie, fanatiek supporter van de Schotse voetbalclub Hibernian en heeft maar liefst tien soloalbums uitgebracht. Kom meer te weten over deze veelzijdige muzikant, die zijn bijzondere bij- naam te danken heeft aan het feit dat hij graag lang in bad zit: Fish! Tekst: Godfried Nevels Vorig jaar zou je hier ook optreden maar… “Ja, ook Pipeline , The Perception of Johnny Hunter , “toen brak John [toetsenist John Beck] zijn arm. Giste- Family Business , A Feast of Consequences , dat soort ren waren we daar wel een beetje bezorgd over. We nummers. Je zal het vanavond zien.” waren op die plek en daar hing een vloek over…” Ik las dat je het concept van Misplaced Childhood in Gaat het nu goed met hem? zeer korte tijd hebt geschreven. -
Marillion.Htm
http://www.altatensione.it/marillion.htm MARILLION Abbiamo incontrato a Milano una band in salute, che ha fatto la storia del prog, ma che ora cerca di allontanarsi dal solito "clichè", per approdare ad altri lidi...lontano dalle major e con l'aiuto del web e dei fans. Articolo e reportage di Lory Lorena, foto e filmato di John Lorena. La storia dei Marillion inizia nel 1978, un anno durante il quale la scena musicale internazionale vive una rivoluzione clamorosa, con la nascita di fenomeni effimeri tra i quali spicca il movimento punk. E' il periodo in cui tramonta più o meno definitivamente un particolare discorso musicale intrapreso da diversi anni e denominato "rock progressivo" o, in taluni casi, "rock romantico". Nonostante la confusione e il cambiamento che pervade il panorama internazionale, nasce in Inghilterra un gruppo chiamato Silmarillion, il fondatore di questo nucleo di "avventurieri nostalgici", è Mick Pointer, batterista proveniente da Bicks e attualmente leader del gruppo new-progressive Arena. L'intento iniziale è costituire una band strumentale. Dopo un inizio stentato, Pointer e il bassista Doug Irvine devono già ricominciare a cercare nuovi musicisti, in quanto il chitarrista e il tastierista precedenti decidono di andarsene quasi immediatamente. Ai tanti annunci pubblicati sui comuni giornali musicali risulta particolarmente interessato un certo Steven Thomas Rothery, chitarrista originario dello Yorkshire, nato il 25 novembre 1959 e proveniente da esperienze con i Dark Horse e i Purple Haze. L'arrivo di Rothery, insieme all'ingaggio di tale Brian Jelliman alle tastiere, apporta nuova linfa vitale alla rischiosa attività intrapresa e i quattro decidono di continuare. -
1 the Association for Diplomatic Studies and Training Foreign Affairs
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR DANIEL A. O‘DONOHUE Interviewed by: Charles Stuart Kennedy Initial interview date: May 28, 1996 Copyright 2 ADST TABLE OF CONTENTS Background Born and raised in Detroit Michigan University of Detroit U.S. Army %orea Entered Foreign Service in 1959 )enoa Italy - ,onsular officer 1957-1959 .efugee .elief program Environment /edding 0ale University - %orean language training 1959-1910 Seoul %orea - Political officer 1910-1913 President .hee toppled in military coup d4etat %orean political parties Park ,hung Hee Economic development Embassy officers Ambassador Sam Berger Elections - 1913 ,IA North %orea relations State Department - %orea desk 1913-1911 %orean economic gro8th ,ongressional relations AID operations State Department - E9ecutive Secretariat 1911-1918 USS Pueblo crisis "Blue House" attacked Vance Park negotiations 1 Paris-Vietnam negotiations Accra )hana - Political officer 1918-1971 Environment Issues Army /ar ,ollege 1971-1972 Seoul %orea - political counselor 1972-1973 President Park ,hung Hee %im Dae Jung (kidnaped) Phil Habib "Unshin" period %orean ",IA" U.S. ,IA U.S. military Mrs. Park4s assassination State Department - Office Director %orean Affairs 1973-1971 "%oreagate" Human rights issue F3s and F5s to Vietnam ,ongressional vie8 of %orea %orea unification issue SS MayayeA incident State Department - E9ecutive Assistant - Under Secretary for Political Affairs 1971-1977 Personalities %orea "tree-chopping" incident Japan-%orea -
MARILLION - Brave
DPRP : COUNTING OUT TIME Back to COT index DPRP main page MARILLION - Brave Staring out over the bridge A million photo flashes from the water down below Dawn light bouncing through the mist Roar of traffic and the crack of police radios When they ask her name Would she please explain She simply chooses to say ... nothing Life after Fish When frontman Fish left the band in 1988, Marillion stood for the difficult task of finding an equal replacement. During the rest of 1988 and the beginning of 1989 they continued song writing with bass-player Pete Trewavas on vocals, while the lyrics for their new compositions came from writer John Helmer, they even played a few gigs in this four-men line-up. During the writing process they were however also holding auditions for new vocalists (among which were Galahad's Stuart Nicholson and Cyan's Nigel Voyle). Eventually their choice fell on the eccentric Steve Hogarth, a fairly unknown singer / songwriter / keyboard player who had previously played in eighties' bands The Europeans and How We Live. The band had realised that their only way forward without Fish would be with a lead singer who would in no way be trying to copy the two-meters- high Scot. But of course the 5'2" Hogarth was not only chosen for his height; his musical abilities would surely add to the Marillion compositions as well. The first post-Fish album Seasons End, was musically a natural follow up to Clutching at Straws, but many fans had to get used to Hogarth's voice, which was entirely different from Fish's. -
CD Times - Marillion
CD Times - Marillion http://www.cdtimes.co.uk/content.php?contentid=4259 Search Go Advanced Homepage Reviews Gig Reviews Features Videos Downloads Forums MySpace Cover Marillion - Somewhere Else | 02-05-2007 15:30 Ratings My strongest memory of Marillion form back in the day, was that I once went to Rating: 5 a bargain Our Price record shop and tried to buy a Marillion album on cassette but accidently bought an album by tranny pop icon Marilyn instead. User Rating: No ratings have been Now this could have been an early sign of dyslexia, or a subconscious display of logged desired tranny gayness or just a mistake...But all I can remmber is that I was mighty annoyed about it at the time! You must be logged in to vote Anyway, 300 years later, Marillion, like every other band, are still going strong, have failed to accept their time has been and gone, and are knocking out music Affiliates CD Specs in search of the love they want and need as creative people.. Type: Please support CD Times CD Album Frankly, I don't blame them for sticking with it. I mean what else can they do? by ordering through our Go to work at Tescos? Set up a garden centre? Sell their guitars and start writing partners Release Date: classical?? April 9th 2007 Number of Discs: Of course not. They are Marillion and they feel they have unfinished business. 1 Besides, they don't want to let the fans down, so here they are with LP number 14 Tracks: 1. -
Annual Index: V.99 ! 1
Booklist / September 1, 2002 through August 2003 Annual Index: v.99 ! 1 Adler, David A. A Picture Book of Harriet Beecher Air Warfare. 618. ANNUAL INDEX: VOLUME 99: Stowe. 1800. Airborne. Collins. 994. Adler, David A. A Picture Book of Lewis and Clark. Airborne. Flanagan. 551. 1066. Aird, Catherine. Amendment of Life. 854. SEPT. 1, 2002–AUGUST 2003 Adler, David A. Young Cam Jansen and the Zoo Aitken, Rosemary. The Granite Cliffs. 1383. Note Mystery. 1530. Aizley, Harlyn. Buying Dad. 1715. This cumulative index includes entries under author, title, and illus- Adler, Naomi. The Barefoot Book of Animal Tales. Ajmera, Maya. A Kid's Best Friend. 134. trator (for children’s books). Bibliographies are listed individually 894. Akbar, M. J. The Shade of Swords. 182. Adler, Sabine. Lovers in Art. 191. Akiko and the Alpha Centauri 5000. Crilley. 1660. by title, but they also appear here under the heading Bibliographies, The Admiral's Daughter. Madden. 1452. Akunin, Boris. The Winter Queen. 1637. Special Lists, and Features. Media reviews are indexed separately. Adoff, Jaime. The Song Shoots out of My Mouth. Al on America. Sharpton. 384. 864. Al Williamson Adventures. 1855. Adolescent Health Sourcebook. 264. ALA'S 2003 "BEST" LISTS. 1288. 1,000 Inventions and Discoveries. Bridgman. 620. Abodehman, Ahmed. The Belt. 53. Adolf Hitler. Nardo. 868. Alabanza. Espada. 1366. 1-2-3 Draw Cartoon Animals. Barr. 872. Abou el Fadl, Khaled. The Place of Tolerance in Is- Adrahtas, Tom. Glenn Hall. 1364. Alagna, Magdalena. Life inside the Air Force Acad- 1-2-3 Draw Cartoon Faces. Barr. 872. lam. 365. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Fish Tourt Mit Neuem Album Und Marillion-Klassiker
Fish, hier bei seiner "Return To Childhood"-Tourshow im Frühjahr 2016 im Pavillon Hannover, plant, bei seiner kommenden Tour den Marillion-Klassiker "Clutching At Straws" komplett und Song seines neuen Albums "Weltschmerz" zu spielen Weltschmerz und letzter Griff nach dem Strohhalm Fish tourt mit neuem Album und Marillion-Klassiker 17. Januar 2017, Von: Redaktion, Foto(s): Torsten Gadegast Der Progressive-Rock-Sänger und Songpoet Fish hat seine umfangreichen künstlerischen Pläne für die kommenden Monate bekannt gegeben, die sogar bis in das Jahr 2018 hineinreichen. Im Mittelpunkt steht zunächst die Produktion seines neuen Studioalbums „Weltschmerz“. Damit und mit dem Marillion- Klassiker-Album „Clutching At Straws“ will Fish Ende des Jahres in Großbritannien seine nächste Europatournee starten. „Clutching At Straws“ soll bei diesen Shows, ähnlich wie zuletzt „Misplaced Childhood“, komplett gespielt werden. Fish hat sich für die nächste Zeit viel vorgenommen, dabei aber einiges an Planungen, speziell was Konzerte angeht, auf einen späteren Zeitpunkt verschoben. Ein Grund ist ein gesundheitlicher. Der Künstler erklärt in einem aktuellen Facebook-Post, dass er sich im kommenden Monat einer Schulteroperation unterziehen müsse, die eine längere Regenerationsphase nach sich ziehen dürfte. Daraufhin wolle er sich auf das Schreiben und Aufnehmen der Songs seines geplanten neuen Studioalbums „Weltschmerz“ konzentrieren, weshalb er sämtliche Tourneeplanungen für Kontinental-Europa in das Jahr 2018 verschoben habe. Angekündigt hat Fish dagegen bereits zehn Konzerte in Großbritannien, die unter dem Motto „Weltschmerz – Clutching At Straws 2017“ im Dezember dieses Jahres über Bühnen in unter anderem Manchester, London, Bristol und Glasgow gehen sollen. 17. Januar 2017 1/2 © Rockszene.de 2021 Im Rahmen dieser Tour, die Fish 2018 voraussichtlich auch wieder nach Deutschland führen dürfte, ist auch die komplette Aufführung des 1987er-Marillion-Albums „Clutching At Straws“ vorgesehen.