2017 Baseball Issue COBALT 2017 Baseball Issue Kelly Smith a Game of Inches
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Darwinism, Heredity, and Atavism in Thomas Hardy's Novels
Journal of Literature and Art Studies, August 2019, Vol. 9, No. 8, 830-839 doi: 10.17265/2159-5836/2019.08.003 D DAVID PUBLISHING “I Am the Family Face”: Darwinism, Heredity, and Atavism in Thomas Hardy’s Novels QI Jun-jie Department of Etudes Anglaises, University of Sorbonne Nouvelle-Paris 3, Paris, France 19th-century scientific breakthroughs and developments exerted huge influence upon Thomas Hardy’s literary work, among which Darwinian discourses as well as issues of heredity and degeneration have attracted considerable critical attention. These scientific discourses can find their literary echoes in Hardy’s novels. Hardy’s characters are trapped by biological determinism and are therefore deprived of freewill, a devastating element which contributes to Hardy’s tragic vision. In Hardy’s early novels, Darwinism and other scientific issues are dealt with in a discursive manner, as is the case in A Pair of Blue Eyes; it is only in his late novels, especially in Tess of the d’Urbervilles and Jude the Obscure, that Hardy finally succeeds in incorporating Darwinian and hereditary discourses into his literary and philosophical conception and design. Thus to use a Darwinian term, this paper investigates the evolutionary process in which Hardy grows gradually adept in his artistic attempt to fuse the contemporary scientific discourses with his literary imagination, as well as in using scientific issues to mediate between authorial intention and critical expectation. Keywords: Darwinism, heredity, pedigree, atavism, pathology The influence of 19th-century scientific breakthroughs and developments on Thomas Hardy has been widely acknowledged and examined, among which Darwinian discourses and issues of heredity and degeneration have attracted considerable critical attention. -
Weaver on Strategy the Classic Work on the Art of Managing a Baseball Team by Earl Weaver
Weaver on Strategy The Classic Work on the Art of Managing a Baseball Team by Earl Weaver Ebook available on iOS, Android, PC & Mac. Unlimited ebooks*. Accessible on all your screens. Book Weaver on Strategy The Classic Work on the Art of Managing a Baseball Team available for review only, if you need complete ebook "Weaver on Strategy The Classic Work on the Art of Managing a Baseball Team" please fill out registration form to access in our databases Download here >>> *Please Note: We cannot guarantee that every book is in the library. You can choose FREE Trial service and download "Weaver on Strategy The Classic Work on the Art of Managing a Baseball Team" ebook for free. Book Details: Review: Earl Weaver was manager of the Baltimore Orioles during most of their glory years, 1968- 1982 and 1985-1986 (skipping the World Series year of 1983). The team only had one losing record during that season and had stars like Jim Palmer, Eddie Murray, a young Cal Ripken, Lee May, and Mike Cuellar. The book is Weavers fairly straight forward view on... Original title: Weaver on Strategy: The Classic Work on the Art of Managing a Baseball Team Paperback: 202 pages Publisher: Potomac Books; Revised edition (May 1, 2002) Language: English ISBN-10: 1574884247 ISBN-13: 978-1574884241 Product Dimensions:6 x 0.5 x 9 inches File Format: pdf File Size: 15377 kB Ebook File Tags: earl weaver pdf,baseball fan pdf,baltimore orioles pdf,must read pdf,great book pdf,great read pdf,baseball strategy pdf,baseball book pdf,manager pdf,players pdf,advice pdf,rules pdf,team pdf,today pdf,greatest pdf,managed pdf,managers pdf,managing pdf,valuable pdf,coaches Description: During his career as the manager of the Baltimore Orioles, Earl Weaver was called “baseball’s resident genius.” His distinctive style of managing helped his teams finish first or second thirteen times in his seventeen years as a manager. -
April May June July August Sep Tember
2012 Schedule and Car Magnet Matt Wieters Orange Replica Jersey 6 (All fans) 13 (1st 15,000 fans 15 & over) T-Shirt Thursday Jim Palmer Replica Sculpture 26 (1st 10,000 fans 15 & over) 14 (All fans) Frank Robinson Replica Sculpture Orioles Cartoon Bird Home Cap APRIL 28 (All fans) 15 (1st 15,000 fans 15 & over) Little League Day #1 T-Shirt Thursday 29 (Pre-registered little leaguers) JULY 26 (1st 10,000 fans 15 & over) Day Camper Day (Pre-registered day campers) T-Shirt Thursday 10 (1st 10,000 fans 15 & over) Orioles Maryland Flag Floppy Hat presented by 27 Miller Lite (1st 20,000 fans 21 & over) Brooks Robinson Replica Sculpture Fireworks (post-game) 12 (All fans) (All fans) Mother’s Day Sun Hat 13 (1st 10,000 females 18 & over) T-Shirt Thursday Field Trip Day presented by MASN & WJZ-TV 9 (1st 10,000 fans 15 & over) 23 (Pre-registered school groups) MAY Eddie Murray Replica Sculpture Fireworks (post-game) 11 (All fans) 25 (All fans) Kids Run the Bases (post-game) Orioles Camouflage Script T-shirt 12 (All kids 14 & under) 27 (1st 10,000 fans 15 & over) AUGUST Orioles Collectible Truck presented by W.B. Mason Little League Day #2 15 (1st 10,000 kids 14 & under) (Pre-registered little leaguers) Fireworks (post-game) 24 (All fans) Drawstring Bag presented by MLB Network 13 (1st 10,000 fans) Cal Ripken Replica Sculpture Oriole Park 20th Anniversary Tumbler 6 (All fans) 23 (1st 10,000 fans 15 & over) T-Shirt Thursday Kids Run the Bases (post-game) 13 (1st 10,000 fans 15 & over) 24 (All kids 14 & under) 28-30 Fan Appreciation Weekend JUNE T-Shirt Thursday (1st 10,000 fans 15 & over) 28 Fireworks (post-game) SEPTEMBER 28 (All fans) Fireworks (post-game) (All fans) 29 Fans’ Choice Bobblehead presented by AT&T 29 (1st 20,000 fans 15 & over) Earl Weaver Replica Sculpture 30 (All fans) July 15 July 13 TH ANN 20 IV ER S A R Y July 27 1 9 92 2012. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Places to Go, People To
Hanson mistakenINSIDE EXCLUSIVE:for witches, burned. VerThe Vanderbilt Hustler’s Arts su & Entertainment Magazine s OCTOBER 28—NOVEMBER 3, 2009 VOL. 47, NO. 23 VANDY FALL FASHION We found 10 students who put their own spin on this season’s trends. Check it out when you fl ip to page 9. Cinematic Spark Notes for your reading pleasure on page 4. “I’m a mouse. Duh!” Halloween costume ideas beyond animal ears and hotpants. Turn to page 8 and put down the bunny ears. PLACES TO GO, PEOPLE TO SEE THURSDAY, OCTOBER 29 FRIDAY, OCTOBER 30 SATURDAY, OCTOBER 31 The Regulars The Black Lips – The Mercy Lounge Jimmy Hall and The Prisoners of Love Reunion Show The Avett Brothers – Ryman Auditorium THE RUTLEDGE The Mercy Lounge will play host to self described psychedelic/ There really isn’t enough good to be said about an Avett Brothers concert. – 3rd and Lindsley 410 Fourth Ave. South 37201 comedy band the Black Lips. With heavy punk rock infl uence and Singing dirty blues and southern rock with an earthy, roots The energy, the passion, the excitement, the emotion, the talent … all are 782-6858 mildly witty lyrics, these Lips are not Flaming but will certainly music sound, Jimmy Hall and his crew stick to the basics with completely unrivaled when it comes to the band’s explosive live shows. provide another sort of entertainment. The show will lean towards a songs like “Still Want To Be Your Man.” The no nonsense Whether it’s a heart wrenchingly beautiful ballad or a hard-driving rock punk or skaa atmosphere, though less angry. -
Home Plate: a Private Collection of Important Baseball Memorabilia
PRESS RELEASE | NEW YORK | FOR IMMEDIATE RELEASE : 8 O C T O B E R 2020 HOME PLATE: A PRIVATE COLLECTION OF IMPORTANT BASEBALL MEMORABILIA AUCTION: DECEMBER 16 PREVIEW BY APPOINTMENT: DECEMBER 11-16 NEW YORK – Christie’s and Hunt Auctions announce a historic offering from a single owner private collection of baseball memorabilia and trading cards presented within a December 16 auction entitled “Home Plate: A Private Collection of Important Baseball Memorabilia.” The collection has been assembled over the last 25 years, and features iconic players, teams, and moments in the history of Major League Baseball with specific focus on items of scarcity. With over 150 lots in total, estimates range from $500-1,000,000. “This particular private collection has remained largely unknown within the industry for over 25 years.” stated David Hunt, President, Hunt Auctions. “We expect the debut of this world class collection to mark as one of the finest of its type to have been offered at public auction. A great number of the items within are being unveiled to the public for the very first time including several which are the finest known examples of their medium. Hunt Auctions is thrilled to partner with Christie’s to present this iconic offering of historic baseball artifacts.” The auction presents lots from across the history of baseball, with items autographed, owned, and used by icons such as Babe Ruth, Lou Gehrig, Christy Mathewson, Ty Cobb and Honus Wagner. The collection is notable for some of the greatest artifacts extant relating to the 1903 World Series, 1927 New York Yankees, and the 1934 U.S. -
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel B.S. Physics Hobart and William Smith Colleges, 2004 SUBMITTED TO THE DEPARTMENT OF COMPARATIVE MEDIA STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2008 © 2008 Evan Landon Wendel. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: _______________________________________________________ Program in Comparative Media Studies May 9, 2008 Certified By: _____________________________________________________________ William Uricchio Professor of Comparative Media Studies Co-Director, Comparative Media Studies Thesis Supervisor Accepted By: _____________________________________________________________ Henry Jenkins Peter de Florez Professor of Humanities Professor of Comparative Media Studies and Literature Co-Director, Comparative Media Studies 2 3 New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry by Evan Landon Wendel Submitted to the Department of Comparative Media Studies on May 9, 2008 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies Abstract This thesis explores the evolving nature of independent music practices in the context of offline and online social networks. The pivotal role of social networks in the cultural production of music is first examined by treating an independent record label of the post- punk era as an offline social network. -
Earl Weaver Baseball on Sornething Otherthan an IBM Or IBM Compat- Ible, Please Refer Ro Rhe Command Summary Card for Any Differences in Game Play for )Our Computer
CONTENTS WlEn I die, I wa on my tdnbstone, 'The Sotest Loset That Evet Lived.' - Ead weaver This manual is for IBM and IBM compatible computers. lfyou're playing Earl Weaver Baseball on sornething otherthan an IBM or IBM compat- ible, please refer ro rhe Command Summary card for any differences in game play for )our computer. The scrc€ns that you see in this manual may also be slj8hdy different from what you see on your screen. Q cerrrxc srAnrED whether you're a floppydisk or hard disk us€r, rhe firn thjng you must do is boot your system wifi DOs. floppy Dlrrl Userr a Do nol pl.y with th€ original dislca. You MUST make a copy of both disk AND install the Eame oryou will encounter problems with the game. To copy your diskls): 1. Have a disk ready. Earl Weaver Baseballwill write over this disk so make sure it doesnt contain information you still want 2. Put your DOS disk in drive A (if it isn't already). Type A: and press Enter. 3. SinSle d,ive users" Type DISKCOPY and press Enter. You'll be prompted when to ins€n your source disk (the original) and when to insert your destination disk (the backup). Dual drive use6: Type DISKCOPY A: B: and press Enter. Put your original disk in drive A and backup disk in drive B. Press Enter when ready, You won't need to swap disk durin8 the copying process. 4. lfyou're usinS 5.25 inch diskt copy both disks onto two separate disk. -
In a Time of Crisis Bishop Paul Affi Rm Your Priests, Deacons and Seminarians Swain
Monthly publication for the Catholic Diocese of Sioux Falls September 2019 It's a beautiful time to be a priest: Discerning a vocation in a time of crisis Bishop Paul Affi rm your priests, deacons and seminarians Swain he theme for this month’s Our diocese has from its beginnings T received clergy from outside the state, be- Bulletin is “Discerning a Vo- ginning with our fi rst bishop Martin Marty, cation in a Time of Crisis.” a Benedictine missionary. Some of our beloved priests have been religious order Surely these are challenging priests and diocesan priests from other times for us all, but especially dioceses. They have enriched us all. for our priests and seminarians. We always seek attestation that they are That a few would betray their in good standing and have completed promise of chastity and cast a appropriate training consistent with the requirements of the Charter for the Protec- shadow over the vast majority tion of Children and Young Adults. They of our brothers is discouraging are expected to complete, as are all clergy and volunteers working with children, an- to say the least, dispiriting and nual training and openness to background profoundly sad. checks. When we evaluate candidates for seminary I encourage those reading these words to sponsorship and the permanent diaconate affi rm and encourage your priests, deacons and journey with them in their formation, and our seminarians. these are some of the virtues I keep in The truth is that a vocation, whichever it is, mind, always remembering that we are all is a call from God through Christ always works in progress: in the midst of the culture of the day. -
The Wolf That Never Sleeps’
THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ 1 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ Downloaded from: “The Dump” at Scoutscan.com http://www.thedump.scoutscan.com/ Editor’s Note: The reader is reminded that these texts have been written a long time ago. Consequently, they may use some terms or use expressions which were current at the time, regardless of what we may think of them at the beginning of the 21st century. For reasons of historical accuracy they have been preserved in their original form. If you find them offensive, we ask you to please delete this file from your system. This and other traditional Scouting texts may be downloaded from the Dump. 2 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ THE STORY OF BADEN-POWELL ‘The Wolf that never Sleeps’ BY HAROLD BEGBIE WITH ILLUSTRATIONS Vestigia nulla retrorsum Originally Published LONDON GRANT RICHARDS 1900 G “... A name and an example, which are at this hour inspiring hundreds of the youth of England....” Southey’s Life of Nelson. First printed May 1900. Reprinted May 1900. 3 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ MAJOR-GENERAL R.S.S. BADEN-POWELL. 4 THE BADEN-POWELL STORY — ‘THE WOLF THAT NEVER SLEEPS’ To SMITH MAJOR HONOURED SIR, If amid the storm and stress of your academic career you find an hour’s relaxation in perusing the pages of this book, all the travail that I have suffered in the making of it will be repaid a thousandfold. Throughout the quiet hours of many nights, when Morpheus has mercifully muzzled my youngest (a fine child, sir, but a female), I have bent over my littered desk driving a jibbing pen, comforted and encouraged simply and solely by the vision of my labour’s object and attainment. -
Burn ALSO by PATRICK NESS
Burn ALSO BY PATRICK NESS And the Ocean Was Our Sky Release The Rest of Us Just Live Here More Than This The Crane Wife A Monster Calls Monsters of Men The Ask and the Answer The Knife of Never Letting Go Topics About Which I Know Nothing The Crash of Hennington Burn This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or, if real, used fictitiously. All statements, activities, stunts, descriptions, information and material of any other kind contained herein are included for entertainment purposes only and should not be relied on for accuracy or replicated as they may result in injury. First published 2020 by Walker Books Ltd 87 Vauxhall Walk, London SE11 5HJ This edition published 2021 2 4 6 8 10 9 7 5 3 1 Text © 2020 Patrick Ness Cover illustration © 2020 Alejandro Colucci The right of Patrick Ness to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 “Burn Up” Lyrics by Siouxsie Sioux © Copyright 1998 BMG Rights Management (UK) Limited, a BMG Company & Domino Publishing Company Limited. All Rights Reserved. International Copyright Secured. Used by Permission of Hal Leonard Europe Limited. This book has been typeset in Sabon by User Design, Illustration and Typesetting Printed and bound by CPI Group (UK) Ltd, Croydon CR0 4YY All rights reserved. No part of this book may be reproduced, transmitted or stored in an information retrieval system in any form or by any means, graphic, electronic or mechanical, including photocopying, taping and recording, without prior written permission from the publisher.