The Panagbenga: Ethico-Political Issues, Contestations, and Recommendations on the Cultural Sustainability of a Festival
Tafter Journal scritto da Narcisa Paredes-Canilao il 30 Luglio 2014 The Panagbenga: Ethico-Political Issues, Contestations, and Recommendations on the Cultural Sustainability of a Festival Introduction The Panagbenga is a four-week cultural festival celebrated annually in February since 1995, in the popular tourist destination of Baguio City, Philippines. Through the years, the festival has been a working coordination between the City Government, private sectors, and the Baguio Flower Festival Foundation, Inc. (BFFFI). Based on its recent enactments, the festival’s mandated objective has become more coherent, which is “to promote the city’s culture, unity among its people, tourism and economic industries and [to showcase] Baguio as a City of Flowers” (AO No. 008-S. 2014). The integration of environmental concerns, are indicated in some specific environmental policies and the designation of an environment/technical committee as one of the support committees. Examined literature, and documents plus oral interviews for the study, commonly trace the origins of Panagbenga to a Baguio direly needing to reclaim a sense of place, to reaffirm solidarity among its people, and, to prove it has risen anew as a worthy tourist destination, all after its devastation by a 7.7 magnitude earthquake (on the Richter Scale), in 1990. Many of its tourist attractions, hotels, schools, government buildings, and art centers were either leveled to the ground or structurally damaged, and many lives perished, turning the city into a veritable ghost town. Baguio’s status as a Northern hub of government, commerce, culture, and tourism was adversely affected. Baguio’s history of development from a pre-colonial settlement of Ibaloi families (Bagamaspad and Hamada-Pawid, 1985), into a multi-ethnic and multi-cultural city, consists of several milestones (see also, Fry, 1983; Reed, 1999; Scott, 1974, 1981; Tolentino, 2007).
[Show full text]