Santander Cultural Exibe O Primeiro Filme Do Diretor Gus Van Sant, Mala Noche, Inédito No Brasil
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Gus Van Sant Regis Dialogue Formatted
Gus Van Sant Regis Dialogue with Scott Macaulay, 2003 Scott Macaulay: We're here at the Walker Art Center for Regis dialogue with American filmmaker Gus Van Sant. He'll be discussing the unique artistic vision that runs through his entire body of work. Gus was first recognized for a trilogy of films that dealt with street hustlers, Mala Noche, Drugstore Cowboy, My Own Private Idaho. He then went on to experiment with forum and a number of other films including To Die For, Psycho and even Cowgirls Get the Blues. Gus is perhaps best known for his films, Goodwill Hunting and Finding Forrester, but all of his work including his latest film, Gerry, has his own unique touch. We'll be discussing Gus' films today during this Regis dialogue. I'm Scott Macaulay, producer and editor of Filmmaker Magazine. I'll be your guide through Gus' work today in this Regis dialogue. Thanks. Gus Van Sant: Thank you. Scott Macaulay: It's a real pleasure to be here with Gus Van Sant on this retrospective ... Which is called on the road again. I guess there are a lot of different illusions in that title, a lot of very obvious ones because a lot of Gus' movies deal with travel and change and people going different places, both locations within America but also in their lives. But another interesting implication of the title is that this retrospective is occurring on the eve of the release here and also nationwide of Gerry, which is really one of Gus' best and most moving films but it's also yet sort of another new direction for Gus as a filmmaker. -
Gus Van Sant Retrospective Carte B
30.06 — 26.08.2018 English Exhibition An exhibition produced by Gus Van Sant 22.06 — 16.09.2018 Galleries A CONVERSATION LA TERRAZA D and E WITH GUS VAN SANT MAGNÉTICA CARTE BLANCHE PREVIEW OF For Gus Van Sant GUS VAN SANT’S LATEST FILM In the months of July and August, the Terrace of La Casa Encendida will once again transform into La Terraza Magnética. This year the programme will have an early start on Saturday, 30 June, with a double session to kick off the film cycle Carte Blanche for Gus Van Sant, a survey of the films that have most influenced the American director’s creative output, selected by Van Sant himself filmoteca espaÑola: for the exhibition. With this Carte Blanche, the director plunges us into his pecu- GUS VAN SANT liar world through his cinematographic and musical influences. The drowsy, sometimes melancholy, experimental and psychedelic atmospheres of his films will inspire an eclectic soundtrack RETROSPECTIVE that will fill with sound the sunsets at La Terraza Magnética. La Casa Encendida Opening hours facebook.com/lacasaencendida Ronda de Valencia, 2 Tuesday to Sunday twitter.com/lacasaencendida 28012 Madrid from 10 am to 10 pm. instagram.com/lacasaencendida T 902 430 322 The exhibition spaces youtube.com/lacasaencendida close at 9:45 pm vimeo.com/lacasaencendida blog.lacasaencendida.es lacasaencendida.es With the collaboration of Cervezas Alhambra “When I shoot my films, the tension between the story and abstraction is essential. Because I learned cinema through films made by painters. Through their way of reworking cinema and not sticking to the traditional rules that govern it. -
Finding Forrester Forrester – Gefunden! a La Rencontre De Forrester
Wettbewerb/IFB 2001 FINDING FORRESTER FORRESTER – GEFUNDEN! A LA RENCONTRE DE FORRESTER Regie: Gus Van Sant USA 2000 Darsteller William Forrester Sean Connery Länge 136 Min. Jamal Wallace Rob Brown Format 35 mm, Prof.Crawford F.Murray Abraham Cinemascope Claire Spence Anna Paquin Farbe Terrell Busta Rhymes Ms.Joyce April Grace Stabliste Coleridge Michael Pitt Buch Mike Rich Dr.Spence Michael Nouri Kamera Harris Savides Matthews Richad Easton Kameraführung Craig Haagensen Massie Glenn Fitzgerald Kameraassistenz Eric C.Swanek Damon Zane R.Copeland Jr. Michael Cambria Janice Stephanie Berry Caesar S.Carnevale Fly Fly Williams III Schnitt Valdis Oskarsdottir Kenzo Damany Mathis Schnittassistenz Helen Hand Clay Damien Lee Tonschnitt Kelley Baker Trainer Garrick Tom Kearns Tonassistenz Paul Koronkiewicz Hartwell Matthew Noah Word Alfredo Viteri Dr.Simon Charles Bernstein Mischung Brian Miksis Bradley Matt Malloy Musik Bill Brown Sean Connery, Rob Brown Foto:G.Kraychyk Sanderson Matt Damon Production Design Jane Musky Ausstattung Darrell K.Keister Kostüm Ann Roth FORRESTER – GEFUNDEN! Maske Michael Bigger Ein abbruchreifes Backsteinhaus in der South-Bronx. Zwischen den vielen Regieassistenz David Webb schmucklos in die Höhe gezogenen Mietskasernen ist dieser übrig geblie- Produktionsltg. Michele Giordano bene Bau ein Fremdkörper in der Gegend. Auf die schwarzen Kids, die auf Aufnahmeleitung Trish Adlesic dem Platz davor Basketball spielen, macht es einen geheimnisvollen Ein- Produzenten Laurence Mark Sean Connery druck – auch wegen des silberhaarigen alten Mannes, der das Haus nie zu Rhonda Tellefson verlassen scheint und immer hinter den blank geputzten Fenstern in der Executive Producers Dany Wolf dritten Etage zu sehen ist. Jamal, Basketball-Ass, Leseratte und überdurch- Jonathan King schnittlich intelligenter Bursche, der sein Licht im Kreise seiner Kumpels allerdings unter den Scheffel stellt, wird von den anderen dazu angesta- Produktion Fountainbridge Films chelt, in die ominöse Wohnung einzusteigen und sich dort mal umzu- c/o Columbia Tristar schauen. -
Christopher Doyle
SYNOPSIS Alex, jeune skateur de 16 ans, tue accidentellement un agent de sécurité tout près du skatepark le plus malfamé de Portland, le Paranoid Park. Il décide de ne rien dire. Alex, a teenage skateboarder accidentally kills a security guard in the vicinity of Paranoid Park, Portland's tough street park. He decides to say nothing. BIOGRAPHIE BIOGRAPHY GUS VAN SANT, scénariste et réalisateur GUS VAN SANT, Writer and Director Gus Van Sant s’est fait connaître avec son premier long métrage Mala Noche , Gus Van Sant has been winning over critics and audiences alike since bursting onto the scene with his widely acclaimed feature film MALA NOCHE (1985), which récompensé en 1987 dans la catégorie meilleur film indépendant par le Los Angeles won the Los Angeles Film Critics Award for the Best Independent/Experimental Film Film Critics. Le film réalisé en 1985 est sorti en france en 2006 distribué par MK2. in 1987. Van Sant’s body of work includes many hallmarks of 90’s independent Les films de Gus Van Sant ont marqué le cinéma américain indépendant des cinema, notably DRUGSTORE COWBOY (1989), MY OWN PRIVATE IDAHO (1991), and EVEN COWGIRLS GET THE BLUES (1993). Van Sant’s direction of années 90 : DRUGSTORE COWBOY (1989), MY OWN PRIVATE IDAHO (1991) et Nicole Kidman in the black comedy TO DIE FOR (1995) won her a Golden Globe EVEN COWGIRLS GET THE BLUES (1993). Sa comédie grinçante, PRÊTE À TOUT Award and was screened at the Cannes and Toronto Film Festivals. (1995), avec Nicole Kidman, a été présentée aux festivals de Cannes et de Toronto avant d’être récompensée par un Golden Globe. -
Gus Van Sant (B. 1952, Louisville, Kentucky), Admired Internationally
GUS VAN SANT Gus Van Sant (b. 1952, Louisville, Kentucky), admired internationally as a filmmaker, painter, photographer, and musician, received his BFA from the Rhode Island School of Design in Providence in 1975. Since that time his studio painting practice has moved in and out of the foreground of a multi-disciplinary career, becoming a priority again over recent years. Van Sant’s work in different mediums is united by a single overarching interest in portraying people on the fringes of society. Van Sant’s work has been the subject of solo exhibitions at the Musée de l’Elysée in Lausanne, Switzerland, Le Case d’Arte in Milan, Italy, and the Jordan Schnitzer Museum of Art at the University of Oregon in Eugene, among others. He has participated in numerous group exhibitions since the 1980s, presenting drawings, paintings, photographs, video works, and writing. Among Van Sant’s many internationally acclaimed feature films are Milk (2008); Elephant (2003); Good Will Hunting (1997); My Own Private Idaho (1991); and Drugstore Cowboy (1989). Van Sant lives and works in Los Angeles. GUS VAN SANT B. 1952, LOUISVILLE, KENTUCKY 1975 BFA, RHODE ISLAND SCHOOL OF DESIGN, PROVIDENCE, RI SELECTED SOLO EXHIBITIONS 2019 Gus Vant Sant: Recent Paintings, Hollywood Boulevard, Vito Schnabel Projects, New York, NY 2017 Gus Van Sant: Icônes, Musée de l’Elysée, Lausanne, Switzerland Not Sure, Le Case d’Arte, Milan, Italy Work in Progress 14 Settembre 2017, Le Case d’Arte, Milan, Italy 2010 One Step Big Shot, Fotografiska, Stockholm, Sweden One Step Big Shot: -
PRESS KIT GUS VAN SANT, the EXHIBITION 13 April-31 July 2016
PRESS KIT GUS VAN SANT, THE EXHIBITION 13 April-31 July 2016 An exhibition designed by La Cinémathèque française Co-produced with the Museo Nazionale del Cinema (Turin), the Musée de l’Elysée (Lausanne) and la Cinémathèque suisse (Lausanne) With participation from the Ministry of Culture and Communication and the Centre national du cinéma et de l’image animée Thanks to support from the Neuflize OBC Bank, the Fondation Gan pour le cinéma and Vivendi Major benefactors of La Cinémathèque française Friends of La Cinémathèque française In partnership with Curator Matthieu Orléan (La Cinémathèque française) Exhibition designed by berton+kravtsova The GUS VAN SANT/ICONS exhibition catalogue is co-published by La Cinémathèque française and Actes-Sud The Museo Nazionale del Cinema (Turin) will present the exhibition from 6 October 2016 to 9 January 2017 and the Musée de l’Elysée with la Cinémathèque suisse (Lausanne) from 25 October 2017 to 7 January 2018 GUS VAN SANT, THE EXHIBITION Every day (except Tuesday and 1 May): noon to 7:00 pm, Thursdays until 10 pm. Full price: €11 – Reduced price: €8.50* - Under 18: €5.50 - Libre Pass: free Exhibition + film or exhibition + Musée de La Cinémathèque: €12.50 Open ticket (undated priority ticket): €12 on sale on cinematheque.fr and fnac.com Media partners LA CINÉMATHÈQUE FRANÇAISE PRESS ATTACHÉ ATTACHÉE DE PRESSE LA CINÉMATHÈQUE FRANÇAISE Elodie Dufour - Tel.: 01 71 19 33 65 / 06 86 83 65 00 – [email protected] CONTENTS 1- GUS VAN SANT, THE EXHIBITION (13 April-31 July 2016) Gus Van Sant/Icons -
ONE Subject Files Collection Coll2012.001
http://oac.cdlib.org/findaid/ark:/13030/kt7779s1q0 No online items Finding aid to the ONE Subject Files Collection Coll2012.001 Finding aid prepared by Finding aid prepared by Michael C. Oliveira ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California 909 West Adams Boulevard Los Angeles, California, 90007 (213) 821-2771 [email protected] © 2012 Finding aid to the ONE Subject Coll2012.001 1 Files Collection Coll2012.001 Title: ONE Subject Files Collection Identifier/Call Number: Coll2012.001 Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Language of Material: English Physical Description: 345.0 linear feet.341 records boxes & 3 flat boxes Date (bulk): Bulk, 1970-1990 Date (inclusive): 1900-2012 General Physical Description note: 341 records boxes & 3 flat archives boxes Abstract: The ONE Archives’ Subject Files consist of more than 8,100 unique files of businesses, organizations, people, and topics primarily documenting twentieth century global lesbian, gay, bi-sexual, transgender, queer, questioning, intersex, asexual and ally (LGBTQIA) history and culture. The bulk of the documents are newspaper and magazine clippings along with promotional materials such as advertising fliers, brochures, and mailers for businesses, organizations, and events. To a lesser extent, the files also contain records from organizations, resource lists, questionnaires, and surveys. Scope and contents The bulk of the documents are newspaper and magazine clippings along with promotional materials such as advertising fliers, brochures, and mailers for businesses, events, and organizations. To a lesser extent, the files also contain records from organizations, resource lists, questionnaires, and surveys. The ONE National Gay & Lesbian Archives’ Subject Files are the remaining 8,100 unique files of businesses, organizations, people, and topics with an additional 38,000 cross references primarily documenting twentieth century global LGBTQIA history and culture. -
Live Action and Animation Merge in 'Son of Zorn' 2 X 3.5" Ad "Son of Zorn" Premieres Sunday on Fox
2 x 2" ad 2 x 2" ad September 23 - 29, 2016 M I T S A S E W O O C O R E E 2 x 3" ad A D N U L U C R E B O Y A M E R A S D I P E V I L L A I N S I W M R E H A R M U T R O E H E S U I R S L E M R E V E S I 2 x 3.5" ad S O L E S G T V E V R K C I S L N P U R T K R A S U P L U J Y U M A K C Y C U L T H A C U S D S V I L L A H C Y M I S S M H A S T R E H A S T Y R A T R A S W O O D A R D V I E M I V I R S L E E M L E A U B I C M V E I C O R N E L L U R L E A E R U A D U E M I A R V U E L A M O C H E V A U S E V A H “Marvel’s Luke Cage” on Netflix (Words in parentheses not in puzzle) Luke (Cage) (Mike) Colter Indestructible (Skin) Solution on page 13 Mariah (Dillard) (Alfre) Woodard Superhero 2 x 3" ad Cornell (Stokes) (Mahershala) Ali Harlem Misty (Knight) (Simone) Missick Villains 1 x 4" ad Word Search Claire (Temple) (Rosario) Dawson Justice © Zap2it Live action and animation merge in 'Son of Zorn' 2 x 3.5" ad "Son of Zorn" premieres Sunday on Fox. -
Van Sant, Gus (B
Van Sant, Gus (b. 1952) by David Ehrenstein Gus Van Sant at a Encyclopedia Copyright © 2015, glbtq, Inc. screening of Paranoid Entry Copyright © 2002, glbtq, Inc. Park in December, 2007. Reprinted from http://www.glbtq.com Photograph by Mai Li. Image appears under the One of the most idiosyncratic talents to have emerged from the independent cinema Creative Commons Attribution 2.0 License. over the past decade and a half, Gus Van Sant is matter-of-fact about his sexual orientation. More significantly, in his work he represents homosexuality matter-of-factly. Back when Hollywood was still tip-toeing around the subject of homosexuality, Van Sant's low-budget feature Mala Noche (1985) burst onto the emerging gay and lesbian film festival scene with disarming frankness. Based on the then unpublished writings of Portland, Oregon poet Walt Curtis, the film told of the unrequited love of a skid row liquor store clerk (Tim Streeter) for a Mexican street hustler (Doug Coyote) and his more sexually available hustler pal (Ray Monge). Shot in 16mm black and white, it evidenced a talent of remarkable assurance, as well as bravery. Van Sant's confidence and courage have stood him in good stead in a career that has encompassed everything from films with high-profile superstars such as Sean Connery to music videos for groups such as the Red Hot Chili Peppers and Hanson, to a thoroughly bizarre shot-for-shot remake of Alfred Hitchcock's 1960 classic film Psycho (1998), to such intensely personal short works as the ineffable Five Naked Boys with a Gun (1992). -
Relatório De Estágio |Novo Cinema Queer
Marta Cid Torres QUEER LISBOA E O NOVO CINEMA QUEER Relatório de Estágio de Mestrado em Estudos Artísticos, área de especialização em Estudos Fílmicos e da Imagem, orientado pelo Doutor Sérgio Dias Branco, apresentado ao Departamento de História, Estudos Europeus, Arqueologia, e Artes da Faculdade de Letras da Universidade de Coimbra 2016 Faculdade de Letras QUEER LISBOA E O NOVO CINEMA QUEER Ficha Técnica: Tipo de trabalho Relatório de estágio Título QUEER LISBOA E O NOVO CINEMA QUEER Autora Marta Cid Torres Orientador Doutor Sérgio Dias Branco Júri Presidente: Doutor Paulo Eugénio Estudante Dias Moreira Vogais: 1. Doutora Maria Irene Ângelo Aparício (Arguente) 2. Doutor Sérgio Emanuel Dias Branco (Orientador) Identificação do Curso 2º Ciclo em Estudos Artísticos Área Estudos Fílmicos e da Imagem Data da defesa 26-10-2016 Classificação 19 valores À minha sobrinha Mariana, Aos meus orientadores, à equipa do Queer Lisboa, aos meus pais e restante família, aos meus amigos e à Rita, muito obrigada por todo o apoio. i Resumo O presente relatório resulta de um estágio de três meses efetuado no Festival Internacional de Cinema Queer – Queer Lisboa, sediado na Casa do Cinema, no âmbito da organização da edição do presente ano (2016). Por cinema queer entende- se, genericamente, um cinema de expressão LGBT, incidindo sobre questões de sexualidade e género. Neste trabalho, é apresentada a entidade de acolhimento, as principais facetas que contribuem para o seu sucesso, conferindo especial destaque às características que esta edição do festival assumirá e, posteriormente, uma vez que será organizado um ciclo especial em torno do New Queer Cinema, é-lhe dedicada uma breve reflexão, sobre o seu desenvolvimento e influência. -
Gus Van Sant Trois Manières D’Être Libre André Roy
Document generated on 09/28/2021 7:14 p.m. 24 images Gus Van Sant Trois manières d’être libre André Roy Où va le cinéma américain : première partie - les acteurs Number 127, June–July 2006 URI: https://id.erudit.org/iderudit/4994ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this article Roy, A. (2006). Gus Van Sant : trois manières d’être libre. 24 images, (127), 18–19. Tous droits réservés © 24/30 I/S, 2006 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ GUS VAN SANT Ttois manières d'être libre par André Roy Gus Van Sant est un cinéaste libre. C'est un indépendant puisqu'il travaille doréna vant hors de l'industrie hollywoodienne après y avoir fait un détour durant quelques années (entre 1994 et 2000). II fait le cinéma qu'il veut. Cet héritier de la contre- culture, cet amoureux de la peinture, ce diplômé de cinéma passionné de littérature qui vit à Portland, où il a tourné son premier long métrage, Mala Noche (1985), et où se déroule entièrement Drugstore Cowboy (1989), plutôt qu'à Los Angeles ou à New York, n'a pas perdu son -
FINDING FORRESTER / 2000 (Descobrir Forrester)
CINEMATECA PORTUGUESA-MUSEU DO CINEMA IN MEMORIAM SEAN CONNERY 6 de janeiro de 2021 FINDING FORRESTER / 2000 (Descobrir Forrester) um filme de Gus Van Sant Realização: Gus Van Sant / Argumento: Mike Rich / Fotografia: Harris Savides / Direcção Artística: Jane Musky / Montagem: Valdis Oskarsdottir / Intérpretes: Sean Connery (William Forrester), Rob Brown (Jamal Wallace), F. Murray Abraham (Prof. Robert Crawford), Anna Paquin (Claire Spence), Busta Rhymes (Terrell Wallace), April Grace (Ms. Joyce), Michael Pitt (John Coleridge), Michael Nouri (Dr. Spence), Richard Easton (Prof. Matthews), Glenn Fitzgerald (Massie), etc. Produção: Sean Connery, Laurence Mark, Rhonda Tollefson / Cópia: Cinemateca Portuguesa-Museu do Cinema, 35mm, colorida, versão original legendada em português, 135 minutos / Estreia Mundial: EUA, em 19 de Dezembro de 2000 / Estreia em Portugal: cinemas Monumental, Fonte Nova e Londres, em 13 de Abril de 2001. _____________________________ Sir John Connery, também conhecido como o agente 007 de Sua Majestade, de nome James Bond, anunciou o seu abandono do cinema após o seu papel de Allan Quatermain em The League of Extraordinary Gentlemen/Liga de Cavalheiros Extraordinários, adaptado em 2003 por Stephen Harrington de uma popular “novela gráfica”. Anúncio infeliz para os seus admiradores, privados, a partir de então, da sua presença extraordinária (sem aspas) no mundo do cinema. É claro que ele tinha todo o direito de usufruir com toda a tranquilidade no seu castelo na Escócia dos seus rendimentos, mas foi pena não ter gerido melhor a sua “despedida” com obra de maior vulto, tendo recusado o que poderia ter sido um adeus em beleza, retomando a figura do professor Henry Jones, pai do nosso conhecido Indiana Jones, no filme que marcou o regresso do aventureiro-arqueólogo ao cinema, Indiana Jones and the Kingdom of the Crystal Skull/Indiana Jones e o Reino da Caveira de Cristal, de Steven Spielberg, que poderia ter sido obra bem mais interessante com a sua presença.