DOCSLIB.ORG

Bobby Hutcherson Now! Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Bobby Hutcherson Now! Mp3, Flac, Wma Bobby Hutcherson Now! mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Now! Country: US Released: 2004 Style: Soul-Jazz, Post Bop MP3 version RAR size: 1202 mb FLAC version RAR size: 1963 mb WMA version RAR size: 1972 mb Rating: 4.3 Votes: 766 Other Formats: FLAC AA AHX VQF AIFF APE MP2 Tracklist Hide Credits Slow Change 1 7:14 Written-By – B. Hutcherson*, G. McDaniels* Hello To The Wind 2 5:56 Written-By – G. McDaniels*, J. Chambers* Now 3 2:44 Written-By – B. Hutcherson*, G. McDaniels* The Creators 4 12:32 Written-By – Herbie Lewis Black Heroes 5 7:03 Written-By – Harold Land Slow Change 6 5:05 Written-By – B. Hutcherson*, G. McDaniels* Now 7 2:49 Written-By – B. Hutcherson*, G. McDaniels* Hello To The Wind 8 3:06 Written-By – G. McDaniels*, J. Chambers* Now (Reprise) 9 1:43 Written-By – B. Hutcherson*, G. McDaniels* Companies, etc. Record Company – Capitol Records, Inc. Manufactured By – Blue Note Records Phonographic Copyright (p) – Blue Note Records Copyright (c) – Blue Note Records Recorded At – A&R Studios Recorded At – Hollywood Bowl Credits Arranged By – Dale Oehler (tracks: 6 to 9) Bass – Herbie Lewis (tracks: 1 to 5), James Leary (tracks: 6 to 9) Conductor – Calvin Simmons (tracks: 6 to 9) Congas – Candido Camero* (tracks: 1 to 5) Drums – Eddie Marshall (tracks: 6 to 9), Joe Chambers (tracks: 1 to 5) Engineer [Recording] – Dave Sanders (tracks: 1 to 5), Don Hahn (tracks: 6 to 9) Guitar – Wally Richardson (tracks: 1 to 5) Mastered By [In 24-bit Resolution] – Ron McMaster Mixed By [Remixed From The Original Multi-track Masters In 1978] – Don Hahn (tracks: 6 to 9) Mixed By [Remixed From The Original Multi-track Masters In 1998] – Malcolm Addey (tracks: 1 to 5) Orchestra – L.A. Philharmonic Orchestra* (tracks: 6 to 9) Percussion – Bobbye Porter Hall* (tracks: 6 to 9) Piano – George Cables (tracks: 6 to 9), Kenny Barron (tracks: 2, 3), Stanley Cowell (tracks: 1, 4, 5) Producer – Duke Pearson (tracks: 1 to 5), George Butler (tracks: 6 to 9) Reissue Producer – Michael Cuscuna Tenor Saxophone – Harold Land (tracks: 1 to 5) Tenor Saxophone, Soprano Saxophone – Manny Boyd (tracks: 6 to 9) Vibraphone [Vibes] – Bobby Hutcherson Vocals – Gene McDaniels* (tracks: 1 to 5) Vocals [Group] – Albertine M. Robinson* (tracks: 2, 3), Christine Spencer (tracks: 1 to 5), Eileen Gilbert (tracks: 1, 4, 5), Hilda Harris (tracks: 2, 3), Maeretha Stewart (tracks: 1, 4, 5) Notes Recorded at A & R Studios, New York, on October 3 (tracks 2 & 3) and November 5 (tracks 1, 4, 5), 1969 and live at the Hollywood Bowl, Los Angeles on August 13, 1977 (tracks 6-9) Tracks 1-5 originally issued as Now (Blue Note BT 84333) Tracks 6-9 originally issued on Blue Note Meets The L.A. Philharmonic (Blue Note BN-LA 870) Barcode and Other Identifiers Barcode: 7243 4 73164 2 5 Other versions Category Artist Title (Format) Label Category Country Year BST-84333, BST Bobby Now! (LP, Blue Note, Blue BST-84333, BST US 1970 84333 Hutcherson Album) Note 84333 Heavenly HSV022VL, Now! (LP, HSV022VL, Bobby Sweetness, BST-84333, BST Album, RE, BST-84333, BST France 2009 Hutcherson Blue Note, Blue 84333 180) 84333 Note BST 84333, Bobby Now! (LP, Blue Note, Blue BST 84333, US 1970 BST–84333 Hutcherson Album) Note BST–84333 Bobby Now! (LP, BST-84333 Blue Note BST-84333 US 1972 Hutcherson Album) Now! (CD, 7243 8 66742 2 Bobby Album, Copy 7243 8 66742 2 Blue Note Europe 2004 7 Hutcherson Prot., Ltd, RE, 7 RM) Related Music albums to Now! by Bobby Hutcherson Various - Inside Blue Note Connoisseur Series Jazz Bobby Hutcherson - Total Eclipse Jazz Eugene McDaniels - Tell Me Mr. President Jazz / Funk / Soul Bobby Hutcherson - Dialogue Jazz Gene McDaniels - The Wonderful World Of: Gene McDaniels Funk / Soul Bobby Hutcherson - Spiral Jazz Bobby Hutcherson - Knucklebean Jazz Bobby Hutcherson Featuring Harold Land - San Francisco Jazz Christopher McDaniels - A Woman's Touch Electronic Bobby Hutcherson - Stick-Up! Jazz.
Load more

Recommended publications
  • Library Hour Cuts Cause Concern
    Sept. 3,1981 UNIVERSITY OF MISSOURI-SAINT LOUIS Issue 400 UMSL feels crunch Library hour cuts cause concern Lacey Burnette the evening college students the hardest. " Budget cuts have forced Li­ This year's library budget is Library Budget Comparison brary Director Ronald Krash to 12.8 percent below last year's reduce library hours by 18.9 expenditures. The largest reduc­ percent. Last year the Thomas tion came in staffing where 1 980-81 1981-82 Difference Jefferson Library was open 87Yl S118,896.80 less was budgeted Expenditures hours a week. Under present for this year than was spent last Budget scheduling the library will be year. -$118,897 open 71 hours a week. The "We couldn't cut personnel Staff $758,628 $639,731 Education Library will also be and we did our best to retain the open only 71 hours a week. services we could," Krash said. "In order to continue to give full Materials $684,924 $ 640,000 - $44,924 "We are at the stage where services -while we are open we . we either have to cut hours or had to cut back on the hours." cut whole services out," Krash Operations $138,734 $99,237 -$39,497 Krash said that the money said. saved by reducing the hours Hardest hit by the reduction went toward adding staff to the w.ere the evening hours. Last Total $1,582,286 $1,378,968 -$203,318 day operations. "When you have year the library was open until dwindling resources, you need to 11pm, Monday-Thursday. This have full staffing," he said.
    [Show full text]
  • Current, September 03, 1981 University of Missouri-St
    University of Missouri, St. Louis IRL @ UMSL Current (1980s) Student Newspapers 9-3-1981 Current, September 03, 1981 University of Missouri-St. Louis Follow this and additional works at: http://irl.umsl.edu/current1980s Recommended Citation University of Missouri-St. Louis, "Current, September 03, 1981" (1981). Current (1980s). 43. http://irl.umsl.edu/current1980s/43 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1980s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. Sept. 3,1981 UNIVERSITY OF MISSOURI-SAINT LOUIS Issue 400 UMSL feels crunch Library hour cuts cause concern Lacey Burnette the evening college students the hardest. " Budget cuts have forced Li­ This year's library budget is Library Budget Comparison brary Director Ronald Krash to 12.8 percent below last year's reduce library hours by 18.9 expenditures. The largest reduc­ percent. Last year the Thomas tion came in staffing where 1 980-81 1981-82 Difference Jefferson Library was open 87Yl S118,896.80 less was budgeted Expenditures hours a week. Under present for this year than was spent last Budget scheduling the library will be year. -$118,897 open 71 hours a week. The "We couldn't cut personnel Staff $758,628 $639,731 Education Library will also be and we did our best to retain the open only 71 hours a week. services we could," Krash said. "In order to continue to give full Materials $684,924 $ 640,000 - $44,924 "We are at the stage where services -while we are open we .
    [Show full text]
  • Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings.
    [Show full text]
  • Carmen Mcrae Collection of Musical Arrangements and Other Materials
    Carmen McRae Collection of Musical Arrangements and Other Materials Guides to Special Collections in the Music Division of the Library of Congress Music Division, Library of Congress Washington, D.C. 2013 Revised 2017 February Contact information: http://hdl.loc.gov/loc.music/perform.contact Additional search options available at: http://hdl.loc.gov/loc.music/eadmus.mu013004 LC Online Catalog record: http://lccn.loc.gov/2012563814 Processed by the Music Division of the Library of Congress Collection Summary Title: Carmen McRae Collection of Musical Arrangements and Other Materials Span Dates: 1931-1993 Bulk Dates: (bulk 1950s-1970s) Call No.: ML31.M32 Creator: McRae, Carmen Extent: approximately 1,000 items ; 47 containers ; 20 linear feet Language: Collection material in English Location: Music Division, Library of Congress, Washington, D.C. Summary: Carmen Mercedes McRae (1920-1994) was an American jazz vocalist, pianist, composer, and recording artist. The papers chiefly contain musical arrangements and lead sheets for approximately 800 songs. While many of the arrangements include both full scores and parts, the majority are lead sheets or parts used for her small group performances. The papers also include a small amount of correspondence, photographs, song lists, program notes, and promotional materials. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Boland, Francy. Burns, Ralph. Carter, Benny. Clayton, John, 1952- Di Novi, Gene. Holman, Bill. Jones, Jimmy, 1918-1982. Jones, Thad.
    [Show full text]
  • Safaris to the Heart of All That Jazz
    Safaris to the heart of all that jazz.... JoniMitchell.com 2014 Biography Series by Mark Scott, Part 6 of 16 In January of 1974, Joni began an extensive tour of North America with the L.A. Express, wrapping up with three concerts at the New Victoria Theatre in London, England. The final concert at the New Victoria was videotaped and an edited version was broadcast on the BBC television program The Old Grey Whistle Test in November of 1974. Larry Carlton and Joe Sample were playing with The Crusaders at the time and both opted not to go on the road with Joni and the L.A. Express. Guitarist Robben Ford replaced Larry Carlton and Larry Nash filled in for Joe Sample on piano. In a 2011 interview for JoniMitchell.com, Max Bennett said that although the pay was good for this tour, the musicians could have made more money playing gigs in L.A. and doing session work in the recording studios. Max said that the musicians loved the music, however, and that they were treated royally in every way throughout the tour. Excellent food, first class accommodations, limousines, private buses and private planes were all provided for the band’s comfort. Max also made a point of mentioning the quality of the audiences that attended the concerts. Attention was focused on the performances so completely that practically complete silence reigned in the theaters and auditoriums until after the last note of any given song was performed. For Max Bennett, “As far as tours go - I've been on several tours - this was the epitome of any great tour I've ever been on.
    [Show full text]
  • Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor Saxophone Musical Vocabulary
    Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BOBBY HUTCHERSON NEA Jazz Master (2010) Interviewee: Bobby Hutcherson (January 27, 1941 – August 15, 2016) with his wife Rosemary Hutcherson Interviewer: Anthony Brown with recording engineer Ken Kimery Date: December 8-9, 2010 Repository: Archives Center, National Museum of American History Description: Transcript, 60 pp. Brown: Today is December 8th, 2010. Bobby Hutcherson: Oooo, December 8th. Brown: This is the Smithsonian NEA Jazz Oral History interview with Bobby Hutcherson in his home in Montero, California. Good afternoon, Bobby. Hutcherson: Good afternoon. Brown: It’s indeed a pleasure to be here, be in your home and be able to talk to you, one of my heroes for so many years, a fellow Californian. If we could just start by you stating your full name at birth and your birth place and birth date, please. Hutcherson: Robert Howard Hutcherson. I was born January 27, 1941, in Los Angeles, but I grew up in Pasadena, California. Brown: But you say you were born in Los Angeles. Hutcherson: Um-hmm. Brown: Is that where your parents were living at the time of your birth? For additional information contact the Archives Center at 202.633.3270 or [email protected] 1 Hutcherson: No. It was – they were living in Pasadena, but a lot of my relatives were living in Los Angeles, Watts and stuff like that. So it worked out, because they could be there. My mom had me very late in her life, in those days, and so it was better for my father to take my mother to the Los Angeles hospital, because he was – his work, he was a bricklayer.
    [Show full text]
  • Maria Callas Vásáry Tamás Joe Pass Kenny Garrett Jimi Hendrix Michael Jackson
    Maria Callas Vásáry Tamás Joe Pass Kenny Garrett Jimi Hendrix Michael Jackson i g m » ! m i i - * ‘ : MÁR TÖBB MINT 3 9 9 .9 9 9 i i I •I« BUDAPEST BADIO : S T E B E O t 1022 BUDAPEST, BIMBÓ ÚT 7. | FAX: 2 1 2 -4 9 6 8 | TELEFON: 2 1 2 -4 5 0 7 Takács Ágnes asszisztens Tel: 06-30418-016 Fax: 2 1 2 -4 7 8 2 Internet cím: http://www.bmc.hu/ gramofon.htm Amfisz Kft. Júniusi számunk címlapján - Kobayashi Ken-Ichiro után - ö n ismét egy nemzetközi hírű karmesterrel találkozhat. Fischer Iván, a Budapesti Fesztiválzenekar zeneigazgatója abból az alkalomból adott interjút a G ram ofonnak, hogy a Philips Classics Ivónyi Margó gondozásában megjelent az együttes Bartók zenekari m űveit tartalmazó album a, amely megítélésünk szerint a ’97-es év egyik Felelős kiadó figyelemre m éltó (sőt szenzációs) újdonsága a világ hanglemezpiacán. 1 0 2 5 Budapest Jazzrovatunk ékessége az az exkluzív interjú, amelyet a legendás zongorista-ze­ Mandula utca 31. neszerző, Dave Brubeck adott lapunknak, két nappal budapesti koncertje Tel./fax: 212-4782 után. Ezúton köszönjük meg az interjú létrejöttéhez nyújtott segítséget Bru­ beck kiadója, a Telarc magyarországi képviselőjének, Karsay Gyulának. A hónap interjúja: Fischer Iván 2 Terjeszti: Ugyancsak a jazzrovatban található a július 11-12-ei Budapest Jazz Days- Oldal Gábor: Kis magyar gramofonológia IV. 6 a Hírker Rt., az NHE, Hungarian Jazz Festival eseményeit beharangozó írásunk, valamint számos re­ a Kiadói Lapterjesztő Kft., cenzió a magyar jazzélet meghatározó személyiségeinek tollából. Antológia: Tallis: Jeremiás siralmai 8 és alternatív terjesztők.
    [Show full text]
  • Daily Iowan (Iowa City, Iowa), 1966-03-29
    ~"Mol Johnson Proposes Extremist Groups Plague Viet "Nom's Ky ~ "". Viet Nam brought much of the trouble upon thernaelves. Icram. Wh!dln, the nttam to YIlt Ham 01 aD outed ,...u. ~nar&TIM Foundatioll Plan I SAIGON _ Phmlo:-N'='eo.~ .."" .... '" n,. They expoaed a crack in the ruling group by expelling one of THI CItY HAl aiiN ItAIIiD for earl)' ...-aI eIeetiau Iu a · ,·major government crials belet by the twin problems that plagued the most powerful members, Lt. Gen. Npyen Cbanh Thi, com- eouutry wbeR at 1eut U JDaDf people .... UDdIr the caatrol 01 the mander of the lit Corps area, early tbia month. CommUDllta u .... aDder tile caatrol 01 tile __1IIDiIIIIl , I i ~'R , 0 eve op n la' :~ ~~I~~:m~ Lt. Gen. Nguyen Kbanb, the tw.o previoua strong T D I THI IXPlOSION AND THI controversy wltbJ.n the military Some aIItatan .... cumpIajaIq ... U.s. --- aIaaI the eout ENDS "RIDAY I d How can he keep extremiltl oU the streets and at the same that It caused gave .gitators and political opportllJliatl the dtanoe and fD the monntafDI • .".oa, that tho ~ baa IOld out WASHINGTON (Ai! - President I time retain the full backing of the all·powerful military junta? they wanted. to !.be AmericaDI. Johnson proposed Monday night HiI survival will depend upon a judicious use of power, per­ So far Ky baa CCIDCIBt.nad .. ~'- eaDIq'" public uaitJ. Long ltif1ed by Premier Ky'. stand against oppoaition, U­ • $SOO-mllJion foundation to pr0- suallon and tact, qualitia that bave never been prominent in Viet­ u.s .
    [Show full text]
  • The Complete Bobby Hutcherson Discography Compiled by Scott Mortensen • the Discography Is Album-Based, Rather Than Session-Based
    The Complete Bobby Hutcherson Discography Compiled by Scott Mortensen • The discography is album-based, rather than session-based. • Entries are listed chronologically, by recording date. (Hutcherson’s compilation albums appear at the end of the list.) • Entries with Hutcherson as a sideman are shaded gray. Hutcherson leader and co-leader entries are unshaded. • LP label and catalog information are for the original release. CD label and catalog information are for the most recent release. • If you notice any errors or omissions please contact me at [email protected]. I. Recordings as a Leader, Co-Leader, and Sideman Leader / Personnel / Label & Cat Nos. Tracks (Composers) Album Name Recording Date & Location Various Artists / LP: 1 Oatmeal - Les McCann Tracks 1 & 4: This Is The Blues, Vol.1 Pacific Jazz PJ 13 (McCann, Hutcherson) Bobby Hutcherson (vib); Curtis 2 Tellin' Em About It - Les McCann Amy (ts); Les McCann (p); Herbie CD: (McCann) Lewis (b); Ron Jefferson (d) Les McCann Ltd. In 3 This Is The Blues - Curtis Amy & New York (Pacific Jazz Paul Bryant (Amy) Late 1960 CDP-7-92929-2) [This 4 One More Hamhock Please - Los Angeles, CA CD includes the two Les McCann (Amy) cuts from This Is the 5 Red Shirt - Teddy Edwards Blues, Vol. 1 with BH] Septet (Edwards, Witherspoon) 6 Blowin' The Blues - Harold Land BH on tracks 1 & 4 & Jackie Davis (Davis, Wilson) Curtis Amy & Frank Butler LP: 1 Gone Into It (Amy) Curtis Amy (ts); Carmell Jones (tp); / Groovin’ Blue Pacific Jazz ST 19 2 Annsome (Amy) Bobby Hutcherson (vib); Frank 3 Bobbin’
    [Show full text]
  • Marvin Gaye the Complete Guide
    Marvin Gaye The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Sun, 01 Apr 2012 19:02:19 UTC Contents Articles Overview 1 Marvin Gaye 1 Discography 18 Marvin Gaye discography 18 Studio albums 25 The Soulful Moods of Marvin Gaye 25 That Stubborn Kinda Fellow 27 When I'm Alone I Cry 28 Hello Broadway 30 How Sweet It Is to Be Loved by You 31 A Tribute to the Great Nat "King" Cole 32 Moods of Marvin Gaye 34 I Heard It Through the Grapevine 36 M.P.G. 38 That's the Way Love Is 40 What's Going On 42 Let's Get It On 51 I Want You 62 Here, My Dear 71 In Our Lifetime 76 Midnight Love 81 Dream of a Lifetime 85 Romantically Yours 88 Vulnerable 89 Soundtrack albums 92 Trouble Man 92 Duet albums 95 Together 95 Take Two 97 United 98 You're All I Need 100 Easy 103 Diana & Marvin 105 Live albums 110 Marvin Gaye Recorded Live on Stage 110 Marvin Gaye Live! 111 Live at the London Palladium 113 Marvin Gaye at the Copa 118 Compilation albums 120 Greatest Hits 120 Greatest Hits, Vol. 2 122 Marvin Gaye and His Girls 123 Super Hits 125 Marvin Gaye and Tammi Terrell's Greatest Hits 126 Marvin Gaye's Greatest Hits 127 Motown Remembers Marvin Gaye: Never Before Released Masters 128 The Marvin Gaye Collection 129 The Norman Whitfield Sessions 132 The Very Best of Marvin Gaye 133 The Master 136 Anthology: Marvin Gaye 139 Marvin Gaye: The Love Songs 142 The Complete Duets 143 Associated albums 146 Irresistible 146 The Essential Collection 148 Tribute albums 150 Inner City Blues: The Music of Marvin Gaye 150 Tribute songs 151 "Missing You" 151 "Nightshift" 153 Singles 155 "Let Your Conscience Be Your Guide" 155 "Mr.
    [Show full text]
  • A 5 3 6 Music. a Thesis Submitted to the Faculty of San Francisco State
    THE LEGACY OF HORACE SILVER: A PEDAGOGICAL APPLICATION A thesis submitted to the faculty of San Francisco State University A 5 In partial fulfillment of 3 6 The Requirements for The Degree M usic. Master of Arts In Music: Music Education by Roy B. Brown San Francisco, California May 2017 Copyright Roy B. Brown 2017 CERTIFICATION OF APPROVAL I certify that I have read The Legacy o f Horace Silver: A Pedagogical Application by Roy B. Brown, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Music: Music Education at San Francisco State University. T)r. Dianthe Spencer Professor of Music, theater 1 Andrew Speigh1 Music Lecturer THE LEGACY OF HORACE SILVER: A PEDAGOGICAL APPLICATION Roy B. Brown San Francisco, California 2017 The contributions of Horace Silver (1928 - 2014) as pianist, composer, producer, and author, span over half a century of American modern jazz, and his pioneering of a musical style known as "hard bop" has had a significant impact on countless leading musicians in the field. His compositions alone have been performed and recorded to the point of becoming an indispensable part of every jazz musician's repertoire, making him an iconic figure in jazz history. The aim of this thesis is to explore Horace Silver's multi-dimensional career in order to demonstrate the necessity for designing a pedagogical model based on his musical work, to be considered for any music curriculum, jazz or otherwise. I certify that the Abstract is a correct representation of the content of this thesis.
    [Show full text]
  • Page 28 Page 1
    2$"* 5,/* ) 3 4 + ) 3 ) 3 ((78933 4 + 4 + :;8<(=> ."5$04 0613 +/$$* !"#$%&' !"#$%( ) 3 4 + (&?8933 (&?8933 :;8<;=> &;(33 :;8<;=> :78;7=> )*%+,,-%."**/$%.010)2 .$/CA+??(<D<DE?& *"0$A /B.A 0$)2A )4"@ 3"#$@0" 0,0"/ /"+$/AF3$B3,0,G@B21!E,%.$/$)0 51/$%@"3$A3#J+KKL+??(<D<DE?&8MNO 4$//,G +/")- @F3+$6%,5 ),/,6. +")- "601.0A3"6H1@%#"4$ P,+%CA !3. !3. 56,@0 010/$A06,F+/$%3"@A%;?02%"@@%*$/FI$%$*101,@ 0$3!/"0$A%F3#J)*J+,,-J."**/$JPF/??8MNQ ; .$!"6"0,6A F3#1J)*J+,,-J."**/$JPF/??8MNQ 2$"* 5,/* ) 3 4 + “The soundtrac! to Trouble Man is the music and feeling of the ’70s urban streets. It is simultaneously the epitome of cool and sensitivity. Marvin’s compositions for this film are among his finest wor!; they touch my soul every time I listen.” — Lenny Kravitz ) 3 ) 3 ((78933 4 + 4 + :;8<(=> Marvin Gaye’s Trouble Man is a largely forgotten masterpiece, overshadowed by his more celebrated releases from “What’s Going On” to “Sexual Healing.” It is a recording rich with history, fun! and refreshing experimentation. Four decades after ."5$04 0613 +/$$* the album’s release, its story can finally be told. !"#$%& !"#$%R ) 3 4 + (&?8933 (&?8933 :;8<;=> &;(33 :;8<;=> :78;7=> )*%+,,-%."**/$%.010)2 .$/CA+??(<D<DE?& *"0$A /B.A 0$)2A )4"@ 3"#$@0" 0,0"/ /"+$/AF3$B3,0,G@B21!E,%.$/$)0 51/$%@"3$A3#J+KKL+??(<D<DE?&8MNO 4$//,G +/")- @F3+$6%,5 ),/,6. +")- "601.0A3"6H1@%#"4$ P,+%CA !3. !3. 56,@0 010/$A06,F+/$%3"@A%;?02%"@@%*$/FI$%$*101,@ 0$3!/"0$A%F3#J)*J+,,-J."**/$JPF/??8MNQ ; .$!"6"0,6A F3#1J)*J+,,-J."**/$JPF/??8MNQ 2$"* 5,/* ) 3 4 + Marvin IT SEEMED INCONCEIVABLE DURING THE 1960s THAT MOTOWN RECORDS, A COMPANY DEEPLY ROOTED IN MICHIGAN, COULD EVER LEAVE ITS HOME Moves OF DETROIT.
    [Show full text]