Howcas% Set February 21, 1970 '^ Ly CBS-' Int's

Total Page:16

File Type:pdf, Size:1020Kb

Howcas% Set February 21, 1970 '^ Ly CBS-' Int's he New Hollywood Music (Editorial) . Anti-Pb^ yiusic To Fill Air? . , . Chappell Sets New Executive -unctions To Achieve Total Music' Look . U S. Act »howcas% Set February 21, 1970 '^ ly CBS-' Int'S ^ol In Eng . J.S. To Be Tom Jones Fest This Summer . Jame Nistri CB Int'l Director ... A. Schroeder luilds Operation On No-Merger Philosophy . lAIR' GROWS ON INT'L SECTION BEGINS ON PAGE 51 Theygot oii on ihewrongapple. And that’s where Gary Puckett and The Union Gap’s new single begins'' (Lets Give Adam and Eve) Another Chance.”A compelling rock-gospel song that ought to go all the way. And that shouldn’t be surprising. Because Gary Puckett just seems to have one hit single after another. So you don’t need too much help picking them. Gary Puckett and The Union Gap 99 (Lets GiveAdam And Eve) Another Chance (4S-45097) On Columbia Records h ® "COLUMBIA,"gMARCAS REG. PRINTED IN U.S.A. CcishBoK VOL XXXI - Number 30/February 21, 1970 Publication Office/ 1780 Broadway, New York, New York 10019 / Telephone JUdson 6-2640/Cable Address: Cash Box, N Y, GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor ALLAN RINDE West Coast Editor JOHN KLEIN NORMAN STEINBERG ED KELLEHER EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING EERNIE BLAKE Director of Advertising The ACCOUNT EXECUTIVES New STAN SOIFER, New York HARVEY GELLER, Hollywood WOODY HARDING Art Director COIN MACHINE & VENDING Hollywood Music ED ADLUM General Manager BOB COHEN, Assistant CAMILLE COMPASIO, Chicago LISSA MORROW, Hollywood CIRCULATION THERESA TORTOSA, Mgr. HOLLYWOOD HARVEY GELLER 6430 Sunset Blvd., Hollywood, Calif. 90028 Phone: (213) 465-2129 ~ NASHVILLE JUANITA JONES 806 16th Ave. South, Nashville, Tenn. 37203 Phone: (615) 244-2898 While it’s true that Hollywood has has been a sufficient amount of success CHICAGO CAMILLE COMPASIO more valid claim today to its slogan of from the new breed of film-makers so 29 E. Madison St., Chicago, III. Phone: (312) FI 6-7272 old that “Movies are Better Than Ever,” that they are given complete artistic INTERNATIONAL DIRECTOR the films are less a product of Holly- freedom, including the choice of their CARLO NISTRI wood sound stages. For the made-in- musicmakers— in performing talent 3 Cork Street, London Tel. 01-7342374 Hollywood stamp is largely a dateline of and/or writers. Thus, people who are ENGLAND ITALY closer to in DORRIS LAND BRUNO POZZA the past as feature-film making in Holly- the music scene tempera- 3 Cork Street 5, Corso Europa wood seems to be grinding to a halt. ment are providing for a new fresh London Milan Major film studios are making the tran- sound in motion-pictures, one that can Tel. 01-7342374 Tel: 704691 sition to financial backers and distribu- actually advance the theme of their GERMANY HOLLAND PAUL ACKET tors for vehicle. At present, they to be CHRISTIAN TOERSLEFF and, except TV work and an seem Theresiastraat 59-63 2 Hamburg 56 occasional vehicle that Holly- working on the honest basis of recruit- The Hague requires Leuchtturmeg 30 Tel: 837700 wood’s magical deftness in recreating ing musical talent that can best meas- Tel: 34-91-94-86 BELGIUM the past or future, there’s little doing ure-up to the nature of the film, rather Etienne Smet BRAZIL where the big studios are calling than going with a “hot” artist or writer PEDRO FRAZAO Hugo Verrieststraat 87 the DE VASCONCELOS Sint-Niklaas (wass) creative shots. who did wonders for one film, but Tel: 76.48.80 Rua Frei 1 (03) Caneca, 1, Apt. 13 Of course, Hollywood remains the could harm the image of another. Of Sao Paulo, S.P., Brazil AUSTRALIA Tel: 239.40 18 catalyst course, it too not RON TUDOR behind the financing of films may be asking much ARGENTINA 8 Francis St., that are now being created in settings to expect a re-uniting of film and music- Heathmont, Victoria MIGUEL SMIRNOFF that are logical extensions of the real- making forces that clicked previously— Tel: 870-5677 Belgrano 3252, Piso 4 "B" but, is greater Buenos Aires, Argentina MEXICO ism trend, whose very format, by the again, we believe there Tel: 89-6796 SALVADOR ARREGUIN way, keeps production costs down honesty today in this kind of casting. CANADA ANTONIO SENS Tiber 100 — 8 Pisos while quality and reception by the pub- WALT GREALIS 7 y RPM Mexico 5, D.F. lic remain high. We think this develop- By breaking the ground-rules of old Tel: 25-39-52 11-62-96 1560 Bayview Ave. ment whereby new creative talent offers and by breaking away from thinking of Toronto 17, Ontario JAPAN to the public films of relevancy to of indie Tel: (416) 89-2166 Adv. Mgr. our old, the successful new breed SHOICHI KUSANO times is a good one for music, espe- moviemakers is giving music a new, FRANCE Editorial Mgr. FRANC G. LIPSIC MORIHIRO NAGATA cially the sounds appreciated by the vital role in the art of film. And there is 32 Rue De Moulin Julv 466 Higfashi-OIzumi youth market. Music, of course, is a no doubt that this music makes the Paris XI Neirimaku Tel. 023-90-06 Tokyo major factor in the “now” film market, transition to recordings far better than and the people who produce these films the choppy soundtrack music of a trad- SUBSCRIPTION RATES $30 per year anywhere in the USA., Published weekly by Cosh Box, 1780 Broadway, New York, N.Y. are fully aware of the need to make use itional nature. (See this week’s Holly- 10019. Second class postage paid at Hartford, Conn. 06105 U.S.A. of music in their films in a way that in wood section of Insights & Sounds for Copyright © 1970 by The Cosh Box Publishing Co., Inc. All rights reserved. Copyright under Universal Copyright Convention. many ways substitute for dialog. There further elaboration on this subject) y\\ 'r ' «•;.•;•<• ''•. y\U- ''«'..v.'>^ GashBoxTOPIOD February THANK YOU HE AIN’T HEAVY, CELEBRATE Sly & Family Stone-Epic 10555 2 2 HE’S MY BROTHER Three Dog Night-Dunhill 4229 — — HEY THERE LONELY GIRL Hollies-Epic 10532 49 62 GOTTA GET BACK TO YOU S Ed Hoiman-ABC 11240 5 12 NEVER HAD A DREAM Tommy James & The Shondells-Roulette 7073 81 — VENUS COME TRUE DO THE FUNKY CHICKEN Shocking Blue-Colossus 108 1 1 Stevie Wonder-Tamla 54191 44 54 : Rufus Thomas-Stax 0059 79 91 NO TIME OH WHAT A DAY THE DECLARATION Guess Who-RCA 0300 8 8 Dells-Cadet 5663 39 45 5th Dimension-Bell 860 80 — BRIDGE OVER TROUBLED OH ME, OH MY TEMMA HARBOUR WATER Lulu-Atco 6722 46 64 Mary Hopkins-Apple 1816 — — Simon & Garfunkel-Columbia 45079 18 50 HOUSE OF THE RISING SUN INSTANT KARMA PSYCHEDELIC SHACK Frijid Pink-Parrot 341 60 70 t John Ono Lennon-Apple 1816 — — Temptations-Gordy 7096 11 19 I’VE GOTTA MAKE I JUST CAN’T HELP RAINDROPS KEEP FALLIN' ON YOU LOVE ME FALLING IN LOVE Steam-Mercury 73020 48 MY HEAD Al Martino-Capitol 2746 85 - 4 4 IN B. J. Thomas-Scepter SPS 12265 40 EARLY THE MORNING 74 Vanity Fare-Page One 027 10 SUPERSTAR RAINY NIGHT IN GEORGIA Murray Head-Decca 732603 78 81 Brook Benton-Cotillion 44057 15 22 41 WINTER WORLD OF LOVE Engelbert Humperdinck-Parrot 40044 13 75 IF YOU’VE GOT A HEART Bobby Bland-Duke 458 75 - ARIZONA IT’S Mark Lindsay-Columbia 45037 9 11 42) A NEW DAY James Brown-King 6292 _ COME AND GET IT • Badfinger-Apple 1815 87 100 I’LL NEVER FALL IN LOVE AGAIN «iCiiii^irc.i\ 1 v/mr rvii^o Dionne Warwick-Scepter 12273 7 6 Street People-Musicor 1365 37 COME TOGETHER m Ike & Tina Turner-Minit 32087 HONEY COME BACK (44) CALL ME Glen Campbell-Capitol 2718 12 18 Aretha Fran'kiin-Atlantic 2706 53 - 78 DOWN IN THE ALLEY WALK A MILE IN MY SHOES 45 MONSTER Ronnie Hawkins-Cotillion 44060 84 89 Joe South-Capitol 2704 13 17 Steppenwolf-Dunhill 4221 24 (g) SPARKLE & SHINE TRAVELIN’ BAND EASY COME, EASY GO Clique-White Whale 338 Creedence Clearwater Revival-Fantasy 637 16 23 v_y Bobby Sherman-Metromedia 177 98 SILLY SILLY FOOL MA BELLE AMIE 47 MOON WALK (D Dusty Springfield-Atlantic 2705 Tee Set-Colossus 107 23 39 Joe Simon-Soundstage 7 2651 41 81 HEARTBREAKER 1 WANT YOU BACK 48 FANCY Grand Funk Railroad-Capitol 2732 88 97 Jackson 5-Motown 1157 3 3 Bobbie Gentry-Capitol 2675 31 82 VICTORIA THE THRILL IS GONE 49 IF 1 NEVER KNEW YOUR NAME Kinks-Reprise 0863 90 92 B. B. King-Bluesway 61032 20 25 Vic Dana-Liberty 56150 58 83 JUST SEVENTEEN - WHO’LL STOP THE RAIN 50 WHY SHOULD 1 CRY The Raiders-Columbia 45022 89 Creedence Clearwater Revival-Fantasy 637 21 33 Gentrys-Sun 1108 61 84 YOU’RE THE ONE Pt. II RAPPER MY ELUSIVE DREAMS Little Sister-Stone Flower 9000 98 - Jaggerz-Kama Sutra 502 28 42 Bobby Vinton-Epic 10576 73 STIR IT UP AND SERVE IT BABY TAKE ME IN YOUR ARMS 52 IF WALLS COULD TALK Tommy Roe-ABC 11258 Jefferson-Janus 106 19 20 / Little Milton-Checker 1226 59 — 86 OH WELL PART I WITHOUT LOVE LOVE GROWS Fleetwood Mac-Reprise 0883 94 94 - Tom Jones-Parrot 40045 6 5 Edison Lighthouse-Bell 858 87 1984 WALKIN’ IN THE RAIN SOMETHING’S BURNING Spirit-Ode 128 95 - vL Jay & Americans-UA 50605 14 15 Kenny Rogers & First Edition-Reprise 0888 76 88 COMIN’ HOME WHOLE LOTTA LOVE 55 BLOWING AWAY Delaney & Bonnie & Friends-Atco 6725 96 - Led Zeppelin-Atlantic 2690 10 7 Fifth Dimension-Soul City 780 14 UNTIL IT’S TIME ALWAYS SOMETHING THERE WALKING THROUGH FOR YOU TO GO TO REMIND ME THE COUNTRY Neil Diamond-Uni 55204 R B.
Recommended publications
  • Final Program
    Final Program Up to 37 CME credits Join the Congress conversation #ISUOG2015 The Society of Women’s Imaging Welcome to our growing ISUOG community With a mission to improve women’s healthcare through the provision and dissemination of the highest quality education and research, growth is important to us. , All fully paid Congress delegates are now ISUOG members 13300 for 2016. You can enjoy your membership benefits immediately. Turn to page 11 to read more about the opportunities and to get involved in our activities here in Montréal or visit our ISUOG Lounge. “Welcome to the World Congress in Montréal - our 25th ISUOG World Congress. 46% Growth in ISUOG is dedicated to ensuring that members in all women have access to competent ultrasound and that obstetric and Asia 60% gynecological conditions are effectively Growth in members diagnosed. Membership growth is a core strategy towards this, so I am really proud Australasia that we have achieved our ambitious target of 10,000 members by 2015! Our increasing international flavour continues, with more content in more languages. As we enter our 25th birthday year I am excited to see what the future holds for ISUOG.” 2400 new members in South / Central 73% America Growth in members in Aris Papageorghiou Africa Chair, Membership Development Committee Join the Congress conversation #ISUOG2015 CONTENTS Contents Essential information Invited faculty 4 Welcome to Montréal 5 Speaker declarations and CME accreditation 6 Dates and times 7 Social program 8 - 9 General information 10 Discover more about
    [Show full text]
  • Dec. 22, 2015 Snd. Tech. Album Arch
    SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London.
    [Show full text]
  • Descendants of Robert Mcclish On
    Descendants of Robert McCLISH Sue McClish Melton Table of Contents .Descendants . of. Robert. McCLISH. 1. .Name . .and . Location. .Indexes . 220. Produced by: Sue McClish Melton, 1018 Whites Creek Pike, Nashville, Tennessee, 37207, 775/513/1719, [email protected], mcclish-family-history.blogspot.~ Descendants of Robert McCLISH 1-Robert McCLISH {MKK 2}1 was born in 1780 in Londonderry Twp, Bedford, PA and died in Jul 1860 in Nottingham, Wells County, Indiana at age 80. Robert married Lydia Sylvia THATCHER, daughter of Isaac THATCHER and Mary Elizabeth (THATCHER), on 24 Jan 1806 in , Columbiana County, Ohio.2 Lydia was born in 1790 in , Tuscarawas County, Ohio and died in 1814 in , Tuscarawas County, Ohio at age 24. They have three children: John M., Rachel, and Jas. 1830 US Census Noted events in their marriage were: • Alt Marriage: 16 Jun 1806, Columbiana County, Ohio. Information from Family Tree: From here and Back again owned by Sheila Sommerfeld Noted events in her life were: • She has conflicting death information of 1813. • 2-John M. McCLISH {MKK 12}3 was born in 1810 in , Tuscarawas County, Ohio and died on 25 Dec 1909 in Rudolph, Wood, Ohio at age 99. Another name for John was John McLEISH. Noted events in his life were: • He worked as a farmer.4 1850 Census John and Margaret McClish (1850) John married Margaret ROBERTSON,5 daughter of {MKK 12} and Unknown, in 1836 in , Beaver County, Pennsylvania. Margaret was born in 1816 in , , Ohio. Another name for Margaret was Mary (MCCLISH). They have ten children: Martha Jane, Lydia, Mary Ann, Elizabeth, Abraham, Rachel, Margaret, Robert, Appleline, and Nancy M.
    [Show full text]
  • MA Thesis: Linguistics: English Language and Linguistics
    MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 1 The Stylistics of Language Switches in Lyrics of Entries of the Eurovision Song Contest MA thesis: Linguistics: English Language and Linguistics Sean de Goede S0871346 First reader: Tony Foster Second reader: Lettie Dorst Leiden University Faculty of Humanities Department of Linguistics 08-06-2015 Language Switches in Eurovision Song Contest Lyrics 2 Acknowledgements It did not come as a surprise to the people around me when I told them that the subject for my Master’s thesis was going to be based on the Eurovision Song Contest. Ever since I was a little boy I have been a fan, and some might even say that I became somewhat obsessed, for which I cannot really blame them. Moreover, I have always had a special interest in mixed language songs, so linking the two subjects seemed only natural. Thanks to a rather unfortunate turn of events, this thesis took a lot longer to write than was initially planned, but nevertheless, here it is. Special thanks are in order for my supervisor, Tony Foster, who has helped me in many ways during this time. I would also like to thank a number of other people for various reasons. The second reader Lettie Dorst. My mother, for being the reason I got involved with the Eurovision Song Contest. My father, for putting up with my seemingly endless collection of Eurovision MP3s in the car.
    [Show full text]
  • 1 2 | Lonestarmusic Lonestarmusic | 3
    LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue SHOVELS AND ROPE pg 38 O’ What Two Can Do The triumphant union, joyful noise and crazy good times of Cary Ann Hearst and Michael Trent by Kelly Dearmore FEATUREs 34 Q&A: Paul Thorn — By Lynne Margolis 48 Sunny Sweeney finds the light — By Holly Gleason 52 Lee Ann Womack: When I come around — By Richard Skanse 56 Cory Branan: The wandering musical spirit of Americana’s free-ranging “No-Hit Wonder” — By Adam Daswon 58 Imagine Houston: An excerpt from Reverb, the new novel by Joe Ely Photo courtesy of All Eyes Media 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Design: Melissa Webb Advertising/Marketing: Kristen Townsend Apart from the opportunity to work with a team of really good people Advertising: Tara Staglik, Erica — especially graphic designer Melissa Webb, who I’d already known and Brown greatly respected for years — one of the things that appealed most to me Artist & Label Relations: Kristen Townsend about joining this magazine five years ago was owner Zach Jennings’ vision that LoneStarMusic could be about more than just Texas music. Even more Contributing Contributing and Writers Photographers than Texas Red Dirt music. We all agreed that we would still focus on songwriters and roots and/or country(ish) music — pretty much anything Richard Skanse John Carrico that could directly or even indirectly fall under the category of “Americana” in Lynne Margolis Lynne Margolis Brian T.
    [Show full text]
  • Andy Roberts Urban Cowboy 01
    ANDY ROBERTS 01 URBAN COWBOY www.thebeesknees.com ANDY ROBERTS 02 URBAN COWBOY The first seeds for this album were sown in October 1970. Everyone, my Morgan Studios had been started by well-known drummer Barry Morgan post Liverpool Scene band, was put out of business in a devastating four years before, and was Samwell’s studio of choice. His principal client instant when our long wheelbase Transit was side swiped in Basingstoke in those days was Cat Stevens, who was well on his way to being a global by a jack-knifing flatbed, killing Paul Scard, our 19-year-old roadie, and superstar. One day after a Matthews session I was taking my time packing injuring Andy Rochford, his colleague. up my guitars, when in strolled Alan Davies, who was Steve’s right hand man on acoustic (still is, as far as I know). Alan and I knew each other from The musicians in the band were all safely back in London when it way back, when we had both at various times played with Jeremy Taylor happened. Earlier we had played at Southampton University, and I was and Sydney Carter. I showed him the Kriwaczek String Organ I had with Plainsong rehearsal photographs by Harry Isles sitting in drummer John Pearson’s kitchen in Bruton Place, having a cup me (a unique stringed instrument, designed by a great friend of mine, of of tea with John, Dave Richards and Paul, when Andy Rochford phoned up which I was at that time the sole exponent!), and then we began playing to ask if Paul could possibly return to Southampton to fetch him.
    [Show full text]
  • Fei Wbfsh World Ranking List - Jumping Horses
    FEI WBFSH WORLD RANKING LIST - JUMPING HORSES Final list, including results from events starting from 01.10.2008 to 30.09.2009 Total Year of Rank Horse namePoints FEI pass No Birth SexBreed Studbook Sire Dam Dam's Sire 1 HICKSTEAD 1865 NED06921 1996 STALLION KWPN KWPN HAMLET JOMARA EKSTEIN 2 ROBIN HOOD W 1787 GBR14083 1998 GELDING KWPN KWPN ANIMO MELISIMO LIBERO H 3 THE SIXTH SENSE 1700 GER23510 1996 GELDING WESTF WESTF ZORRO T GRANADA GRANNUS-GRANIT 4 SAPPHIRE 1636 USA09251 1995 MARE BWP BWP DARCO IDJAZ C HEDJAZ 5 OKIDOKI 1594 NED06141 1996 GELDING KWPN KWPN JODOKUS KENTUCKY TOPAS 6 SHUTTERFLY 1556 GER17231 1993 GELDING HANNOVERA HANN SILVIO I FLAMM FORREST XX 7 CASH 63 1465 GER24512 1996 GELDING HOLST HOLST CARTHAGO V.2 LAVALL II 8 ITOT DU CHATEAU ISOVLAS 1458 FRA10184 1996 GELDING SF SF LE TOT DE SEMILLY SOPHIE DU CHATEAU GALOUBET A 9 KRAQUE BOOM*BOIS MARGOT 1387 FRA12422 1998 STALLION SF SF OLISCO BABY BOOM IV JOYAU D'OR A 10 JUBILEE D’OUILLY 1353 FRA12611 1997 MARE SF SF PALESTRO II GARDENIA GRAPHIT 11 ULYSSE 1323 BEL10603 1997 GELDING BWP BWP NONSTOP QARPADO JUS DE POMME 12 CRISTALLO 1310 USA10037 1998 GELDING HOLST HOLST CARETINO CAMBRINA CICERO 13 PEU A PEU 4 1308 SUI08520 1996 GELDING WESTF WESTF POLYDOR FERRARA FRUHLINGSBALL 14 LOVE AFFAIR 1285 USA10674 1999 MARE SFB SF QUICK STAR GARANTIE(DE) GRAGENIT 15 KELLEMOI DE PEPITA 1278 FRA13397 1998 MARE SFA SF VOLTAIRE PEPITA DU PARC JALME DES MESNULS 16 CADETT 7 1266 GER22417 1997 GELDING HOLST HOLST COR DE LA BRYERE GINELLA I CAPITOL I 17 CEDRIC 1125 NED07862 1998 GELDING DUTCH
    [Show full text]
  • Essential Blues Discography
    ESSENTIAL BLUES DISCOGRAPHY ESSENTIAL BLUES DISCOGRAPHY Edited by Francesco Piccolo First Edition July2015 Second Edition May 2016 Third Edition October 2016 Reference Book Francesco Piccolo - STORIA DEL BLUES - Gli Eventi, gli Stili, i Protagonisti Web Site www.thesixstrings.com This Book is available for free download at www.thesixstrings.com Contents 1 PREFACE .......................................................................................... 3 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS ..... 5 3 COUNTRY BLUES ............................................................................ 7 4 CLASSIC BLUES ERA .................................................................... 13 5 URBAN BLUES ............................................................................... 15 6 RHYTHM AND BLUES, ROCK 'N' ROLL ,SOUL, FUNK ................ 25 7 ROCK BLUES ................................................................................. 33 1 PREFACE The following discography has no pretensions of completeness but just wants to be a guide providing suggestions to understand the various styles of Blues. For a more complete discography please refer to the discographies of individual artists, sites and specialized publications. 3 4 2 WORK SONGS, BALLADS, SPIRITUALS, MINSTREL SONGS BALLADS Ol'Riley Frankie and Albert "Ballad of John Henry Midnight Special SPIRITUALS Go down Moses Steal Away to Jeasus Nobody knows the trouble I've seen Deep River Swing Low, Sweet Chariot Shout for Joy Joshua Fit the Battle of Jerico The Great Camp
    [Show full text]
  • Lps Page 1 -.:: GEOCITIES.Ws
    LPs ARTIST TITLE LABEL COVER RECORD PRICE 10 CC SHEET MUSIC UK M M 5 2 LUTES MUSIC IN THE WORLD OF ISLAM TANGENT M M 10 25 YEARS OF ROYAL AT LONDON PALLADIUM GF C RICHARD +E PYE 2LPS 1973 M EX 20 VARIETY JOHN+SHADOWS 4 INSTANTS DISCOTHEQUE SOCITY EX- EX 20 4TH IRISH FOLK FESTIVAL ON THE ROAD 2LP GERMANY GF INTRERCORD EX M 10 5 FOLKFESTIVAL AUF DER LENZBURG SWISS CLEVES M M 15 5 PENNY PIECE BOTH SIDES OF 5 PENNY EMI M M 7 5 ROYALES LAUNDROMAT BLUES USA REISSUE APOLLO M M 7 5 TH DIMENSION REFLECTION NEW ZEALAND SBLL 6065 EX EX 6 5TH DIMENSION EARTHBOUND ABC M M 10 5TH DIMENSION AGE OF AQUARIUS LIBERTY M M 12 5TH DIMENSION PORTRAIT BELL EX EX- 5 75 YEARS OF EMI -A VOICE WITH PINK FLOYD 2LPS BOX SET EMI EMS SP 75 M M 40 TO remember A AUSTR MUSICS FROM HOLY GROUND LIM ED NO 25 HG 113 M M 35 A BAND CALLED O OASIS EPIC M M 6 A C D C BACK IN BLACK INNER K 50735 M NM 10 A C D C HIGHWAY TO HELL K 50628 M NM 10 A D 33 SAME RELIGIOUS FOLK GOOD FEMALE ERASE NM NM 25 VOCALS A DEMODISC FOR STEREO A GREAT TRACK BY MIKE VICKERS ORGAN EXP70 M M 25 SOUND DANCER A FEAST OF IRISH FOLK SAME IRISH PRESS POLYDOR EX M 5 A J WEBBER SAME ANCHOR M M 7 A PEACOCK P BLEY DUEL UNITY FREEDOM EX M 20 A PINCH OF SALT WITH SHIRLEY COLLINS 1960 HMV NM NM 35 A PINCH OF SALT SAME S COLLINS HMV EX EX 30 A PROSPECT OF SCOTLAND SAME TOPIC M M 5 A SONG WRITING TEAM NOT FOR SALE LP FOR YOUR EYES ONLY PRIVATE M M 15 A T WELLS SINGING SO ALONE PRIVATE YPRX 2246 M M 20 A TASTE OF TYKE UGH MAGNUM EX EX 12 A TASTE OF TYKE SAME MAGNUM VG+ VG+ 8 ABBA GREATEST HITS FRANCE VG 405 EX EX
    [Show full text]
  • Full Programme As
    Notes Contents Contents 1 Abstracts (Alphabetically by Presenter) 4-20 Programme (Friday) 22-24 Programme (Saturday) 25-28 Programme (Sunday) 29-32 Underdog - THE AFTER PARTY - All Days 33 Films 34-35 Performers 37 Speaker Bios 38-46 Artists Bios 47-48 Sponsors 52 Contributors 53 Media Partners 53 Acknowledgements 50-51 University Map 55 Venue Map 56 General Info 57 Notes 57-60 Break Times Friday Saturday & Sunday 11:00 - 11:30 Break 11:00 - 11:30 Break 13:30 - 14:30 Lunch 13:00 - 14:30 Lunch Artwork: maze & brain logos by Blue Firth, front cover by Judith Way, inside back cover 16:30 - 17:00 Break 16:30 - 17:00 Break by Cameron Adams, back cover background by Dave King, booklet design and layout Giorgos Mitropapas Programme Design by Giorgos Mitropapas - www.gmitropapas.com 60 1 Notes 2 59 General Info Transport There is transport info on the website http://breakingconvention.co.uk/location/ and London transport info is available from http://www.t! .gov.uk Catering Regrettably there are no refreshments available in the conference centre during the weekend but you can bring your own and there are numerous cafés around outside the university within easy walking distance (5-10 mins) and we have reasonably long breaks. The university refectory is also open in the adjacent building (Queen Mary) and is serving cold snacks/meals and hot/cold drinks, but on Saturday & Sunday only! If you are a tea or co" ee addict, like me, you might consider bringing a ! ask of the black stu" to keep your blood-ca" eine levels high or be prepared for a small stroll to get your # x.
    [Show full text]
  • Goldenjubilee Entomologist.Pdf (3.369Mb)
    Golden Jubilee 1959- 50 years -2009 The Virginia Tech ENTOMOLOGIST m part en e t o D f h E c n e t o T m a i o n i l o g g r i y V 50 1 9 959-200 Dedicated to the memory of our rst Department Head James McDonald Grayson “Eulogy for Daddy” delivered by Nancy L. Grayson, March 10, 2008 On behalf of my sisters, our mother, and the rest of our family, I want to thank you – each of you – for being here with us today to celebrate the life of a man who was incredibly dear to us and, I suspect, most of you as well. So many people have come up to us in recent years to tell us how much they admired and appreciated daddy. They’ve recounted wonderful stories that we’ve loved hearing. Almost invariably, what has come through most strongly in these stories and memories is his deep integrity, his fairness in dealing with people, and his lack of pretension. Daddy really did value people for their character and accomplishments, not for their looks or their money or their social standing. He didn’t have much truck with people who put on airs or thought overly well of themselves. He had a particularly fine sense of proportion regarding life’s values and priorities that stemmed in part, I think, from his upbringing in the mountains of Southwest Virginia. Daddy grew up on a farm near Austinville in Wythe County and, for the first eight grades, went to school in a one-room schoolhouse.
    [Show full text]
  • B R O a D Vraoi 9ÁÂ 14 Sebttiq0 Á I Á I£N A2ejjo3 Apze2u;Usog the BUSINESSWEEKLY O IO
    SEPTEMBER 29, 1958 THIRTY-FIVE CENTS - 29dM6,3 - B R O A D vraoi 9ÁÂ 14 sEBttIQ0 á I Á i£N a2ejjo3 apze2u;usog THE BUSINESSWEEKLY O IO Aftermath: Federal grand jury indicts Mack, Whiteside Page 27 Spearhead in VTR revolution: BBDO converts live to tape Page 31 Craven warns broadcasters to keep guard up on spectrum Page 52 Bullish about radio: Sales upswing seen for last half Page 80 Batting average (share of audience) up five months in a row. On any basis of measurable results-sales, cost -per -proof -of- purchase, or ratings - WMGM scores for advertisers at the lowest cost of any radio station in the Nevi York metropolitan area. wnngmRADIO NEW YORK CITY station in town liveliest 50.000 watts 6`tQ))l AID X1105 AVIie17 1F)2110"i ?,',11SnNI10-1nIA' WMGM -station of the champions-broadcasts the World Series The Metro -Goldwyn -Mayer Radio &tatlon In New York -1050 kc 400 Park Avenue Phone MUrray Hill 8-1000 Represented Nationally by George P. Ho//ingbery Co. NOW AVAILABLE NEW MERCHANDISING PLAN. DETAILS ON REQUEST. Territorial Governor of Alaska, Mike Stepovich, on the left, Compton, KVTV newsman, who was on hand, to record shown here accepting a film of Iowa's Governor Loveless personally, this history -making event of Alaska's becoming welcoming Alaska to the Union. Presenting the film is Dick the 49th state for KVTV viewers. WHEN THE BIG NEWS WAS ALASKA A KVTV NEWSMANWAS THERE Dick Compton's trip to Alaska is typical KVTV believes it has a responsibility to of the traveling KVTV newsmen do to the people it serves.
    [Show full text]