DOCSLIB.ORG

Ostadt U R G , 2 0

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ostadt U R G , 2 0 People 11 David Dawson EMMA KAULDHAR asks the English choreographer about his new Swan Lake FESTIVAL AT THE AUTOSTADT for Scottish Ballet IN WOLFSBURG 12 Joseph Caley CARLOS FORCADA meets the BRB A P R I L 02― M AY 10, 2016 principal who was nearly lost to football 22 Melissa Hamilton DEBORAH WEISS catches up with The LOVE Royal Ballet soloist on leave of absence in Dresden 26 Hugo Marchand LAURA CAPPELLE meets the Paris Opera’s newly promoted premier danseur Premieres 38 COW DEBORAH WEISS experiences Alexander Ekman on top form in Dresden 42 Orfeo ed Euridice ALISON KENT savours Mei Hong Lin’s staging of the Greek myth in Linz 47 Hungarian Swan Lake MIA NADASI reports on Yvette Bozsik’s take on the classic 64 Fearful Symmetries CATHERINE PAWLICK weighs up a Liam Scarlett premiere in San Francisco 66 Iolanta + The Nutcracker Performances FRANÇOIS FARGUE considers an ambitious project at the Paris Opera 18 David Nixon’s Swan Lake 74 13 Tongues in Taipei MIKE DIXON revisits Northern Ballet’s unique GERARD DAVIS is entertained by production Cloud Gate 2’s striking new work 30 Anna Karenina in Oslo CONCERTS READINGS AND THEATRE JESSICA TEAGUE considers Christian Spuck’s take on Laila Biali · Al Di Meola Claudia Michelsen Features Tolstoy’s novel Sarah McKenzie · Ed Motta Boris Aljinovic Jon Cleary & The Absolute Monster Gentlemen GRIPS Theater Berlin 50 Ave Maya 34 Giselle Bouchkov Trio · Harriet Krijgh DANCE Philipp Hochmair · Dagmar Manzel MIKE DIXON applauds Andris Liepa’s DEBORAH WEISS reviews Matthew Golding’s debut Marija Skender · William Youn Max Hopp · Adam Benzwi gala in memory of Maya Plisetskaya as Albrecht at Covent Garden Ramón Ortega Quero · Tamar Inbar José Montalvo with the Wiebke Puls · August Zirner La Folia Barockorchester · Ensemble Resonanz Théâtre National de Chaillot Franziska Walser · Edgar Selge Anna Lucia Richter · Michael Gees Compagnie La Baraka Witold Dulski · Caroline Peters 54 Shakespeare 400 44 Herrumbre Julia Fischer · Alexander Sitkovetsky Akram Khan Company Peter Lohmeyer · Sylvie Rohrer DEBORAH WEISS recalls ballets inspired LUCY VAN CLEEF experiences a revival of Nacho by Romeo and Juliet Nils Mönkemeyer · Benjamin Nyffenegger Russell Maliphant Company Michael Maertens · Rolf Becker contents Duato’s work in Berlin Carolin Widmann · Nicolas Hodges Aterballetto Gerd Wameling · Udo Samel MEDIA PARTNER: 6 ENTRE NOUS 79 AUDITIONS AND JOBS 95 WHAT’S ON 102 PEOPLE PAGE FURTHER INFORMATION: WWW.MOVIMENTOS.DE/EN/ Front cover: Birmingham Royal Ballet - Momoko Hirata in MacMillan’s Romeo and Juliet. Photo: Emma Kauldhar Contents page photos: Julien Benhamou/ONP; Emma Kauldhar → Revised: January 28, 2016. Programme subject to change. Photo: “Cantique des Cantiques” – Compagnie La Baraka⁄Abou Lagraa – © Dan Aucante Dance Europe - April 2016 3 3 AST15_5351_Movimentos_Anzeige_2016_Dance_Europe_210x297_eng_160218_BEL.indd 1 18.02.16 14:27 Dutch National Ballet and DANCE EUROPE Performances Founded in 1995 ISSN: 1359-9798 Dutch National Ballet Academy present: P.O. Box 12661, London E5 9TZ,UK 60 Romeo and Juliet Tel: +44 (0)20 8985 7767 AMANDA JENNINGS reviews www.danceeurope.net MacMillan’s ballet in Birmingham Twitter: LeChat@DanceEuropeDanz www.facebook.com/DanceEurope Sleeping Beauty Editor/Photographer Emma Kauldhar 70 [email protected] ALISON KENT on a classic smartly mobile/text: +44 (0)7983 608544 turned on its head in Nuremberg Advertising Manager Naresh Kauldhar [email protected] 72 Rodin in Madrid Tel: +44 (0)20 7682 1733 JESÚS R. GAMO contemplates Boris mobile/text: +44 (0)7981 945320 skype: nareshdanceeurope Eifman’s ballet Senior Critic & Events Editor Deborah Weiss GUILHERME MIOTTO [email protected] Rise Up Editorial Consultant Clare Taylor VERVE Administrator Katie Harrington [email protected] Thank You For Coming/The Thin Veil/Almost Poetic Dance Critics and Writers Laura Cappelle, Ellie Carr, Davide Cocchiara, Gerard Davis, Mike Dixon, François Fargue, Luke PHOENIX DANCE THEATRE Artistic directors Aaron Forbes, Carlos Forcada, Jesús R. Gamo, Melt/Undivided Loves/Until.With/ Dwayne Holliday, Amanda Jennings, Altin Kaftira, Out.Enough. Jean-Yves Esquerre — Artistic Director Dutch National Ballet Academy Alison Kent, Ali Mahbouba, Trina Mannino, Bruce Ernst Meisner — Artistic Coordinator Dutch National Ballet Junior Company Michelson, Yuki Nagano, Diarmaid O’Meara, Catherine Pawlick, Wendy Perron, Giannandrea BOSTON BALLET Poesio, Susan Pond, Jenifer Sarver, Oli Speers, Onegin Jessica Teague, Lucy Van Cleef, Deborah Weiss, Viki Westall. ROSAS SPANISH - Danza Europa y Américas Golden Hours (As You Like It) 11—16 July 2016 www.danzaeuropayamericas.com www.facebook.com/DanzaEuropayAmericas Bournonville Week Media BARTABAS & ANDRÉS MARIN Faculty Danish ballet masters: FRENCH - Dance Europe en Français Golgota www.facebook.com/DanceEuropeenFrancais 77 BOLSHOI BABYLON directed by Nick Read and Mark Dinna Bjørn, Frank Andersen, Anne Marie Vessel, JAPANESE - Dance Europe in Japanese NICOLAS LE RICHE & Franchetti www.danceeurope.net/japanese CLAIREMAIRIE OSTA Eva Kloborg, Eric Viudes www.facebook.com/DanceEuropeinJapanese Japanese Translator Yuki Nagano Parra-Il-èles GETTING STARTED IN BALLET 18—29 July 2016 Website developer Michael Lenahan by Anna Paskevska Two-week Intensive Dance Europe was founded in November 1995. It is published 11 times a year in London and distributed world- Raising the Faculty: Nathalie Caris, Jean-Yves Esquerre, Laurence Korsenti, wide by: UK - Comag Specialist Division, London; Austria Barre - Morawa & Co. Ltd; Australia/New Zealand - Gordon & Larissa Lezhnina, Ernst Meisner, Jozef Varga, Olivier Wecxsteen, Gotch; Canada - LMPI; Croatia - ANGCRO; Germany - We Saarbach GmbH; Iceland - Innkaupasam band Boksala; 82 BALLET CENTRAL South Africa - Magscene (Pty); Sweden - Svenska Inter- & International Choreographer Charlotte Edmonds press AB; Poland - Ingland Co. Ltd; Croatia, Slovenial - ROYAL BALLET SCHOOL Levant Dist; Portugal - International News; Trieste - EST; MY FIRST BALLET: Finland - Rautakirja Oy; Poland - Ingland Co. Ltd; Sweden - Sevenska Interpress; U.S.A. - SEMAJ INC/IPD/; Spain SLEEPING BEAUTY - SGEL; Belgium - AMP; Hungary - Libropress 2000; ABT STUDIO COMPANY Taiwan - Multi-Arts Enterprise; Singapore - Borders/STP; Japan - Yohan ; Malaysia - STP; Italy - Intercontinental (FE) LAUMA BERGA and in France by the publisher +44 20 8985 7767. PARIS OPERA BALLET SCHOOL Dancers Location Information and applications Individual subscriptions, single and back issues, library and institution subscriptions and English and Spanish digital Age 15—21 Dutch National www.nationalballetacademy.nl Reviews versions available online at www.danceeurope.net. advanced to Ballet studios Freelance contributions are welcomed especially from professionals writers who have worked as professional dancers. New 85 MARK BRUCE COMPANY writers should, in the first instance, submit a short review or article accompanied by a CV. Photos sent by email The Odyssey or dropbox need to be 300 dpi and should be clearly captioned in Photoshop File Info. photography: Olivier Wecxsteen KODO The content of Dance Europe and Danza Europa y Américas One Earth Tour 2016: Mystery is copyrighted and may not be freely reproduced in any 101 Japanese medium whatsoever, including on the internet. The scan- page ning and posting of articles published in Dance Europe and RIRIE-WOODBURY DANCE Danza Europa is strictly forbidden and constitutes a breach OMPANY of copyright. © Dance Europe 2016 C ノーザン・バレエの『白鳥の湖』 Official affiliated school of the Dutch National Ballet Tensile Involvement/Crucible/Gallery/ Mechanical Organ Photos: Liza Rose; Takashi Okamoto; Emma Kauldhar Dance Europe - April 2016 5 5 Summerschool 2016 Advertentie Dance Europe DEF2.indd 1 29-01-16 08:49.
Load more

Recommended publications
  • PARA-Ll-ÈLES
    Nicolas Le Riche / Clairemarie Osta PARA-ll-ÈLES Chorégraphie : Nicolas Le Riche Clairemarie Osta Création musicale: Matthieu Chedid Inspiré par l’imaginaire de Nicolas Le Riche et Clairemarie Osta. Composée, jouée, arrangée et mixée par Matthieu Chedid dans son Labo -M- Danseurs : Nicolas Le Riche Clairemarie Osta Lumières : Jean-Michel Désiré Costumes : Olivier Bériot A propos de… PARA-ll-ÈLES Comment les corps se saisissent du vide laissé par la perte de l'autre. La danse invite à voir ce qui n'existe plus. Au travers d’un voyage allégorique d’1h20, traité en 10 séquences, et porté par la composition originale de Matthieu Chedid, Nicolas Le Riche et Clairemarie Osta nous parlent des liens qui nous unissent dans l'espace qui nous sépare. Sur scène, les danseurs sculptent l’espace et le temps dans un chassé croisé de duos en solos, puis de solos à deux, comme autant de métaphores des multiples formes d’une relation. Glissades, sauts, portés, tout le vocabulaire de la danse est mis au service des interprètes pour qu’ils se racontent et se livrent. Les lumières de Jean-Michel Désiré et les costumes d’Olivier Bériot, magnifient le détail des corps et contribuent à créer l’atmosphère onirique et enveloppante au cœur de ce spectacle. Para-ll-èles est une poésie dansée à deux, seul(s)… ensemble. Entre toi et moi il n’y a rien Entre toi et moi il y a tout Entre toi et moi il y a nous Peut-on dire que ce que l'on ne voit pas (n')existe (pas) ? Telle est la question posée dans ce nouveau projet chorégraphique, voyage aimant et humaniste.
    [Show full text]
  • Das Leben Dem Ballett Gewidmet Life Dedicated to the Ballet Das Leben
    dancer’swiener staatsballett Das Leben dem Ballett gewidmeett LLiiffee ddeeddiiccaatteedd ttoo tthhee bbaalllleett Rudolf Hametowitsch Nurejew (1938-1993) Rudolf Hametovich Nureyev 1938 Geboren in einem Waggon der Transsibirischen Eisenbahn auf der Fahrt entlang des Baikalsees, 17. März: amtliche Geburtsmeldung Born on the Trans-Siberian train, near Lake Baikal, March 17: official birthdate 1949-55 Erster Ballettunterricht bei Anna Udelzowa in Ufa Ensembletänzer des Baschkirischen Theaters für Oper und Ballett in Ufa First ballet classes with Anna Udeltsova in Ufa, corps dancer with the Ufa Opera and Ballet Theatre 1955-58 Ausbildung am Choreographischen Institut Agrippina Waganowa in Leningrad, u.a. bei Alexander Puschkin Professional training at the Vaganova Choreographic Institute in Leningrad, in Alexander Pushkin's class 1958-61 Kirow-Ballett, Leningrad / Kirov Ballet, Leningrad 1959 Erstes Auftreten im Westen bei den Weltjugendfest- spielen in Wien - Gewinn einer Goldmedaille First appearance in the West during the International Youth Festival in Vienna. Winner of a Gold Medal 1961 16. Juni: Ansuchen um politisches Asyl am Flughafen Le Bourget, nahe Paris June 16: asks for political asylum at Le Bourget airport, near Paris 1961 International Ballet of the Marquis de Cuevas 1962 Royal Ballet - Beginn der Partnerschaft mit Margot Fonteyn Royal Ballet – Beginning of partnership with Margot Fonteyn bis 1992 Trat mit allen bedeutenden klassischen Compagnien der Welt, sowie mit den Ensembles von Martha Graham, Paul Taylor und Murray Louis auf until 1992 Danced with all major classical ballet companies throughout the world as well as with the companies of Martha Graham, Paul Taylor and Murray Louis ab 1974 Eigene Tourneen mit „Nureyev and Friends" from 1974 Tours with „Nureyev and Friends" 1964 15.
    [Show full text]
  • Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro Zone)
    edition ENGLISH n° 284 • the international DANCE magazine TOM 650 CFP) Pina Forever • UK 5,00 £ Switzerland 8,00 CHF USA $ Canada 7,00 $; (Euro zone) € 4,90 9 10 3 4 Editor-in-chief Alfio Agostini Contributors/writers the international dance magazine Erik Aschengreen Leonetta Bentivoglio ENGLISH Edition Donatella Bertozzi Valeria Crippa Clement Crisp Gerald Dowler Marinella Guatterini Elisa Guzzo Vaccarino Marc Haegeman Anna Kisselgoff Dieudonné Korolakina Kevin Ng Jean Pierre Pastori Martine Planells Olga Rozanova On the cover, Pina Bausch’s final Roger Salas work (2009) “Como el musguito en Sonia Schoonejans la piedra, ay, sí, sí, sí...” René Sirvin dancer Anna Wehsarg, Tanztheater Lilo Weber Wuppertal, Santiago de Chile, 2009. Photo © Ninni Romeo Editorial assistant Cristiano Merlo Translations Simonetta Allder Cristiano Merlo 6 News – from the dance world Editorial services, design, web Luca Ruzza 22 On the cover : Advertising Pina Forever [email protected] ph. (+33) 09.82.29.82.84 Bluebeard in the #Metoo era (+39) 011.19.58.20.38 Subscriptions 30 On stage, critics : [email protected] The Royal Ballet, London n° 284 - II. 2020 Les Ballets de Monte-Carlo Hamburg Ballet: “Duse” Hamburg Ballet, John Neumeier Het Nationale Ballet, Amsterdam English National Ballet Paul Taylor Dance Company São Paulo Dance Company La Scala Ballet, Milan Staatsballett Berlin Stanislavsky Ballet, Moscow Cannes Jeune Ballet Het Nationale Ballet: “Frida” BALLET 2000 New Adventures/Matthew Bourne B.P. 1283 – 06005 Nice cedex 01 – F tél. (+33) 09.82.29.82.84 Teac Damse/Keegan Dolan Éditions Ballet 2000 Sarl – France 47 Prix de Lausanne ISSN 2493-3880 (English Edition) Commission Paritaire P.A.P.
    [Show full text]
  • Ballet De L'opera National De Paris Ballet De L'opera National De Paris
    Biennale de la danse 2017 BALLET DE L'OPERA NATIONAL DE PARIS BALLET DE L'OPERA NATIONAL DE PARIS Nicolas Le Riche Livres Photogr. Anne Deniau Gourcuff LOI 792.82 LER Danseur Etoile de l'Opéra national de Le Chemin des étoiles : Paris depuis 1993, Nicolas Le Riche l'école de danse de l'Opéra de s'impose avec douceur bien au-delà de Paris la danse. Guidé par ses résonances Natacha Hochman personnelles, il a joué au cinéma et au Alternatives théâtre, allant jusqu'à approcher le Nô LOI 792.82 HOC à Tokyo. Danseur, chorégraphe, féru de musique, de mots et de lumière, il demeure le Jeune Homme d'anthologie Au travers de photographies et de Roland Petit ou l'interprète illuminé d'entretiens, l'auteur nous révèle le d'un génie nommé Mats Ek. Aussi quotidien des danseurs de l'Opéra de humble qu'exceptionnel, il a déjà Paris. marqué son art, en France et à l'étranger. Il confie avoir trouvé dans ces images " l'autre, le même, le mieux que moi ". Anne Deniau ballade ses objectifs dans tous les univers où la matière sensible attire son regard : le vêtement, le geste, les visages. Elle a des parti-pris sincères comme des serments. Alexander McQueen dans la mode, Tom Waits ou Nick Cave dans la musique, et tous ceux qui créent, cherchent, et préfèrent le chemin à l'arrivée. D'échos en connivences, elle a accompagné Nicolas Le Riche pendant cinq ans. Elle dévoile ses images comme autant de confidences sur un homme qui "n'a pas la même densité que les autres".
    [Show full text]
  • 6 Chorégraphies Exceptionnelles Diffusées Dans Votre Cinéma
    ballet de l’opéra national de paris 6 chorégraphies exceptionnelles diffusées dans votre cinéma en DIRECT* et en haute définition juillet 2010 / juillet 2011 * Sauf pour leS SéanceS deS 16 Septembre et 2 décembre 2010 LA PETITE DANSEUSE de deGAS patRice baRt ballet en deuX parties– sujet de patrice bart et de martine kahane denis levaillant Musique – patrice bart Chorégraphie et mise en scène (Opéra national de Paris, 2003) – ezio toffolutti Décors Sylvie skinazi Costumes – marion heWlett Lumières Avec les étoiles clairemarie osta, delphine moussin, elisabeth maurin, mathieu Ganio, josé martinez et benjamin pech, les premiers danseurs et le corps de ballet de l’opéra national de paris orchestre de l’opéra national de paris – koen kessels Direction musicale en direct du palais Garnier – Durée : 1h45 jeudi 8 juillet 2010 a 19h30* une coproDuction opéra national De paris, telMonDis, Bel air MéDia et Mezzo, ChristianLeiber avec la participation De Francetélévisions et le soutien Du CNC. réalisation vincent Bataillon. Libérée de sa prison de verre, la célèbre statuette de La Petite danseuse s’anime sous le regard du chorégraphe et maître de ballet de l’Opéra Patrice Bart. Evoquant l’histoire véridique de Marie Van Goethem, qui servit de modèle à Edgar Degas, il plonge dans le passé de l’Opéra pour évoquer le destin d’une de ces ballerines du Corps de ballet et plus encore le parfum d’une époque. LA DAME AUX CAMELIAS John neumeieR ballet en un proloGue et trois actes d’après le roman d’aleXandre dumas fils frédéric chopin Musique – john neumeier
    [Show full text]
  • The Padis Opeda Ballet
    FREDERICK WISEMAN BIOGRAPHY Frederick Wiseman is a film and stage director. He has made thirty-six documentaries and two fiction films. His documentaries are about the human experience within institutions (schools, prisons, the military, hospitals, courts, the arts, and communities) that are common in all societies. His stage productions include Samuel Beckett’s «Happy Days» and “The Last Letter,” which is based on the Vasily Grossman novel Life and Fate, both staged at the Comédie Française. Wiseman received a BA from Williams College and an LLB from Yale Law School. His films have won numerous awards and he is an honorary member of the American Academy of Arts and Letters. FILMOGRAPHY TITICUT FOLLIES 1967 ADJUSTMENT & WORK 1986 HIGH SCHOOL 1968 MULTI-HANDICAPPED 1986 LAW AND ORDER 1969 MISSILE 1987 HOSPITAL 1969 NEAR DEATH 1989 BASIC TRAINING 1971 CENTRAL PARK 1989 ESSENE 1972 ASPEN 1991 JUVENILE COURT 1973 ZOO 1993 PRIMATE 1974 HIGH SCHOOL II 1994 WELFARE 1975 BALLET 1995 MEAT 1976 LA COMÉDIE FRANÇAISE 1996 CANAL ZONE 1977 PUBLIC HOUSING 1997 SINAI FIELD MISSION 1978 BELFAST, MAINE 1999 MANOEUVRE 1979 LA DERNIÈRE LETTRE 2000 MODEL 1980 DOMESTIC VIOLENCE 2001 SERAPHITA’S DIARY 1982 DOMESTIC VIOLENCE 2 2002 THE STORE 1983 MADISON SQUARE GARDEN 2004 RACE TRACK 1985 STATE LEGISLATURE 2006 DEAF 1986 LA DANSE 2009 BLIND 1986 BOXING GYM 2009 CREDITS Director, Editor, and Sound: Frederick Wiseman Photography John Davey Producers: Pierre-Olivier Bardet, Françoise Gazio — Idéale Audience Frederick Wiseman — Zipporah Films WITH LES ÉTOILES LES
    [Show full text]
  • La Danse Das Ballett Der Pariser Oper
    LA DANSE DAS BALLETT DER PARISER OPER Ein Film von Frederick Wiseman Im Verleih der Belfortstraße 37 D - 79098 Freiburg t. +49 (0) 761 . 26 7 63 f. +49 (0) 761 . 208 83 69 www.koolfilm.de PRESSE Ludwig Ammann +49 (0) 761 . 26 7 63 [email protected] DISPOSITION Die Filmagentinnen [email protected] f. +49 (0) 30 . 400 58 103 www.filmagentinnen.de Birgit Gamke t. +49 (0) 30 . 600 31 298 [email protected] Marlies Weber t. +49 (0) 30 . 600 31 483 [email protected] mit Solotänzern, Corps de Ballet, Orchester und Schule der Opéra National de Paris Choreographien von Wayne McGregor, Sasha Waltz, Mats Ek, Rudolf Nurejew, Pierre Lacotte, Pina Bausch und Angelin Preljocaj Musik von Berlioz, Bach, Tschaikowsky, Gluck, Lanza und Talbot „Man versucht, etwas dazu zu lernen, die Augen immer offen zu hal- ten, um das Geschehen vor uns zu verfolgen. Um zu verstehen, was Tanz ist: Ein besonderes Verhältnis zwischen dem Körper und dem Gehirn. Alle Gesten der Tänzer sind harte Arbeit, Training ab sechs oder sieben Jahren, um dem Körper beizubringen, so schöne Dinge zu schaffen. Später, wenn sie älter werden, haben sie oft mit Leiden zu kämpfen, die auf ihre Karriere zurückgehen. In einem gewissen Sinn ist es ein Kampf gegen den Tod, weil es etwas so Künstliches ist. Für mich war das, was auf den Proben geschah, oft interessanter als die förmlichen Aspekte der Aufführung. Doch andererseits entsteht, wenn alles gelingt, etwas so Schönes, dass man von der geschaffe- nen Illusion fortgerissen wird. Eine Illusion, die nur sechzig Sekunden währt, aber etwas, das voll- kommen ist.
    [Show full text]
  • The Catherine Gyll Papers
    The Catherine Gyll Papers N26 The National Dance Archive of Ireland Glucksman Library University of Limerick The National Dance Archive of Ireland Glucksman Library University of Limerick The Catherine Gyll Papers Reference Code: IE 2135 N26 Title: The Catherine Gyll Papers Dates of Creation: 1933-2010 Level of Description: Fonds Extent and Medium: 3 boxes (385 files) CONTEXT Name of Creator(s): Gyll, Catherine (1923-2018). Biographical History: Catherine Gyll was born Catherine Doolin in Dublin in 1923. After seeing a production by the Irish Ballet Club at the Abbey Theatre in late 1939, she auditioned for and was invited to join the Club by its director, Cepta Cullen. Catherine studied and performed with the Irish Ballet Club until 1943, during which time she also studied radiography at St. Vincent’s hospital, Dublin. Catherine performed in most of the Ballet Club’s repertory during this period, including Puck Fair, Aisling, Lanner Waltz, Rhapsodie, and Peter and the Wolf. In 1943, Catherine went to work in London where she met and married theatre director Peter Gyll (1913-1989) while working as an Assistant Stage Manager. Catherine returned to live in Ireland in 2004. Immediate Source of Acquisition: Donated by Catherine Gyll to the National Dance Archive of Ireland on 26 July 2011. CONTENT AND STRUCTURE Scope and Content: Photographs and memorabilia relating to Catherine Gyll's time with the Irish Ballet Club in the 1940s, and programmes, flyers, brochures, souvenir booklets, press cuttings, and books collected by her, reflecting her lifelong interest in all forms and aspects of dance. Appraisal, Destruction and Scheduling Information: All records have been retained.
    [Show full text]
  • Nicolas Le Riche Nommé Directeur Du Ballet Royal De Suède
    Nicolas Le Riche Nommé Directeur du Ballet Royal de Suède 2017-07-03 17:05 CEST Nicolas Le Riche Nommé Directeur du Ballet Royal de Suède Actuellement directeur du LAAC (L’Atelier de L’Art Chorégraphique) au Théâtre des Champs-Elysées à Paris, Nicolas Le Riche prendra la direction du Ballet Royal de Suède dès l’automne 2017. A 45 ans, Le Riche, qui a fait rayonner le Ballet de L’Opéra national de Paris pendant toute sa carrière, succède à Johannes Öhman qui prend la tête du Staatsballett de Berlin. Comme son prédécesseur, Le Riche ne voit aucune séparation entre la danse classique et la danse contemporaine : « les deux sont des facettes du même art », dit Le Riche. Le grand Danseur Étoile est resté fidèle à l’Opéra national de Paris tout au long de sa carrière, interprétant lesgrands rôles du répertoire classique ainsi que ceux des genres néoclassique et moderne. C’est en 1990 qu’il perce sous la direction de Rudolf Noureev dans des rôles comme Roméo dans Roméo et Juliette. « Il saute comme un tigre, vole comme un ange, puis atterrit comme un chat » écrit son ami de longue date, le comédien et metteur en scène français Guillaume Gallienne, en parlant de ce technicien virtuose et interprète sensible qui, ces dernières années, travaille principalement comme chorégraphe. En 2014, ilfait ses adieux à la scène de l’Opéra national de Paris lors d’une soirée gala qu’il a lui-même dirigé. Il y mit en scène plusieurs moments des plus mémorables de sa carrière comme L’Après-midi d’une Faune de Nijinski, le Boléro de Béjart, Raymonda de Noureev, et Le Jeune Homme et la Mort de Roland Petit.
    [Show full text]
  • Newsletter Paris Opera 12/14
    OPERA NATIONAL DE PARIS HDTV PRODucTIONS OPERAS & BALLETS 2012-2014 © Patrick Tourneboeuf / Tendance Floue / OnP / Tendance Tourneboeuf © Patrick OPERAS OPERA 3 LA TRAVIATA giuSEPPE vERdi 4 LA FANcIuLLA DEL WEST giAcOmO PUCCINI 5 I PuRITANI vincEnzO BELLini 6 AIda giuSEPPE vERdi © photo: Patrick Tourneboeuf / Tendance Floue / OnP / Tendance Tourneboeuf Patrick © photo: 7 LA GIOconda AmiLcARE POnchiELLi 8 HäNSEL uND GRETEL Engelbert humPERdinck 9 Falstaff giuSEPPE vERdi 10 CarmEN Georges BizET BALLETS CarLA TRAVIATAmEN 11 JEROmE ROBBINS GeorgiuSEPPEges BizvERETdi ALEXEI RATmANSKY cREATION “Poor Mariette Duplessis is dead... the first 12 GEORGE BALANcHINE OPERA IN THREE AcTS (1853) woman I ever loved, and now she's in goodness BENJAmIN mILLEPIED muSIc BY GIuSEPPE VERDI (1813-1901) knows which cemetery, abandoned to the LIBRETTO BY FRANcEScO mARIA PIAVE maggots of the sepulchre! It's as she said to me BASED ON ALEXANDRE DumAS FILS'S 13 THE SLEEPING BEAuTY fifteen months ago: “I won’t live: I’m a strange PLAY "LA DAmE AuX cAmÉLIAS" girl and I won’t be able to keep living a life I RudOLf nuREYEv PerformED IN Italian don’t know how to lead and that I don’t know how to bear either. Take me, lead me wherever 14 Gustav mAHLER’S THIRD symPHONY FrancescO Ivan cIAmpa Conductor you want; I won’t bother you, I sleep all day. JOhn nEumEiER BENOîT JAcQuot Stage director In the evening, you’ll let me go to the theatre Sylvain cHAuvelot Sets and at night you’ll do with me as you wish!” 15 TRIcENTENARY ANNIVERSARY Christian Gasc Costumes I’ve never told you of the singular attachment ANDRÉ Diot Lighting I felt for that charming creature.
    [Show full text]
  • MARKETING and PRESS PACK for 6000 Miles Away
    MARKETING AND PRESS PACK FOR 6000 miles away Version 12 – Feb 2014 Photo: © Lesley Leslie-Spinks Content 1. Crediting – Including tour sponsor -Rolex (p.2-3) 2. Brochure copy (p.3) 3. Images (p.3) 4. Logos (p.4) 5. Evening Programme/Freesheet (p.4) 6. Press Quotes (p.4) 7. Biographies (p.5 - 11) – Please confirm which dancers are appearing in specific venues 8. Optional – Approved – Shorter versions of biographies (p.12-14) For further information contact: Lucy White, Marketing Abigail Desch, Press Sadler’s Wells, Rosebery Avenue Sadler’s Wells, Rosebery Avenue London EC1R 4TN London EC1R 4TN T: 00 44 (0) 207 863 8104 T: 00 44 (0) 207 863 8119 E. [email protected] E: [email protected] Important note All copy must be used as provided. No changes are permitted without the agreement of Sadler’s Wells. All information contained in this document, along with high resolution images, can be downloaded from http://www.sadlerswells.com/tour-marketing/sylvie All marketing, programmes and press releases must be proofed by Sadler’s Wells and approved by the tour supporter Rolex before going to print, please allow at least 72 hours for the approval process. Please contact Lucy White, [email protected] / +44 (0)20 7863 8104 and Nick Marsden, Corporate Partnerships Manager, Tel +44 (0)20 7863 8138 / [email protected] 1. Crediting (Advance publicity & press release) The following short billing must appear on all advance publicity including posters, venue/festival brochures and press releases: SHORT BILLING:
    [Show full text]
  • Dance Salad Festival Will Celebrate Its 25Th Anniversary in Houston and the 28Th Season Since Its Inception in Belgium Within the Festival Week of Events
    Dance Salad Festival will celebrate its 25th Anniversary in Houston and the 28th season since its inception in Belgium within the Festival week of events. Performances will take place on April 9, 10, 11, 2020 @ Wortham Center’s Cullen Theater and the Choreographer Forum on April 8, 2020 @ the Museum of Fine Arts Houston. Exciting line up of performances by Hofesh Shechter Company, London, UK; Semperoper Ballett Dresden, Germany; Royal Danish Ballet’s Kammerballetten, Copenhagen, Denmark; Dortmund Ballett Guest Stars, Lucia Lacarra and Matthew Golding, Germany; Donlon Dance Collective Berlin, Germany; Royal Ballet of Flanders, Antwerp, Belgium; Sydney Dance Company, Australia; Dunia Dance Theatre, Zimbabwe/Belgium and Laboration Art Company, France. For updates, photos, videos and to buy tickets, $25-$59, go to: www.dancesalad.org. Arrive early for downtown parking. Press Contact: Christina Levin, PR/Marketing Manager and Assistant to Director, Dance Salad Festival [email protected] *** To acknowledge such a momentous milestone in the life of the Festival we asked our loyal dance writers to share their thoughts and speak their hearts about what their experience with Dance Salad has meant for them. Molly Glentzer, Houston Chronicle’s Senior Writer and Critic of Arts & Culture who has been masterfully and devotedly covering DSF since 1999, reflects: “As a journalist with a lean travel budget, would I have ever seen Mats Ek and Anna Laguna, Drew Jacoby and Rubinald Pronk, or Paul Lightfoot and Sol León performing their signature collaborations?
    [Show full text]