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AT TflE E"ffO OF TilE. OAV ... E'Vfff AWPEflHERO H£E08 AUTTLE HElP I lndie Beauty Expo: The Beauty of Food Edible and food-inspired brands and eco-luxury trends are defining the independent beauty market. INDIE BEAUTY EX PO lndie Beauty Expo returned to New York in August with more than 220 exhibitors. ndie Beauty Expo returned to States and comprises 12 natural New York in August with more sheer lipsticks with creamy, soft and than 220 exhibitors, displaying nourishing formulations. a range of trends that are Highlighting "the beauty of food," disrupting the industry. Among Ltik Beautifood's Lip Nourish is the highlights was the confluence of formulated with avocado, sesame oil LISTEN UP: THE BUSINESS OF high-design eco-luxury brands and and cacao butter for moisturization, BEAUTIFUL PODCAST food-inspired concepts. In every case, a ginger and spices for anti-inflammatory focus on recognizable ingredients and activity, citrus to combat free radicals, Global Cosmetic Industry's new podcast transparent sourcing were key. and beeswax and lecithin to lock in series features quick, enlightening con moisture. Shades include Tea Rose, versations with beauty 's thought leaders Feed Your Lips Nude Cinnamon and Tangerine on everything from brand building and Cindy Luken, CEO of Ltik Beautifood, Pomegranate. marketing to financing and trends. is an Australian food scientist and "Our products aren't tested on Get all episodes and bonus video at product designer. Her brand, founded animals and are proudly made in www.gcimagazine.com/multimedial in 2012, is expanding in the United Australia following the guidelines 'tJI @GCI_Magazine IJ facebook.com/gcimagazine fm, Gl obal Cosmetic Industry 32 Reprodu;tioo in English or any- bnguage of a1 or pan of tt;s artide is ~rlc1ly prroibHed. -
Гласник Интелектуалне Својине Intellectual Property Gazette 2018/9
Гласник интелектуалне својине Intellectual Property gazette 2018/9 Београд / Belgrade 2018/9 НАСЛОВНА СТРАНА / Title page НАСЛОВНА СТРАНА / Title page ГЛАСНИК ИНТЕЛЕКТУАЛНЕ СВОЈИНЕ INTELLECTUAL PROPERTY GAZETTE P 57381 - 57475 Датум Година ГЛАСНИК U 1562 - 1565 објављивања: ИНТЕЛЕКТУАЛНЕ излажења 2018 број 9 СВОЈИНЕ Ж 75378 - 75580 28.09.2018 XCVIII Д 11227 - 11236 Београд Издаје и штампа: Завод за интелектуалну својину, Београд, Кнегиње Љубице 5, Београд, Србија Телефони: 011 20 25 800 (централа); факс: 011 311 23 77 Е-mail: [email protected] www.zis.gov.rs Гласник интелектуалне својине 2018/9 Intellectual Property Gazette 2018/9 САДРЖАЈ / Contents ПАТЕНТИ / Patents ....................................................................................................................................................... 5 ОБЈАВА ПРИЈАВА ПАТЕНАТА / Publication of Patent Applications .................................................................. 6 ПОСЕБНА ОБЈАВА ИЗВЕШТАЈА О СТАЊУ ТЕХНИКЕ А3 / Separate publication of search report A3 ................................................................................................................................................................... 10 РЕГИСТРОВАНИ ПАТЕНТИ / Patents granted .................................................................................................... 11 OBJAVA PATENATA U IZMENJENOM OBLIKU / PUBLICATION OF THE AMENDED PATENTS ............................................................................................................................................................ -
Books Keeping for Auction
Books Keeping for Auction - Sorted by Artist Box # Item within Box Title Artist/Author Quantity Location Notes 1478 D The Nude Ideal and Reality Photography 1 3410-F wrapped 1012 P ? ? 1 3410-E Postcard sized item with photo on both sides 1282 K ? Asian - Pictures of Bruce Lee ? 1 3410-A unsealed 1198 H Iran a Winter Journey ? 3 3410-C3 2 sealed and 1 wrapped Sealed collection of photographs in a sealed - unable to 1197 B MORE ? 2 3410-C3 determine artist or content 1197 C Untitled (Cover has dirty snowman) ? 38 3410-C3 no title or artist present - unsealed 1220 B Orchard Volume One / Crime Victims Chronicle ??? 1 3410-L wrapped and signed 1510 E Paris ??? 1 3410-F Boxed and wrapped - Asian language 1210 E Sputnick ??? 2 3410-B3 One Russian and One Asian - both are wrapped 1213 M Sputnick ??? 1 3410-L wrapped 1213 P The Banquet ??? 2 3410-L wrapped - in Asian language 1194 E ??? - Asian ??? - Asian 1 3410-C4 boxed wrapped and signed 1180 H Landscapes #1 Autumn 1997 298 Scapes Inc 1 3410-D3 wrapped 1271 I 29,000 Brains A J Wright 1 3410-A format is folded paper with staples - signed - wrapped 1175 A Some Photos Aaron Ruell 14 3410-D1 wrapped with blue dot 1350 A Some Photos Aaron Ruell 5 3410-A wrapped and signed 1386 A Ten Years Too Late Aaron Ruell 13 3410-L Ziploc 2 soft cover - one sealed and one wrapped, rest are 1210 B A Village Destroyed - May 14 1999 Abrahams Peress Stover 8 3410-B3 hardcovered and sealed 1055 N A Village Destroyed May 14, 1999 Abrahams Peress Stover 1 3410-G Sealed 1149 C So Blue So Blue - Edges of the Mediterranean -
Style.Com Reveals First-Ever Fashion Yearbook Awards
STYLE.COM REVEALS FIRST-EVER FASHION YEARBOOK AWARDS NEW YORK, December 27, 2005 – STYLE.COM, the online home of Vogue & W magazines, has issued its first-ever fashion yearbook awards. Some of the highlights include: • Most Theatrical: John Galliano. No contest here. Fashion’s favorite impresario turned July’s Dior couture presentation into one for the history books. • Together Forever: Domenico Dolce & Stefano Gabbana. Never known as low key hosts, Domenico Dolce and Stefano Gabbana pulled out all the stops for their brand’s 20th anniversary celebration during Milan fashion week. • Class Cut-Up: Karl Lagerfeld. Whether palling around with Lindsay Lohan or snipping off the tips of his gloves to show off a treasure trove of Chrome Hearts rings, Monsieur Lagerfield always finds new ways to have fun. • Most Entrepreneurial: Stella McCartney for H&M. Not since that other British invasion have masses of women swooned like they did when Stella McCartney’s collection for H&M arrived at the chain’s New York City stores. • Most “Overexposed”: Tom Ford. For a designer who quit the runway early last year, we saw a lot of Tom Ford in 2005, from the Nude perfume launch to that nude photo. • Most Popular: Gwen Stefani. Gwen applied the same technique in putting together the runway show for her spring 2006 L.A.M.B. ready-to- wear collection as she did on her smash solo album. It seems no one can resist Gwen’s charm. For the complete awards list log on http://www.style.com/trends/features/year2005/ STYLE.COM STYLE.COM, a CondéNet publication, is the definitive fashion website, extending the editorial authority of Vogue and W magazines to the Internet. -
In Japan and the US and Portrayals of Women's Roles in Makeup
Megumi Taruta (1M151151-3) Graduation Thesis Definition of “Beauty” in Japan and the US and Portrayals of women’s roles in Makeup Video Advertisements of America and Japan ~Comparative Case Study on Cosmetic Brands: Maybelline New York and Maquillage ~ Graduation Thesis for Bachelors of Arts Degree Waseda University, School of International Liberal Studies, 2019 Megumi Taruta (1M151151-3) Professor Graham Law Media History/ Media Studies Seminar July 2019 1 Megumi Taruta (1M151151-3) Graduation Thesis Abstract This paper is written in order to achieve two aims: 1) find out the extent to which perceptions of beauty is similar in contemporary Japan and the US and 2) discover how the portrayals of women regarding their roles and lifestyles in recent beauty advertisements (within the last two decades) differ depending on different countries. It is a comparative case study on cosmetic brands using one brand for each country- Maybelline New York (the U.S) and Maquillage (Japan). The paper starts off with introducing the two brands by providing the history and the background information of each brand. Company information of the owners of the brands (L’Oréal and Shiseido) is also included. In addition, an overview of current makeup market in the US and Japan is also written as extra background information. The two brands are chosen due to many similarities making it a fair comparison. They are similar in terms of price, the target market and the fact that they are both owned by global beauty companies. In terms of definition of beauty, the analysis is divided into body parts: skin, lips and eyes- specifically, eyeshadow for the eyes. -
A Combat for Couture Command of Luxury Labels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 24 Issue 1 Fall 2013 Article 3 Human v. House: A Combat for Couture Command of Luxury Labels Carly Elizabeth Souther Follow this and additional works at: https://via.library.depaul.edu/jatip Recommended Citation Carly E. Souther, Human v. House: A Combat for Couture Command of Luxury Labels, 24 DePaul J. Art, Tech. & Intell. Prop. L. 49 (2013) Available at: https://via.library.depaul.edu/jatip/vol24/iss1/3 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Souther: Human v. House: A Combat for Couture Command of Luxury Labels HUMAN V. HOUSE: A COMBAT FOR COUTURE COMMAND OF LUXURY LABELS Carly Elizabeth Souther* ABSTRACT As an industry that thrives on-rather than succumbs to- adversity, the couture corporate world demands innovation and encourages risks. When combined with successful marketing and savvy business practices, these risks can result in large payoffs, which exist, primarily, due to the nature of the global fashion market.' Endless consumption drives the market, rewarding fashion houses that cater to current trends with top-line growth and damning those whom fail to suffer decreased net earnings. In order to remain a viable player in the fashion industry, the house must have the resources to market and manufacture the product in a timely manner, as well as incur the costs if a collection is poorly received. -
Hair and Power in Ovidian Love Elegy; a Discussion of Feminine Dominance and the Hair Apparent
University of Mary Washington Eagle Scholar Student Research Submissions Spring 4-29-2020 Hair and Power in Ovidian Love Elegy; A Discussion of Feminine Dominance and the Hair Apparent Lydia Eisenberg Follow this and additional works at: https://scholar.umw.edu/student_research Part of the Classics Commons Recommended Citation Eisenberg, Lydia, "Hair and Power in Ovidian Love Elegy; A Discussion of Feminine Dominance and the Hair Apparent" (2020). Student Research Submissions. 340. https://scholar.umw.edu/student_research/340 This Honors Project is brought to you for free and open access by Eagle Scholar. It has been accepted for inclusion in Student Research Submissions by an authorized administrator of Eagle Scholar. For more information, please contact [email protected]. HAIR AND POWER IN OVIDIAN LOVE ELEGY A DISCUSSION OF FEMININE DOMINANCE AND THE HAIR APPARENT A THESIS BY LYDIA G. EISENBERG SUBMITTED ON APRIL 29, 2020 IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR DEPARTMENTAL HONORS IN CLASSICS ___________________ ___________________ ___________________ Liane Houghtalin Angela Pitts Joseph Romero Abstract: When considering the love elegy of Ovid, there are multiple cases in which love, beauty, or infatuation with a woman is expressed through visual descriptions of her hair. In the Amores and Ars Amatoria, these descriptions of hair support a seemingly subjective view of beauty when compared to current hairstyle trends at the time. As a result, this view of feminine beauty suggests that the woman holds the power within the amorous relationship described. However, the nature of the hair description reduces Ovid’s view of feminine beauty to an objective one, revealing a disingenuous view of feminine power and therefore supporting Ovid’s claim to masculine dominance in the relationship. -
While We Never Made It Our Sole Mission to Expose
de sig ners all those mystifying names behind staged a grand swan-song the labels, it’s the fashion designers retrospective of his work, I attended who’ve been the mainstays of YSL’s last full couture collection at While Fashion Television, and at the heart the Intercontinental Hotel in Paris. and soul of it all. And while some “I’m afraid Yves Saint Laurent is the may beg to differ, in our eyes, the last one to think about elegant cream of the crop were always true women,” Pierre Bergé, the designer’s artists. Their crystal-clear vision, long-time business partner and inspired aesthetic, passion for former lover, told me. “Now things perfection, desire to communicate are different… Life has changed. and downright tenacity all made Maybe in a way, it’s more modern, the world a more beautiful place, and easier… I don’t want to argue we never and provided fascinating fodder for with that. Everybody has a right to us to explore. design clothes the way they feel. But for Saint Laurent, who loves Sometimes, these designers would and respects women and their be unlikely characters. Who could bodies, it’s very difficult to have guessed, the first time we understand the feel of today.” met Marc Jacobs, in 1986 at a Toronto garment factory—an Bergé went on to explain that adorable, personable kid with hair creativity, not marketing, always made it down to his elbows, eager to show came first for Saint Laurent. And us his small collection of knitwear— because of that, he was at odds that this bright designer would be with the way the fashion world heralded by Vogue 14 years later now functioned. -
Exclusively for Everybody
º SPECIAL REPORT LUXURY DECEMBER 13TH 2014 Exclusively for everybody 20141213_SRluxury.indd 1 02/12/2014 17:18 SPECIAL REPORT LUXURY Exclusively for everybody The modern luxury industry rests on a paradox—but is thriving nonetheless, says Brooke Unger AT THE TRANG TIEN PLAZA shopping mall in Hanoi, Vietnam’s capital, on some evenings a curious spectacle unfolds. Couples in wedding fin- erypose forphotographsin frontofilluminated shop windows, with Sal- vatore Ferragamo, Louis Vuitton and Gucci offering the sort of backdrop for romance more usually provided by the sea or the mountains. The women are not wearing Ferragamo’s ara pumps, with their distinctive bows, or toting uitton’s subtly monogrammed handbags. They cannot ¢ afford them. Tr¡an Cuon, who assembles mobile phones at a Sam- sung factory, posed with his fiancée in a brown suit and bow tie that cost him the equivalent of $150. Some day he hopes to become a customer in the mall. Until then, he will proudly display the photos in his home. To stumble across an out- post of European luxury in a rela- tively poor and nominally social- ist country is not all that sur- prising. Luxuries such as silk have travelled long distances for many centuries, and even modern lux- CONTENTS ury-goods makers have been pur- suing wealth in new places for 3 Definitions more than a century. Georges A rose by many names uitton, son of Louis, the inven- tor of the world’s most famous 3 History Saintly or sinful? luggage, showed off the com- pany’s flat-topped trunks (better 4 The business case for stacking than traditional Beauty and the beasts round-topped ones) at the Chica- go World’s Fair in 1893. -
CFP: GSA 2020: Panel: Fashion & Self-Fashioning
H-Germanistik CFP: GSA 2020: Panel: Fashion & Self-Fashioning: Exploring Karl Lagerfeld’s Hybrid Genius, Washington, D. C. (12.02.2020) Discussion published by Marie Müller on Tuesday, February 4, 2020 Karl Lagerfeld (1933-2019), aka “Kaiser Karl,” was a major creative force to be reckoned with: as a successful fashion designer, a prolific photographer, a voracious reader, and a world famous celebrity, he reigned unchallenged over the world of fashion for more than fifty years. Admired for his visionary flair, respected for his work ethics, feared for his biting witticism, and mocked for his vanity and arrogance, Lagerfeld was a true pop culture icon, whose unmistakable signature look were the high collar, the ponytail, and the sunglasses. While designing up to 17 collections a year for multiple fashion houses (Chanel, Fendi, Chloé, Karl Lagerfeld) for 54 years, his greatest creation though was himself: like Coco Chanel before him, he spent his life refashioning his biography. By appearing to the world as a marionette and a caricature of his own design, Lagerfeld captured the zeitgeist and embraced post-modernity better than anyone. He invented a public persona, which he carefully curated through stories about his social origins or his castrating Prussian mother, and astutely cultivated through wits, aphorisms aka “Karlisms,” and caricatures aka “Karlicatures.” For example, in his numerous magazine interviews and TV appearances, the media-savvy designer, who captivated with his wit and erudition, often caused controversies with his insensitive remarks on women’s body (British singer Adele’s corpulence) and offensive comments on German politics (German chancellor Angela Merkel’s immigration politics). -
AU-Thesis-Fulltext-20502.Pdf ( 2713.65 KB )
A Study of Factors Influencing Brand Loyalty towards a Thanakha Cosmetic in Yangon, Myanmar By Nu Nu Seng Mai A thesis submitted in partial fulfillment of the requirements for the degree of Master of Business Administration Graduate School of Business Assumption University Bangkok, Thailand November, 2016 A Study of Factors Influencing Brand Loyalty towards a Thanakha Cosmetic in Yangon, Myanmar By Nu Nu Seng Mai A thesis submitted in partial fulfillment of the requirements for the degree of Master of Business Administration in Marketing Examination Committee: 1. Asst. Prof. Dr. Sirion Chaipoopirutana (Advisor)…………………… 2. Dr. Apichart Intravisit (Chairman)………………… 3. Dr. Vorapot Ruckthum (Member)…………………... 4. Dr. Ioan Voicu (Member)…………………... Graduate School of Business Assumption University Bangkok, Thailand November, 2016 Thesis Title A Study of Factors Influencing Brand Loyalty towards A Thanakha Cosmetic in Yangon, Myanmar By Ms. Nu Nu Seng Mai Major Marketing Thesis Advisor Assistant Professor Sirion Chaipoopirutana, Ph.D. Academic Year 2016 The Graduate School of Business, Assumption University, has approved this thesis as a partial fulfillment of the requirements for the Degree of Master of Business Administration in Marketing. -------------Dean of the Graduate School of Business (Kitti Phothikitti, Ph.D.) THESIS EXAMINATION COMMITTEE ~ Chairman (External) (Associate Professor Ranee Esichaikul, Ph.D.) 9w00 a~ Thesis Advisor (Assistant Professor Sirion Chaipoopirutana, Ph.D.) ~"'~··z-:=7 " Member :pichart lntravisit, Ph.D.) Member ----+,---------Vth~ ,.t:" D1Mv~f-k_ (Vorapot Ruckthum, Ph.D.) _____,~~'--'-'-''--"---'---'----'--'----Member (loan Voicu, Ph.D.) ABSTRACT Myanmar was once an isolated pariah country in Southeast Asia which is now the fastest growing market. The country is using the new democratically elected government in order to attract the interest of investors around the world. -
Advertising, Women, and Censorship
Minnesota Journal of Law & Inequality Volume 11 Issue 1 Article 5 June 1993 Advertising, Women, and Censorship Karen S. Beck Follow this and additional works at: https://lawandinequality.org/ Recommended Citation Karen S. Beck, Advertising, Women, and Censorship, 11(1) LAW & INEQ. 209 (1993). Available at: https://scholarship.law.umn.edu/lawineq/vol11/iss1/5 Minnesota Journal of Law & Inequality is published by the University of Minnesota Libraries Publishing. Advertising, Women, and Censorship Karen S. Beck* I. Introduction Recently, a friend told me about a television commercial that so angers her that she must leave the room whenever it airs. The commercial is for young men's clothing and features female mod- els wearing the clothes - several sizes too large - and laughing as the clothes fall off, leaving the women clad in their underwear. A male voice-over assures male viewers (and buyers) that the cloth- ing company is giving them what they want. While waiting in line, I overhear one woman tell another that she is offended by the fact that women often appear unclothed in movies and advertisements, while men rarely do. During a discussion about this paper, a close friend reports that she was surprised and saddened to visit her childhood home and find some New Year's resolutions she had made during her grade school years. As the years went by, the first item on each list never varied: "Lose 10 pounds . Lose weight . Lose 5 pounds ...... These stories and countless others form pieces of a larger mo- saic - one that shows how women are harmed and degraded by advertising images and other media messages.