FREAKS by Mike Finley
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OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony
OAG Hearing on Interactions Between NYPD and the General Public Submitted Written Testimony Tahanie Aboushi | New York, New York I am counsel for Dounya Zayer, the protestor who was violently shoved by officer D’Andraia and observed by Commander Edelman. I would like to appear with Dounya to testify at this hearing and I will submit written testimony at a later time but well before the June 15th deadline. Thank you. Marissa Abrahams | South Beach Psychiatric Center | Brooklyn, New York As a nurse, it has been disturbing to see first-hand how few NYPD officers (present en masse at ALL peaceful protests) are wearing the face masks that we know are preventing the spread of COVID-19. Demonstrators are taking this extremely seriously and I saw NYPD literally laugh in the face of a protester who asked why they do not. It is negligent and a blatant provocation -especially in the context of the over-policing of Black and Latinx communities for social distancing violations. The complete disregard of the NYPD for the safety of the people they purportedly protect and serve, the active attacks with tear gas and pepper spray in the midst of a respiratory pandemic, is appalling and unacceptable. Aaron Abrams | Brooklyn, New York I will try to keep these testimonies as precise as possible since I know your office likely has hundreds, if not thousands to go through. Three separate occasions highlighted below: First Incident - May 30th - Brooklyn - peaceful protestors were walking from Prospect Park through the streets early in the day. At one point, police stopped to block the street and asked that we back up. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
Red, Yellow, Blue Lauren Elizabeth Eyler University of South Carolina
University of South Carolina Scholar Commons Theses and Dissertations 1-1-2013 Red, Yellow, Blue Lauren Elizabeth Eyler University of South Carolina Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Creative Writing Commons Recommended Citation Eyler, L. E.(2013). Red, Yellow, Blue. (Master's thesis). Retrieved from https://scholarcommons.sc.edu/etd/2315 This Open Access Thesis is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. RED, YELLOW, BLUE by Lauren Eyler Bachelor of Arts Georgetown University, 2005 Submitted in Partial Fulfillment of the Requirements For the Degree of Master of Fine Arts in Creative Writing College of Arts and Sciences University of South Carolina 2013 Accepted by: Elise Blackwell, Director of Thesis David Bajo, Reader John Muckelbauer, Reader Agnes Mueller, Reader Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Lauren Eyler, 2013 All Rights Reserved. ii ABSTRACT Red, Yellow, Blue is a hybrid, metafictional novel/autobiography. The work explores the life of Ellis, Lotte, Diana John-John and Lauren as they wander through a variety of circumstances, which center on loss and grief. As the novel develops, the author loses control over her intentionality; the character’s she claims to know fuse together, leaving the reader to wonder if Lauren is synonymous with Ellis or if Diana is actually Lotte disguised by a signifier. Red, Yellow, Blue questions the author’s as well as the reader’s ability to understand the transformation that occurs in an individual during long periods of grief and anxiety. -
Bright (2017) Screenplay by Max Landis [Shooting Draft 02.29.2016]
BRIGHT Written by Max Landis 12/28/15 Current Revisions by David Ayer 02/29/16 red and blue lights flash in the dark rushing down streets you recognize a glimpse of magic, just a spark the monsters are familiar but the castles are amiss you've been here before but not quite like this For JRR Tolkien and David Ayer, who bring worlds to life. INT. WARD’S HOUSE - BEDROOM - DAY SCOTT WARD can’t sleep. He scowls in defiance at the golden midday sun scorching through the blinds. Plain but handsome, with an ‘I’m in charge here’ buzzcut. A thoughtful man, but no genius, he’s stymied by the daylight. We note the ANGRY BRUISING on his 200-pushups-a-day chest. Ward tries to fall back asleep. No dice. He shifts his weight and peels his Glock off his sweaty back. Sighs and starts counting the cracks in his bedroom ceiling... SMASH TO: EXT. LIQUOR STORE - WARD’S FLASHBACK - DAY A GANGBANGER in a black hoodie bursts out the door with a shotgun! WARD stands there in LAPD uniform. Reaches for his holster -- Breaks leather. Steps into a textbook shooting stance. Muzzle coming on target. Too Late... The GANGBANGER spins aims fires -- KABOOM! INT. WARD’S HOUSE - BEDROOM - DAY Ward gasps awake. His fingertips skim the ugly green and purple bruises on his chest. I’m still alive... INT. WARD’S HOUSE - KITCHEN - DAY Ward shuffles into the kitchen -- Sees SHERRI, his age, inspecting dishes in the sink, looking for the easiest one to wash. Pretty in a champagne room kind of way. -
The Haunted Continent and Andrew Bird's Apocrypha
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha Mary Elizabeth Lasseter University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the American Studies Commons Recommended Citation Lasseter, Mary Elizabeth, "Chasing That Ghost On Stage: The Haunted Continent And Andrew Bird's Apocrypha" (2013). Electronic Theses and Dissertations. 1163. https://egrove.olemiss.edu/etd/1163 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. CHASING THAT GHOST ON STAGE: THE HAUNTED CONTINENT AND ANDREW BIRD’S APOCRYPHA A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of Southern Studies The University of Mississippi by M.E. LASSETER May 2013 Copyright M.E. Lasseter 2013 ALL RIGHTS RESERVED ABSTRACT This thesis traces the various physical and metaphorical journeys south of Chicago musician Andrew Bird. Using what historical record is publicly available, I examine Bird’s formal musical training. I then explore the years between 1995 and 2001, or what I call Bird’s period of apprenticeship. Next is an exploration of the canonical narratives surrounding the blues of the Mississippi Delta, especially the music of Charley Patton. When Andrew Bird encountered a canon, or dominant histories and meanings of Southern music that influence how musicians play and how audiences interpret that music, he began to react against that canon in his own compositions and performances. -
Eyolf Østrem
thingsTT twice Eyolf Østrem Contents Preface vii IYou’ve Been With the Professors 1 1 Analysing Dylan Songs 3 Methodological Considerations The Object............................ 3 The harmony........................... 7 Analysing an Idea......................... 8 2 ‘Beauty may Only Turn to Rust’ 13 The Beautiful world of Bob Dylan................ 14 Beauty and the Beast....................... 16 Proportion and expression..................... 20 Expression and style........................ 22 3 ‘Going Through All These Things Twice’ 25 The Ritual of a Bob Dylan Concert The External Similarites: Ceremony................ 27 The Rolling Thunder Revue................... 30 The Gospel Years......................... 33 The Voice of a Generation.................... 33 Secular Ritual........................... 37 Functions and means....................... 41 Dylan and ritual revisited..................... 45 Postscript............................. 49 4 The Momentum of Standstill 51 or: Time Out Of Mind and the Blues Dylan and the Blues....................... 53 i ii CONTENTS In the Evening.......................... 53 I Pity The Poor Immigrant.................... 55 Standing (Still) in the Doorway.................. 57 Ring Them Bells......................... 62 Highlands............................ 65 II Harmony and Understanding 67 5 ‘What I learned from Lonnie’ 69 An exploration of some remarks in Chronicles Secrets in the back room..................... 69 Melodies out of triplets – Axioms and numbers.......... 71 Rhythm: The Link Wray ‘Rumble’ -
Ecological Models of Musical Structure in Pop-Rock, 1950–2019
Ecological Models of Musical Structure in Pop-rock, 1950–2019 Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Nicholas J. Shea, M.A., B.Ed. Graduate Program in Music The Ohio State University 2020 Dissertation Committee: Anna Gawboy, Advisor and Dissertation Co-Advisor Nicole Biamonte, Dissertation Co-Advisor Daniel Shanahan David Clampitt Copyright by Nicholas J. Shea 2020 Abstract This dissertation explores the relationship between guitar performance and the functional components of musical organization in popular-music songs from 1954 to 2019. Under an ecological theory of affordances, three distinct interdisciplinary approaches are employed: empirical analyses of two stylistically contrasting databases of popular-music song transcriptions, a motion-capture study of performances by practicing musicians local to Columbus, Ohio, and close readings of works performed and/or composed by popular- music guitarists. Each offers gestural analyses that provide an alternative to the object- oriented approach of standard popular-music analysis, as well as clarification on issues related to style, such as the socially determined differences between “pop” and “rock” music. ii Dedication To Anna Gawboy, who is always in my corner. iii Acknowledgments Here I face the nearly insurmountable task of thanking those who have helped to develop this research. Even as all written and analytical content in this document is my own, I cannot deny the incredible value collaboration has brought to this inherently interdisciplinary study. I am extremely fortunate to have a small team of individuals on which I can rely for mentorship and support and whose research backgrounds contribute greatly to the domains of this document. -
By Mike Finley 1
CrazyCrazy GracesGraces by Mike Finley 1 Copyright © 2004 by Mike Finley; all rights reserved 2 Table of Contents Crazy Graces..........................................................................1 Paula Kelly..................................................................24 My Breakfast with Eugene.........................................65 Go Greyhound.............................................................68 Death of a Pet..............................................................73 Chopping Down a Tree...............................................77 Bing Cherries..............................................................83 The Blue Bicycle .......................................................86 Sometimes I Wonder..................................................89 The 13th Beatle...........................................................92 Canine Wisdom...........................................................96 A Melting Pot............................................................100 My Splendid Cry.......................................................103 Jumping in the Night.................................................112 Good Dog..................................................................119 The Ice Father...........................................................126 In the Year of the Deer Christ...................................129 A Prophecy...............................................................133 Death, Hell & Santa Claus........................................137 DEAD cAT...............................................................142 -
SATURDAY 10TH NOVEMBER 06:00 Breakfast 09:15
SATURDAY 10TH NOVEMBER All programme timings UK All programme timings UK All programme timings UK 06:00 Breakfast 09:50 The Big Bang Theory 06:00 I Dream of Jeannie 09:15 Saturday Kitchen Live 09:25 ITV News 10:15 The Only Way is Essex 06:30 I Dream of Jeannie 10:45 The Lord Mayor's Show 09:30 James Martin's Saturday Morning 11:05 Absolutely Ascot 07:00 I Dream of Jeannie 12:05 Football Focus 11:40 The X Factor Results 11:55 Brooklyn Nine-Nine 07:30 I Dream of Jeannie 13:00 BBC News 12:40 ITV Lunchtime News 12:20 Sanctuary 08:00 I Dream of Jeannie 13:15 Bargain Hunt 12:50 You've Been Framed! 13:10 Modern Family 08:30 Hogan's Heroes 14:00 Rugby Union: Scotland v Fiji 13:20 Bean 13:35 Modern Family 09:00 Hogan's Heroes 16:30 Final Score 15:00 Tenable 14:00 Malcolm in the Middle 09:30 Hogan's Heroes 17:20 BBC News 16:00 Tipping Point 14:25 Malcolm in the Middle 10:00 Hogan's Heroes 17:30 BBC London News 14:50 All Star Driving School 10:30 Hogan's Heroes 17:40 The Time It Takes 15:15 All Star Driving School 11:00 Hogan's Heroes 18:10 Pointless Celebrities 15:45 Made in Chelsea 11:30 Hogan's Heroes 19:00 Strictly Come Dancing 16:40 Young Sheldon 12:00 Hogan's Heroes Tess Daly and Claudia Winkleman present live 17:05 The Middle 12:30 Dogfights from the Strictly ballroom as the remaining ten 17:30 Forces News Reloaded 13:30 Dogfights couples compete to impress the judges. -
Call Me Zebra Call Me Zebra
CALL ME ZEBRA CALL ME ZEBRA Azareen Van der Vliet Oloomi ALMA BOOKS – 3 Castle Yard Richmond Surrey TW10 6TF United Kingdom www.almabooks.com First published in the US by Houghton Miin Harcourt Publishing Company in First published in the UK by Alma Books Limited in © Azareen Van der Vliet Oloomi, Azareen Van der Vliet Oloomi asserts her moral right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act Printed in Great Britain by CPI Group (UK) Ltd, Croydon CR0 4YY : -- - - All rights reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of the publisher. This book is sold subject to the condition that it shall not be resold, lent, hired out or otherwise circulated without the express prior consent of the publisher. However many beings there are in whatever realms of being might exist, whether they are born from an egg or born from a womb, born from the water or born from the air, whether they have form or no form, whether they have perception or no perception or neither perception nor no perception, in whatever conceivable realm of being one might conceive of beings, in the realm of complete nirvana I shall lib- erate them all. And though I thus liberate countless beings, not a single being is liberated. – CALL ME ZEBRA PROLOGUE The Story of My Ill-Fated Origins , , elitists, rodents all – I will tell you this: I, Zebra, born Bibi Abbas Abbas Hosseini on a scorching August day in , am a descendent of a long line of self-taught men who repeatedly abandoned their capital, ITehran, where blood has been washed with blood for a hundred years, to take refuge in Nowshahr, in the languid, damp regions of Mazandaran. -
MANOWAR LYRICS Battle Hymns (1982)
MANOWAR LYRICS Battle Hymns (1982) 1. Death Tone 2. Metal Daze 3. Fast Taker 4. Shell Shock 5. Manowar 6. Dark Avenger 7. William's Tale 8. Battle Hymns 1. Death Tone [R. Friedman/ J. DeMaio] Ridin' on two wheels Chains hooked on my heels Sittin' in leather... Ridin' on steel Put my shades on Hair blows in the wind I give some square the finger Now he won't look again, no he won't [PreChorus:] Now, you were sittin' home And I got sent to Nam I went to the big house You just worked a job [Chorus:] Hear me calling Can't you hear my death tone Hear me calling Can't you hear my death tone Hear me ride On into the night Pull along side If you're looking for a fight, yeah ! My social workers Got me on a chain Keeps me out of jail So the paper prints his name, yes it does, and he likes it Unemployment checks Run out next week It won't be very long 'Til I'm back on the streets again [PreChorus:] Now, you were sittin' home And I was sent to Nam I went to the big house You just worked a job [Chorus:] Hear me calling Can't you hear my death tone Hear me calling Can't you hear my death tone Hear me ride On into the night Pull along side If you're looking for a fight Death tone Death tone Gonna ride on my death tone Yes I am I'm gonna ride on you baby ! Oh ! 2. -
Bbc Week 46, 10
BBC WEEK 46, 10 - 16 November 2018 Programme Information, Television & Radio BBC Scotland Press Office BBC Media Centre (Scotland) BBC iPlayer (Scotland) BBC Scotland BBC Scotland on Facebook @BBCScotland on Twitter General Hilda McLean Jim Gough Julie Whiteside BBC Alba – Isabelle Salter THIS WEEK’S HIGHLIGHTS TELEVISION & RADIO / BBC WEEK 46 _____________________________________________________________________________________________________ TUESDAY 13 NOVEMBER River City TV HIGHLIGHT BBC One Scotland Opry Dhoire NEW BBC ALBA FRIDAY 16 NOVEMBER BBC Children In Need NEW BBC One Scotland _____________________________________________________________________________________________________ Viewers outside Scotland can access BBC One Scotland on Sky 141 (HD) & 951, Freesat 108 (HD) & 960, Virgin Media 108 (HD) & 862. BBC Two Scotland can be viewed on Sky 142 (HD) & 970, Freesat 970. BBC ALBA is on Sky 143, Freesat 110, Virgin Media 188, Freeview 8 (Scotland only). BBC Radio Scotland can be accessed on Sky 0116, Freesat 712, Freeview 719 (Scotland only). BBC One Scotland, BBC Two Scotland and BBC ALBA are also available on the BBC iPlayer bbc.co.uk/iplayer & BBC Radio Scotland on bbc.co.uk/radioscotland EDITORIAL 2018 / BBC WEEK 46 _____________________________________________________________________________________________________ Ricky Ross composes new song in memory of the Unknown Warrior as part of the BBC’s Armistice commemorations Ricky Ross, singer-songwriter and BBC radio presenter, has composed a song inspired by the symbolic figure of the Unknown Warrior for Armistice Day. The story of his Ballad of the Unknown Warrior will feature in the first hour of Remembrance Sunday with Ricky Ross on Sunday, 11 November at 10.00 am. The radio documentary, which will include a performance of the ballad by the National Youth Choir of Scotland is part of the BBC’s commemorative season across radio, television and online.