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Genre Album Artist and Title Avantgarde Various - Linn SACD Sampler Various - Stay in Tune with Pentatone
Genre Album Artist and Title Avantgarde Various - Linn SACD Sampler Various - Stay in Tune with PentaTone Bluegrass Nickel Creek - This Side Nickel Creek - Nickel Creek Christmas Bach Collegium Japan - Verbum caro factum est Choir of St John's College, Cambridge/Challenger/Nethsingha - On Christmas Night Elena Fink, Le Quatuor Romantique - A Late Romantic Christmas Eve Le Quatuor Romantique - A Late Romantic Christmas Eve Oscar's Motet Choir - Cantate Domino Stile Antico - Puer natus est: Music for Advent and Christmas - Stile Antico Vox Aurea, Sanna Salminen - Matkalla jouluun / A Journey into Christmas Classical Aachen Symphony, Vocapella Choir - Verdi Missa da Requiem Academy of St Martin in the Fields, Marriner - Mozart: Clarinet Concert in A, KV 622 , Clarinet Quintet in A, KV 581 Academy of St Martin in the Fields, Marriner - The Art of the Fugue Angela Hewitt, ACO - Bach Keyboard Concertos Vol 2 Angela Hewitt, ACO - Bach Keyboard Concertos Vol1 Angela Hewitt, piano - J.-P Rameau: Suites Artur Pizarro - Chopin Piano Sonatas Artur Pizarro - Frederic Chopin Artur Pizarro, Scottish Chamber Orchestra - Beethoven Piano Concerto No.5 Artur Pizarro, Scottish Chamber Orchestra - Beethoven Piano Concertos No.3 & No.4 Atlanta Symphony Orchestra - Vaughan Williams: A Sea Symphony Brendel, SCO, Mackerras - Mozart: Piano Concertos K271 & K503 Cincinnati Pops Orchestra, Kunzel - A Celtic Spectacular Cincinnati Pops Orchestra, Kunzel - Tchaikovsky 1812 Donald Runnicles, Atlanta Symphony Orchestra and Chorus - Orff: Carmina Burana Dunedin Consort -
23 a 30 De Março Programa
SEMANA DO PIANO 23 a 30 de março programa 23 e 24 de março Masterclasse Luís Pipa Local: Conservatório de Música Calouste Gulbenkian de Braga A S e m a n a d o Pi a n o é u m a at i v i d a d e Os Concertos com Artur Pizarro e Pedro 25 e 26 de março desenvolvida numa parceria entre a Câmara Burmester trazem à cidade de Braga duas das Concurso Regional de Piano Local: Conservatório de Música Calouste Gulbenkian de Braga Municipal de Braga (CMB), pelouro da cultura, e maiores referências do piano em Portugal. O * 25 março | 21.30 horas o Conservatório de Música Calouste Gulbenkian concerto do Bruno Ferreira é o encontro Concerto Piano, Artur Pizarro de Braga (CMCGB), cujo objetivo é celebrar e marcado com um jovem talento, que foi prémio Local: Auditório Vita. Obras de: Chopin, Schumann; José Vianna da Motta, colocar o Piano no centro da atenção da cidade Conservatório na sua edição de 2014/15. Luís Costa e Claudio Carneyro. num convite à fruição de momentos excelentes A componente pedagógica, desta atividade, Entrada: 5 euros. para todos. convida os alunos de Música a usufruírem da 27 de março | 19 horas À volta do Piano Day, dia celebrado em todo o master classe do prof. Luís Pipa, que decorre Concerto Jovem talento- Piano, Bruno Ferreira prémio Conservatório ed. 2014-15. mundo ao 88º dia do ano, coincidindo com as 88 nos dois primeiros dias da semana do piano, e a Local: Conservatório de Música Calouste Gulbenkian de Braga Obras: R. -
BBC Four Programme Information
SOUND OF CINEMA: THE MUSIC THAT MADE THE MOVIES BBC Four Programme Information Neil Brand presenter and composer said, “It's so fantastic that the BBC, the biggest producer of music content, is showing how music works for films this autumn with Sound of Cinema. Film scores demand an extraordinary degree of both musicianship and dramatic understanding on the part of their composers. Whilst creating potent, original music to synchronise exactly with the images, composers are also making that music as discreet, accessible and communicative as possible, so that it can speak to each and every one of us. Film music demands the highest standards of its composers, the insight to 'see' what is needed and come up with something new and original. With my series and the other content across the BBC’s Sound of Cinema season I hope that people will hear more in their movies than they ever thought possible.” Part 1: The Big Score In the first episode of a new series celebrating film music for BBC Four as part of a wider Sound of Cinema Season on the BBC, Neil Brand explores how the classic orchestral film score emerged and why it’s still going strong today. Neil begins by analysing John Barry's title music for the 1965 thriller The Ipcress File. Demonstrating how Barry incorporated the sounds of east European instruments and even a coffee grinder to capture a down at heel Cold War feel, Neil highlights how a great composer can add a whole new dimension to film. Music has been inextricably linked with cinema even since the days of the "silent era", when movie houses employed accompanists ranging from pianists to small orchestras. -
TRINITY COLLEGE Cambridge Trinity College Cambridge College Trinity Annual Record Annual
2016 TRINITY COLLEGE cambridge trinity college cambridge annual record annual record 2016 Trinity College Cambridge Annual Record 2015–2016 Trinity College Cambridge CB2 1TQ Telephone: 01223 338400 e-mail: [email protected] website: www.trin.cam.ac.uk Contents 5 Editorial 11 Commemoration 12 Chapel Address 15 The Health of the College 18 The Master’s Response on Behalf of the College 25 Alumni Relations & Development 26 Alumni Relations and Associations 37 Dining Privileges 38 Annual Gatherings 39 Alumni Achievements CONTENTS 44 Donations to the College Library 47 College Activities 48 First & Third Trinity Boat Club 53 Field Clubs 71 Students’ Union and Societies 80 College Choir 83 Features 84 Hermes 86 Inside a Pirate’s Cookbook 93 “… Through a Glass Darkly…” 102 Robert Smith, John Harrison, and a College Clock 109 ‘We need to talk about Erskine’ 117 My time as advisor to the BBC’s War and Peace TRINITY ANNUAL RECORD 2016 | 3 123 Fellows, Staff, and Students 124 The Master and Fellows 139 Appointments and Distinctions 141 In Memoriam 155 A Ninetieth Birthday Speech 158 An Eightieth Birthday Speech 167 College Notes 181 The Register 182 In Memoriam 186 Addresses wanted CONTENTS TRINITY ANNUAL RECORD 2016 | 4 Editorial It is with some trepidation that I step into Boyd Hilton’s shoes and take on the editorship of this journal. He managed the transition to ‘glossy’ with flair and panache. As historian of the College and sometime holder of many of its working offices, he also brought a knowledge of its past and an understanding of its mysteries that I am unable to match. -
Elisenda Fábregas
ELISENDA FÁBREGAS [email protected] www.efabregas.com Korea mobile (010-9406-9362 US (212) 781- 2398 Catalunya (34) 691-479477 Address: 824-12 Yeoksam, Gangnam, Megacity Officetel, 4th Floor, Apart. 401 Seoul, South Korea 135-080 EDUCATION IN MUSIC D.M.A. in Music Composition, Peabody Institute of John Hopkins University, Baltimore, MD 2011 Teachers: Christopher Theofanidis, Kevin Puts, Elam R. Sprenkle, Thomas Benjamin. Dissertation: Concerto for Cello and Orchestra. Commentary: The Influence of Mstislav Rostropovich on Benjamin Britten’s Solo Cello Suites, Ed.D. Education Doctorate, Teachers College, Columbia University, New York, 1992 Focus on Music psychology, Piano pedagogy and Music Technology. Dr. Harold Abeles (chair), Dr. Robert Pace, Dissertation: “How to Design and Implement an Electronic Music Program in a Community Music School in New York City” Master and Bachelor of Music in Piano Performance, The Juilliard School, New York 1983 Teachers: Beveridge Webster, Joseph Raieff, Samuel Sanders. *Profesora Superior de Música Conservatorio Superior Municipal de Barcelona, Spain 1978 Courses taken: Piano (10 years), Solfege (6 years), Theory (6 years), Harmony (4 years), Baroque counterpoint, Form, Accompanying, Applied Keyboard Harmony (2 years), Piano Pedagogy, Music History, Aesthetics, Acoustics, and Practical Teacher Training. • (Equivalent to Doctorate and the highest degree given in piano performance in Spain.) TEACHING EXPERIENCE Visiting Professor of Music February 2013-present Kyung Hee University Humanitas College Global -
Bbc Radio 3 - Sounds of Shakespeare April – May 2016
BBC RADIO 3 - SOUNDS OF SHAKESPEARE APRIL – MAY 2016 MONDAY 18TH – FRIDAY 22ND APRIL Essential Classics Monday 18th - Friday 22nd April 0900 - 1200 In the week leading up to the Shakespeare 400 anniversary, the guest on Radio 3’s morning programme is Adrian Lester OBE, acclaimed for his performances as Henry V and Othello at the National Theatre – winning the Evening Standard Best Actor award. He’ll talk about Shakespeare, his life as an actor and choose some fascinating music. Producer: Sarah Devonald, Somethin’Else Composer of the Week Monday 18th - Friday 22nd April 1200 – 1300 William Byrd There is frustratingly little evidence that William Byrd was personally acquainted with his fellow Elizabethan, William Shakespeare. Although, a tantalising reference to “the bird of loudest lay” in Shakespeare’s sonnet, The Phoenix and the Turtle hints that they may have been more than mere contemporaries. As a Roman Catholic in Elizabethan England, William Byrd was persecuted by the state and often forced to tread a dangerous path between his personal convictions and his duty to the Queen. His musical talent and his strength of character enabled him not just to survive, but thrive. Despite his trials, he was, and continues to be, celebrated as the greatest British musician of his age. SOUNDS OF SHAKESPEARE LIVE 22nd – 24th April, Stratford-upon-Avon Radio 3 broadcasts live all weekend from its pop-up studio at the Royal Shakespeare Company’s The Other Place theatre in Stratford-upon-Avon and at venues across the town. Actors, musicians, poets, singers and orchestras perform a huge range of songs, film scores, jazz, chamber music, choral works and world music - all inspired by Shakespeare's works. -
London's Symphony Orchestra
London Symphony Orchestra Living Music London’s Symphony Orchestra Celebrating LSO Members with 20+ years’ service. Visit lso.co.uk/1617photos for a full list. LSO Season 2016/17 Free concert programme London Symphony Orchestra LSO ST LUKE’S BBC RADIO 3 LUNCHTIME CONCERTS – AUTUMN 2016 MOZART & TCHAIKOVSKY LAWRENCE POWER & FRIENDS Ten musicians explore Tchaikovsky and his The violist is joined by some of his closest musical love of Mozart, through songs, piano trios, collaborators for a series that celebrates the string quartets and solo piano music. instrument as chamber music star, with works by with Pavel Kolesnikov, Sitkovetsky Piano Trio, Brahms, Schubert, Bach, Beethoven and others. Robin Tritschler, Iain Burnside & with Simon Crawford-Phillips, Paul Watkins, Ehnes String Quartet Vilde Frang, Nicolas Altstaedt & Vertavo Quartet For full listings visit lso.co.uk/lunchtimeconcerts London Symphony Orchestra Living Music Monday 19 September 2016 7.30pm Barbican Hall LSO ARTIST PORTRAIT Leif Ove Andsnes Beethoven Piano Sonata No 18 (‘The Hunt’) Sibelius Impromptus Op 5 Nos 5 and 6; Rondino Op 68 No 2; Elegiaco Op 76 No 10; Commodo from ‘Kyllikki‘ Op 41; Romance Op 24 No 9 INTERVAL Debussy Estampes Chopin Ballade No 2 in F major; Nocturne in F major; Ballade No 4 in F minor Leif Ove Andsnes piano Concert finishes at approximately 9.25pm 4 Welcome 19 September 2016 Welcome Kathryn McDowell Welcome to this evening’s concert at the Barbican Centre, where the LSO is delighted to welcome back Leif Ove Andsnes to perform a solo recital, and conclude the critically acclaimed LSO Artist Portrait series that he began with us last season. -
Raising Funds for Hft; Supporting People with Learning Disabilities and Autism to Live the Best Life Possible
Programme 2020 HRH The Princess Royal The Choir of Magdalen College, Oxford conducted by Mark Williams Juliet Stevenson CBE Michael Pennington Annabel Giles Special appearances from Hft’s own performers Raising funds for Hft; supporting people with learning disabilities and autism to live the best life possible hft.org.uk | Registered charity no. 313069 Company registered in England No. 734984 Sponsored by: sponsors Hft’s Winter Warmer 2020 Urenco is a global organisation, with sites in the UK, Germany, the Netherlands and the USA. Our core business is enriching uranium to provide sustainable energy to the world through civil nuclear power generation. Sustainability is integral to everything we do and as part of this we are committed to supporting the communities in which we operate. Across Urenco, we provide both financial and practical support to community organisations which are focused on education, the environment, healthy living and culture. Urenco has been marking the 50th anniversary of its founding treaty being signed by donating to a variety of local charities at each of its locations. Laurent Odeh, Chief Commercial Officer for Urenco said: Our success over the past 50 years is based on our strong relationships with a wide variety of trusted partners. Our local communities are one of our most valued stakeholders and that is why we wanted to celebrate this milestone by making a contribution to worthwhile initiatives around our sites. We are delighted to support Hft for the important part you are playing to help make a huge difference to people with learning disabilities in this most difficult of years.” 2 Her Royal Highness The Princess Royal As patron of Hft, I am pleased to welcome you all to this Winter Warmer celebration. -
Download Programme
Programme Mozart: Die Zauberflöte Overture (The Magic Flute) Beethoven: Piano Concerto No. 4 in G major -- Interval -- Brahms: Symphony No. 2 in D major Soloists Aya Kawabata was born in Tokyo. From 1989 to 1991 she lived in England and studied at the Junior Guildhall School of Music with Joan Havill. In 1997 she was offered a place at the Tokyo Metropolitan High School of Music and Arts to study for three years during which time she studied with Professor Teruji Karashima and was awarded a silver medal in the Japan Classical Competition. In 2001 she came back to England to study at the Royal Academy of Music and completed a Bachelor of Music degree with First Class Honours in 2005. She studied with Ian Fountain and Diana Ketler, and was invited to play in master classes with Alexander Satz, Petras Geniusas and Emanuel Krasovsky. During her time at the Academy, she was awarded the Blakiston Prize (Highly Commended), the Mathew Philimore Prize (Winner), the George Award (Winner), the Leslie England Prize (Very Highly Commended), the Wilfred Parry Prize (Very Highly Commended), the Maud Hornsby Award (Winner), and the Peter Latham Gift (Winner) for her performances, and also was awarded a bursary award for her studies. She has taken master classes with Armen Babakhanian, Andrew Ball, Christopher Elton, Ruth Harte, John Lill, Artur Pizarro, and Veronika Vitaitė in various festivals, and has performed extensively in England – London (including performances as a soloist with orchestras), Cambridge, Leeds, Salisbury, and Bristol – and also in Scotland, Austria, France, Italy, Lithuania, Latvia, Kazakhstan (broadcast live on Kazakh TV and satellite), Turkey (filming for NHK), and Japan. -
BT Archives British Phone Books
January 2013 British Phone Books BT Archives maintains a near complete collection of original phone books for the United Kingdom from 1880, the year after the public telephone service was introduced into the UK. It also holds phone books for Southern Ireland until 1921 and the creation of Eire as a separate state. The collection contains phone books produced by BT and by the predecessor organisations from which BT is directly descended, including Post Office Telecommunications and private telephone companies. The phone books reflect the development of the NTC Phone Book, Yorkshire District, telephone service in the UK, covering exclusively January 1888 (TPF/1/3) London when the telephone was first available; they gradually expand to include major provincial centres and are ultimately nationwide. Preservation of the damage to the originals, the collection collection up to 1992 was microfilmed. BT Archives holds Phone books were not intended the phone book on microfiche to be retained permanently, or for 1993-2000 so access to all even beyond their current phone books from their creation status, with old phone books in 1880 to 2000 is through returned to be pulped for re- microfilm (reels) or microfiche use. This was particularly (sheets) in BT Archives important during the war and searchroom, greatly assisting immediate post-war period preservation of the originals. because of a shortage of paper. A 26-month digitisation project The paper used in their was completed in conjunction production was also of poor with Ancestry.co.uk to scan the quality. As a result many of the phone books from 1880 to 1984 earlier phone books are in a and make them available online fragile condition, and have to through a subscription service. -
Proquest Dissertations
The use of the glissando in piano solo and concerto compositions from Domenico Scarlatti to George Crumb Item Type text; Dissertation-Reproduction (electronic) Authors Lin, Shuennchin Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 08:04:22 Link to Item http://hdl.handle.net/10150/288715 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI fihns the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fice, whfle others may be from any type of computer primer. The qaality^ of this rqirodnctioii is dependent upon the quality of the copy sabmitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and hnproper alignmem can adverse^ affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., nu^s, drawings, charts) are reproduced by sectioning the original, b^inning at the upper left-hand comer and continuing fi'om left to right m equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. -
Naxcat2005 ABRIDGED VERSION
CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system.