Bright (2017) Screenplay by Max Landis [Shooting Draft 02.29.2016]
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15-Minute-Break-Catalogue Part-II
Research exhibition on labor Выставка-исследование and leisure in two parts о труде и отдыхе в двух частях October 9—November 15, 2020 9 октября — 15 ноября 2020 Part 2 Часть 2 Дорогие друзья! Мы очень рады, что при поддержке Фонда президентских грантов, междисциплинарного центра Research Arts и галереи «Триумф» нам удалось реализовать в стенах музея вторую часть выставочного проекта «Перерыв 15 минут». Если первая часть была посвящена труду и его изменению в современном мире, то во второй рассматривается время, исключенное из труда. Через инсталляции, видео, аудио, живопись, графику, современную скульптуру и фотографию художники обращаются ко времени активного отдыха и восстановления сил, времени ожидания и лени, времени погружения в собственные размышления и созерцательности. Выставку дополнили экспонаты из собрания Всероссийского музея декоративного искусства — предметы и композиции из кости и дерева, металла и камня, стекла, керамики и ткани, авторы которых в разные эпохи обращались к иллюстрированию всевозможных способов отдохнуть. Елена Титова Директор Всероссийского музея декоративного искусства Dear Friends! We are delighted that, with support of the Presidential Grants for Civil Society Development Foundation, Research Arts Interdisciplinary Center and Triumph Gallery, we are now able to present the second part of 15 Minute Break, hosted by our museum. Whereas the first part addressed labor and the changes it undergoes in the modern world, the second installment examines the time exempted from labor. The artists’ installations, video, audio, paintings, drawings, contemporary sculpture and photography contemplate the time of active leisure and replenishment of energy, Владимир Филатов the time of idle anticipation and laziness, the time of immersion Блюдо «Море» 1967 into own thoughts and contemplation. -
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony Tahanie Aboushi | New York, New York I am counsel for Dounya Zayer, the protestor who was violently shoved by officer D’Andraia and observed by Commander Edelman. I would like to appear with Dounya to testify at this hearing and I will submit written testimony at a later time but well before the June 15th deadline. Thank you. Marissa Abrahams | South Beach Psychiatric Center | Brooklyn, New York As a nurse, it has been disturbing to see first-hand how few NYPD officers (present en masse at ALL peaceful protests) are wearing the face masks that we know are preventing the spread of COVID-19. Demonstrators are taking this extremely seriously and I saw NYPD literally laugh in the face of a protester who asked why they do not. It is negligent and a blatant provocation -especially in the context of the over-policing of Black and Latinx communities for social distancing violations. The complete disregard of the NYPD for the safety of the people they purportedly protect and serve, the active attacks with tear gas and pepper spray in the midst of a respiratory pandemic, is appalling and unacceptable. Aaron Abrams | Brooklyn, New York I will try to keep these testimonies as precise as possible since I know your office likely has hundreds, if not thousands to go through. Three separate occasions highlighted below: First Incident - May 30th - Brooklyn - peaceful protestors were walking from Prospect Park through the streets early in the day. At one point, police stopped to block the street and asked that we back up. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
UNDERSTANDING PORTRAYALS of LAW ENFORCEMENT OFFICERS in HIP-HOP LYRICS SINCE 2009 By
ON THE BEAT: UNDERSTANDING PORTRAYALS OF LAW ENFORCEMENT OFFICERS IN HIP-HOP LYRICS SINCE 2009 by Francesca A. Keesee A Thesis Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degrees of Master of Science Conflict Analysis and Resolution Master of Arts Conflict Resolution and Mediterranean Security Committee: ___________________________________________ Chair of Committee ___________________________________________ ___________________________________________ ___________________________________________ Graduate Program Director ___________________________________________ Dean, School for Conflict Analysis and Resolution Date: _____________________________________ Fall Semester 2017 George Mason University Fairfax, VA University of Malta Valletta, Malta On the Beat: Understanding Portrayals of Law Enforcement Officers in Hip-hop Lyrics Since 2009 A Thesis submitted in partial fulfillment of the requirements for the degrees of Master of Science at George Mason University and Master of Arts at the University of Malta by Francesca A. Keesee Bachelor of Arts University of Virginia, 2015 Director: Juliette Shedd, Professor School for Conflict Analysis and Resolution Fall Semester 2017 George Mason University Fairfax, Virginia University of Malta Valletta, Malta Copyright 2016 Francesca A. Keesee All Rights Reserved ii DEDICATION This is dedicated to all victims of police brutality. iii ACKNOWLEDGEMENTS I am forever grateful to my best friend, partner in crime, and husband, Patrick. -
FREAKS by Mike Finley
FREAKS by Mike Finley ` 1 FREAKS A memoir of the 60s by Mike Finley Kraken Press, St. Paul © 2019 by Mike Finley ` 2 Note to Readers................................................................... 7 Vicklebar.............................................................................. 9 High on a Hilltop................................................................ 16 The Fake Riot......................................................................19 The Plot to Murder Me...................................................... 25 Dancing with Mister D....................................................... 33 Life Artists.......................................................................... 39 The Commons.................................................................... 44 Mail Order Ministry........................................................... 50 What We Lacked................................................................57 The Pickwick.......................................................................60 Good Soap..........................................................................64 The Creek Bed Glittered With Flecks Of Gold....................74 Trucking..............................................................................80 Big Bonito...........................................................................83 Deserters............................................................................90 Thompson's Chicken Ranch............................................... 99 Charles Manson and the Sons -
POWER RANGERS 3-25-14 Script
POWER RANGERS ||||| Written by Max Landis Based on "Mighty Morphing Power Rangers" Created by Haim Saban and Shuki Levy 2nd Draft 3/25/14 Max Landis [email protected] Space. Darkness. And then, a flash of fire, passing us, hooking us in its trail, pulling us along with it, a tiny meteorite plunging down into earth’s atmosphere... WE FOLLOW IT Down burning through night sky, clouds, then out over the ocean, plunging into the water with a burst of steam. After a moment, there’s another plop, another burst of steam. And then, like raindrops, hundreds of tiny fragments begin striking the ocean, when suddenly- A HUGE fireball, CRASHING INTO THE OCEAN- dragging us under- Revealing a title, coming up slowly, from the murky depths... POWER RANGERS SLAM TO: A dead fish. Out on the beach. Dozens...no, hundreds; it’s a mass wash-up, disgusting, covering the beach of idyllic ANGEL GROVE, California, as far as the eye can see. School buses are parked next to the beach; it’s a big volunteer clean-up, people everywhere. We’re near a carnival pier, the centerpiece of which is a huge, colorful, old-fasioned ferris wheel. A sign reads “WELCOME TO ANGEL GROVE, HOME TO AMERICA’S 4TH 5TH LARGEST FERRIS WHEEL!” The pier is clearly currently closed. JASON Scott, 17, kneels next to a shark. Jason’s alpha male good-looks and natural athleticism are dampened by an immediate aloofness; he’s rough around the edges, anxious. JASON Look at the teeth on this guy. William “BILLY” Cranston, 17, approaches behind him, putting fish into a plastic bag solemnly. -
Red, Yellow, Blue Lauren Elizabeth Eyler University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 1-1-2013 Red, Yellow, Blue Lauren Elizabeth Eyler University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Creative Writing Commons Recommended Citation Eyler, L. E.(2013). Red, Yellow, Blue. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/2315 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. RED, YELLOW, BLUE by Lauren Eyler Bachelor of Arts Georgetown University, 2005 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Creative Writing College of Arts and Sciences University of South Carolina 2013 Accepted by: Elise Blackwell, Director of Thesis David Bajo, Reader John Muckelbauer, Reader Agnes Mueller, Reader Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Lauren Eyler, 2013 All Rights Reserved. ii ABSTRACT Red, Yellow, Blue is a hybrid, metafictional novel/autobiography. The work explores the life of Ellis, Lotte, Diana John-John and Lauren as they wander through a variety of circumstances, which center on loss and grief. As the novel develops, the author loses control over her intentionality; the character’s she claims to know fuse together, leaving the reader to wonder if Lauren is synonymous with Ellis or if Diana is actually Lotte disguised by a signifier. Red, Yellow, Blue questions the author’s as well as the reader’s ability to understand the transformation that occurs in an individual during long periods of grief and anxiety. -
The Role of Fandom, Comic-Con and Films in Soft-Power Diplomacy of The
University of Wollongong Research Online University of Wollongong in Dubai - Papers University of Wollongong in Dubai 2016 The oler of Fandom, Comic-Con and Films in soft- power diplomacy of the UAE: An exploratory study Swapna Koshy University of Wollongong, [email protected] Adarsh Anoop Publication Details Koshy, S. & Anoop, A. 2016, 'The or le of Fandom, Comic-Con and Films in soft-power diplomacy of the UAE: An exploratory study', International Journal of Arts & Sciences Conference, International Journal of Arts & Sciences, United States, pp. 1-8. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] • International Journal of Arts and Sciences Conference, Prague, 1-4 November, 2016 TITLE: THE ROLE OF FANDOM, COMIC-CON AND FILMS IN SOFT POWER DIPLOMACY OF THE UAE:AN EXPLORATORY STUDY Authors: Principal Author- Swapna Koshy, University of Wollongong in Dubai, Dubai, UAE, PO BOX 20183 Author 2- Adarsh Anoop Abstract: This is an exploratory study of the symbiotic relationship of fandom, comic-con and the rising film culture in the UAE. Fan culture, a growing global phenomenon has flourished in the UAE’s entertainment scene too. The UAE hosted the first Middle East Comic-con in 2012 attracting fans from across the Middle East. The manifold increase in participation in recent years testifies to the growth in fan population. Science-fiction and adventure films are the most popular film genres with UAE audiences. The UAE has also been the shooting location for many Hollywood movies in these genres. -
The Haunted Continent and Andrew Bird's Apocrypha
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances. -
Reconciling #Metoo and Criminal Justice
Reconciling #MeToo and Criminal Justice Margo Kaplan* I. Introduction ................................................................................................ 361 II. #MeToo’s Achievements ............................................................................ 366 A. Exposing the Criminal Justice System’s Failures .............................. 366 B. Contextualizing Sexual Violence ..................................................... 371 III. #MeToo’s Failures ...................................................................................... 377 A. The Continuing Erasure of Women of Color .................................... 377 B. The Monster Narrative ................................................................... 382 IV. Lessons for the Criminal Justice System .................................................... 389 A. Reforming Rape Law and the Carceral State .................................... 389 B. Alternative Reporting Mechanisms.................................................. 392 C. Restorative Justice ......................................................................... 393 V. Conclusion .................................................................................................. 398 I. INTRODUCTION Depending on who you ask, the #MeToo movement is either overdue or overreaching, but it seems everyone has heard of it. The response to actress Alyssa Milano’s tweet inviting women who experienced sexual harassment or assault to tweet “#MeToo” was overwhelming.1 “MeToo” was retweeted nearly half -
Eyolf Østrem
thingsTT twice Eyolf Østrem Contents Preface vii IYou’ve Been With the Professors 1 1 Analysing Dylan Songs 3 Methodological Considerations The Object............................ 3 The harmony........................... 7 Analysing an Idea......................... 8 2 ‘Beauty may Only Turn to Rust’ 13 The Beautiful world of Bob Dylan................ 14 Beauty and the Beast....................... 16 Proportion and expression..................... 20 Expression and style........................ 22 3 ‘Going Through All These Things Twice’ 25 The Ritual of a Bob Dylan Concert The External Similarites: Ceremony................ 27 The Rolling Thunder Revue................... 30 The Gospel Years......................... 33 The Voice of a Generation.................... 33 Secular Ritual........................... 37 Functions and means....................... 41 Dylan and ritual revisited..................... 45 Postscript............................. 49 4 The Momentum of Standstill 51 or: Time Out Of Mind and the Blues Dylan and the Blues....................... 53 i ii CONTENTS In the Evening.......................... 53 I Pity The Poor Immigrant.................... 55 Standing (Still) in the Doorway.................. 57 Ring Them Bells......................... 62 Highlands............................ 65 II Harmony and Understanding 67 5 ‘What I learned from Lonnie’ 69 An exploration of some remarks in Chronicles Secrets in the back room..................... 69 Melodies out of triplets – Axioms and numbers.......... 71 Rhythm: The Link Wray ‘Rumble’ -
The Best Spec Scripts of the Year They Lied
I THINK AMERICA FORGAVE TONYA HARDING WHEN THEY ALL TUNED INTO THE 1994 OLYMPICS. THEY WERE REALLY SAYING THANK YOU, CRAZY- PANTS, FOR A ONE OF A KIND STORY WE WEREN’T GONNA SEE WITHOUT SOMEONE LIKE YOU • SHE CAN TALK. SHE CAN WALK. SHE CAN READ AND WRITE FOR THE MOST PART. SHE CAN PASS FOR NORMAL ENOUGH. BUT I CANNOT KEEP WORRYING ABOUT HER AS A TICKING TIME BOMB FOR THIS FAMILY’S FUTURE. WE HAVE NINE CHILDREN. EIGHT OF WHOM I WILL CONTINUE TO SHEPHERD IN CARRYING FORTH MY NAME INTO HISTORY - BUT NOT ROSEMARY • NINE-ELEVEN IS WHAT DID IT, I GUESS. WAS THE FIRST TIME I SAW THERE WERE PEOPLE OUT THERE THAT JUST ... HATED US. SO I WANTED TO DO MY PART, PROTECT THE COUNTRY FROM THOSE WHO WOULD SEE US BROUGHT LOW • WILL DEMPSEY WAS THIRTY-ONE YEARS OLD WHEN HE FINALLY GAVE UP ON HIS SAM JACKSON UNRELIABLE NARRATOR SCREENPLAY. HE’D BEEN WORKING ON IT SINCE 7:30 AM. WILL LOOKS UP AT THE CLOCK. IT’S 7:47 AM. THE HIT LIST 2016 THE BEST SPEC SCRIPTS OF THE YEAR THEY LIED. ALL OF THEM. THEY LIED AND TOLD US THAT WHAT WE WERE DOING WAS GOOD. THAT WE WERE HELPING PEOPLE WHO COULDN’T HELP THEMSELVES. BUT THAT WASN’T IT AT ALL. NO ONE WANTED US THERE. SO, THEY, WE, JUST SENT A BUNCH OF YOUNG MEN TO DIE. AND IT SHOULDN’T JUST BE US TO KNOW THE TRUTH • YOU FEEL THAT? I’M NORTH. YOU’RE SOUTH.