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Darwinism, Heredity, and Atavism in Thomas Hardy's Novels
Journal of Literature and Art Studies, August 2019, Vol. 9, No. 8, 830-839 doi: 10.17265/2159-5836/2019.08.003 D DAVID PUBLISHING “I Am the Family Face”: Darwinism, Heredity, and Atavism in Thomas Hardy’s Novels QI Jun-jie Department of Etudes Anglaises, University of Sorbonne Nouvelle-Paris 3, Paris, France 19th-century scientific breakthroughs and developments exerted huge influence upon Thomas Hardy’s literary work, among which Darwinian discourses as well as issues of heredity and degeneration have attracted considerable critical attention. These scientific discourses can find their literary echoes in Hardy’s novels. Hardy’s characters are trapped by biological determinism and are therefore deprived of freewill, a devastating element which contributes to Hardy’s tragic vision. In Hardy’s early novels, Darwinism and other scientific issues are dealt with in a discursive manner, as is the case in A Pair of Blue Eyes; it is only in his late novels, especially in Tess of the d’Urbervilles and Jude the Obscure, that Hardy finally succeeds in incorporating Darwinian and hereditary discourses into his literary and philosophical conception and design. Thus to use a Darwinian term, this paper investigates the evolutionary process in which Hardy grows gradually adept in his artistic attempt to fuse the contemporary scientific discourses with his literary imagination, as well as in using scientific issues to mediate between authorial intention and critical expectation. Keywords: Darwinism, heredity, pedigree, atavism, pathology The influence of 19th-century scientific breakthroughs and developments on Thomas Hardy has been widely acknowledged and examined, among which Darwinian discourses and issues of heredity and degeneration have attracted considerable critical attention. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Places to Go, People To
Hanson mistakenINSIDE EXCLUSIVE:for witches, burned. VerThe Vanderbilt Hustler’s Arts su & Entertainment Magazine s OCTOBER 28—NOVEMBER 3, 2009 VOL. 47, NO. 23 VANDY FALL FASHION We found 10 students who put their own spin on this season’s trends. Check it out when you fl ip to page 9. Cinematic Spark Notes for your reading pleasure on page 4. “I’m a mouse. Duh!” Halloween costume ideas beyond animal ears and hotpants. Turn to page 8 and put down the bunny ears. PLACES TO GO, PEOPLE TO SEE THURSDAY, OCTOBER 29 FRIDAY, OCTOBER 30 SATURDAY, OCTOBER 31 The Regulars The Black Lips – The Mercy Lounge Jimmy Hall and The Prisoners of Love Reunion Show The Avett Brothers – Ryman Auditorium THE RUTLEDGE The Mercy Lounge will play host to self described psychedelic/ There really isn’t enough good to be said about an Avett Brothers concert. – 3rd and Lindsley 410 Fourth Ave. South 37201 comedy band the Black Lips. With heavy punk rock infl uence and Singing dirty blues and southern rock with an earthy, roots The energy, the passion, the excitement, the emotion, the talent … all are 782-6858 mildly witty lyrics, these Lips are not Flaming but will certainly music sound, Jimmy Hall and his crew stick to the basics with completely unrivaled when it comes to the band’s explosive live shows. provide another sort of entertainment. The show will lean towards a songs like “Still Want To Be Your Man.” The no nonsense Whether it’s a heart wrenchingly beautiful ballad or a hard-driving rock punk or skaa atmosphere, though less angry. -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
In a Time of Crisis Bishop Paul Affi Rm Your Priests, Deacons and Seminarians Swain
Monthly publication for the Catholic Diocese of Sioux Falls September 2019 It's a beautiful time to be a priest: Discerning a vocation in a time of crisis Bishop Paul Affi rm your priests, deacons and seminarians Swain he theme for this month’s Our diocese has from its beginnings T received clergy from outside the state, be- Bulletin is “Discerning a Vo- ginning with our fi rst bishop Martin Marty, cation in a Time of Crisis.” a Benedictine missionary. Some of our beloved priests have been religious order Surely these are challenging priests and diocesan priests from other times for us all, but especially dioceses. They have enriched us all. for our priests and seminarians. We always seek attestation that they are That a few would betray their in good standing and have completed promise of chastity and cast a appropriate training consistent with the requirements of the Charter for the Protec- shadow over the vast majority tion of Children and Young Adults. They of our brothers is discouraging are expected to complete, as are all clergy and volunteers working with children, an- to say the least, dispiriting and nual training and openness to background profoundly sad. checks. When we evaluate candidates for seminary I encourage those reading these words to sponsorship and the permanent diaconate affi rm and encourage your priests, deacons and journey with them in their formation, and our seminarians. these are some of the virtues I keep in The truth is that a vocation, whichever it is, mind, always remembering that we are all is a call from God through Christ always works in progress: in the midst of the culture of the day. -
The Wolf That Never Sleeps’
THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ 1 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ Downloaded from: “The Dump” at Scoutscan.com http://www.thedump.scoutscan.com/ Editor’s Note: The reader is reminded that these texts have been written a long time ago. Consequently, they may use some terms or use expressions which were current at the time, regardless of what we may think of them at the beginning of the 21st century. For reasons of historical accuracy they have been preserved in their original form. If you find them offensive, we ask you to please delete this file from your system. This and other traditional Scouting texts may be downloaded from the Dump. 2 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ THE STORY OF BADEN-POWELL ‘The Wolf that never Sleeps’ BY HAROLD BEGBIE WITH ILLUSTRATIONS Vestigia nulla retrorsum Originally Published LONDON GRANT RICHARDS 1900 G “... A name and an example, which are at this hour inspiring hundreds of the youth of England....” Southey’s Life of Nelson. First printed May 1900. Reprinted May 1900. 3 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ MAJOR-GENERAL R.S.S. BADEN-POWELL. 4 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ To SMITH MAJOR HONOURED SIR, If amid the storm and stress of your academic career you find an hour’s relaxation in perusing the pages of this book, all the travail that I have suffered in the making of it will be repaid a thousandfold. Throughout the quiet hours of many nights, when Morpheus has mercifully muzzled my youngest (a fine child, sir, but a female), I have bent over my littered desk driving a jibbing pen, comforted and encouraged simply and solely by the vision of my labour’s object and attainment. -
The Bushranger of Van Diemen's Land
The Bushranger of Van Diemen's Land Rowcroft, Charles (d.1856) A digital text sponsored by Australian Literature Gateway University of Sydney Library Sydney 2003 http://purl.library.usyd.edu.au/setis/id/rowbush © University of Sydney Library. The texts and images are not to be used for commercial purposes without permission Source Text: Prepared from the print edition published by Smith, Elder and Co. London 1846 3 Volumes, 306pp., 286pp., 304pp. All quotation marks are retained as data. First Published: 1846 F4374 Australian Etext Collections at novels 1840-1869 The Bushranger of Van Diemen's Land London Smith, Elder and Co. 1846 Introduction. IT is well known to those who have the opportunity of observing the actual condition and the opinions of various classes of society in this country, that a dangerous notion is prevalent, among those especially where a misconception of the truth is most mischievous, that a transportation to the penal colonies is not, as the law intends, a punishment, but rather a change of country to be desired, from the opportunity which it is supposed to afford for the rapid acquisition of large fortunes in many ways; and for the sake of the licentious liberty of action which the wide wilderness holds forth the promise of, and which, to restless minds, presents so fascinating an attraction. The publication, therefore, of the following narrative, taken from the oral communication of the facts by the party principally concerned in the adventures to which they relate, may perhaps be useful, at the present time, in counteracting the pernicious tendency of the false ideas which prevail in respect to the penal arrangements of the Australian settlements; and the circulation of the history, inculcating the certain punishment and remorse which follow crime, may assist in repressing that morbid craving after notoriety which of late years has increased with such lamentable rapidity. -
2017 Baseball Issue COBALT 2017 Baseball Issue Kelly Smith a Game of Inches
COBALT 2017 Baseball Issue COBALT 2017 Baseball Issue Kelly Smith A Game of Inches Kristi Arth Glove Brent Newsom What Joe Morgan Meant When He Said Outfielders Are Poets in Motion Mark Stevick Pictures from a Baseball Nation Candice Kelsey Big Sexy Christine Vovakes To Richard, My Fifth Grade Hero Kyle Hays Sit Still Midge Goldberg The Faithful Julie Whitehead Terms of the Trade Matt Pasca The Strawman & Doctor K Dan Murphy Singles Frank Morelli These Are the Times Meghan Harrison After the Boys of Summer Were Gone 2017 Earl Weaver Prize Each of the authors included in this issue was selected as a semifinalist for the fourth annual Earl Weaver Baseball Prize (our fifth baseball prize). Below are the winner and finalist selections. Finalists are listed in alphabetical order. Winner: Kyle Hays, “Sit Still” Finalist: Matt Pasca, “The Strawman & Doctor K” Finalist: Kelly Smith, “A Game of Inches” Finalist: Mark Stevick, “Pictures from a Baseball Nation” Congratulations to the winner, finalists, and semifinalists, and thank you to all who have submitted to this baseball issue and supported the Cobalt writing prizes these past six years. Submissions for the 2017 Earl Weaver Prize will open in February. A “five years of Cobalt baseball writing” anthology is in the works and will be available at the start of the 2018 season. Sincerely, Andrew Keating Chief Baseball Officer Cobalt Review | Cobalt Press Kelly Smith A Game of Inches A love letter to the Cleveland Indians from a girl and her dad “Baseball is a game of inches,” Dad would always tell me. -
The Cure — Wikipédia
The Cure — Wikipédia https://fr.wikipedia.org/wiki/The_Cure The Cure 1 The Cure [ðə ˈkjʊə(ɹ)] est un groupe de rock britannique, originaire de Crawley, dans le Sussex The Cure de l'Ouest, en Angleterre. Formé en 1976, le groupe comprend actuellement Robert Smith, Roger O'Donnell aux claviers, Simon Gallup à la basse, Reeves Gabrels à la guitare et Jason Cooper à la batterie. Robert Smith est la figure emblématique du groupe. Il en est le chanteur et le guitariste (il joue également de la basse ou des claviers), le parolier et le principal compositeur. Par ailleurs, il est le seul membre présent depuis l'origine du groupe. The Cure, à Singapour le 1er août 2007. Associé au mouvement new wave, The Cure a Informations générales développé un son qui lui est propre, aux ambiances 2, 3 Pays d'origine Royaume-Uni tour à tour mélancoliques, rock, pop, gothiques Genre musical Cold wave, new wave, et psychédéliques, créant de forts contrastes, où la post-punk, rock alternatif, basse est mise en avant et n’est pas seulement un rock gothique instrument d’accompagnement. Elle est, Années actives Depuis 1976 notamment en raison du jeu particulier de Simon Gallup une composante essentielle de la musique de Labels Fiction Records, Geffen The Cure. L'utilisation conjointe d'une basse six Records cordes (souvent une Fender VI), au son Site officiel www.thecure.com caractéristique, très souvent utilisée dans les motifs (http://www.thecure.com) mélodiques, contribue pour beaucoup à la signature Composition du groupe sonore si singulière du groupe. Membres Robert Smith Cette identité musicale, ainsi qu'une identité Simon Gallup visuelle véhiculée par des clips, contribuent à la Roger O'Donnell popularité du groupe qui atteint son sommet dans Jason Cooper les années 1980. -
As Above, So Below: the Rebma Sourcebook
AS ABOVE, SO BELOW: THE REBMA SOURCEBOOK for Amber Diceless Role-Playing by Mark Jason Durall In those days the world of mirrors and the world of men were not, as they are now, cut off from each other. They were, besides, quite different; neither beings nor colors nor shapes were the same. Both kingdoms, the specular and the human, lived in harmony; you could come and go through mirrors. One night the mirror people invaded the earth. Their power was great, but at the end of the bloody warfare the magic arts of the Yellow Emperor prevailed. He repulsed the invaders, imprisoning them in their mirrors, and forced upon them the task of repeating, as though in a kind of dream, all the actions of men. He stripped them of their power and their forms and reduced them to mere slavish reflections. Nonetheless, a day will come when the magic spell will be shaken off. The first to awaken will be the Fish. Deep in the mirror we will first perceive a very faint line and the color of this line will be like no other color. Later on, other shapes will begin to stir. Little by little they will differ from us; little by little they will not imitate us. They will break through the barriers of glass and metal and this time will not be defeated. Side by side with these mirror creatures, the creatures of water will join the battle. "Fauna of Mirrors" Jorge Luis Borges The Book of Imaginary Beings (Avon Books, 1969) Thanks to: All of the following people whose playtests, ideas, and suggestions have helped shape this sourcebook: Advice and criticism came from Carol Dodd, Jennifer Jerlstrom, Don Woodward, and David Kubanek. -
RAR AVANT LAFT 41.Pdf
( LOS TAN D F 0 U N D TIM ES No. 41, November 1998 $6 Al Ackerman Bob Heman John Adams E. A. Hilbert Tim Allen Marshall Hryciuk Roy Arenella Glenn Ingersoll I van Argue11 es Eberhard Janke Marcia Arrieta Joan Payne Kincaid athan Austin Jim Leftwich David Baratier Eel Leonard Baron Joel Lipman Todd Bash Jeffrey Little Guy R. Beining Giovanni Malito Anmassend Bekehrt Malak John Bennett Randy Moore John M. Bennett Sheila E. Murphy Jake Berry Musicmaster Musicmaster Diane Bertrand Barbara Passmore Keith Breese Mark Peters Philip Buster Walt Phillips Alan Catlin Francis Poole Dave Baptiste Chi rot Adam Powell Jim Clinefelter Ricev Prosa Jon Cone R. Revagliatti Robin Crozier Dan Russell Jorge Daffunchio Fran Rutkovsky Betty Derrick Jack Saunders ParI Dubit Spencer Selby Patrick F. Durgin "Swarthy" Turk Sellers Ficus strangulensis Glans T. Sherman Cesar Figueiredo Paul Silvia Chris Flink Arnold Skemer Charles Henri Ford Willie Smith Hugh Fox Jack A. Withers Smote Peter Ganick Thompson Chris Gordon Amy Trussell LeRoy Gorman Joseph Allan Tucker John Grey Retorico Unentesi S. Gustav Hagglund Lawrence Weinstein .l\aron Hawk Barb Yordy Linear haiku scattered throughout issue Editor: John M. Bennett by Chris Gordon: Consultant: thick hailstones in april i keep swallowing my tail C. Mehr 1 Bennett Cover art: Cesar Figueiredo Subscription: $25 for 5 nos. Back issues: nos. 1-40, complete, $173. LUNA BISONTE PRODS, 137 Leland Ave. Columbus, OH 43214 USA Ohio Arts Council ., A STATE AGENCY C John M. Bennett 1998. All rights THAT SUPPORTS PUBLIC revert to authors and artists upon Charles Henri Ford publication.